1,771 results for "turquoise"

Contemporary Chinese pale turquoise vase. Contrasting crackle glaze. Funnel neck with rib details. Two are available and sold individually. One of many from a large collection.

The Ziggurat series (of four) are smaller scale investigations into color, planes and form. Each Ziggurat as a unique, one-off sculpture, completely handmade and finished by Russell ...

Contemporary Chinese turquoise with gold speckled glaze vase. Classic shape with scalloped design spout opening. Two available and sold individually. One of several pieces from a lar...

Contemporary Chinese turquoise with gold speckled glaze vase. Tall classic shape with decorative scalloped spout opening. Two are available and sold individually. One of several piec...

5 Vintage Murano Glasses - Turquoise Bowls, Pop Art Design, 1980s Italy These five vintage Murano glass drinking glasses in turquoise po...

'Murrine Quadrants in Celadon & Turquoise I' is a unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design, Peter...

An art deco guilloche enamel box made by Foster & Bailey. Beautiful enamel round box, created during the art deco period, back in the 1925. This beautiful antique piece was carefully crafted at the workshops of Foster & Bailey in solid .925/.999 standard silver with a hinged lid. Fitted with a mirror and a place to storage a 5 cents nickel coin. Decorated at both sides with engine turned guilloche decoration topped with applications of translucent vivid turquoise enamel with flowers. Weight: 42.30 Grams, (27.11 Dwt). Measurements: Diameter of 51 mm and a height of 12 mm (2.0 x 0.47 Inches). Hallmarks: Stamped with the maker's mark F&B associated to Foster & Bailey, the mark for the assay of the silver and signed, "F&B STERLING". Foster and Bailey Foster and Bailey is a vintage American jewelry...

A beautiful Art Deco vase with amazing green / turquoise glaze. Designed by Ewald Dahlskog for Bo Fajans (Bobergs Fajansfabrik), Sweden, 1930s. Great condition. Makers marks impre...

'Ore in Copper Blue & Pale Turquoise and Platinum' is a unique glass sculpture by the collaborative artists Hanne Enemark (Danish) and Louis Tho...

'Ore Totem in iron blue & pale turquoise with platinum' is a unique glass sculpture by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (British). The outer glass ...

The “Bishop Vase" from the "Kish o Mat" collection, designed by the artist Sara Khamisi is inspired by chess characters. Each ceramic in this collection tells a unique story.  The "Bishop vase" features a cylindrical body composed of two slightly offset halves, elegantly referencing the distinctive diagonal movements of the bishop piece on the chessboard. Handcrafted in Milan from slipcast ceramic, the vase has a shiny, blue turquoise glaze finish that enhances its sleek, contemporary aesthetic. Thanks to its handmade nature, each vase has slight imperfections, adding to its charm and authenticity. Its clean and simple design makes it suitable for a variety of interior styles. It can be displayed alone or arranged with other elements from the collection to create elegant and sculptural compositions. Drawing on her Persian heritage, the artist named the collection "Kish o Mat," the Persian term that inspired the word "Checkmate." This collection represents a modern interpretation of historic forms. Order yours today and enhance your collection of decor...

This Mid-Century art glass vase is unsigned, but presumed to have originated from Italy and dating to approximately 1965. This gourd shaped vase is done in a thick aquamarine glass w...

Beautifully hand painted with lovers to the front and a bouquet to the reverse and with figural ormolu-mounted handles. Date: 19th century Origin: French Dimension: 27 in. x 14 in.

'Plissé vase in Turquoise & Celadon' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström'...

'Plissé vase in Turquoise, light blue & black' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 2022 solo exhibiti...

'Plissé vase in Black, Turquoise & Light Blue' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 2022 solo exhibition...

Simple, iconic and fabulously, vibrantly colored - there's so much to love about these gorgeous pieces! Designed by Mid Century Modern Designer Bjorn Engo and crafted in the mid-50s through the early 70s for Emalox (Norway), this stunning Lot of Anodized Aluminum pieces consists of one small Pink Serving Plate and two teal plates...

Vase in soft resin designed by Gaetano Pesce in 1995 for Fish Design collection. Sparkling silver, Opaque Orange and Clear Blue with Turquoise 'Feet'. * All the pieces are hand-mad...

Oval asymmetrical ceramic vase by Guido Andloviz for SCI Laveno.

Åke Holm (1900–1980), Höganäs. Large stoneware vase with turquoise, black and green glaze. Relief decoration with a stylised mask surrounded by swirling ornaments. Signed on the und...

Ancient murrine form the pattern of a snake coiling up on glass. Conceived, redesigned and skilfully reinterpreted with rich contrasting colours, they reflect the highest craftsmansh...

'Knot Wrack' is a unique glass artwork by the Canadian artist, Michèle Oberdieck. Michèle Oberdieck explores balance and asymmetry through colour,...

Vase designed by Sissi Westerberg for Reijmyre, Sweden, 2017. Glass.

Carl Harry Stålhane (1920-1990) for Rörstrand, Sweden. Ceramic bowl in turquoise glaze. Mid-20th century. Marked. In perfect condition with natural crackling. Second factory quality...

Communicating vessels represent bonds, the unions between individuals. They are made entirely by hand from ceramic or terracotta and each one is a unique piece. Vasi Comunicanti was ...

Set of cream glazed ceramic vide poche with turquoise blue interior. Embossed Signature Kéramos Sèvres under the Base. The small one is 9,4 x 11,2 cm ...

The Following Item that we are offering is A Rare and Impressive Magnificent and Exquisite Rare Large Capodimonte Gentleman Stamped Porcelain. Outstandingly done with Magnificent Col...

An antique Japanese copper vase with polychrome cloisonne enamel decor. Late Meiji period, before 1912. Baluster shape, flower brunches and birds decor against turquoise background. ...

A single Lion Foo dog ceramic decorative object, circa mid-20th century, 1960s, China. This Lion Foo Dog is a beautiful turquoise blue. A great statement piece/decorative object for ...

This limited edition vase from the Collezione Riedizioni Archivio Storico was created on a red clay wheel. It features a distinctive Greek key pattern with black wax-painted profiles...

Collection of four very delicate glass vases, all attributed to Albin Schädel, well known East German glass blower. This skilled artist created the most delicate objects from very th...

Studio ceramic rooster attributed by glaze and style to a Scandinavian artist around the 1970s. Fantastic rooster ‘’behaviour’’ caught so well in one simple gesture! Subtle blue, tur...

A finely executed Japanese cloisonné enamel box dating to the Meiji period, executed entirely with gilt wire cloisons. The lid is centered with a dynamic coiled dragon set against a ...

Large copper enamel vase from the 1950s by Harold Tishler with a slight flaired top. Enameling in white and copper abstract design on the outside and with dark turquoise-blue enamel ...

A beautiful Italian Murano art glass bowl, Italian Midcentury Modern design period, circa mid-20th century, Italy. Bowl has a white underside base merged wi...

An antique Japanese Meiji era covered enamel over brass trinket or jewelry box. Circa: late 19th century to early 20th century. The ware is enameled with a polychrome image of a roos...

A striking hand-blown Murano glass pelican in vibrant turquoise, holding a shimmering goldfish in its beak. A whimsical and original 1980s decorative sculpture from Italy. Dimension...

Colorful, natural stone laundry clips made from Andean gem stone. A playful décor accent for your space in one of our range of colors from Perú. D.A.R. Proyectos carves the colorful...

Enjoy the XL gemstone puzzle, a unique piece combining art and fun for all ages. Hand-carved soma cube puzzle sculpture in a mix of 7 brightly colored semi-precious stones that form...

This exquisite early 1920s Nelson McCoy vase features the beloved Green Leaves and Berries design, a hallmark of the company’s early artistry. The piece is ...

Vintage Italian ceramic vase in Rimini Blu with geometric motif by Aldo Londi for Bitossi (circa 1960s). Rimini Blu was devised by Aldo Londi in 1959 and quickly became the company's...

This gemstone puzzle not only decorates but also brings calm and balance to your space, promoting daily wellness. The playful and architectural design of the soma cube transforms in...

Vulcano glass sculpture by Alfredo Barbini, Murano, 1957. Sometimes called Volcano. Signed "A.Barbini" on the base (see photo). Measures: Height 17.13"(43.5 cm), width 11.42" (29cm),...

Large Mid-Century Modern blue glazed ceramic (Rimini Blu) round lidded box , Manufactured by S.I.C Ceramiche Italy, 1950-1960s. It has reminiscences in those Rimini blue designs from Aldo Londi and Bitossi...

Large antique Japanese vase. Dating from the late Meiji period, 19th century. Made of copper and brass with 'Cloisonne' polychrome enamel decorations. Cloisonne is a very ancient t...

These are a beautiful set of NINE porcelain Monkey Figures or Figurines all playing in a Band made by Sitzendorf, Germany, circa 1910. What makes these figures special is the excell...

A 1930s hand-crafted Chinese porcelain ginger jar, also known as a large melon jar for its distinctive, rounded shape. In very good condition for its age and use, this collectible p...

Gorgeous wiener dog sculpture from the "Rimini Blu" collection by Flavia Montelupo for Bitossi. This lovely and rare sculpture was designed by Flavia Montelupo and produced by Bitoss...

This exceptional polished labradorite from Madagascar reveals a vibrant play of color, with radiant turquoise, green, and golden flashes dancing across its surface. The internal irid...

Fratelli Toso Murano Glass Bowl, Lenti with Aventurine Swirl This sculptural bowl by Fratelli Toso is a joy to hold and behold. It would ...

This stunning specimen from Colorado beautifully combines smoky quartz crystals with striking turquoise-green amazonite and soft white feldspar. The contrast of colors—rich browns, v...

Charles Cart for Émaux des Glaciers — Large Vallauris Ceramic Vase, circa 1960s A stunning and substantial Vallauris ceramic vase by Charles Cart for Émaux des Glaciers, featuring h...

A very unique decorative jewelry box hand-crafted of black glass, mirror, iron, and geode by Don Drumm, late 20th century. The geode boasts a bevy of brilliant blues, from cerulean t...

A rare and unusual antique English Aesthetic Movement majolica ceramic Japanese design casket by renowned makers Joseph Holdcroft and dating from the 1870’s. At the time there was ...

A Stunning French Art Nouveau Majolica Floral Centerpiece by Fives-Lille  France, circa 1900s, Gustave de Bruyn & Fils, Fives-Lille  A stu...

Glo-Mar Artworks, New York was a company that produced metal sculptures and decorative items from the 1930s to the 1970s. Glo-Mar Artworks' designs were popular among interior design...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Unusual leaf design midcentury blue glazed (Rimini Blu) ceramic bowl / vide-poche / ashtray. Italy, 1950-1960s. Designed by Aldo Londi and manufactured by Bitossi. Handcrafted in It...

Two Modern abstract design small Copper Enamel Vessels by Harold Tishler from the 1950s. One in white enameling in relief over shiny copper background with some gray colored streaks throughout and turquoise glaze inside. Signed inside bottom H. Tishler. The second vessel/cup, was rendered with a thickly applied dark gray enameling fading into a very light gray towards the top on a bright copper background. The inside dark blue enamel. This cup is not signed. Measurements: 2 1/2 inches diameter x 2 3/8 inches high. Condition: The white vase has some gray colored streaks that are intentional. Both vases have some very small flakes around the inside of rim. The white/copper vase has some minor crackle of the enamel in two areas. Please look at all images and view our other Tishler creations. Harold Tishler (1893, Odessa – 1993, Florida) Studied engineering in 1910 at University of Grenoble but did not finished his studies and moved to New York 1913. During WWI, he joined the Merchant Marines and while visiting Japan was introduced to the art of Cloisonne enameling. In 1927, Tishler went to Vienna to study under Josef Hoffmann. Upon his return to NYC in 1932, he began producing copper and silver enamels that were sold at high-end stores. In 1935, Tishler visited a fellow student from the Kunstgewerbeschule in Vienna, Edward Winter in Cleveland. Tishler was impressed by Winter’s enameling...

Unusual Mid-Century Modern blue glazed ceramic (Rimini Blu) large jug/ ball shaped pitcher, Italy, 1950-1960s. Designed by Aldo Londi and manufactured by Bitossi. Handcrafted in Ital...