1,885 results for "renaissance"

Beautiful weathered oak winged angel head Renaissance ornament. France, 16/ 17th century. Weathered Measurements include the wooden pedestal.

Renaissance bronze medallion made by Master IOFF in the mid 15th century, showing the mythological scene of Ariadne on Naxos. Made in the mid-15th ...

A great set of 2 silver plated candelabras, made by the French brand Christofle. The candelabras are designed by Louis Dupérier in renaissance style. Very refined, with many detailed decorations. Each candle has place for 4 candles. The top parts can be taken off and then you have two candlesticks. Both pieces are marked on the foot. They are in great condition. Beautiful colour and brilliance. Sold as a pair, not individual. These type of Christofle candelabras...

PAIR of Italian Renaissance-style (17th Century) dark green painted large floor standing altar style candlesticks with gilt carved floral and vine trim supported on base with 3 griff...

Tall Italian majolica serpentine handles vase with a mythological scene Depicting The Triumph of Bacchus and Ariadne - Annibale Carracci - 1597...

Rare complete 19th French pottery tobacco jar inspired by the Renaissance with medallions with his two pewter lids. Pottery from North of France No...

An antique ink stand, made of polished brass, completely in Renaissance style, with richly pieced scroll motifs. The inkwell has two removable ink we...

Italian renaissance hand carved wooden "putto" angel head, circa 15th Century Width 14 inches / height 14 inches / depth 4 inches 1 available in stock in Italy Order reference #: FAB...

Big Majolica vase Ginori Italy, 1850-1890 Very good codiction Difetto di cottura sotto la base (vedere fotografia)

English Renaissance (Dated 1652) oak slant front bible box

Middle age Gothic European Renaissance style for the jewelry box in steel with golden parts. We recognize middle age figures all around and on the top of the box and the renaissance architectural...

**Magnificent Late 19th-Century Neo-Renaissance Figural Nef, ca. 1880s-1890s** This exquisitely crafted table vessel embodies the grandeur of Renaissance-inspired artistry, reinte...

This is a Renaissance revival style large Majolica amphora vase with rectangular pedestal. Their background are hand painted cobalt blue and decorated with an off-white relief of Gre...

4 Italian Renaissance style (19th Century) carved soapstone wall plaques of Medieval scenes under glass in black frames.

Renaissance style gilt bronze and enamel mantel clock French, late 19th century Measures: Height 53cm, width 28cm, depth 23cm This exquisite mantel clock is crafted in the idios...

This lovely vase, crafted in the Italian Renaissance style, was meticulously painted by an artist, and it's in excellent condition. The motifs are absolutely stunning, and they show ...

A pair of hand-forged, Renaissance Revival iron pricket sticks with removable bobeches. 22" height is to height of top of pricket stick. To top of bobeches is 19.25"H.

A nice pair of antique candelabras, made of brass. The candelabras have ornate ornaments and dolphins at the base. They date from about 1890. The bottom is covered with red felt. Bot...

With a domed hinged lid and bail handle over a conforming case decorated overall with figures in Renaissance dress. Bun feet. Provenance; David and P...

Tall Baluster Ceramic Vase by Faïencerie de Gien, France, 1970s – Hand-Painted Majolica A tall and impressive baluster-form ceramic vase by the celebrated Faïencerie de Gien, France...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Gilded and Patinated Bronze Mounted Renaissance Revival Mantel Clock with blue enamel detail This highly ornamented clock from the renowned E.F. Caldwell company is an incredible ex...

Italian Reniassance style bronze triangular- shaped jardiniere with dolphin feet (19th Cent.)

Masterfully carved & most impressive Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a Belgian Bla...

A good 19th century Italian 'Florentine' or 'Lucerne' 4 burner brass oil lamp, in the Renaissance Revival manner, circa 1860. Designed to burn whale oil which is placed into a reserv...

An Important French Renaissance Revival Covered Box, Crafted in Silver and Mounted with Lapis Lazuli Panels, Gilt Bronze Figures, and Jeweled Cabochons. The piece is signed in two lo...

A renaissance revival style solid bronze box of the highest quality. The deep blue velvet interior has a ring holder. The interior depth is two and a half inches. No key. Austria, ci...

Impressive pair of black patinated bronze vases in the style of Renaissance. Finely decorated handles with a satyr figure, over with a and body surrounded by bacchanal scenes. Exquis...

Pair of Italian Renaissance style (19th Century) walnut life-size carved figures of the Devil and his wife standing on pedestal bases. (PRICED AS Pair)

Renaissance Harpy bronze Italy, 16th century 15 x 12 x 5,5 cm This expressive bronze figure represents a harpy, a mythological creature with the body of a bird and the head and tor...

Vivid colors, hand-painted in the Renaissance style, enhance this large maiolica pot from the 1800’s. Maiolica is tin-glazed pottery from Italy that has been decorated over a white background. This pot is considered an istoriato, which is to say that the pot has been decorated with figures, rather than strictly geometric patterns or floral designs. The maiolica does incorporate floral and foliate motifs, with white flowers that have yellow centers surrounded by blue rings. There are also yellow flowers that are depicted in various stages of nyctinasty (the closing of flowers during the night). The flora is all connected by a series of green and yellow curled leaves. Behind the vegetation is a dark blue background. There are two portraits inside large yellow cartouches that are painted in the middle of the pot. The first is a bearded man, dressed in a light brown tunic...

Rare Venetian 16th century Italian traveling jewelry chest profusely decorated in Arabesque black and gilt decoration featuring rare specimen stone drawer fronts in a Palladian archi...

Set of 3 Italian Renaissance style (19th Cent) stripped large figures/statues playing musical instruments

Antique and sculptural, Dutch oak wall coat rack. This beautiful antique coat rack, according to us, depicts the new generation (or 'patri...

19th century Renaissance marble relief. The relief is carved to the Renaissance taste and is in very good condition. It is framed in a later frame ...

PAIR of Italian Renaissance-style (19th Century) bronze 5 arm candelabras with double lion and filigree design. (PRICED AS PAIR)

A fine purple Venetian or Murano glass vase. With a trumpet form top above a suppressed, ribbed knob at its base, and supported by a disc foot. Rough pontil mark to the unders...

Pair, Antique Italian Faience Renaissance Style Lions W/ Armorial Shields. A wonderful pair of Italian faience Lions with armorial shields and...

This is an Italian renaissance revival ornately decorated terra-cotta pitcher. This vessel features extraordinary hand-painted figures and flora around the entire surface of this pie...

Majolica amphora made and painted by hand, following the original Renaissance painting technique. This sumptuous vase is characterized by the elegant presence of naturalistic ornamen...

Antique French Renaissance Figural Bronze Casket Jewelry Box with Cherubs and Winged Maidens Raised on Paw Feet. Unlocked, no key. Circa Early 20th Century. Measurements: 6" H x 8" W...

An Exceptional American "Renaissance Style" Arts and Crafts Bronze, Enamel and Multi Gemstone Cigar Humidor by Edward F. Caldwell Co. This remarkable cigar humidor, crafted by...

PAIR of small English Renaissance style (19th Cent) walnut figures of scholars wearing robes.

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

PAIR of Italian Renaissance style (late19th Century) walnut life-size carved figures of the Devil and his wife standing on pedestal bases. (attributed to Francesco Toso) (PRICED AS P...

Pair of Italian Renaissance style (19/20th Cent) iron life size page figures holding torch.

Pair of Renaissance Revival Six-Branch Gilt Bronze Candelabra, 19th century. 27.75" H x 12.5" W x 11.75" D. Provenance: From a Fifth Avenue Collection.

Chic, 15th Century, Roman marble fragment of a left foot and calf mounted on a custom iron stand.

This lovely antique lacquered apothecary box was crafted in Italy in late 19th century in the style of medicinal herbs casket in use in pharmacies during the Middle Age and Renaissan...

A very fine copy of the Renaissance sculpture entitled 'A Little Boy'. After Italian Renaissance sculptor Desiderio da Settignano, or Desiderio de Bartolomeo di Francesco detto Ferro. In cast bronze. Simply a wonderful bust! Date: 20th Century Overall Condition: It is in overall good, as-pictured, used estate condition. Condition Details: There is rubbing to the patina on the crown of the head...

This large luxurious amphora, in majolica handmade in Italy and hand-painted in polychrome, is characterized by a dense presence of naturalistic ornamental motifs that decorate the v...

Rare and fine quality 19th century Italian Renaissance walnut carved miniature blanket chest or coffer. Fine carving in walnut wood on the fron...

A stunning pair of French 19th century Renaissance st. Ormolu and Crystal vases. The pair of vases are raised on triangular Ormolu bases with central rosettes. The base above is deco...

Raised on an olive velvet base. Dimensions include the base. Portraiture is often seen as the quintessential Renaissance art form, and clay was used increasingly during the 15th cen...

Renaissance Marble Relief Emilia Romagna, Faenza ? 1470-80 H 30,2 x L 33 x P 3,5 cm The carved marble relief depicts the Virgin accompanied by a winge...

19th century Italian frame in Renaissance style wood marquetry. 19th century Italian Renaissance style wood marquetry frame. Frame: H: 25.5cm, W: 20cm, D: 1cm Interior view: H: 14,8...

Magnificent figurative sculpture in alabaster depicting a renaissance couple in the process of dancing

Pair of mid-20th century Renaissance Revival hand-painted ceramic jars with lids by Fratelli Mari from Deruta, Italy By: Fratelli Mari, Deruta Material: ceramic, paint, enamel Techn...

Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...

19th century French monumental Majolica blue vase with large grapes leaves and fruit stand two large trompe l'oeil rings on the two sides. This vase...