251 results for "punk"

The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...

"A simple twist on the white peace dove with olive branch, but hey, good guys don't always wear white! The "rise above" is a call to take the high road with a...

The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...

Futura 2000 NYC 1984: A rare 1980s Futura announcement card published on the occasion of: FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY. Offset printed annou...

THE MODERN POSTER. 1988. 38 3/4x24 1/2 inches, 98 1/2x62 1/4 cm. Condition A. Paper. Greiman, an early proponent of computer imagery and digital design, became a prominent role model for a new generation of American graphic designers in the digital age. She was able to incorporate her knowledge of European Modernism into Californian ;New Wave style. As Steven Heller explained in Eye Magazine...

Basquiat Downtown 81 The Show: Vintage original 2001 Basquiat exhibition poster published on the occasion of the historic exhibit: Basquiat Downtown 81 The Show. Downtown 81 was pr...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

I have been a fan of the Ramones since I got into punk rock in 1984. The Ramones always impressed me with their style, blending a sense of humor with aggression and pop melody. I did...

Linder Soul Meets Soul on Lovers' Lips, 2025 Giclee print on 310gsm Hahnemühle PhotoRag Bright White archival pure cotton paper Edition of 75 hand-signed and numbered by the artist c...

Billy Childish volcano, 2022 22 Colour Screenprint with Lithographic elements on Somerset Velvet warm white 400gsm Signed and numbered by the artist 76 x 60 cm Edition of 100 Billy ...

Julie Swimming I Archival print on heavy matt stock 36.4 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician, and writer...

Cut It Up – Do It Yourself (Red, Black). 18 x 24 inches. Silkscreen on true white Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 324/500. Released exclusively at B...

Man in the Mouth of the Cave, 2019 Archival print on heavy matt stock 30.5 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, mu...

Blondie Blue by BATIK signed limited edition POP ART print Paper Size OVERSIZE 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print Limited to 15 only Featuring pop art artwork of the iconic Debbie Harry from pop punk band Blondie circa 1979 Note other sizes and framing options available BATIK is a London based contemporary pop artist Sex symbol glamour music artist heart of glass...

Visconti is a rare and highly sought-after mixed media print by the late Brooklyn-based street artist Bäst, presented here in mint condition. This limited edition work was released i...

Cliff with star, 2023 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician,...

Edition Details: Year: 2016 Class: Art Print Status: Official Released: 11/15/16 Run: 103/300 Technique: Screen Print Paper: Cream Speckle Tone paper with gold metallic Inks. Size: 18 X 24 Markings: Signed & Numbered in pencil by the artist's Shepard Fairey, ICE-T & Glen Friedman...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

"Sid Vicious Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Giclee print on canvas Stretched on wooden bars. Signed and numbered by the artist. NEW YORK - DECEMBER 8:...

Original Illustration based on photograph by Kevin Cummins. Signed by Shepard Fairey and Kevin Cummins. A portion of the proceeds went to CALM (Campaign Against Living Miserably). "...

Shepard Fairey's "Target Exceptions" print offers a poignant reflection on the challenges faced by individuals aspiring to visit or immigrate to the United States. Through this thought-provoking artwork, Fairey delves into the complexities of the immigration process, shedding light on the various target criteria that determine the eligibility of potential candidates. In a world where the "American Dream" beckons as a symbol of hope and opportunity, Fairey's piece reminds us that many deserving individuals are deemed exceptions to the established qualifications, particularly in the context of prevailing attitudes and policies of the current administration. The artwork presents a striking visual featuring Fairey's iconic style, using a blend of powerful imagery and symbolic elements to convey its message. By drawing attention to the dichotomy between the desired dream and the restrictive reality, "Target Exceptions" calls for empathy and understanding towards those affected by such immigration hurdles. Shepard Fairey's reputation as a contemporary artist and graphic designer precedes him. Born on February 15, 1970, in Charleston, South Carolina, Fairey has gained global recognition for his profound influence on modern art and activism. His commitment to addressing political and social issues through his work has earned him a prominent position within the art world. Fairey's artistic journey began with street art and has evolved into a diverse body of work that seamlessly blends political messaging, pop culture references, and iconic symbolism. As a co-founder of Studio Number One and the art collective BLK/MRKT Inc., Shepard Fairey continues to push the boundaries of artistic expression and its capacity to inspire change. His work has been exhibited worldwide, making a lasting impact on both art enthusiasts and social activists alike. Shepard Fairey's art is rooted in a blend of influences that shape its distinctive character. His early experiences with street art and punk culture have left an indelible mark on his style, infusing it with a rebellious spirit and DIY ethos. Additionally, Fairey draws inspiration from the world of propaganda and political messaging, referencing historical movements like Soviet Constructivism and Chinese Cultural Revolution art...

Covert to Overt, Gold, Triptych, Shepard Fairey, Jon Furlong. 3 prints, each with dimensions 18 inches x 24 inches. Screen Prints on cream Speckle Tone paper. Signed by Shepard Faire...

Blondie Pink by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – Luxe 20×16″ inches / 51 x 41 cm paper size signed and num...

Lemon Blondie by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – signed and numbered on front by the artist limited edition ...

Blondie Blue by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – Oversize 20×16″ inches / 51 x 41 cm paper size signed and nu...

Blondie Blue by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – Giant 60×40″ inches / 152 x 101 cm signed and numbered by ar...

Neg Edit Blondie by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – signed & limited edition. Luxe 20×16″ inches / 51 x 41 c...

Neg Edit Blondie by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – signed & limited edition. Grande XL 40×30″ inches / 101 ...

Cypress Tree, 2022 Archival print on heavy matt stock paper 38.3 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician, an...

Baby Blue Edition Edition Details: Year: 2016 Class: Art Print Status: Official Released: 11/15/16 Run: 103/300 Technique: Screen Print Paper: Cream Speckle Tone paper with gold metallic Inks. Size: 18 X 24 Markings: Signed & Numbered in pencil by the artist's Shepard Fairey, ICE-T & Glen Friedman...

Raymond Pettibon & Marcel Dzama artist book 2016 featuring collaborative Hand Drawing: Featuring an original signed collaborative drawing by the duo on the back cover of this limited...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

In a striking intersection of haute couture and contemporary art, Magnus Gjoen—a former designer under Vivienne Westwood—reimagines iconography through a lens of opulent decay. His F...

Cut It Up – Do It Yourself (Blue). 18 x 24 inches. Silkscreen on true white Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 122/500. Released exclusively at Beyond ...

Obey Deco Flower (Blue, Black, Red). Screenprint on thick cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 144/300. "The Obey Deco Flower is inspired by Constructivism...

Billy Childish, Swan and Fish, 2023 edition of 50, 26 x 21.5 cm hand-signed and numbered by the artist. Billy Childish is a prolific British artist, musician, and writer known for...

Power and Glory Letterpress on 100% cotton archival paper with deckled edges. Signed and numbered edition of 78/450. 10 inches by 13 inches. OBEY publi...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

Introducing Purple Pedestrian #4, a stunning 2 colour screenprint by the iconic artist and political activist, Russell Shaw Higgs. This print is part of a limited edition of only 50,...

Night Forest, 2019 Archival print on heavy matt stock 30.5 x 44.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician, and writ...

Obey Holiday 2016. 18 x 24 inches. Screen Print. Signed by Shepard Fairey. Edition of 575. "I make a holiday print every year as a gift for friends and supporters, which is usually ...

Julie Swimming II Archival print on heavy matt stock 30.5 x 44.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician, and write...

Demos poster by Italian Street Artist Blu. Limited edition of 1000. Blu signature printed on bottom right of poster in black. Demos is a Greek origin word meaning the people. This go...

Billy Childish White Wolf, 2021 30.5 x 44 cm edition of 200 hand-signed and numbered by the artist Billy Childish is a prolific British artist, musician, and writer known for his ra...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John ...

Abandoned at birth, Emek has lived a difficult, often tragic life. After being forced to work for years as a child-laborer in a plutonium mine, he won a rare mining scholarship to at...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Peter Halley, Frank Kozik Halley/Kozik, 1997 Offset Lithograph. Hand signed by both Peter Halley and Frank Kozik on the lower front. Edition 75/100 22 1/2 × 35 inches Unframed This color lithograph was created on the occasion of the Peter Halley and Frank Kozik exhibition at Wooster Gardens from May 3 - June 14, 1997. Hand signed by both artists on the lower front and is annotated as a study proof: S/P 75/100. Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping. This exhibition was an installation featuring an eight-year survey of punk rock posters...

London Calling Tailor-made for TASCHEN by Paul Smith For die-hard lovers of Paris, Berlin, London, Los Angeles, and New York, TASCHEN introduces the Portrait of a City Art Edition series. For each edition, limited to only 500 copies, a legendary local fashion designer is invited to design a bespoke fabric to line the cover, and a large signed and numbered print of one of the images from the book is included. Limited to 500 numbered copies Comes with a fine art print on archival paper, signed by Elmar Ludwig Packaged in a special cover and clamshell case designed by legendary British fashion designer Paul Smith Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging ’60s; from the Battle of Britain to punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from Royal Weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to the glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander...

Screen print in colors on paper. Hand signed and numbered by Futura. From the edition of 80. Custom framed as pictured. Frame size approx 40 x 28 inches. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Futura 2000 is a contemporary American graffiti artist. Over the course of his career, he transitioned from making New York-based subway graffiti in the early 1970s, to exhibiting at Fun Gallery in the 1980s alongside major artists such as Jean-Michel Basquiat, Keith Haring, and Kenny Scharf. McGurr’s major contribution to graffiti art was his use of abstraction, adopting a style of painting characterized by its blending of text and imagery. Born Leonard McGurr on November 17, 1955 in New York, NY, he went on to collaborate with the punk...

Vintage Raymond Pettibon exhibition poster: Raymond Pettibon 'Illustration Without Tears': Rare vintage Pettibon exhibit poster published by Regen Pr...

Gunter Damisch (1958, Steyr- 2016 in Vienna) was an Austrian painter and sculptor . He is one of "den Neuen Wilde" New Savages. (Junge Wilde) Gunter Damisch attended the Musikgymnasium Linz and then studied medicine and German and history for a few semesters. By age 16, he had already made 150 woodcuts and attended the International Summer Academy of Fine Arts in Salzburg with Claus Pack, he studied from 1978 to 1983 at the Academy of Fine Arts Vienna with Maximilian Melcher and Arnulf Rainer . In 1992 he took on a visiting professorship at the Vienna Academy (master class for graphics ) in Vienna, and since 1998 he has been a full professor there. From 1997 until his untimely death in 2016, he was head of the graphic arts department at the Vienna Academy of Fine Arts. the 1980s Damisch was a member of the Viennese punk band Molto Brutto, where he played bass and organ. Gunter Damisch lived and worked in Vienna and Freidegg . He was one of the most important international representatives of contemporary Austrian art because of his unmistakable, convincing and consistently formulated repertoire of colors and shapes (reminiscent of Friedensreich Hundertwasser.) He worked in stone lithos, woodcuts, lithograph, artists’ books like a free jazz virtuoso, making huge, one-of-a-kind pieces with collage, drawing, painting, woodcut and monotype on the same sheet. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl...

Man With Guitar By Billy Childish Billy Childish is a British artist, musician, poet, and writer known for his raw, uncompromising creativity across various mediums, emerging from...

Harry Sudman is a realist painter and photographer who has worked out of Chicago for over twenty-five years. He grew up on the south side, and currently resides uptown. In the late 1...

Anri Sala Cactus Score, 2011 Lithograph Edition of 110 45,5 x 60 cm (17.9 x 23.6 in), unframed In mint condition Blind-stamp on the front, signed and numbered on certificate of authenticity PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Anri Sala was inspired by the punk song “Should I Stay or Should I Go?” to make his video ‘Le Clash’. The name of the video is that of the British group, The Clash who wrote the cult tune which hit the charts in 1981. The film takes place next to a modernist building. In the video, the melody of this hit song emerges from a music box and a barrel organ...

Futura NYC 1988: A rare 1980s Futura 2000 illustrated & designed announcement card published on the occasion of: "Observations of an Underground Civilization" at 51X Gallery from Ma...

Man With Jackdaw By Billy Childish Billy Childish is a British artist, musician, and poet known for his prolific work across various mediums, including painting, punk rock music, a...

CLOSE UP is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival ARCHES paper 100% acid...

Matt Gondek is a Deconstructive Pop Artist, whose work is possessed with a punk rock spirit, celebrating rebellion and destruction. With a visceral pop color palette and a disarmingl...