6,459 results for "hollywood"

C. Z. Guest 1955 - Slim Aarons Estate Stamped American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 – 2003) with a Great Dane at her ocean-front estate, Villa Artemis, ...

Edition 10, Printed Later Signed on a separate certificate Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of actor Heath Ledger...

Bianca Volpato (1958) Limited Estate Stamped (Photo By Slim Aarons) Bianca Volpato poses in front of the Temple of Love on the island of Capri, Italy, 1958. Additional Informa...

'Mustique' March 1973: Linda Ashland relaxes in a beach hammock on the island of Mustique in the Grenadines. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Ed...

Pool At Lake Tahoe (1959) Limited Estate Stamped (Photo By Slim Aarons) Bathers by a pool on the shore of Lake Tahoe, California, 1959. Additional Information: Unframed Pape...

Blowin' In The Wind III (The Last Picture Show) - 2002, 38x37cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature ...

Dolores Guinness in Porto Cervo (1965) Limited Estate Stamped - Giant (Photo by Slim Aarons) German-born socialite Dolores Guinness (1936 – 2012) in Porto Cervo on the Costa Smere...

In SHE TELLS ALL, Kaur engages questions of identity performance by exploring an ever-present and wildly diverse American identity: the modern American witch. Witches are contemporar...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 40 x 50 Edition of 12. Signed b...

'Skiing In Gstaad' L-R; Christine Camerana, Caroline Stoop, and Christine Semenenko Warrender prepare for a day on the slopes in Gstaad, Switzerland, February 1977 40 x 30" inches...

Christmas Traffic 1953 - Slim Aarons Estate Stamped Red and white automobile lights on Park Avenue, New York at Christmas time. The rear and headlights at nighttime give the appeara...

In SHE TELLS ALL, Kaur engages questions of identity performance by exploring an ever-present and wildly diverse American identity: the modern American witch. Witches are contemporar...

Backstage At La Scala (1948) Limited Estate Stamped (Photo By Slim Aarons) A chorus girl reads a movie magazine in a dressing room at La Scala opera house, Milan, November 1948....

Andros Island (1957) Limited Estate Stamped (Photo By Slim Aarons) Marsha Gayle of Paris enjoys a deserted beach near Calabash Bay, Andros, Bahamas, 1957. Additional Informat...

This is a contemporary photograph of an African Lion shot by Shane Russeck Edition of 10 Signed and numbered Printed on archival luster paper. Shane Russeck has built a reputatio...

Dolores Guinness German-born socialite Dolores Guinness (1936 – 2012) in Porto Cervo on the Costa Smerelda, Sardinia, 1965. 20 x 20" - paper size Estate Stamped Collection Edit...

Bermudan Hostess (1957) Limited Estate Stamped (Photo By Slim Aarons) Polly Trott Hornburg in front of her father’s typical Bermudian house. She is wearing her own design of Tha...

Pussyfooting (1958) Limited Estate Stamped (Photo By Slim Aarons) Actress Dee Hartford, the wife of film producer Howard Hawks, sips a Pussyfoot – a mixture of Jamaican fruit ju...

Dolores Guinness Dolores Guinness catches the sun’s last rays in Costa Smerelda, Sardinia, 1965. 20 x 20" - paper size Estate Stamped Collection Edition to 150 Photo by Slim ...

Greta Garbo "Her Rise And Fall #2" - 1931 Photograph by Clarence Sinclair Bull A black and white photograph by Clarence Sinclair Bull (American, 1896-1979), matte finish, double-weight paper, depicting a 1931 shot of Swedish/American actress Greta Garbo (Swedish, 1905-1990) on the set of the film Susan Lenox (Her Fall And Rise) directed by Robert Z. Leonard. Greta Garbo poses in a hat, her hand resting on her face, while gazing into the camera. Printed decades later from the original negative, penciled in the lower left corner "A.P.," Estate stamped and blind embossed in the lower right corner "Clarence Sinclair Bull," further blind embossed in same corner "The Kobal / Collection," on verso with the photographer's black ink credit stamp and with "Edward Weston" black ink credit stamps dated "1981" and "1992," originally from the John Kobal Collection. Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Clarence Sinclair Bull was born in Sun River, Montana, in 1896. His career began when Samuel Goldwyn hired him in 1920 to photograph publicity stills of the Metro-Goldwyn-Mayer film studio's stars. He is most famous for his photographs of Greta Garbo, taken between 1926 and 1941. Bull's first portrait of Garbo was a costume study for the silent romantic drama film Flesh and the Devil in September 1926. Bull was able to study with the great Western painter...

'Surfing Brothers' 1965 Slim Aarons Limited Estate Edition Print circa 1965: Freddie and Howard Cushing surfing with friends at Bailey's Beach (the Spouting Rock Beach Association)...

This is a contemporary photograph of a North American Cougar. 40x60 Unsigned Print Printed using only archival papers and inks. UV Coated FREE SHIPPING WITHIN THE US Shane Russec...

Family Pool (1960) - Limited Estate Stamped (Photo By Slim Aarons) Mrs A Watson Armour III (Jean Schweppe) with friends and family enjoying the pool on their estate at Lake F...

'Laguna Beach' Surfers outside a beach hut in Laguna Beach, California, January 1970. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo...

Untitled (Fairytales) - 2006, 48x59cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certi...

Grizzly Bear Portrait An rare look into the eyse of an apex predator 36x48 Edition of 12. Signed by Shane. Printed on archival paper and using archival inks Framing available. In...

This is a contemporary photograph of an American Bald Eagle 36x48 Edition of 12. Signed and numbered. Printed on archival paper and using archival inks. Framing available. Inquire ...

This rich, vibrant Slim Aarons Estate Edition photograph depicts a swimming pool at the glamorous Villa Igiea, in the Sicilian cultural, economic and tourism capital of Palermo, on t...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

High Desert (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Numbe...

Hidden Valley (Till Death Do Us Part) - 2005 78x77cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Signature label and Certificate. artist Inventor...

Antigua Beach Club (1960) Limited Estate Stamped (Photo By Slim Aarons) The beach club at the Mill Reef Club on Antigua in the West Indies, 1960. Addi...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Henley Regatta Free mooring at the Angel Hotel at Henley-on-Thames on the River Thames, during the Henley Regatta, 1955. 20 x 24" - paper size Estate Stamped Collection Edition...

This is a contemporary photograph of an African Lion. 40x60 Unsigned Archival Pigment print. Framing available. Inquire for rates. FREE SHIPPING Shane Russeck has built a reputa...

Saint-Tropez Beach 1977 - Slim Aarons Estate Stamped Sunbathers on the beach at St. Tropez, France, 1977. 20 x 24" inches / 51 x 61 cm paper size Estate Stamped Collection Editio...

Al Fresco Tea (1961) Limited Estate Stamped (Photo By Slim Aarons) Colonel Dimitris Levidis enjoying a meal in the fresh air at Harvati with his wife and son, July 1961. Add...

Capri Tan 1968 - Slim Aarons Estate Stamped 1968, A kneeling sunbather shows off her rings and pendant on a beach in Capri, Italy. 30 x 20" inches / 76 x 51 cm paper size Estate ...

On the Sugarbush Slopes 1960 - Slim Aarons Estate Stamped A group of people sit relaxing in a chalet on the slopes of the Sugarbush Mountain ski resort, one of the largest ski resor...

Rita Aarons, wife of photographer Slim Aarons, swimming in a pool festooned with floating baubles and a decorated Christmas tree, Hollywood, California, 1954. Two children play in th...

'Scotti's Yacht' Guests onboard Italian Count Hannibal Scotti's yacht, 'Scotland Cay', Monte Carlo harbour, Monaco, August 1981. 40 x 30" inches / 101 x 76 cm paper size Estat...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Bettina Graziani French fashion model Bettina Graziani wading in the shallow waters of Costa Smeralda, pulling a small yacht behind her, in Sardinia, Italy, 1964. 20 x 20" - pape...

On the left film star Audrey Hepburn (1929 - 1993) talks with Mrs Grover Magnin (centre) and another guest at a party in San Francisco, 1953. The beautiful and fashionable movie star and style icon dressed in her eponymous look; all in black with elegant white gloves joins Mrs Grover Magnin who wears an all white long gown...

Driving - Henry's Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2498 Not mo...

Fish (Stay) - 2006, 20x24cm, Edition 4/5. Archival C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid. Signature label and cer...

Mind Screen (Last Picture Show), 2005, Edition 2/10, digital C-Print based on a Polaroid, Certificate and Signature label included artist Inventory Nr. 1043.11 not mounted LIFE’...

'Il Pellicano Beach' A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. 40 x 30" inches / 101 x 76 cm paper size Estate...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Curling Heinrich Dite and Leonie Heller play a variety of curling in Lech, Austria. 20 x 20" - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printe...

Sunbathing In Capri 1974 - Slim Aarons Estate Edition Sunbathers by a swimming pool in Capri, Italy, August 1974 60 x 40" inches / 152 x 101 cm paper size Estate Stamped Collecti...

Bad Luck Gloria 2nd April 1951: American actor Jose Ferrer (1912 – 1992) commiserates with Gloria Swanson after losing out in the contest for the Best Actress oscar, while the winner, Judy Holliday...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Miles ALDRIDGE (*1964, Great Britain) Immaculée #4, 2007 Chromogenic print Image 102.5 x 152.5 cm (40 1/2 x 60 in.) Sheet 114.8 x 164.4 cm (45 1/4 x 64 3/4 in.) Edition of 6, plus 2 ...

George Platt Lynes 1948 Photograph #14 of George Balanchine’s Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950...

MILES ALDRIDGE (*1964, Great Britain) A Dazzling Beauty #3 2008 Chromogenic print Image 101 x 152.5 cm (39 3/4 x 60 in.) Sheet 113 x 164.5 cm (44 1/2 x 64 3/4 in.) Edition of 3 plus 2 AP; Ed. no. 1/3 Print only A fiercely original photographer, Miles Aldridge (*1964, Great Britain) is best known for the technicolor dream-like worlds he creates and the glamorous, beautiful women who inhabit them. Aldridge creates ultra-cinematic images, drawing inspiration from film directors such as David Lynch and Federico Fellini as well as the psychedelic graphic design of his father, Alan Aldridge. Staged to perfection the stars of Aldridge’s surrealistic stories and technicolour dream-like worlds are glamorous, beautiful women. He captures his subjects in a state of dramatic contemplation, making them more complicated and intriguing than simply beautiful. The women’s immaculate appearance and blank expression leave room for interpretation and, like a mirror for Aldridge’s works at large, hint with a touch of dark humour at the perfected façade of fashion’s glamour and the need for idealised beauty. Moreover, his works are characterized by vivid, fluorescent colours as well as the Hollywood lighting and perfectionist attention to detail. His works are part of renowned museum collections, such as the National Portrait Gallery in London, the Victoria and Albert Museum in London, and the International Center of Photography in New York. – Miles Aldridge, Fashion, Women, Glamour, Colour, Model, Erotic, People, Red Lips, Nude, Game, Play, Pool Billard...

Leonard Dalsemer Leonard Dalsemer and his family at their villa in Lyford Cay, New Providence Island, April 1974. Paper size 40 x 30 inches / 101 x 76 cm Estate Stamped Collect...

This is a contemporary black and white photograph of an African Lion by Shane Russeck. 36x48 edition of 12 Signed and numbered Printed on archival paper and using archival inks Fra...

Dolores Guinness German-born socialite Dolores Guinness (1936 – 2012) in the Costa Smeralda, Sardinia, 1965 Gorgeous print measuring 20 x 20" inche...

This fine art print features actress and model Jane March, posed topless on the rooftop of the Hotel Le Bristol in Paris in 1992. This risqué iconic b...