91 results for "harlequin"

A large freestanding sculpture depicting a dancing couple; an original resin maquette made by acclaimed artist, John W. Mills, for his ‘Harlequinade’ series. Just one of various res...

French Belle Epoch Antoine Bourdelle Sculptural Pair of Bookends Patinated Bronze Edmond Etling & Cie Foundry, Paris ca. 1910 DIMENSIONS Height: 7.5 inches Width: 3.33 inches Depth: 3.33 inches MARKINGS Same markings are present on the plinths of both bookends: Signed 'A. Bourdelle’. Stamped ‘Edmond Etling & Cie Foundry, Paris’ ABOUT BOOKENDS This exquisite pair of bookends, created by the renowned French sculptor Antoine Bourdelle, epitomizes the grace and emotional depth of the Belle Époque era. Each bookend is a remarkable sculpture in its own right, yet when placed together, they form an inseparable narrative composition, bound by a shared plot. One bookend captures the passionate embrace of Harlequin and his mistress, a tender yet intense moment frozen in time. The second bookend portrays Pierrot, lost in the anguish of jealousy, his expression and posture radiating sorrow and longing. Together, these two figurative sculptures create a dramatic scene, where the books they support become part of the stage set, acting as a barrier between the characters—much like a stage wall in a theatrical performance. The interplay of emotion and movement in this captivating sculptural pair makes it a true masterpiece, seamlessly blending art with functionality. ABOUT SCULPTOR Émile Antoine Bordelles (French, 1861 - 1929) was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts seyle to modern sculp[ture. His studio became the Musee Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the15th arondissement of Paris, France. His very well known for his use of quivering Romanesque forms in his depictions of mythological figures. One of his best known works Hercules the Archer (1909), was a commissioned sculpture for the financier Gabriel Thomas. Born Émile-Antoine Bourdelle on October 30, 1861 in Montauban, France, he learned woodworking as a youth from his father who was a cabinetmaker. While assisting his father during the workday, he studied drawing at the École des Beaux-Arts in Toulouse in the evening. Moving to Paris in 1885, the artist became an assistant to Auguste Rodin in 1893, Rodin’s influence is evident in many of Bourdelle’s early sculptures. By 1900, he had begun receiving commissions for a number of theaters and later taught classes at his studio to young artist such as Alberto Giacometti and Otto Gutfreund...

Argy Rousseau's exquisite Farniente vase, a "pillow vase" with a flared mouth, showcases a refined blend of historical and artistic influences. The vase features a checkered lozenge ...

Continental Belgian (late 19th Century) bronze figure of Pierrot (possiblyJean-Gaspard Deburau) dressed as a harlequin playing with a duck standing on a round base (signed, ERNEST WA...

Art Deco Porcelain Figurine c. 1920, Bajazzo, Rosenthal, by Himmelstoss This is an Art Deco porcelain figurine, Bajazzo model, by Rosenthal, designed by Himmelstoss around 1920. The ...

Embrace the distinguished charm of the 19th century with this exquisite antique marquetry box. A stunning example of traditional English craftsmanship, this piece showcases masterful...

A large figurative sculpture depicting the two dancers, Harlequin and Columbine, by the acclaimed British sculptor, John W. Mills. Part of the artist’s ‘Harlequinade’ series, this is...

Impressive cut crystal vase by renowned cristallerie Saint Louis Cristal manufacturers handicraft in Saint-Louis-lès-Bitche, France. Fine mouth blown and hand cut crystal vase with ...

This unique ceramic piece is part of The Table Project, a collaborative art initiative developed in Madrid, Spain in 2024. Originally conceived by artist Isidro Blasco, the vase was ...

Art Deco bronze with green and brown patina around 1930. Bronze clown on Portor marble base. Signed Roland Paris on the embankment. Notes of micro scratches on the marble. Total height: 53cm Base: 13cm x 46.5cm Weight: 16 Kg Friedrich Richard Roland Paris (March 18, 1894 in Vienna, Austria-Hungary - May 4, 1945 in Swinemünde, Germany) was a German caricaturist, writer of satirical verse, graphic designer, painter and Art Deco sculptor. Roland Paris attended the Grand-Ducal Realgymnasium in Weimar from 1905. From 1909, he was a student at the Saxon Grand-Ducal School of Applied Arts in Weimar. Here, in 1912, he received second and third prizes as well as 25 points in a competition for the design of emblems for student associations, which he continued to produce for two or three years. Some of these works showed the influence of Art Nouveau, others included more modern approaches. In 1912, Paris took a course in sculpture at the Saxon Grand-Ducal School of Art in Weimar with the sculptor Gottlieb Elster. He then went to Munich, where he completed internships with several sculptors. In 1913, he returned to the school of Fine arts in Weimar and studied painting with Walther Klemm. In June 1915 he received his call up order for the Eastern Front of World War I and served first in a commando unit and then in the Air Force Inspectorate (IdFlieg) . After his return in 1919, he settled in Berlin. In 1924 he married Elisabeth Lisl Austen (b. 1897), a dancer at the Théâtre des Westens who modeled most of his female characters; he depicted himself for the facial parts of his male characters. The marriage remained childless. Their shared one-bedroom apartment in the backyard of Xantener Strasse 11 in Berlin-Wilmersdorf was also the Paris Studio, where he designed and made many of his sculptures, as well as graphics and paintings...

A Bronze Statuette of Arlequin by Charles-René de Paul de Saint-Marceaux. Cast by Barbedienne. The mischievous Harlequin, arms crossed in contemplation, wearing a grin and a mask, treading the boards of the stage, as befits his leading place in the Commedia dell'arte. Signed by the fondeur, Ferdinand Barbedienne, having the foundry cachet, and dated 1879, and the sculptor's name, St. Marceaux. French, Circa 1880. Paul de Saint-Marceaux (1845-1915) Son of a Reims wine merchant, entered the Ecole des Beaux-Arts de Paris under the tutelage of Jouffroy, exhibiting at the Salon of 1868, studying later in Italy. Considerable success followed, and he was awarded gold medals at the Paris Exposition Universelle of 1889, having been elected as a Chevalier to the Legion d'Honneur in 1880, and later becoming an officer. His public Parisian works may be seen in the Champs-Elysees (Alphonse Daudet the noted novelist) and Alexander Dumas...

An exceptionally well-cast bronze sculpture with brown patina depicting a harlequin holding a doll, the elaborately dressed figure with an expressive face and imposing posture restin...

A truly wonderful design piece, and one of my favorite, is this Japanese hand-built wood fired twin handled studio pottery vase of sculptural form by Hajimo Kato (b.1947) dating from...

A wonderful bronze abstract in the form of a female nude mounted on a terrazzo base. It is by the noted Mexican artist Jonas Gutierrez Castillo. It is signed Jonas 99 PA near the base. PA stands for Pruebas de Artista or Artist's Proof. The bronze has a beautiful warm brown gold patina. The base is a heavy terrazzo with lots of inclusions. The base has some losses to the edges which are pictured in detail. The bronze has some patina inclusions or spots, pictured as well. One of the artist's more notable works is a massive bronze title the The Stone Eater on Puerto Vallarta's Malecon. We've attached a biography of the artist courtesy of Galleria Dante of Puerto Vallarta, Mexico below: Born in Guadalajara, Jalisco in 1966. The artist began to sculpt at an early age. In 1980, he helped create the monumental public sculpture "La Estampida", which is located at a busy intersection in his hometown, near the emblematic building of the Hotel Riu. Jonás Gutiérrez is known in Puerto Vallarta for his monumental 2.4-meter-high bronze and obsidian sculpture...

An elegant modern style tessellated bone trinket box with black felt-lined interior. Mostly cream in color, but does have hints of light pink througho...

Due to the nature of glassblowing, every Murano fish is individual, and we are fortunate to be able to offer a harlequin pair of Murano fish in complementary colours with spectacular...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...

Set of six water/drink/wine glasses color Arlecchino - Murano glass - Made in Italy. These individual Murano glasses are inspired by the classic "Goto" Murano glass. Other colors a...

Priced per item (2 available as shown). Beautiful vintage Murano hand blown red, blue and green spots Italian art glass scroll shell bowls, with gold flecks. They are profusely cove...

A pair of hand crafted wood and gilt gesso overlay baroque display stands (ideal for clocks or small statues and busts), each with applied harleq...

Set of 5 Murano glass coffee glasses. This set consists of these 5 colors: light blue, harlequin, mustard, petrol green and red. Other colors available:white, light blue, ivory wh...

Set of 5 Murano glass coffee glasses. This set consists of these 5 colors: white, light blue, ivory white, blue and millefiori. Other colors available: light blue, harlequin, musta...

Great piece of sculpture- female form on its original stylized deco style tripod stand. Worn and distressed, with light remnants/shadows of a harlequin p...

A large and impressive work by the California or Mexican noted artist Frederco Cantu (1907-1989). It is signed and dated 1986. Quite large and heavy. A brief bio follows from askant: Federico Cantú...

A finely modelled standing figural Cubist statue rendered in warmly patinated bronze, titled "Harlequin". Signed G/6.

Excellent art ceramic figurine from the 1930s: Young lady with bob hairstyle standing upright, torso turned to the left and supporting both arms on the hips, in a short blue kimono with a floral pattern and high heels. Behind her between the legs is seated a harlequin doll...

Earthenware turkey with harlequin pattern from the early 20th century, height 31 cm. Additional information: Material: Earthenware & Ceramics.

2 French Mid-Century Modern brass and steel umbrella stands, waste baskets / trash cans. The pieces are composed of black stippled steel, and adorned with a dramatic brass overlay ...

A large figurative sculpture depicting the two dancers, Harlequin and Columbine, by the acclaimed British sculptor, John W. Mills. Part of the artist’s ‘Harlequinade’ series, this is...

Very rare Goldscheider Art Deco ceramic figure of the 1920's: Depiction of a standing Pierrot in a slightly bent position, his right hand in the...

Regulate pocket tray supported by pierrot, harlequin and polichinelle. Good condition. Dimensions Height 15cm Width 24cm Depth 12cm