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Mark Sink Nude Photograph – Torso with Blowing Shirt, 1988, Signed 3/5
Located in Denver, CO
“Torso with Blowing Shirt” (3/5) is a captivating 1988 black-and-white nude photograph by acclaimed American photographer Mark Sink (b. 1958). Known for his ...
Category

1980s American Modern Nude Photography

Materials

Photographic Paper

Sinking #3 - Floral still life contemporary colorful photography
By Isabelle Menin
Located in New York, NY
This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

Digital Pigment

Amelia
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Pigment

Jamie
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...
Category

21st Century and Contemporary Contemporary Nude Photography

Materials

Archival Pigment

Sinking #3 - Floral still life abstract contemporary colorful photography
By Isabelle Menin
Located in New York, NY
This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

Digital Pigment

Meagan Rose
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...
Category

21st Century and Contemporary Contemporary Nude Photography

Materials

Archival Pigment

Amanda Sitting
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Nude Photography

Materials

Archival Pigment

Sinking #2
By Isabelle Menin
Located in New York, NY
This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

Photographic Paper

Sinking #1
By Isabelle Menin
Located in New York, NY
This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

C Print

Brooke Lynne on Stove
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Nude Photography

Materials

Archival Pigment

"Sink Six", Contemporary, Abandoned, Yellow, Metal Print, Color Photograph, 2019
By Rebecca Skinner
Located in Franklin, MA
Rebecca Skinner’s “Sink VI” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a yellow wall with peeling paint. T...
Category

2010s Contemporary Color Photography

Materials

Metal

Sink
By Stephen Mallon
Located in New York, NY
This photograph is from Stephen Mallon's series of photographs: "Next Stop Atlantic" which captures the retirement of a New York City Subway car to the depths of the Atlantic Ocean. ...
Category

21st Century and Contemporary Contemporary Color Photography

Sink or Swim (Bombay Beach)
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
Sink or Swim (Bombay Beach) - 2024 20x20cm, Edition 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist inventory PL2024-00...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Kaitlin and Tomato
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category

21st Century and Contemporary Contemporary Nude Photography

Materials

Archival Pigment

Marcy
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady...
Category

21st Century and Contemporary Contemporary Nude Photography

Materials

Archival Pigment

Kitchen Sink - Ordinary Places Vintage Interior Color Photograph
By Richard Heeps
Located in Cambridge, GB
Photograph from From Richard Heeps acclaimed series Ordinary Places, a 1980's vintage interior view from the kitchen sink looking out to the garden. It was Richard's first colour co...
Category

1980s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

4 Sinks
By Phillip Buehler
Located in New York, NY
24"x 30" photograph, edition of 5, signed on reverse. This photograph is taken at Greystone Park Hospital, in an abandoned washroom, with a row of sinks lined up against a distres...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

Andy and Dots signed, 1982
Located in Hudson, NY
This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category

1980s Contemporary Color Photography

Materials

Photographic Paper, Archival Pigment

Andy in LA Dots, 2015 Andy Warhol
Located in Hudson, NY
This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category

2010s Contemporary Black and White Photography

Materials

Photographic Paper, Archival Pigment

Blossfeldt Fern, Denver, CO, 2010
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category

2010s Modern Still-life Photography

Materials

Archival Pigment

Eva and Butterfly
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Black and White Photography

Materials

Pigment, Varnish

Paris Dawn
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Every year, the gallery owner curates the show to best exemplify the 56 exhibited artists’ strengths and aesthetics, remaining cohesively linked by Robin’s extensive knowledge of her artists and of photography. “This is my favorite exhibit, even though it takes months to curate and a week to install,” says Robin. “It is my curatorial showcase.” From floor to ceiling, the walls of the gallery rooms are a mosaic of nearly a hundred photographs, their various sizes, color schemes and subject matter expertly laid out to fit together like the pieces of an eclectic puzzle. This year’s invitational image, “Beach Samba” by Patricia Heal, is a portrait of a woman in a large, orange-red sunhat, whose downward gaze obscures her face entirely. Blurring the line between photography and painting, the color palette and uniquely large grain pattern of the photograph is reminiscent of Georges Seurat’s pointillism...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Sinking #2 - Floral abstract landscape colorful photograph
By Isabelle Menin
Located in New York, NY
This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

Photographic Paper

Jilian Flowers
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Photography

Materials

Archival Pigment

Sinking #1 - Floral still life contemporary photography
By Isabelle Menin
Located in New York, NY
Sinking #1 digital C-PRINT 3 sizes: 53.1 x 43.3 inches, edition of 3 + AP 39.3 x 31.9 inches, edition of 6 + AP 19.3 x 15.7 inches, edition of 6 + AP This floral photography has a d...
Category

2010s Contemporary Still-life Photography

Materials

Digital Pigment

Sinking #1 - Floral still life contemporary photography
By Isabelle Menin
Located in New York, NY
This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...
Category

2010s Contemporary Still-life Photography

Materials

Digital Pigment

Sinking #2 - Floral abstract landscape colorful photograph
By Isabelle Menin
Located in New York, NY
This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

Photographic Paper

Sinking #1 - Floral still life contemporary photography
By Isabelle Menin
Located in New York, NY
This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...
Category

2010s Contemporary Still-life Photography

Materials

Digital Pigment

Mark and Meghan
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...
Category

21st Century and Contemporary Contemporary Nude Photography

Materials

Archival Pigment

Apple Blossoms
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

Archival Pigment

I ve got this sinking feeling - 21st Century, Polaroid, Photography
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
I've got this sinking feeling (Bombay Beach) - 2020 35x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate....
Category

2010s Contemporary Still-life Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Brittany With Teacup
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Nude Photography

Materials

Archival Pigment

Cloud Series, Denver 2016
Located in Hudson, NY
This is printed on canvas , series of three Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary ev...
Category

2010s Contemporary Color Photography

Andy in LA Dots
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience. As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way. This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax. The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...
Category

21st Century and Contemporary Black and White Photography

Materials

Pigment

Andy in LA Dots
Located in Hudson, NY
Edition 1 of 5. CURRENT EXHIBITION - runs through October 29th, 2017. Any framed photographs purchased during the show will be available after October 29th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.” ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...
Category

2010s Black and White Photography

Materials

Pigment

Cyano Clouds
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. One of a kind. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience. As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way. This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat...
Category

21st Century and Contemporary Color Photography

Amanda and Poppy Pods
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Pigment

Caitlin Flowers
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Pigment

Dynamic Sink Pulse One One One One
By Christina McPhee
Located in New York, NY
Dynamic Sink Pulse One One One One, 2009 digital chromogenic print, aluminum back mount, acrylic face mount  36 x 36 inches / 914 x 914 mm edition of 3 plus AP available print edition 2/3 Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle...
Category

21st Century and Contemporary Abstract Photography

Materials

C Print

"Sink II", Contemporary, Abandoned, Yellow, Green, Metal Print, Color Photograph
By Rebecca Skinner
Located in Franklin, MA
Rebecca Skinner’s “Sink II” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a yellow / green wall with peeling ...
Category

2010s Contemporary Color Photography

Materials

Metal

Megan Pheasant
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Pigment

Sonja Day 1
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Pigment

"Sink I", Contemporary, Abandoned, Peeling, Beige, Metal Print, Color Photograph
By Rebecca Skinner
Located in Franklin, MA
Rebecca Skinner’s “Sink I” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a beige wall with peeling paint. The...
Category

2010s Contemporary Color Photography

Materials

Metal

Renucula
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

Archival Pigment

Kristen in Gords
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category

21st Century and Contemporary Contemporary Figurative Photography

Materials

Archival Pigment

Simon
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Pigment

Blossfeldt Fern
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category

21st Century and Contemporary Contemporary Photography

Materials

Archival Pigment

Still Life
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Photography

Materials

Photographic Paper, Archival Pigment

Aja
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category

21st Century and Contemporary Contemporary Photography

Materials

Archival Pigment

Corner Sink (29 Palms, CA) - Polaroid, Contemporary, 20th Century
By Stefanie Schneider
Located in Morongo Valley, CA
Corner Sink (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Numbe...
Category

1990s Contemporary Nude Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Swayback
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Pigment

Sanders
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Pigment

"Dirty Film", Abandoned Theater, Sink, Broom, Red, Film, Color Photograph, 2016
By Rebecca Skinner
Located in Franklin, MA
Rebecca Skinner’s “Dirty Film” was photographed at an abandoned theater. An open red door offers a view of coffee cups spilling movie film into a dirty sink with a broom conveniently...
Category

2010s Contemporary Color Photography

Materials

Metal

Whisky and Water (Sidewinder) - 21st Century, Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Whisky and Water (Sidewinder) - 2005 - diptych 30x50cm including the white border, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label an...
Category

Early 2000s Contemporary Nude Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

At Once I Knew I Was Not Magnificent - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Murnaghan was well known for his striking underwater photography, capturing his sub...
Category

21st Century and Contemporary Contemporary Figurative Photography

Materials

Inkjet

"Sink V", Contemporary, Abandoned, Pink, Metal Print, Color Photograph, 2019
By Rebecca Skinner
Located in Franklin, MA
Rebecca Skinner’s “Sink V” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a pink wall with peeling paint. The ...
Category

2010s Contemporary Color Photography

Materials

Metal

"Sink III", Contemporary, Abandoned, Purple, Blue, Print, Color Photograph, 2019
By Rebecca Skinner
Located in Franklin, MA
Rebecca Skinner’s “Sink III” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a blue wall with peeling paint. Th...
Category

2010s Contemporary Color Photography

Materials

Metal

Ben
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Pigment

Kristen in Trees
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Pigment

Blue Roses
By Mark Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

Archival Pigment

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