1,159 results for "surrealism"

This geometrical turquoise composition creates movement with black origami bunnies surrounding a woman in black. This was shot on location in Paris. This is a limited edition color p...

This limited edition color photograph "Goodbye / Hello" features a woman in a yellow coat and origami in a surreal situation. Number 1 of 8 is currently available in a dark-grey vene...

Val Telberg was a Surrealist-influenced photomontagist who famously collaborated with Anais Nin. Mr. Telberg was born of Finnish-Russian parents in Moscow...

Cristina Schek Diving Upwards, Miniature 2, 2024 Archival Pigment Print. Framed size, includes frame: 25 x 20 cm 9 3/4 x 7 3/4 in. depth 2.5 cm 1 in. Edition of 5 plus 2 artist's pr...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...

Framing charges includes As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...

Untitled, Unique photograph. Center panel from larger scale installation. Shot in the 20X24 format. (this measures about 20X20 inches) Ellen Carey, American artist and photographer. Ellen Carey resides in Hartford, Connecticut, and teaches at the Hartford Art School. She holds a B.F.A. from the Kansas City Art Institute, Missouri, and an M.F.A. from State University of New York at Buffalo. Her photographs have been exhibited at numerous galleries and museums, including the International Center for Photography, New York and the Fogg Art Museum at Harvard University, Cambridge, Massachusetts. She has received many grants from her home state of Connecticut as well as the Massachusetts Council of the Arts, New Works Grant, New York State Federation for Artists Grant; and a National Endowment for the Arts Award. Her photographs are in the permanent collections of The Art Institute of Chicago; the Baltimore Museum of Art; Brooklyn Museum of Arts; Chase Manhattan Bank; Coca Cola Corporation; Fogg Art Museum; George Eastman House; International Center for Photography; and the Los Angeles County Museum of Art, among others. Abstract photography, sometimes called non-objective, experimental, conceptual or concrete photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials. Some photographers pushed the boundaries of conventional imagery by incorporating the visions of surrealism or futurism into their work. Man Ray, Maurice Tabard, André Kertész, Curtis Moffat and Filippo Masoero were some of the best known artists who produced startling imagery that questioned both reality and perspective. Both during and after World War II photographers such as Minor White, Aaron Siskind, Henry Holmes Smith and Lotte Jacobi explored compositions of found objects in ways that demonstrated even our natural world has elements of abstraction embedded in it. Beginning in the late 1970s photographers stretched the limits of both scale and surface in what was then traditional photographic media that had to be developed in a darkroom. Inspired by the work of Moholy-Nagy, Susan Rankaitis first began embedding found images from scientific textbooks into large-scale photograms. By the 1990s a new wave of photographers were exploring the possibilities of using computers to create new ways of creating photographs. Photographers such as Thomas Ruff, Barbara Kasten, Tom Friedman, and Carel Balth were creating works that combined photography, sculpture, printmaking and computer-generated images. Any boundaries that remained between pure artists and pure photographers were eliminated by individuals who worked exclusively in photography but produced only computer-generated images. Among the most well-known of the early 21st century generation were Gaston Bertin...

Artist Commentary: Rollback is a piece that expresses positivist in nature, along with the possibility that there are two ways to look at any picture. Words that describe this piec...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Ha...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction. The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life. The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction. The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life. The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction. The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life. The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction. The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life. The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction. The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life. The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is pr...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is pr...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

Marianne Marić L’Odalisque aux Baskets, from the series ‚Odalisques', 2017 Silver gelatin print 80 x 120 cm (31 1/2 x 47 1/4 in.) Edition of 5, plus 2 AP; Ed. no 3/5 Print only Mari...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

3-D, 2010 - Miles Aldridge (Colour Photography) Signed and numbered on reverse C-type print 32 x 32 inches Edition of 10 + 2 AP Miles Aldridge’s singular aesthetic is characterised ...

Black and White, Abstract, figurative, shadow, b&w, black & white, american, alcohol, drinking, man, high contrast, vignette, wall, suburban, america, restaurant, photograph, photography, contrast, man, alcohol, drinker Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Ted Adams juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams' work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. “I see photography as a way of cropping the world – selectively taking things out of context – which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create 'narrative' and context rather than discard them.” While he has exhibited artistic photography in a variety of genres, he has turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4” x 6” to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design – yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer's gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras, preferring the archival qualities of black and white film and primitive analog functionality. In the invitational image, “Beyond” we see an abandoned building. The eye immediately is drawn to the structure’s one indication of life, a sign reading “Beyond” which glows like platinum in contrast to the forlorn setting. One has to wonder what goes on beyond the shut door. Yet the humor lies in the idea that anything in these surroundings could be in the superlative -- beyond the gritty or merely mundane. Adams' sarcasm veils an artistic integrity. What seems happenstance and simple, a road sign, a graffiti ridden wall, or a bank of phones, belies the artists uncanny ability to see the interesting in the ordinary. In a second picture, “Solitary”, we see the words “solitarily confined” sprawled across a wall. Just to the side of the wall stands a little girl. One might think of the solitary confinement in terms of a jail term or the graffiti an indictment on society. But the surprise lies with the child at play, seemingly free of any constraints at all. Born in Louisville Kentucky, Adams spent most of his adult life in Philadelphia after having moved there to work as a professional darkroom printer. In addition to artistic and documentary photography, Adams works as a multi-media artist. He curates the online Abandoned Photo Museum...

Black and White, Abstract, Landscape, New York, Photography, face, marker, drawing, window, abstract, b&w, black & white, american, shades, window, writing, high contrast, vignette, contrast, america Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Ted Adams juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams' work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. “I see photography as a way of cropping the world – selectively taking things out of context – which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create 'narrative' and context rather than discard them.” While he has exhibited artistic photography in a variety of genres, he has turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4” x 6” to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design – yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer's gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras, preferring the archival qualities of black and white film and primitive analog functionality. In the invitational image, “Beyond” we see an abandoned building. The eye immediately is drawn to the structure’s one indication of life, a sign reading “Beyond” which glows like platinum in contrast to the forlorn setting. One has to wonder what goes on beyond the shut door. Yet the humor lies in the idea that anything in these surroundings could be in the superlative -- beyond the gritty or merely mundane. Adams' sarcasm veils an artistic integrity. What seems happenstance and simple, a road sign, a graffiti ridden wall, or a bank of phones, belies the artists uncanny ability to see the interesting in the ordinary. In a second picture, “Solitary”, we see the words “solitarily confined” sprawled across a wall. Just to the side of the wall stands a little girl. One might think of the solitary confinement in terms of a jail term or the graffiti an indictment on society. But the surprise lies with the child at play, seemingly free of any constraints at all. Born in Louisville Kentucky, Adams spent most of his adult life in Philadelphia after having moved there to work as a professional darkroom printer. In addition to artistic and documentary photography, Adams works as a multi-media artist. He curates the online Abandoned Photo Museum...

Black and White, Suburban, American, Figurative, Abstract, photography, doorway, american, hair, portrait, b&w, black & white, vignette, high contrast, rural, home, brick house, amer...

Black and White, Suburban, American, Figurative, Landscape, diner, date, low light, high contrast, vignette, suburban photography, restaurant, america, first date, photography, rural photography...

Black and White, Birds, Trees, Landscape, Abstract, bird, rural, america, american, b&w, black & white, landscape, nature, pathway, high contrast, vi...

Tigran Tsitoghdzyan is especially interested in how people interact in this era of technology and social media. His “Mirrors” series suggest a close exam...

Jun AHN (*1981, South Korea) Untitled #2 (from series 'Float'), 2011 HDR Ultra Chrome Archival Pigment Print Sheet 91.4 x 61 cm (36 x 24 in.) Edition of 5...

Jun AHN (*1981, South Korea) Untitled #6 (from series 'Float'), 2011 HDR Ultra Chrome Archival Pigment Print Sheet 91.4 x 61 cm (36 x 24 in.) Edition of 5 plus 2 artist's proofs (#1/...

Jun AHN (*1981, South Korea) Untitled #3 (from series 'Float'), 2011 HDR Ultra Chrome Archival Pigment Print Sheet 91.4 x 61 cm (36 x 24 in.) Edition of 5...

Jun AHN (*1981, South Korea) Untitled #1 (from series 'Float'), 2011 HDR Ultra Chrome Archival Pigment Print Sheet 91.4 x 61 cm (36 x 24 in.) Edition of 5 plus 2 artist's proofs (#2/...

Jun AHN (*1981, South Korea) One Life (2015) #001, 2015 HDR Ultrachrome Archival Pigment Print Image 61 x 91,4 cm (24 x 36 in.) Sheet 73,7 x 104,1 cm (29 x 41 in.) Frame 77,5 x 108 x...

Jun AHN (*1981, South Korea) One Life (2018) #020 2018 HDR Ultrachrome Archival Pigment Print Face-mounted to acrylic (Diasec) in wooden frame Image 152,4 x 101,6 cm (60 x 40 in.) ...

Jun AHN (*1981, South Korea) Untitled #4 (from series 'Float'), 2011 HDR Ultra Chrome Archival Pigment Print Sheet 91.4 x 61 cm (36 x 24 in.) Edition of 5...

Jun AHN (*1981, South Korea) Gravity #02 2013 HDR Ultrachrome Archival Pigment Print Face-mounted to acrylic (Diasec) in wooden frame Image 152,4 x 101,6 cm (60 x 40 in.) Sheet 154...

14" x 11" Unframed Archival Giclee Print Hand Signed by Alice Zilberberg "The Dreaming Girls is influenced by the surrealism movement. An homage to the surrealists working from the ...

Doors #5, 2023 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Screenprint in colours 39 ¼ × 28 ¾ inches From an edition of 15 + 3 AP Miles Aldridge’s singular ...

Big Dreams #3, 2010 - Miles Aldridge (Colour Photography) Signed and numbered on reverse C-type print 11 ½ × 8 ¾ inches Edition of 10 Miles Aldridge’s singular aesthetic is charact...

Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print 14 x 12 inches, edition of 10 26 1/2 × 40 inches, edition of 10 Miles Aldridge’s singular aesth...

A mixed media collage by John Stezaker. “Untitled” is a film portrait collage in black and white by artist John Stezaker. The artwork is unsigned. John S...

Miles Aldridge (Colour Photography) Signed and numbered on reverse Chromogenic print 14 × 21 inches Edition of 10 + 2 AP Miles Aldridge’s singular aesthetic is characterised by the ...

Actress #4, 2012 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print 14 x 21 inches Edition of 10 + 2 AP Miles Aldridge’s singular aesthetic is c...

Miles Aldridge (Colour Photography) Signed and numbered on reverse Chromogenic print 43 ¾ × 38 ½ inches Edition of 15 + 3 APs Miles Aldridge’s singular aesthetic is characterised by...

Extravagant, Sophisticated Lady #5, 2011 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Chromogenic print 26 ½ × 40 inches Edition of 10 Also available in the ...

Miles Aldridge (Colour Photography) Signed and numbered in pencil on reverse Screenprint in colours with silver ink 34 ¼ × 59 inches Edition of 15 + 3 APs Miles Aldridge’s singular ...

Cabaret #4, 2006 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print 14 x 21 inches Edition of 10 Also available in the following sizes: 26 ½ × ...

Miles Aldridge (Colour Photography) Signed in ink on artist's label Chromogenic print 20 × 15 inches, edition of 10 + 2 AP 37 1/4 x 28 inches, edition of 10 60 x 45 1/4 inches, editi...

A Family Portrait #1, 2011 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print 14 × 21 inches Edition of 10 + 2 AP Also available in the followin...

Cabaret #3, 2006 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Chromogenic print 37 × 27 ¾ inches Edition of 10 Also available in the following sizes: 60 × 45...

Miles Aldridge (Colour Photography) Signed in ink on artist's label Chromogenic print 20 × 14 ¼ inches, edition of 10 + 2 APs 40 × 30 ½ inches, edition of 6 + 2 APs Miles Aldridge’s...