298 results for "punk"

"Cate Blanchett" Photography 30 x 24 in Edition of 50 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the artist Kate Garn...

"Milla pink blue Uke" Photography 29" × 20" in Edition 2/20 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the artist Not ...

"Twin Kate Moss on Pink" Photography 40 x 36.5 in Edition 2/25 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the artist ...

Archival pigment print Edition 2/5 +2AP MAKiNG iT: the Seattle indie scene, 1992-2008 MAKiNG iT is a celluloid recording of the music scene in Seattle between 1992 and 2008. A sto...

Archival pigment print - Hahnemühle photo rag Size: 33 x48 cm, Edition of 5 +2AP, MAKiNG iT: the Seattle indie scene, 1992-2008 MAKiNG iT is a celluloid recording of the music sce...

Archival pigment print Edition 1/5 +2AP MAKiNG iT: the Seattle indie scene, 1992-2008 MAKiNG iT is a celluloid recording of the music scene in Seattle between 1992 and 2008. A sto...

Archival pigment print Edition 1/5 +2AP MAKiNG iT: the Seattle indie scene, 1992-2008 MAKiNG iT is a celluloid recording of the music scene in Seattle between 1992 and 2008. A sto...

INTERPOL, 2005 Archival pigment print - Hahnemühle photo rag Size: 91.5 x 61 cm, Edition of 3 + 2AP MAKiNG iT: the Seattle indie scene, 1992-2008 MAKiNG iT is a celluloid recording...

MOBY, 1999 Archival pigment print - Hahnemühle photo rag Size: 76 x 91.5 cm, Edition of 3 + 2AP, MAKiNG iT: the Seattle indie scene, 1992-2008 MAKiNG iT is a celluloid recording ...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon Medium: Newspaper mag...

The 'Andy Warhol American Flag' is an archival pigment black and white photographic print on paper, an exclusive photograph of the beloved pop-art icon Andy Warhol, created by Christ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Woman (with Chinese Fan). This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Jewels. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Beachball. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Column. This one is hand signed and dated verso. Seasons explores the seasons ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: TV Gyroscope. This one is hand signed and dated verso. Seasons explores the se...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Fruits. This one is hand signed and dated verso. Seasons explores the seasons ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Clock. This one is not hand signed although the rest in the portfolio were. (i...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Star. This one is hand signed and dated verso. Seasons explores the seasons of Man, W...

Fernando Natalici, Anya Phillips New York City, 1977: Mudd Club co-founder and seminal Downtown art scene legend, Anya Phillips, photographed in between ...

Mixed Media on Canvas featuring the inimitable Sid Vicious from the famed punk rock band The Sex Pistols. Photographed by the artist himself. About the Artist: Steve Joester is...

Fernando Natalici: John Waters Baltimore, 1985: John Waters was born in 1946 in Baltimore, where he continues to live and work. Exhibitions include the Wex...

Mixed Media using the photos of the infamous Sid Vicious of the famed punk rock band, The Sex Pistols. Shot in London. Photographed by Joester himself. Spray paint and oils ad...

Fernando Natalici: "Mali Dust" location: Gao, Mali, Africa - 2003 Resin Coated photo paper. Hand Toned Sepia; shot with TRIX film 11x14 inches Some minor surface dimples; otherwise ...

"Milla pinkyellow Uke" Photography 29" × 20" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Comes with COA issued by the artist Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

"Sinead Blurred Red Dress" Photography 40 x 30 in Edition of 50 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the artist ...

"Kate Moss & Friend 2" Photography 24 x 20 in Edition of 100 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the artist Ka...

"Bowery Boys" Photograph 40" x 56" inch Edition 1/1 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the artist Kate Garner...

"Sid Vicious Arrest" black and white photograph by Allan Tannenbaum. Image size: 9 x 13 inches. The text to the right of the photo reads: "Sid Vicious New York City 1978. At about 11 a.m. on October 12, 1978, the desk clerk at the Chelsea Hotel in New York City received a call from outside the hotel. A man, who did not identify himself, told the clerk, 'There's trouble in room 100.' The desk clerk called for an ambulance which arrived with a police escort. After the paramedics confirmed the woman was dead, police checked the room and found drugs and drug paraphernalia as well as a blood-stained Jaguar K-11 folding knife with a five-inch blade and a black jaguar carved into the handle. The couple had registered as Mr. and Mrs. John Ritchie, though they were not married. Simon John Ritchie was the man's real name, better known as Sid Vicious, punk superstar and former bass player for the infamous British band, The Sex Pistols. His deceased companion's name was Nancy Spungen. 'I stabbed her, but I didn't mean to kill her!' He was also heard muttering through his tears, 'She must have fallen...

Digital C-print (Edition of 15) Stamped, numbered, and inscribed in black ink, verso Born in Zurich 1921, Karlheinz Weinberger is a photographer best known for his portraits encapsu...

Sid Vicious on stage with punk rock band Vicious White Kids (Sid Vicious, Glen Matlock, Steve New and Rat Scabies), the Electric Ballroom, Camden, London, ...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977 for the Easter album cover. Lynn Goldsmith only produces 20 prints of ...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977. This stunning portrait appeared on the cove...

Untitled (Jonathan) [Portrait of Jack Pierson], Photograph by Mark Morrisroe 1978/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x 3.25 i...

Untitled (Lynelle), black and white photograph by Mark Morrisroe Untitled (Lynelle) 1986/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x...

Untitled (Lynelle, Close-up) 1985/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x 3.25 inches, plate Contact gallery for price. “Mark w...

Vintage chromogenic print (negative sandwich) (Edition of 12) Estate stamp in black ink, verso 16 x 15.75 inches, sheet 12.5 x 12.5 inches, image This artwork is offered by ClampAr...

Toned gelatin silver print (Edition of 12) Signed and dated, verso 20 x 16 inches, sheet 19.5 x 13.5 inches, image This artwork is offered by ClampArt, located in New York City. “...

Vintage chromogenic print (negative sandwich) (Edition of 12) Estate stamp in black ink, verso 20 x 16 inches, sheet 12.5 x 12.5 inches, image This artwork is offered by ClampArt, ...

Vintage chromogenic print Estate stamp in black ink, verso 16 x 17 inches, sheet 15.5 x 15.5 inches, image This artwork is offered by ClampArt, located in New York City. “Mark was...

Vintage chromogenic print (negative sandwich) Estate stamp in black ink, verso 14 x 11 inches, sheet 11.75 x 10.5 inches, image This artwork is offered by ClampArt, located in New ...

Vintage chromogenic print (negative sandwich) retouched with ink (Edition of 12) Estate stamp in black ink, verso 20 x 16 inches, sheet 18 x 12 inches, image This artwork is offere...

Vintage chromogenic print (negative sandwich) (Edition of 12) Estate stamp in black ink, verso This artwork is offered by ClampArt, located in New York City. “Mark was an outlaw on...

Vintage Polaroid print (Unique) Estate stamp in black ink, verso 4.25 x 3.5 inches, sheet This artwork is offered by ClampArt, located in New...

Vintage Polaroid print (Unique) Estate stamp in black ink, verso 4.25 x 3.5 inches, sheet This artwork is offered by ClampArt, located in New...

Photogravure (Edition of 46) Editioned in pencil, verso 16 x 11 inches, sheet 4.25 x 3.25 inches, plate This artwork is offered by ClampArt, located in New York City. “Mark was an...

Photogravure (Edition of 46) Editioned in pencil, verso 16 x 11 inches, sheet 4.25 x 3.25 inches, plate This artwork is offered by ClampArt, located in New York City. “Mark was an...

A black and white picture of two men Untitled (Stephen and Jonathan) [Portrait of Stephen Tashjian and Jack Pierson]. 1979/1996 Editioned in pencil, verso Photogravure (Edition o...

Vintage chromogenic print (negative sandwich) retouched with ink (Edition of 12) Estate stamp in black ink, verso Also numbered in black ink, l.r. 16 x 20 inches, sheet 12.75 x 19.5...

Untitled (View from Jersey City Apartment), Black and White Photograph by Mark Morrisroe 1986/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977. "She loved Vogue magazine, especially the ...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977. "She loved Vogue magazine, especially the French version. Even though...

A black and white self portrait by Mark Morrisroe printed as a photogravure in 1996. Self Portrait 1980/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inche...

Vintage selenium-toned gelatin silver print Signed, dated, and numbered, recto 20 x 16 inches, sheet 18 x 12 inches, image This artwork is offered by ClampArt, located in New York City. Megan “Montana” Smith first met Mark Morrisroe...

Vintage gelatin silver print Signed, dated, and numbered, recto 16 x 20 inches, sheet 12 x 18 inches, image This artwork is offered by ClampArt, located in New York City. Megan “Montana” Smith first met Mark Morrisroe...

'Eurythmics' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Portrait of Generation X. Photograph by Gered Mankowitz, Generation X, London 1978. All Prints are Signed and Limit...

'Generation X' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Silver gelatin print - signed and numbered and stamped on the face of the print in the border below the image. LARGE 20 x 20" inches / 51 x 51 cm Before Billy Idol...

'Generation X' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Silver gelatin print - signed and numbered and stamped on the face of the print in the border below the image. LARGE 20 x 20" inches / 51 x 51 cm Before Billy Idol...