868 results for "dada"

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...

Signed lower right, 'Hiroyuki Tajima' (Japanese, 1911-1984) and dated 1979 with limitation and number, '100-10', lower center and titled lower left, 'Section of Landscape'. Paper dim...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

This stunning 1965 original exhibition poster was created for Jean Cocteau et son Temps, a retrospective held at the Musée Jacquemart-André in Paris. The exhibition celebrated the li...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Bleue et blanche (Blue and White), from the folio Derriere le miroir, No. 33, originates from the 1950 edition published b...

This exquisite lithograph by Hans Jean Arp (1886–1966), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°5 (double) Juin 1955, originates from the 1955 editi...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Mel Bochner (American, 1940-2025) Color lithograph (color line photo-engraving on off-white wove paper) Hand signed and numbered in graphite pencil This is a PP (Printers Proof) outs...

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Relief I et II (Relief I and II), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the...

This exquisite collotype after Max Ernst (1891–1976), titled La Mer et la pluie (The Sea and the Rain), from the album Max Ernst, Histoire Naturelle (Natural History), originates fro...

This exquisite collotype after Max Ernst (1891–1976), titled Elle garde son secret (She Keeps Her Secret), from the album Max Ernst, Histoire Naturelle (Natural History), originates ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

An etching by Leonor Fini depicting a gnarly old man with two youthful angels one sitting at his feet and the other standing close to his right side. This is a signed limited edition etching numbering 62 out of 100. There is also a signature by the artist embossed in the paper just below the pencil signature. The paper is very fibrous and has a couple of inherent creases that are part of the makeup of the fibrous paper. These are to the right of the figures. The edges of the paper are deckled. The paper size is 25.75 x 20 Image size 15.50 x 12.50. This original etching is in very good condition. Argentinian-born artist Leonor Fini (1907-1996) is considered one of the great female artists of the twentieth century. She moved to Paris in the early 1930’s where she spent most of her life and almost immediately formed friendships with Salvador Dali, Cartier- Bresson, Max Ernst and other intellectuals of the time. At twenty five she had her first one person show in Paris and was included in the 1936 pivotal exhibition at MOMA…Fantastic Art, Dada and Surrealism…..and that same year had an exhibition at a famous avant garde gallery in New York. Although Fini never considered herself a Surrealist she maintained close personal relationships with several members of the group. One can see how their ideology influenced her work but she remained firmly rooted in the tradition of Symbolism, Metaphysics and Italian and German Romanticism Her works can be found in most important collections of modern art around the world. Fini was renowned as a portraitist and as a painter of erotic sexual tensions with a mysterious atmosphere. She was adamant about being independent and not belonging to any one group. She lived life on her own terms and is sometimes referred to as …..the female Dali. She was also involved with designing for fashion and creating elaborate sets for opera and theatre. As a feminist she was definitely ahead of the times. She produced the first erotic male nude...

This exquisite collotype after Max Ernst (1891–1976), titled Il tombera loin d'ici (He Will Fall Far from Here), from the album Max Ernst, Histoire Naturelle (Natural History), origi...

This exquisite collotype after Max Ernst (1891–1976), titled Les Eclairs au-dessous de quatorze ans (Teenage Lightning), from the album Max Ernst, Histoire Naturelle (Natural History...

This exquisite collotype after Max Ernst (1891–1976), titled Les Cicatrices (The Scars), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edit...

This exquisite collotype after Max Ernst (1891–1976), titled Le Tilleul est docile (The Lime Tree Is Docile), from the album Max Ernst, Histoire Naturelle (Natural History), originat...

This exquisite collotype after Max Ernst (1891–1976), titled L’Idole (The Idol), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edition publ...

This exquisite collotype after Max Ernst (1891–1976), titled Les Fausses positions (The False Positions), from the album Max Ernst, Histoire Naturelle (Natural History), originates f...

This exquisite collotype after Max Ernst (1891–1976), titled L’Etalon et la fiancee du vent (The Stallion and the Bride of the Wind), from the album Max Ernst, Histoire Naturelle (Na...

Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman an...

The 1978 "Paris-Berlin: Rapports et Contrastes" exhibition poster by Roman Cieslewicz was created for a major retrospective held at the Centre Georges Pompidou. This exhibition, subt...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Wood engraving, 1966 Handsigned by the artist in pencil and numbered 3/60 Publisher : Louis Broder (Paris) Printer : Féquet & Baudier (Paris) 46.50 cm. x 36.00 cm. 18.31 in. x 14.17...

Wood engraving, 1964 Handsigned by the artist in pencil and numbered 55/170 56.50 cm. x 37.50 cm. 22.24 in. x 14.76 in. (paper) 36.30 cm. x 27.00 cm. 14.29 in. x 10.63 in. (image) ...

M (ULAE 113), 1972 Jasper Johns (American, b. 1930) Lithograph in Colors on Angoumois a la Main Paper Hand Signed and Dated Lower Right Numbered 56/67 Lower Left 38.5 x 29 inches 39....

Cy Twombly Galleria La Tartaruga, Rome 1958: RARE 1950’s announcement card illustrated by Twombly, on the occasion of, what is believed to be Twombly’s first ever European Exhibitio...

This remarkable original lithograph by the legendary Spanish surrealist Salvador Dalí, titled “Hommage à Albrecht Dürer”, is a stunning tribute to one of the great masters of Renaiss...

Agent X has created a bright and brilliant mash-up of iconic Pop Art aesthetics and digital collage techniques. Agent X intercuts Pop art imagery with panels of poppy pattern, colour...

Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....

Acrylic on canvas Anna Song is Korean artist & picture book author born in 1984 who lives and works in Seoul, South Korea. In 2007, she won the Korean Andersen Award for Excellence ...

After Marcel Duchamp Rotorelief Print Framed, circa 1980 Edited by Walther König Series 133, Germany in 1987. Framed Artwork in Wood. In original condition, with minor wear cons...

Agent X One Queen (6)White Limited Edition of 100 Mixed Media on Paper Sold Unframed Paper Size: 71 cm x 50 cm x 1cm Please note that in situ images are purely an indication of how a...

RICHARD LINDNER (American. 1901-1978) Hand Signed limited edition lithograph with blindstamp Publisher: Shorewood-Bank Street Atelier for the Skowhegan School of Painting and Sculpture 29.25 X 22 inches Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police uniforms replaced European military uniforms as symbols of authority.At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. From 1952 he taught at the Pratt Institute, Brooklyn, from 1967 at Yale University School of Art and Architecture, New Haven. In 1957 Lindner got the William and Norma Copley Foundation-Award. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His Ice (1966, Whitney Museum of American Art) established a connection between the metaphysical tradition and pop art. He did work on Rowlux which was used by a number of pop artists (most notably Roy Lichtenstein)The painting shows harsh, flat geometric shapes framing an erotic but mechanical robot-woman. His paintings used the sexual symbolism of advertising and investigated definitions of gender roles in the media. While influencing Pop Art (Andy Warhol, Tom Wesselmann and Claes Oldenburg amongst others) his highly colourful, hard-edge style seems to have brought him close to Pop Art, which he rejected. Nevertheless, he is immortalised on the cover of the Beatles record "Sgt. Pepper’s Lonely Hearts Club Band" (1967) as a patron of the pop culture. He also did a tapestry banner with the Betsy Ross Flag...

We are thrilled to present an exquisite collection of artwork by the acclaimed British artist, Paul Insect. This collection features four signed and numbered prints, each a limited e...

Beauté du XVIIIe siècle 1 by Agent X [2022] Please note that insitu images are purely an indication of how a piece may look "Beauté du XVIIIe siècle 1" depicts a Baroque style, flor...

'Butterfly 74 (Blue)' is a giclée print by Agent X. From a limited edition of 50, this print is signed and numbered by the artist. Agent X, cultural explorer and agent of the unknow...

Paul Insect, also known as Paul Don Smith, is a British street artist who gained recognition in the 1990s for his bold and irreverent works that blend street art and fine art. He is ...

Jim Dine (American, b. 1935) Etching depicting a dog or wolf Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet...

Agent X Queen 1 (Gold) Limited Edition of 10 Mixed Media on Paper Sold Unframed Paper Size: 101 cm x 76 cm x 1cm Please note that in situ images are purely an indication of how a pie...

ONE QUEEN (21)RED [2021] Limited Edition Flowers Mixed Media Edition number 50 Image size: H:71 cm x W:50 cm Complete Size of Unframed Work: H:71 cm x W:50 cm x D:1cm Sold Unframed ...

ONE QUEEN 210 WHITE [2021] Limited Edition Flowers Edition number 100 Image size: H:71 cm x W:50 cm Complete Size of Unframed Work: H:71 cm x W:50 cm x D:1cm Sold Unframed Please not...

Agent X Downtown Bridge Limited Edition of 40 Mixed Media on Paper Sold Unframed Paper Size: 101 cm x 66 cm x 1cm Please note that in situ images are purely an indication of how a pi...

Beauté du XVIIIe siècle 2 by Agent X [2022] original and hand signed by the artist Original Digital artwork on Canvas Image size: H:147 cm x W:127 cm Complete Size of Unframed Work...

Leonor Fini - Pregnant - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Agent X EN DEDANS PIROUETTE AVEC DES FLEURS (Gold) Limited Edition Giclee Print Edition of 10 Paper Size: 101 cm x 60 cm x 1cm Sold Unframed Free Shipping Please note that in situ im...

Hematriptan mRNA(Black) by Agent X [2021] limited edition Mixed Media Edition of 70 Image size: H:85 cm x W:96 cm Complete Size of Unframed Work: H:85 cm x W:96 cm x D:1cm Sold Unfr...

Agent X has created a bright and brilliant mash-up of iconic Pop Art aesthetics and digital collage techniques. Agent X intercuts Pop art imagery with panels of poppy pattern, colour...

After Joan Miró “Laurels Number One”, Patinated Bronze Relief Framed, c.1980 Elegant patinated bronze bas-relief titled “Laurels Number One”, created after Joan Miró’s 1947...