339 results for "motherwell"

Artist: Ian Hornak (1944-2002) Title: Olive Grove in Moonlight Year: 1968 Edition: 200, plus proofs Medium: Etching on vélin de Rives paper Size: 22 x 30 inches Condition: Good Inscription: Unsigned and unnumbered, as issued Notes: Published and printed by Ian Hornak, New York IAN HORNAK (January 9, 1944 – December 9, 2002) was an American draughtsman, painter and printmaker. Described by The New York Times as being, “right at the top of romantically descriptive painters today,” Hornak was one of the founding artists of the Hyperrealist and Photorealist fine art movements. Hornak's personal papers and effects entered into the permanent collection of the Smithsonian Institution's Archives of American Art in 2007. His artwork is owned by the permanent collections of the Smithsonian Institution's National Museum of American Art; the Smithsonian Institution's National Museum of American History; the Library of Congress; the Corcoran Gallery of Art; the Detroit Institute of Arts; the Board of Governors of the Federal Reserve System; the Museum of Fine Arts, Boston; the Albrecht-Kemper Museum of Art; the Allen Memorial Art Museum; the Austin Museum of Art; the Barbara Ann Karmanos Cancer Institute; the Canton Museum of Art; the Children's Hospital of Philadelphia; the Hood Museum of Art at Dartmouth College; the Detroit Historical Museum; the Flint Institute of Arts; the Forest Lawn Museum; Galleria Internazionale; The George Washington University Art Galleries; Guild Hall; the Children's Hospital Boston (Harvard Medical School affiliate); the Kinsey Institute for Research in Sex, Gender and Reproduction; the Long Island Museum of American Art, History, and Carriages; the National Czech & Slovak Museum & Library; the National Hellenic Museum; the Ringling College of Art and Design; the Rockford Art Museum; the Jane Voorhees Zimmerli Art Museum at Rutgers University; the Florida State Capital; St. Mary's University, Texas; The Art Gallery at the University of Maryland; the University of Texas at San Antonio; the Frances Lehman Loeb Art Center at Vassar College; the Washington County...

Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of...

Composition XII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 46/75 Size: 56 x 76 cm Observations: Etching and aquatint on Gvarro paper hand sig...

Conrad Marca Relli - Composition X Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...

Conrad Marca Relli - Composition XIII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions an...

Conrad Marca-Relli - Composition II Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 59/75 Size: 56 x 76 cm Condition: In very good conditions and ...

Conrad Marca Relli - Composition III Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 51/75 Size: 56 x 76 cm Condition: In very good conditions and...

Conrad Marca Relli - Composition VIII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions an...

Artist: André Masson (French, 1896-1987) Title: "Le Fil d'Ariane (Ariadne's Clew)" Portfolio: For Meyer Schapiro *Signed by Masson in pencil lower right Year: 1973 Medium: Original E...

Title: Guide 32 color screenprint on 100% rag handmade, shaped deckle edged paper. with applied glitter. hand signed in pencil, stamped and numbered from edition of 33. Sandy Kinnee...

Artist: Ian Hornak (1944-2002) Title: Transparent Barricades Year: 1981 Medium: Silkscreen in colors vélin de Rives BFK paper Size: 26 x 40 inches Edition: 86/200, plus proofs Condit...

Artist: Ian Hornak (1944-2002) Title: The Unexpected Frontier Year: 1981 Edition: 57/150, plus proofs Medium: Silkscreen in colors on vélin de Rives BFK paper Size: 29.13 x 38.19 in...

Saul Steinberg Lithograph Derrière le Miroir: Lithograph in colors c.1970. 11 x 14 inches. Very good overall vintage condition with vivid colors. Unsigned from an edition of unknown...

Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Ama...

Silkscreen on paper. with some sort of experimental poured stuff on it. there is some loss to the margin but the image is strong. edition 2/6. During the 1930s, Lawrence Edward Kupferman was employed by the WPA Works Progress Administration, making a series of etchings and dry points, mostly of the facades of houses. His style changed completely in the 1940s, becoming first political and expressionist, and later abstract expressionist. He served as chairman of the department of painting at the Massachusetts College of Arts.He studied at the Boston Museum School with Philip Leslie Hale and H. Alden Ripley (1929-1931); Massachusetts School of Art with Ernest L. Majors and Otis Philbrick (1931-1935). Kupferman took motifs from tangible and sensed realities. His atmospheres symbolize cosmic space. Existence is spiritualized as a connected covenant with all of creation. Veil-like, mysterious lines move like vapors over washes of opaque translucent colors that blend, erupt or fade into seas of time-like space and souls become one with an ever-moving, deepening milieu. He admitted, "My figures journey to greet an eternal fellowship with nature’s every particle. . . . "Around 1941, I started to pour paint onto canvases in Provincetown. Jackson Pollock came into my studio to observe how I let paint take on a liquid life or path of its own. Those ethereal poured paintings may have stimulated Pollock's more frantic splashed-on techniques” Kupferman said thoughtfully.Some critics gave him credit for having been one of the pioneering fathers of the poured painting technique. As early as 1943, the Museum of Modern Art, the Whitney Museum of American Art and various publications acknowledged him as a humanistic innovator whose work bluntly exposes humans to themselves. Kupferman, Jack Levine (b. 1915), Hyman Bloom (b. 1913) and David Aronson (b. 1923) founded the "The Boston Urban Jewish School," whose roots ran deep into traditional Hebraic scholarship."Throughout my career," Kupferman admitted, "Boston was a mental and physical prison in which genuineness and spontaneity in art was absent. I summered in Provincetown for artistic sanity. Mark Rothko, Hans Hofmann, Adolph Gottlieb, William Baziotes, Leo Manzu, Byron Brown and I hung out together in an invigorating atmosphere of rediscovery. We started our own renaissance! Together with Robert Motherwell, Richard Pousette-Dart, Weldon Kees...

Actual sheet is 25 X 20 size includes frame. Hand signed and numbered. The Flight exhibition comes from a portfolio of prints organized by Varian Fry in 1964 and completed in 1971. B...

Space Race Silkscreen on Acrylic hand signed and dated 1970, MOON WALK, color screenprint on Plexiglas depicting the moon landing, from the numbered edition of 150, size 30 x 30” L...

Title: Non Scientific Time 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered. Sandy Kinnee is known for paper making...

Free Wheeler (Variation IV) by Alan Davie, 2000 Additional information: Medium: screenprint 75.5 x 86 cm (unframed) 29 3/4 x 33 7/8 in signed, dated and numbered in pencil Alan Dav...

Saul Steinberg (untitled) Chrysler Building Lithograph from Derrière le miroir: Lithograph in colors c.1970. 11 x 15 inches Very good overall vintage condition. Unsigned from an ed...

Cosmic Signals No.4 by Alan Davie, 2001 Additional information: Medium: screenprint 75 x 86.5 cm (unframed) 29 1/2 x 34 in signed, dated and numbered in pencil Alan Davie is one of...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Cosmic Signals No.5 by Alan Davie, 2001 Additional information: Medium: screenprint 88.5 x 74.5 cm (unframed) 34 7/8 x 29 3/8 in signed, dated and numbered in pencil Alan Davie is ...

This exquisite collotype after Max Ernst (1891–1976), titled L’Idole (The Idol), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edition publ...

This exquisite collotype after Max Ernst (1891–1976), titled Les Diamants conjugaux (The Conjugal Diamonds), from the album Max Ernst, Histoire Naturelle (Natural History), originate...

This exquisite collotype after Max Ernst (1891–1976), titled Un coup d'oeil (A Glance), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 editi...

This exquisite collotype after Max Ernst (1891–1976), titled Le Chale a fleurs givre (Iceflower Shawl and Gulf Stream), from the album Max Ernst, Histoire Naturelle (Natural History)...

This exquisite collotype after Max Ernst (1891–1976), titled Les Pampas (The Pampas), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edition...

This exquisite collotype after Max Ernst (1891–1976), titled Les Champs d'honneur, les inondations, les plantes sismiques (Fields of Honor, Flood, Seismic Plants), from the album Max...

This exquisite collotype after Max Ernst (1891–1976), titled L’Etalon et la fiancee du vent (The Stallion and the Bride of the Wind), from the album Max Ernst, Histoire Naturelle (Na...

Cosmic Signals No.1 by Alan Davie, 2001 Additional information: Medium: screenprint 75.5 x 87 cm (unframed) 29 3/4 x 34 1/4 in signed, dated and numbered in pencil Alan Davie is on...

Ra Drak by Alan Davie, 2000 Additional information: Medium: screenprint 75 x 85 cm (unframed) 29 1/2 x 33 1/2 in signed, dated and numbered in pencil Alan Davie is one of Scotland'...

This print by Robert Indiana is part of an 8-piece portfolio published by The New York Graphic Society in 1983 and includes works from Red Grooms, Robert Indiana, Alex Katz, R.B. Kit...

Untitled by Mark Lancaster, 1967 Additional information: Medium: lithograph 73 x 63.5 cm 28 3/4 x 25 in signed Mark Lancaster was born Christopher Ronald Mark Lancaster, but early in life he decided that "Mark" was his favorite of the three names. Educated at Holme Valley Grammar School, 1949–52, and Bootham School, York, from 1952 to 55, after which he worked in a family textile business and studied textile technology for six years, painting in his own time, before going to King's College, Newcastle in 1961 to study Fine Art. From 1961 to 1965 Mark Lancaster studied under Richard Hamilton at the University of Newcastle upon Tyne, where he also taught from 1965–66, and then at the Bath Academy of Art, Corsham, Wiltshire, 1966–68, while living in London. He first visited New York City in 1964, where he worked briefly as an assistant to Andy Warhol, appeared in several Warhol movies, and met Jasper Johns, Ray Johnson, Ellsworth Kelly, Roy Lichtenstein, Frank Stella, James Rosenquist, Larry Rivers, Frank O'Hara, Robert Motherwell, Helen Frankenthaler, Norman Mailer and many others. In New York he photographed extensively, and started a series of paintings related to the imagery of the Howard Johnson...

This original lithograph in colours is hand signed in pencil by the artist “Castillo” in the lower right image. It is dated "86" [1986] next to the signature. It is also hand numbered in pencil from the edition of 100, at the lower left image. There were 20 artist’s proofs and 10 hors commerce [out of trade] impressions. It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists. The paper bears the Guarro watermark in the upper left sheet corner. Note: The contributing artists were: Sergi Aguilar, Frederic Amat...

Angelo Savelli (1911-1995) "Lotus" c. 1965 Collage and Lithograph Signed, Titled and Numbered Ed. 58/200 Framed Size: approx 26 x 21 inches Image Size: approx. 23 x 19 inches Octob...

Title: Steal 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered from edition of 20. The piece below is one of a series...

This original lithograph in colours is hand signed in pencil by the artist “Hernández-Pijuan” at the lower right margin. It is also dated “87” [1987], next to the signature It is also hand numbered in pencil from the edition of 100, in the lower left margin. There were 20 artist’s proofs and 10 hors commerce [out of trade] impressions. It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists. The paper bears a Guarro watermark in the upper left corner. Note: The contributing artists were: Sergi Aguilar...

This rare, vintage poster featuring the work on paper Untitled (1971–73) was produced in 1979, in conjunction with the exhibition Cy Twombly: Paintings and Drawings 1954–1977 at the ...