661 results for "roy lichtenstein"

Seductive Girl By Roy Lichtenstein 2007 Medium: Offset Lithograph Paper Size: 26.75 x 33.75 inches ( 68 x 86 cm ) Image Size: 23.25 x 33.75 inches ( 59 x 86 cm ) Edition Size: ...

Artist: Roy Lichtenstein Title: Girl Portfolio: 1¢ Life Medium: Lithograph on white wove paper Date: 1964 Edition: 2000 Frame Size: 20 3/4" x 18 5/8" Sheet Size: 16 1/4" x 11 1/2" Im...

Kiss By Roy Lichtenstein Roy Lichtenstein was a prominent American pop artist known for his bold, comic strip-inspired paintings. Emerging in the 1960s, his work featured bright co...

Aspen Jazz By Roy Lichtenstein 1967 Medium: Serigraph Paper Size: 40 x 26 inches ( 102 x 66 cm ) Image Size: 40 x 26 inches ( 102 x 66 cm ) Edition Size: 300

Pointed Finger By Roy Lichtenstein 1989 Medium: Lithograph Paper Size: 39 x 27.5 inches ( 99 x 70 cm ) Image Size: 35 x 27.5 inches ( 89 x 70 cm ) Edition Size: Unknown

Roy Lichtenstein Next Wave Festival Poster (Hand signed, warmly inscribed and dated), 1983 Offset lithograph (hand signed, uniquely inscribed, and dated by Roy Lichtenstein) Signed, ...

Colorful swirls in red, blue, white, and yellow on a white plate with blue dots over the surface of the plate. "The Prints of Roy Lichtenstein" a catalogue raisonne page 286 #III.45 Notes: Roy Lichtenstein, Paper Plate, 1969 stamped on the back: Roy Lichtenstein © On 1st Inc. 1969 Dimensions: 10" diameter Artist or Maker: Roy Lichtenstein Medium: Serigraph Screenprint in yellow, red, and blue, on white paper plate. Publisher: Bert Stern, for On 1st, New York. Date: 1969 Description: "Paper Plate" by Roy Lichtenstein, 1969 Unsigned Serigraph. Paper size is 10 x 10 inches, with an image size of 10 x 10 inches. The Serigraph is from an edition size of 2000 and is not framed. Printer: Unknown, possibly Artmongers manufactory, New York. The plates were commercially printed and wrapped in clear cellophane in packages of 10 for sale at Bert Stern's On 1st store. Correspondence found in the artist's records indicates that the plates may have been fabricated at Artmongers manufactory, New York. Paper Plate is related to other designs the artist produced for dishware, such as the limited-edition place settings produced by Jackson China...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Haystack #4' is a lithograph and screenprint in colors on Arjomari paper. It is signed, dated, and numbered 73/100 in pencil in the ...

This exquisite silkscreen by Roy Lichtenstein (1923–1997), titled Sandwich and Soda, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Museum of Art, Hartford, and printed by Sirocco Screenprints, Inc., North Haven, in Sandwich and Soda, Lichtenstein translates his signature Pop Art vocabulary—bold outlines, flat commercial color, and Ben-Day dot structure—into a crisp, iconic composition that reimagines everyday consumer imagery with graphic intensity and conceptual clarity. Executed as a silkscreen on Mylar over Mohawk Superfine Bristol paper, this work measures 20 x 24 inches. Unsigned and unnumbered as issued. Printed by Sirocco Screenprints, Inc., North Haven, one of the most capable American screenprinting ateliers of the mid-20th century. Artwork Details: Artist: Roy Lichtenstein (1923–1997) Title: Sandwich and Soda, from X + X (Ten Works by Ten Painters), 1964 Medium: Silkscreen on Mylar over Mohawk Superfine Bristol paper Dimensions: 20 x 24 inches (50.8 x 60.96 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Wadsworth Atheneum Museum of Art, Hartford Printer: Sirocco Screenprints, Inc., North Haven Edition: D Catalogue raisonne reference: Corlett, Mary Lee, and Roy Lichtenstein. The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948–1997. 2nd rev. ed., Hudson Hills Press in association with the National Gallery of Art, Washington, D.C.; Distributed in the U.S. by National Book Network, 2002, No. 35. Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio X + X (Ten Works by Ten Painters), published by the Wadsworth Atheneum Museum of Art, Hartford Notes: Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. About the Publication: X + X (Ten Works by Ten Painters), published in 1964 by the Wadsworth Atheneum Museum of Art in Hartford, stands as one of the most ambitious and influential printmaking endeavors of postwar American art. Conceived under the direction of curator Samuel J. Wagstaff, Jr., the project sought to capture and translate the defining visual languages of ten leading American painters of the era—Stuart Davis, Ellsworth Kelly, Robert Indiana, Adolph Gottlieb, George Ortman, Larry Poons, Richard Anuszkiewicz, Frank Stella, Andy Warhol, and Roy Lichtenstein—into original silkscreens. Each artwork was created as an autonomous work that embodied the formal, chromatic, and conceptual principles of its respective artist. The choice of silkscreen printing, executed by Sirocco Screenprints, Inc., was central to the portfolio’s purpose: its dry, matte surface and capacity for crisp, saturated color allowed for a faithful translation of the painters’ flatness, surface tension, optical effects, and graphic precision. Organized and published by a major American museum at a moment of seismic change in contemporary art, X + X marked a turning point in institutional engagement with editioned works, representing one of the first concerted efforts by a museum to commission an ensemble of original graphics from the leading figures of its time. The portfolio captured the pulse of 1960s American painting—from Hard-Edge abstraction to Pop, Op, and Color Field—offering both a curated snapshot of artistic innovation and an accessible format that expanded the audience for contemporary art. Today, X + X is widely regarded as a landmark in American printmaking, celebrated for its curatorial vision, technical accomplishment, and its role in defining the dialogue between museum patronage and the burgeoning print culture of the 1960s. About the Artist: Roy Lichtenstein (1923–1997) was an American painter, printmaker, and sculptor whose revolutionary elevation of comic-book graphics, Ben-Day dots, commercial illustration, and mass-media visual language into the realm of fine art made him one of the founding giants of Pop Art, drawing on the breakthroughs of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray to synthesize Cubist fragmentation, Surrealist wit, Modernist experimentation, and Duchampian conceptualism into an unmistakable style defined by bold outlines, flat industrial color, graphic reduction, and the now-iconic Ben-Day dot technique; emerging in the 1960s alongside Andy Warhol, Claes Oldenburg, James Rosenquist, Jasper Johns, and Robert Rauschenberg, Lichtenstein shifted American art away from Abstract Expressionism toward a cool, analytical investigation of consumer culture, mass reproduction, advertising, and the manufactured image, creating paintings, prints, sculptures, and monumental public works that reimagined romance comics, war scenes, cartoons, brushstroke parodies, landscapes, and art-historical citations while offering a humorous yet incisive commentary on how images shape contemporary life; his influence is immense, shaping artists such as Jeff Koons, Takashi Murakami, Damien Hirst, Julian Opie, KAWS, Banksy, and numerous contemporary painters, designers, fashion houses, and digital creators, while his works are held in major institutions including the Museum of Modern Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Art Institute of Chicago, the National Gallery of Art, Tate, Centre Pompidou, SFMOMA, the Hirshhorn Museum and Sculpture Garden, and LACMA, with his highest auction record achieved when Nurse (1964) sold for 95,365,000 USD at Christie's New York on November 9, 2015. Roy Lichtenstein silkscreen...

Brushstrokes By Roy Lichtenstein 1983 Medium: Lithograph Paper Size: 30.75 x 23.5 inches ( 78 x 60 cm ) Image Size: 30.75 x 23.5 inches ( 78 x 60 cm ) Edition Size: 2000

Artist: Roy Lichtenstein, American (1923 - 1997) Title: This Must Be the Place (C. III.20) Year: 1965 Medium: Offset Lithograph, signed in the plate and in pencil l.r. Edition of unk...

Blam By Roy Lichtenstein 1991 Medium: Offset Lithograph Paper Size: 27 x 30 inches ( 69 x 76 cm ) Image Size: 22.25 x 26.5 inches ( 57 x 67 cm ) Edition Size: Unknown

I Can See The Whole Room By Roy Lichtenstein 1989 Medium: Serigraph Paper Size: 41.75 x 38.5 inches ( 106 x 98 cm ) Image Size: 37.5 x 37.5 inches ( 95 x 95 cm ) Edition Size:...

Screenprint on heavy, white wove paper , edited in 1965 Limited edition of 280 copies signed in pencil by artist in lower right corner and numbered 243/280 paper size: : 58,4 x 73,6 ...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Still Life with Lobster' is a 1974 color lithograph and silkscreen. This work is signed, dated 'Lichtenstein '74' and numbered 43/10...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Modern Print" *Numbered, signed, and dated by Lichtenstein in pencil lower right Year: 1971 Medium: Original Lithograph and Scr...

Black Flowers By Roy Lichtenstein 1988 Medium: Offset Lithograph Paper Size: 14 x 11 inches ( 36 x 28 cm ) Image Size: 11.75 x 7.75 inches ( 30 x 20 cm ) Edition Size: Unknown

The Lamp By Roy Lichtenstein 1995 Medium: Offset Lithograph Paper Size: 39.5 x 27.5 inches ( 100 x 70 cm ) Image Size: 32.5 x 23.75 inches ( 83 x 60 cm ) Edition Size: 1000

Artist/Designer; Manufacturer: Roy Lichtenstein (American, 1923-1997) Marking(s); notes: signed, blind stamp, marking(s); PP 1/2 aside from the edition of 60; 1989 Materials: lithogr...

Nudes With Beach Ball By Roy Lichtenstein 2007 Medium: Offset Lithograph Paper Size: 38.5 x 26.75 inches ( 98 x 68 cm ) Image Size: 29.75 x 26.75 inches ( 76 x 68 cm ) Edition ...

Reflections On The Scream By Roy Lichtenstein 2013 Medium: Offset Lithograph Paper Size: 23.25 x 29 inches ( 59 x 74 cm ) Image Size: 19.5 x 27.5 inches ( 50 x 70 cm ) Edition ...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein 'Sandwich and Soda' was conceived in 1964 as part of the portfolio “Ten Works by Ten Painters.”. This work is unsigned and unnumbered p...

Roy Lichtenstein Illustration for ‘De Denver au Montana, Départ 27 Mai 1972” (I), From ‘La Nouvelle Chute de l’Amérique (The New Fall of America)” Etching and aquatint on 250-gram V...

Cloud And Sea By Roy Lichtenstein 1989 Medium: Serigraph Paper Size: 27.5 x 47 inches ( 70 x 119 cm ) Image Size: 21 x 42.75 inches ( 53 x 109 cm ) Edition Size: 5000

Guggenheim Museum By Roy Lichtenstein 1969 Medium: Serigraph Paper Size: 28.75 x 28.75 inches ( 73 x 73 cm ) Image Size: 23.25 x 23.25 inches ( 59 x 59 cm ) Edition Size: 3000

Against Apartheid By Roy Lichtenstein 1983 Medium: Lithograph Paper Size: 33.5 x 23.5 inches ( 85 x 60 cm ) Image Size: 30.75 x 23.5 inches ( 78 x 60 cm ) Edition Size: 5000

Reflections On Minerva By Roy Lichtenstein 2013 Medium: Offset Lithograph Paper Size: 23.25 x 29 inches ( 59 x 74 cm ) Image Size: 20 x 25.75 inches ( 51 x 65 cm ) Edition Size...

Post Visual By Roy Lichtenstein 2004 Medium: Offset Lithograph Paper Size: 16.5 x 11.75 inches ( 42 x 30 cm ) Image Size: 11 x 9.25 inches ( 28 x 23 cm ) Edition Size: 1000

Historically scarce -- hand signed museum invitations by Lichtenstein from MoMA, where the artist attended himself, rarely surface, especially when framed and preserved at this level...

ROY LICHTENSTEIN (1923-1997) This Lichtenstein 'Real Estate' print in blue is a 1969 lithograph on Arches paper. There was an edition of 100 produced (there were also approximately ...

Brushstrokes At Pasadena Art Museum By Roy Lichtenstein 1967 Medium: Serigraph Paper Size: 25 x 33 inches ( 64 x 84 cm ) Image Size: 22 x 30 inches ( 56 x 76 cm ) Edition Size:...

Girl And Spray Can By Roy Lichtenstein 2013 Medium: Offset Lithograph Paper Size: 23.25 x 29 inches ( 59 x 74 cm ) Image Size: 16.25 x 27.25 inches ( 41 x 69 cm ) Edition Size:...

Artist: lichtenstein, Roy Title: Mirror #2 Date: 1972 Medium: Linecut and screenprint with embossing on Arjomari paper Unframed Dimensions: 28" x 28" Framed Dimensions: 29.5" x...

Amerikansk Pop-Konst By Roy Lichtenstein 1964 Medium: Serigraph Paper Size: 39.25 x 27.5 inches ( 100 x 70 cm ) Image Size: 39.25 x 27.5 inches ( 100 x 70 cm ) Edition Size: Un...

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, H...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Chem 1A" *Signed and dated by Lichtenstein in pencil lower right Year: 1970 Medium: Original Screenprint on Special Arjomari pa...

Aloha, From Art Of The Sixties By Roy Lichtenstein 1993 Medium: Serigraph Paper Size: 55 x 39 inches ( 140 x 99 cm ) Image Size: 34 x 34 inches ( 86 x 86 cm ) Edition Size: 2000

Landscape With Figures And Rainbow( Large) By Roy Lichtenstein 1989 Medium: Serigraph Paper Size: 39.25 x 51 inches ( 100 x 130 cm ) Image Size: 30 x 43 inches ( 76 x 109 cm ) ...

Offset lithograph on white wove paper, Edited in 1965 Limited edition , signed in pencil by artist in lower right corner paper size: 69 x 51.5 cm framed size: 72.5 x 55.5 cm good...

ROY LICHTENSTEIN (1923-1997) Lithograph and line-cut in colors with embossing, 1970, signed in pencil, dated and numbered 30/100 (total edition includes seven artist's proofs). This...

American Art In The 20th Century By Roy Lichtenstein 1993 Medium: Offset Lithograph Paper Size: 15.75 x 12 inches ( 40 x 30 cm ) Image Size: 12 x 12 inches ( 30 x 30 cm ) Editi...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Entablature II' is a Screenprint, lithograph and collage in colors with embossing on Rives BFK paper. Signed, dated and numbered in ...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Two Paintings (Corlett 205)' is a 1984 multimedia relief print in colors using woodcut, lithograph and screen print techniques on wo...

Interior With Skyline, Collage For Painting By Roy Lichtenstein 2000 Medium: Offset Lithograph Paper Size: 38.5 x 51.25 inches ( 98 x 130 cm ) Image Size: 32.5 x 47 inches ( 83 ...

Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York. Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping. Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16. Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82. Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color). Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45. Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...

Artist: Roy Lichtenstein Title: American Indian Theme VI Medium: Woodcut on handmade Suzuki Paper Date: 1980 Edition: 24/50 Frame Size: 40" x 53" Sheet Size: 37 3/4" x 50 5/16" Image...

Artist: Roy Lichtenstein Title: Nude With Blue Hair Medium: Relief print on Rives BFK mold-made paper Date: 1994 Edition: 28/40 Sheet Size: 57 7/8" x 37 5/8" Image Size: 51 5/16" x 3...

Created after Roy Lichtenstein's iconic Moonscape Banner (1966), this folded screenprint on wove cardstock was published by Multiples, Inc. (New York) in 1969, and would later be use...

Litho/Litho Lithograph on Special Arjomari paper Signed, dated, and numbered in pencil Publisher: Gemini G.E.L., Los Angeles Corlett 101

Artist: Roy Lichtenstein Title: Haystack #4 Portfolio: Haystack Medium: Lithograph and screenprint on Rives BFK paper Year: 1969 Edition: AP VII Frame Size: 24 3/4" x 34 3/4" Sheet S...

Artist: Roy Lichtenstein Title: Pistol (from Banner, Multiples Calendar) Medium: Screenprint in colors Date: 1969 Edition: Unnumbered Frame Size: 19 1/4" x 19 3/8" Sheet Size: 15 3/...

Published in 1990 by Rosenthal, Germany, Roy Lichtenstein’s, Water Lilies is an exquisite glazed porcelain charger, brilliantly colored, accompanied by signed certification. Stamp si...

Roy Lichtenstein Reflections on Minerva 1990 Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper Signed, numbered, and dated in pen...

Included in America: The Third Century portfolio, Roy Lichtenstein created Bicentennial as an original color lithograph with screenprint in 1975, conceived to celebrate the 200th ann...

Arguably the most iconic and instantly recognizable of Roy Lichtenstein’s prints, Crying Girl was created in 1963 as an offset lithograph in colors. Signe...

A stunning example of abstracted imagery easily identifiable as the work of Roy Lichtenstein, Blue Face was created by the artist in 1989 as a truly mixed me...

Artist: Roy Lichtenstein Title: Illustration for "De Denver au Montana, Depart 27 Mai 1972" (II) Medium: Etching and aquatint in colors on Arches paper Date: 1992 Edition: 37/80 Fram...

Roy Lichtenstein Two Paintings: Dagwood, 1984 is a vivid, colorful piece that demonstrates the clever work of Lichtenstein’s varied oeuvre. The work is c...

This original lithograph in colours is hand signed in pencil "R. Lichtenstein" at the lower right margin. It is dated ‘89’ [1989] next to the signature. It is also numbered in penci...

Roy Lichtenstein Illustration for ‘De Denver au Montana, Départ 27 Mai 1972” (II), From ‘La Nouvelle Chute de l’Amérique (The New Fall of America)” Etching and aquatint on 250-gram ...