24 results for "sir john soane"

A refined and characterful statuary marble fireplace of strong architectural design, after Sir John Soane. The piece is cleverly decorated with a design of simple open concave finger...

Taken from a design developed by the Greeks in the 5th century BC. The design was then resurrected in the English Regency period. The chair is made of Sono wood similar to rosewood. ...

A simple steel hob grate in the manner of Sir John Soane. The panelled fronts with straight bars to burning area and ball finials below. English, modern. Could be polished if require...

This 8x13 abstract rug in Rug & Kilim’s Modern Collection is a breathtaking collaboration from Blackpop and Sir John Soane’s Museum. Hand-knotted in wool and silk, it draws on gothic...

This 8x13 abstract rug in Rug & Kilim’s Modern Collection is a breathtaking collaboration from Blackpop and Sir John Soane’s Museum. Hand-knotted in wool and silk, it draws on gothic...

After designs by Sir John Soane, a circular ebonized cushion mirror of simplistic but stylish form. The mirror can be made in a bespoke size if required. We are currently working t...

An architecturally designed fireplace in "Old English" Carrara Marble. Somewhat in the manner of Sir John Soane. The plain pilasters and frieze with deep moulded in grounds, backing ...

An inspiring collection of idiosyncratic interiors assembled around eclectic collections of objects with life and history The once-rarefied world of antiques is bursting open thanks to a new generation of collectors. The New Antiquarians features twenty-two young connoisseurs whose spirited interiors exemplify unorthodox approaches to living with history. Hailing from across the United States and Britain, they brazenly blend the old with the new, embrace anachronism and pastiche, employ serious knowledge with humor and wit, and consider vintage and historical objects through the lens of contemporary values. The New Antiquarians is an exuberant entry point into the world of antiques, highlighting one-of-a-kind collections and single-minded collectors whose stories suggest compelling new ways of living with the past. Collectors whose homes are featured include Jared Austin; Emily Adams Bode Aujla and Aaron Singh Aujla; Pablo Bronstein; Collier Calandruccio; Adam Charlap Hyman; Emily Eerdmans; Jared Frank; Andrew LaMar Hopkins...

An extremely rare seating group of eight Petal chairs model no. 7814 designed by New York interior designer and architect John Saladino for Dunbar. The fu...

A beautifully preserved pair of George III English coade stone urn finials marked ‘Coade Lambeth 1794’. The design for these urns appears in Coade’s 1778 tr...

A very fine chimneypiece with a striking simplicity of form, reminiscent of the work of Sir John Soane.Carved from dramatic dove grey Bardiglio Fiorito marble, the wide stepped shelf...

A curated collection of Postmodern architecture in all its glorious array of vivid non-conformity This unprecedented book takes its subtitle from Postmodernist icon Robert Ven...

The Genius of Robert Adam: His Interiors by Eileen Harris. Published by Paul Mellon Centre BA, 2001. 1st Ed hardcover with dust jacket. Profusely illustrated in b & w and color. "Rob...

A white marble fireplace in the manner of Sir John Soane. The tapering jambs with Greek key decoration, surmounted by square panelled blockings. Plain frieze and shelf. English, base...

A Fine Set of Twelve George III Period Mahogany Dining Chairs In the manner of Thomas Sheraton Made to the highest standards and of beautifully drawn proportions, the set including ...

An elegant pie-crust shelf rests on the frieze, adorned with alternating floralpaterae and finger flutes. Finely carved scrolls with delicate foliage decorate the side console jambs,...

We are delighted to offer for sale this rare and important suite of twelve original John Gee 1779-1824 Regency bergère Rosewood with brass inlay dining chairs Where to start, these are as rare as they come, an original suite of John Gee chairs and twelve no less! They have rosewood frames, brass inlaid and period bergère seats with later mate removable cushions. I have included a brief history on John Gee below along with some of is later sales and so on Most likely if you are a collector and follower of fine furniture, you would have seen this design many times before, these are the originals, where it all began, the first edition period pieces by one of the great cabinet makers of the late 18th to early 19th century. The craftsmanship is as fine as they come In terms of the condition, they are all structurally sound, the finish is original and they haven’t been professionally restored so far as I can see. There are some small losses which is quite normal to the brass work and some punches to the bergère again consistent with age and use, they are after all, over 200 years old. We have deep cleaned hand condition waxed and hand polished them from top to bottom, I can have them fully, professionally restored for the cost price should the new owner wish, they can be made as gallery perfect as possible X2 Carver dimensions Height:- 84.5cm Width:- 52cm Depth:- 59cm Seat height:- 45cm X10 standard chair dimensions Height:- 84.5cm Width:- 46.5cm Depth:- 53cm Seat height:- 46cm Please note all measurements are taken at the widest point Gee, John 49, Wardour Street, Soho, London; chair maker and turner (fl.1779–c.1824) Also listed as Gee & Sons (1809) and Gee, Thomas Ayliffe (1804– 09) In about 1779 John Gee replaced Thomas Ayliffe as partner to Benjamin Crompton, who had been Turner in Ordinary to George III since 1762. On 14 October 1787 Gee was sworn in as turner ‘jointly with Thos. Ayliffe his partner’, but his name, unlike Ayliffe's, does not appear in the Court and City Register until 1799. Ayliffe was the fourth member of his family to be a turner to the King, so Gee was probably the junior partner. In 1790 Lord Wilton bought chairs for the Music Room at Heaton Hall, Lancs. ‘2 June 1790 Aycliffe & Gees Bill for chairs etc. £49 8s.’. From 1799, when he is described as ‘Chair-maker, 49 Wardour Street, Soho’, Gee is listed in London directories. In 1803 he is called ‘Chairmaker & Turner to His Majesty’ and this title occurs regularly in entries up to 1823; in most directories, however, this appointment is omitted. Gee is also included in the list of master cabinet makers attached to Sheraton's Cabinet Dictionary, 1803. The last directory listing for Gee is 1823–24. On 8 November 1804 Thomas Ayliffe Gee was appointed Turner in Ordinary to the King jointly with his father and briefly, in one directory of 1809 the firm is listed as ‘Gee & Sons, Turners & chair makers’. John Gee's name is shown in the Court and City Register until 1831, well after his apparent retirement. Charles Holme Bridges, who succeeded Gee at 49 Wardour St in 1824 received a royal warrant in 1822 but is first entered as a turner in the 1832 Register. Gee's productions have been identified through stamped marks: ‘J GEE’, ‘GEE’, l GEE’, ‘Jn. G’ and a crown, J within G, and ‘GEE WARDOUR ST’ have been noted. Certain chairs are stamped with initials: ‘RR’, ‘GL’, ‘GH’, ‘IT’ and ‘WG’ have been noted. These are probably the marks of individual chairmakers in Gee's employ. His seems to have been a substantial undertaking. The following summary list records chairs by Gee in the order of their emergence: Pride's of London, 1962, 6 chairs, painted trophies on green and brown background, stamped ‘J GEE’. Bearne's Sale Rooms, 1964, settee, 2 armchairs, 7 chairs, stamped ‘J GEE’; 8 chairs, brass inlay, stamped ‘J GEE’. Sotheby's, London, 19 June 1970, lot 80, 4 chairs, simulated rosewood, gilt, stamped ‘GEE’ and ‘RR’; Sotheby's, London, 23 October 1970, lot 170, 6 chairs, simulated rosewood and brass inlay, stamped ‘GEE’ and ‘GL’ (some only); Sotheby's, London, 11 June 1971, lot 192, 2 armchairs, ebonised and gilt, stamped ‘GEE’; Christie's, London, 20 January 1972, lot 64, 8 chairs, ebonised, stamped ‘I GEE’ and ‘GH’; Bearnes & Waycotts, 1974(?), armchair, painted. Christie's, London, 31 October 1974, lot 98, 3 chairs, gilt, one branded ‘Jn. G’ twice with crown, the other two branded with crown, and with trade label of Copworth Bros. & Harrison, 22 Old Bond Street, Carpet & Cabinet Manufacturer to Her Majesty; Pride's of London, 1975, 6 chairs, simulated rosewood and brass inlay. Temple Newsam House, Leeds, 1976, 2 armchairs, ebonised and painted, stamped J within G and ‘IT’. Mrs G. M. Douglas, Bath, 1978, 3 chairs, painted green, stamped ‘GEE WARDOUR ST’ and ‘WG’. Sotheby's, London, 14 November 1979, lot 277, 2 chairs, painted with flowers, one stamped ‘GEE’. Private House, Monmouthshire, 1985, 8 chairs, ebonised, all stamped ‘GEE’ and ‘IT’, and 2 settees, en suite, both stamped ‘GEE’ and (?) ‘WP’. SOANE MUSEUM, 4 plain splat back chairs...

An exceptional pair of stoneware urns by the Coade manufactory of Lambeth (London), the body of each semi-lobed, amphora-shaped vessel ornamented with grape vines, the foot of each w...

An elegant pair of regency mahogany hall chairs, the waisted panelled back with carved stretched swirls to top rail above Soanian squashed Greek key borders flanking a recessed and r...

This Regency design convex round mirror relies on a minimum of decoration. The mirror plate has an ebonized and reeded slip frame and an inner leaf carved frame. The outer frame is carved with egg and dart...

Nineveh and Its Palaces; The Discoveries of Botta and Layard, Applied to the Elucidation of Holy Writ London: Office of the Illustrated London Library, 1852. First Edition Ad. Lala...

An exceptionally rare chimneypiece by Robert Adam. This chimneypiece is an exciting new discovery. Commissioned by General John Burgoyne (1722-1792) for the eating room of his Londo...

A petit bookcase in the manner of the Adam brothers. Constructed in Satinwood, with crossbanding, and polychrome hand-painted decoration; rising from tapering spade feet, the incurved lower section having a lockable cupboard door, extensively painted with a central trophy set...

A Regency giltwood convex looking glass with a plain moulded frame. We are currently working to a 30-36 week lead time.