251 results for "punk"

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Leopards. This one is hand signed and dated verso. Seasons explores the season...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Pine Tree. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Leaf. This one is hand signed and dated verso. Seasons explores the seasons of...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Fish Bowl. This one is hand signed and dated verso. Seasons explores the seaso...

Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine): This visually enticing 1992 Raymond Pettibon artist book/zine includes 20+ evocative drawings. Pettibon’s subjects are...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Butterfly. This one is hand signed and dated verso. Seasons explores the seaso...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Rocket ship and (toy) soldier. This one is hand signed and dated verso. Season...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Toy Snake. This one is hand signed and dated verso. Seasons explores the seaso...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Globe. This one is hand signed and dated verso. Seasons explores the seasons o...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Bird (in flight). This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Flowers in Hand. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Man in Profile. This one is not hand signed although the rest in the portfolio were. (it might just have been an oversight and been missed) Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City...

Raymond Pettibon & Marcel Dzama artist book 2016: 1Dzama / Pettibon is a collaborative zine between Marcel Dzama and Raymond Pettibon. The zine was originally for the MoMa PS1 NYABF but sold out in one day. Published on the occasion of Forgetting the Hand at David Zwirner Gallery, New York, 2016. Numbered on the reverse packaging from an edition of 500. Medium:Printed artist book/zine. Softcover with color and black and white illustrations. approx 20-30+ pages . 8.5 x 11 inches. Very good to excellent overall condition. Unsigned from an edition of 500. Published by Zwirner Books, 2016. About Raymond Pettibon (American b. 1957) Having emerged from the Southern California DIY culture and its punk-rock sensibility, Raymond Pettibon fuses together youthful edginess and political engagement. Drawing from disparate cultural sources—from Marcel Proust to the Bible—the artist’s cartoon-inspired ink drawings on unframed paper recall the look of fanzines and concert flyers...

'The Door': Rare early Basquiat, Keith Haring Street Art Photo by Fernando Natalici: 'The Door,' photographed, New York c.1979/1980, represents one of only two known photographs featuring the early graffiti work of a young Jean-Michel Basquiat & Keith Haring together on one image (see upper right & left). Basquiat's tags appear in at least 3 places ('Salt', teepe & skull). The work combines the two most iconic Haring & Basquiat images of all: Haring's radiant baby & Basquiat’s crown; while also presenting the work of Whitney Biennial artist, David Wojnarowicz (Burning House mid upper left) & five time Brazilian Biennial artist Alex Vallauri (acrobat stencils across lower area). A true testament to the New York downtown art scene of the late 70's/early 80's. Archival Ink Jet Print. Dimensions: 18 x 22 inches including borders. Hand signed and numbered from an edition of 30. Excellent overall condition & print quality. Acquired directly from artist. Lot 180 Gallery is a primary authorized dealer rep of Fernando Natalici. About Fernando Natalici: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s work was recently featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, recently exhibited at The Museum of The Moving Image. Related Categories Basquiat crown. Basquiat SAMO graffiti. Keith Haring street art. Early Basquiat. Basquiat Haring Crossing Lines. Keith Haring Baby.

Screen print on Somerset Velvet Fine Art Paper. Hand signed by front by Matt Gondek. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offer...

Vintage original Club 57 invite, circa 1982. Club 57 was the historic East Village nightclub where Keith Haring, Kenny Scharf and so many seminal downtown art...

The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...

Fernando Natalici Patti Astor The Foreigner New York 1977: Actress and legendary downtown NY scenester Patti Astor, photographed during the filming of "The Foreigner" by celebrated N...

Limited edition Jean-Michel Basquiat and Keith Haring Foundation Spray Paint Cans: set of 2 works published circa 2017 featuring the Estate trademark's of Jean-Michel Basquiat & Keit...

Limited edition Jean-Michel Basquiat and Keith Haring Foundation Spray Paint Cans: set of 2 works published circa 2017 featuring the Estate trademark's of Jean-Michel Basquiat & Keit...

"Sid Vicious Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. NEW YORK - DECEMBER 8: Bassist Sid Vicious of the rock band "The Sex Pistols" poses for his mugshot after being arrested by New York City police for allegedly murdering his girlfriend Nancy Spungen...

Limited edition Jean-Michel Basquiat and Keith Haring Foundation Spray Paint Cans: set of 2 works published circa 2017 featuring the Estate trademark's of Jean-Michel Basquiat ...

Dan Asher, whose career spanned multiple decades and media, was equally talented and difficult to define. His work migrated back and forth between photography, drawing and painting, ...

"Popsacrifice" by the renowned artist Ben Frost. This captivating art print is a striking testament to Frost's unique artistic vision and his profound influence on contemporary art....

Artist: Shepard Fairey Title: Your Ad Here Billboard (Large Format), 2018 Edition: Limited Numbered Edition of 75, Signed and Numbered Dimensions: 26" x 48" (66 x 121.9 cm) Medium: 5...

medium: digital darkroom print on Kodak Endura Metallic Paper, face-mounted to acrylic SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers inc...

25 color screen print on lambeth 370 gsm paper. Hand signed lower left by D*Face. Hand numbered 74/150 lower right. Artwork size: 29.6 x 23.7 inches. Frame size: 33 x 27 inches....

Fossil Factory. 18 x 24 inches. Screen print on cream Speckle Tone paper. Signed by Shepard Fairey. Edition of 300/450. The Fossil Factory image is an illustration I made based on a...

Screen print on 100% cotton archival rag fine art paper with deckled edges. Hand Signed and Numbered by the Artist. From the edition of 200. Certificate of Authenticity is included. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: D*Face (British, born 1978) is a contemporary street artist best known for his distinctive graffiti, stickers, and posters placed in various cities around the world. Featuring recurring imagery of celebrities and punk iconography, D*Face’s oeuvre is characterized by his bright, graphic aesthetic and focus on consumerism and the ways in which it shapes everyday life. His diverse range of influences include skateboarding culture, early New York City subway graffiti...

Dan Asher, whose career spanned multiple decades and media, was equally talented and difficult to define. His work migrated back and forth between photography, drawing and painting, ...

Dan Asher, whose career spanned multiple decades and media, was equally talented and difficult to define. His work migrated back and forth between photography, drawing and painting, ...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon Medium: Newspaper mag...

Vipers Tongue By Billy Childish Billy Childish is a British artist, musician, and poet known for his prolific work across various mediums, including painting, punk rock music, and...

Unique giclée print in colors with acrylic hand-embellishments on wove paper. Hand signed on front by Matt Gondek. Hand numbered 30/250 on front. Sheet size: 24 x 40 inches. Artw...

GILD THE LILY I Year: 2017 Medium: Archival pigment inks on Crane, Museo Max, 365 gsm fine art paper Size: 46 x 35 inches (117 x 89 cm) Edition: 30 Price: $2,875 Also available in a suite of 2 Carlos Rolón...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Woman (with Chinese Fan). This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Jewels. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Beachball. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Column. This one is hand signed and dated verso. Seasons explores the seasons ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: TV Gyroscope. This one is hand signed and dated verso. Seasons explores the se...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Fruits. This one is hand signed and dated verso. Seasons explores the seasons ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Clock. This one is not hand signed although the rest in the portfolio were. (i...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Star. This one is hand signed and dated verso. Seasons explores the seasons of Man, W...

Screen print in colors on shaped wood. Hand signed on verso by Matt Gondek. Hand numbered 145/150 on verso. Artwork size 22.4 inches diameter. Artwork is in excellent condition. ...

Skylar Fein is a celebrated artist on both the New Orleans and New York art scenes. His work is often political or about sexual politics or cultural critique. This one comments on American commercialism. The work often employs Pop imagery, and he works in a variety of media. His work is celebrated here in New Orleans, and is in museums here and elsewhere. This piece was created for the Prospect show in New Orleans in 2008; this biennial has now become a very big deal. The piece came out of the collection of one of the original Microsoft folks who had a house here in New Orleans. 1200Professionally framed. Proudly presented by Guy Lyman Fine Art, New Orleans. This bio, written by Miranda Lash, appears on the Ferrara Showman (New Orleans) website: Largely self-taught and working primarily in wood sculptures, Skylar Fein graphically combines pop-culture icons and revolutionary texts into artwork with embedded political critiques. Having moved to Louisiana after Hurricane Katrina, Fein’s rise to prominence in the New Orleans and New York art scenes paralleled the renewed ascendance of New Orleans as a location for artistic experimentation after the levee failures that flooded the city. Fein’s interest in the history of the United States, particularly the history of the South, informs his works and installations. Fein’s approach to history, however, is interpretative rather than documentary, and meant to call the reliability of narratives into question. Born in New York City in 1968, Fein traveled through the United States, working as a baker outside Seattle, Washington, and a Quaker youth counselor in Philadelphia, Pennsylvania, before settling on his career as an artist. Fein moved to New Orleans just a few weeks before Hurricane Katrina struck in 2005. He arrived with the intention of becoming a medical student, but instead began working with wood, initially building utilitarian objects such as bookshelves. The sale of his bookshelves inspired him to continue object making, and by 2007 he created his first installation at the Phoenix Bar, The Lost Art of Henkin’s Adonis, which presented photos and memorabilia from an imaginary all-male bookstore in New Orleans. This blending of fact and fiction reappeared in his 2008 breakthrough installation, Remember the Upstairs Lounge, which was presented as part of Biennial Prospect.1 New Orleans. In this moving artwork, Fein reconstructed the tragic history of an actual gay bar in the French Quarter, the Upstairs Lounge, where in 1973 an fire set by an arsonist killed more than thirty people trapped upstairs. Fein presented photos and his own artwork in tribute to the victims. Fein’s first solo museum exhibition in 2009 at the New Orleans Museum of Art, Youth Manifesto, was a vibrant exploration of punk culture from the 1970s and 1980s. Taking the “eternal spirit of youth,” as Fein described his work, and the compelling force of music as its starting point, the sculptures and fabric pieces resembled artifacts of groupie culture such as ticket stubs, flyers, and mix tapes by bands such as The Clash, Adam and the Ants, and the African American punk band Death. A section of the exhibition was also dedicated to graffiti culture, including a lighted homage to the street artist Harsh and a critique of the antigraffiti crusader in New Orleans who goes by the alias Grey Ghost. Since 2009, Fein has continued to make artworks exploring the spirit of revolution, referencing historical figures such as Rosa Luxemburg...

Screen print in colors on Somerset paper. Hand signed lower right by Matt Gondek. Hand numbered AP lower right (there is also a main edition of 150). Sheet size: 22 x 22 inches. ...

Screen print in colors on shaped wood. Hand signed lower right by Matt Gondek. Hand numbered 9/50 lower right. Artwork size: 28 x 22 inches. Custom framed as pictured. Plexiglass...

Medium: 13 Color, Hand-Pulled Screen Print on Mohawk Superfine UltraWhite 160lb cover paper. Hand signed and numbered by Matt Gondek. From the edition of 150. Sheet size 20 x 30 i...

medium: screen print and india ink on vellum Edition of 10, 2 APs Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonvi...

This artwork titled "Peace and Justice, Haiti" 2013, is an original screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is hand sig...

Shepard Fairey Lemmy Damaged Case Screen print on thick cream Speckletone paper Year: 2021 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and nu...

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This artwork titled "Scale Tipping" 2009, is an original colors screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is hand signed,...

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This artwork titled "Close Knite" 2009, is an original colors screen print on cream, Speckletone fine art paper. by noted American artist Shepard Fairey, b.1970. It is hand signed, d...

Untitled By Billy Childish Billy Childish is a British artist, musician, and writer known for his prolific output across painting, poetry, and punk music. His raw, expressionist wo...