259 results for "mother of pearl"

Set of 36 French Gold-Plated Flatware with Mother-of-Pearl Handles, in Original Box, Set of 36 French Antique Dessert Forks Knives, Oyster Fork Set with Gold Ferrules An exqui...

Fish with mother-of-pearl shell and eye of the tigerstone. This fish is a contemporary sculpture made of chiseled silver plate applicated to the natural mother pearl shell, is total...

English silver plated set of six fruit forks and knives with crested mother of pearl handles in original lift out tray wooden box. Box measures: 13.75 L X 10 D X 2.25 H Fork Measur...

Hallmarked in Sheffield in 1885 by Martin & Hall, this attractive, Victorian, Antique Sterling Silver & Mother of Pearl Dessert Set, is for...

Hallmarked in Sheffield in 1891 by J. E. Bingham for Walker & Hall, this very attractive, Victorian, Antique Sterling Silver Child's Set, comprises a knife with mother of pearl handl...

Chic vintage Mexican pitcher crafted in brass in a sleek modern form entirely clad in abalone or mother of pearl with a mahogany handle. Signed...

This unique antique Dutch metal tray with mother of pearl inlaid star motif was sourced on a trip to Holland.

From Landers, Frary & Clark, Aetna Works, founded in New Britain, Connecticut, 1866, a set of twelve mother-of-pearl handled place or luncheon knives with floral sterling silver ferr...

Red Polka dot Shagreen and Mother of pearl square tray Measures: 12" x 13" x 1".

This vintage set of 8 Mother-of Pearl, stainless steel and metal appetizer or cheese forks are in their original square black box. These may have ne...

Sterling fruit knife with mother of pearl handle, etched back strap, marked from his Godfather 1894 with hallmarks. In original box marked "GWNAE THOMPSON, LTD JEWELERS." Period: circa 1890 Origin: England Size: Knife 3 1/2" extended 6" In England silver fruit knives...

Beautiful elegant pair of butter knives in mother of pearl and polished brass like new condition.

Hallmarked in Sheffield in 1903 by John Sanderson, this attractive, Edwardian, Antique Sterling Silver Child's Set, features a Mother of Pearl handle to the knife, and striking engra...

Vintage Mirrored Tray with Raised Sides and Etched Glass Sides with Bronze Corner Pieces that Capped with Mother of Pearls,

From Marhill of New York, an Art Deco period set of six spreaders, made in Germany, circa 1900-1920. Mother of pearl handles are joined to stainless steel blades by a sterling sil...

Black and White Polka Dot Shagreen and Mother of Pearl Square Tray Measures: 12" x 13" x 1"

Probably Anglo-Indian or Southeast Asian, Early 20th Century A charming and intricately carved set of ten tropical-themed place card holders, each composed of iridescent mother-of-p...

Add timeless elegance to your table with this exquisite Art Deco salt and pepper set. Crafted from warm brass and delicately adorned with shimmering mother-of-pearl inlays, this set ...

This is a nice red lacquer serving tray. It has mother of pearl inlay.

An exceptional, fine and impressive vintage Elizabeth II English sterling silver and mother of pearl ecclesiastical dish or paten, an addition to our religious silverware collection. This vintage Elizabeth II mother of pearl and sterling silver dish / paten has a shell-shaped form. The exceptional plain rounded mother of pearl body of the dish is fitted with a fine and impressive hallmarked sterling silver mount. The silver handpiece has a cross pattée shaped form with undulating terminals; this reflects the style of a cross patoncé. The surface of the handpiece of this vintage dish is plain and unembellished, apart from the feature hallmarks to the reverse. Condition This vintage mother of pearl dish...

From Landers, Frary & Clark – Aetna Works, founded in New Britain, Connecticut, 1866, a set of four fruit and cheese knives. Mother of pearl handles are joined to plated blades b...

Add a touch of elegance to your dining table with this exquisite set of eight vintage mother-of-pearl knife rests, dating back to the 1960s. The set includes four larger rests (14 cm...

A George III Mother of Pearl and Garnet Monocular Made circa 1810. Additional information: Height: 4 cm / 1 3⁄4" Width: 2 cm / 1"

Tall orange glass art deco cake stand with mother of pearl effect, round cake plateau with very decorative wavy pattern and star pattern on the round ...

We are delighted to offer this beautiful set of solid silver gilt 19th-century Dutch knives made in the Southern Netherlands c.1840. This set features a most wonderful and ornate ...

Beautiful, long antique rosewood narrow handled serving tray, inlaid in wood and mother of pearl, depicting peacocks with trees either side. Circa 1920. The tray shows superb fig...

Hallmarked in Birmingham in 1904 by Elkington Co. this elegant Edwardian antique sterling silver and mother of pearl dessert set is of a classic design, presented in a fitted w...

A striking pair of vintage shell goblets handcrafted from natural mother-of-pearl shell, likely made in the Philippines circa the 1980s. These sculptural pieces feature elegantly fla...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Hallmarked in Sheffield in 1897 by Martin, Hall Co. this elegant Victorian antique sterling silver and mother of pearl cake serving set is presented in a fitted case. The set f...

A most unusual pair of knife boxes. Beautiful decoration.

We are delighted to offer this absolutely exquisite circa 1880 Chinese Export warrior paper mache mother of pearl inlaid dinner serving tra...

Large decorative ceramic plate made and hand painted by the artist G. Mengoni for deBlona. Diameter 64 cm (25.2 in). The surface of the plate is studded and decorated with ash-colour...

This elegant vintage ice bucket dates to the 1970s and features a cylindrical chrome-plated metal body with a refined, minimalist profile. The removable lid is the defining element, ...

Beautiful large serving spoon for the table. It measures 15" long x 4 3/4" wide at the shell. The handle is carved ebony, and the shell is attached with sterling silver wire.

Whimsical Los Castillo silver hummingbird creamer, lidded sugar bowl, and matching ladle, handcrafted in Taxco, Mexico, circa 1960s. Each vessel is accented with finely detailed humm...

Charming half round serving or decorative placemats made out of Capiz shells over cork. Mother of Pearl Color and in the Shape of a seashell found at the beach. The placemats are in ...

Elaborate silver and mother-of-pearl, silver plate flatware set. Original box with shield crest and fittings and was originally commissioned...

Serving tray in 18/10 stainless steel with 24-karat gold decoration. Gold mother-of-pearl handles. Made in Italy in the 90s. Has a Freddi Benito Giuseppe brandv. Please watch the vid...

A magnificent, fine and impressive, comprehensive antique George V English sterling silver Sandringham pattern flatware service for twelve persons - boxed; an addition to our canteen of cutlery collection The pieces of this magnificent and comprehensive antique George V English sterling silver canteen of cutlery for twelve persons have been crafted in the Sandringham pattern. Each spoon and fork is embellished with a paralleling border to the handle, in addition to a pointed terminal. The original table and dessert knives, in addition to the fish service, fruit service and carving set all retain the original faceted Art Deco style mother of pearl handles; each with plain a ferrule. The bowls of the salt and mustard spoons retain the original gilding. This boxed canteen of cutlery consists of 164 pieces: Basic Service: 12 Table knives 12 Table forks 12 Soup spoons 6 Table/Serving spoons 12 Dessert knives 12 Dessert forks 12 Dessert spoons 12 Fruit knives 12 Fruit forks 12 Fish knives 12 Fish forks 12 Teaspoons 6 Egg spoons Additional Pieces: Soup ladle Pair of Sauce ladles Fish serving knife Fish serving fork 4 Salt spoons Pair of Mustard spoons Pair of Jam spoons Sugar tongs Meat carving knife Game carving knife Large carving fork Small carving fork Bread knife Sharpening steel This impressive service benefits from an extensive range of serving pieces, incorporating an exceptional matching silver fish and dessert service. The fundamental components of this canteen were crafted by the Sheffield silversmith Emile Viner of Viner's Ltd in 1932. The original mother of pearl handled knives bear the maker's mark 'Viners Ltd, Sheffield, Cutlers to H.M The King, Stainless De-luxe' to the stainless steel blades. This exceptional canteen of cutlery is fitted to the original and substantial oak wood two drawer, lift up lid canteen table...

6238-7239- Pocket cigarette case with spring button in 925/1000 fire-enamelled sterling silver with beautiful vessel miniature hand-painted by th...

A whimsical and collectible Mexican silver pitcher designed in the 1960s by the renowned Los Castillo workshop of Taxco, Guerrero. This sculptura...

Important silver and mother-of-pearl flatware in its original case by Tétard Frères for Michelon Frères, Montpellier. France, first half of the 20th century. A complete dinner servi...

Victorian Oval Papier Mâché Tray by Benetfink & Co, London, c.1870 A fine Victorian oval papier mâché tray, richly inlaid with mother-of-pearl and decorated with elaborate gilt scro...

An exceptional 19th-century English flatware service by Carrington & Co, 130 Regent Street, London — one of the most prestigious silversmiths and jewellers of the Victorian and Edwar...

A stunning and quality Art Nouveau Austrian or Bohemian opalescent art glass vase modeled as flower stem with a pinched flower shaped top attributed to Kralik or possibly Loetz and d...

A beautiful set of six (6) sterling silver and mother-of-pearl appetizer knives, circa late-20th century. The handle is mother-of-pearl joined to stainless-steel blade by a sterling ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

This is a 19th century Regency papier-mâché chinoiserie tray. In addition to the lovely pen-work, it has mother of pearl inlay. It is not marked. Lite and general wear.

Exceptional Los Castillo silver-plated pitcher from Taxco, Mexico, featuring a whimsical and artistic design with two applied butterflies—one inlaid with luminous mother of pearl and...

Bloch & Eschwege 273pc. Flatware Set – Description 1st Dibs Direct from Paris, A Stunning 273pc. Privately Commissioned Napoleon III Sterling Silver Flatware Set with Rare Mother-of-Pearl Handled Knives, Original 5 Drawer Lockable Storage Chest and 25 Amazing Serving Pieces by Two of France's Premier Silversmiths "Bloch & Eschwege" Silversmiths to the French Elite, in Superb Condition - circa 1930s. The history of silver-smithing in France is rich and illustrious, and many prominent firms have contributed to its legacy. Among these, Bloch & Eschwege stands out as an exemplar of craftsmanship, innovation, and artistic excellence. Founded in the 19th century, this renowned silversmith firm has left an indelible mark on the world of decorative arts. Bloch & Eschwege was established in the mid-19th century by two remarkable artisans, Joseph-Alexandre Bloch and Emile-Robert Eschwege. Both men were passionate about the art of silver-smithing, and their partnership laid the foundation for a firm that would set new standards of excellence in the craft. Joseph-Alexandre Bloch was born in 1828 in the heart of Paris, a city renowned for its artistic heritage. As a young man, Bloch exhibited an exceptional talent for metalwork, earning an apprenticeship with a prominent Parisian silversmith. This experience provided him with valuable training in the art of working with silver and other precious metals. Bloch's dedication and skill earned him recognition in the silversmithing community, setting the stage for his future partnership with Eschwege. Emile-Robert Eschwege, born in 1832, hailed from a family of skilled metalworkers. His upbringing was steeped in the traditions of silver-smithing, and he showed a remarkable aptitude for the craft from a young age. Eschwege's family background and his own determination to master the art of silver-smithing made him a formidable candidate to join forces with Bloch. In 1855, Bloch and Eschwege joined hands to establish their silversmith firm in Paris. Their partnership was not only rooted in a shared passion for the craft but also a vision to create exceptional pieces that would capture the essence of French artistic expression. The early works of Bloch & Eschwege were characterized by a fusion of traditional silversmithing techniques and innovative designs. Their creations included intricately designed flatware, tableware, and decorative pieces that showcased their mastery over silver, gold, and other precious metals. Their creations soon gained recognition among the elite of Parisian society, attracting a growing client base. Bloch & Eschwege's reputation grew rapidly due to their dedication to artistic excellence and innovation. The firm's artisans continuously pushed the boundaries of silver-smithing, employing novel techniques and materials to create one-of-a-kind pieces. As Bloch & Eschwege's reputation continued to grow, they attracted the attention of European royalty and aristocracy. Their works found their way into the homes of kings, queens, and nobles, solidifying their status as one of the premier silversmith firms in Europe. The firm's most prestigious commissions came from members of the French royal family, including Emperor Napoleon III and Empress Eugénie. These commissions included exquisite pieces such as ornate candelabras, intricately designed tea sets, and opulent dining services. Bloch & Eschwege's creations not only adorned the palaces of the Tuileries and Compiègne but also graced the tables of state banquets and diplomatic events. Bloch & Eschwege's works were showcased at various international exhibitions, earning them accolades and awards. Notable exhibitions included the 1867 Exposition Universelle in Paris and the 1873 World's Fair in Vienna. The firm's contributions to these events highlighted their role in elevating French silver-smithing to the world stage. Each stunning sterling piece in this amazing set is skillfully handcraft with the fine workmanship that has made the "House of Bloch & Eschwege" a favorite amongst the French Elite. Renowned for their elegant styling and the legendary quality of their flatware sets, this set is an exemplary testament to the quality and luxury typical of early 20th century France - La Belle Epoque ! This set is in extraordinarily good condition. Each sterling piece bears the hallmark of Master French Silversmith "Bloch & Eschwege" in addition to the French Government's Head of the Minerva 1 hallmark certifying a minimum of 950 sterling silver. The sterling silver knive blades are by Charles Marseille. This set is of exceptional quality and craftsmanship - check the weights and measures below, all weights and measures approximate: 18 Dinner Knives - Mother of Pearl Handes 24.70 cm. 48 grams 18 Dinner Forks 21.50 cm. 82 grams 18 Tablespoons 21.50 cm. 88 grams 18 Luncheon Knives - Mother of Pearl Handles 20.20 cm. 28 grams 18 Luncheon / Dessert Forks 18.50 cm. 46 grams 18 Luncheon / Dessert Spoons 18.50 cm. 54 grams 18 Dessert Knives - Mother of Pearl Handles & Sterling Silver Blades 20.20 cm. 34 grams 18 Fish Knives 21.00 cm. 54 grams 17 Fish Forks 18.20 cm. 53 grams 17 Oyster Forks 12.00 cm. 22 grams 18 Ice Cream Spoons 13.00 cm. 20 grams 17 Teaspoons 12.50 cm. 19 grams 17 Cake Forks 13.50 cm. 22 grams 18 Knife Blade Rests - Sterling Silver 7.00 cm. 18 grams 1 Berry Serving Spoon 18.00 cm. 55 grams 1 Small "bonbon" Serving Knife 15.20 cm. 23 grams 1 Small Berry Serving Spoon 13.70 cm. 32 grams 1 Small Tart Server 13.20 cm. 25 grams 1 Small "bonbon" Serving Fork 13.70 cm. 23 grams 1 Cheese Serving Knife 19.50 cm. 35 grams 1 Butter Serving Knife...

A beautiful set of 24 Sheffield dessert forks and knives with engraved sterling silver blades/tines, and mother of pearl handles. Each piece is hallmarked for sterling silver and bea...

An exceptional, fine and impressive, comprehensive antique English sterling silver Sandringham pattern flatware service for twelve persons - boxed; an addition to our flatware collection The pieces of this magnificent and comprehensive antique George V English sterling silver flatware service for twelve persons are crafted in the Sandringham pattern. Each spoon and fork is embellished with a paralleling border to the handle, in addition to a pointed terminal. The original table and dessert knives, in addition to the carving set are fitted with composite handles, and the fish service and fruit service all retain the original plain rounded mother of pearl handles; each with plain ferrules. This antique canteen of cutlery contains 185 pieces: Basic Service: 12 Table knives 12 Table forks 6 Table/serving spoons 12 Soup spoons 12 Dessert knives 12 Dessert forks 12 Dessert spoons 12 Fish forks 12 Fish knives 12 Fruit forks 12 Fruit knives 12 Teaspoons 12 Grapefruit spoons 12 Egg spoons Additional Pieces: Fish serving knife Fish serving fork Soup ladle Pair of sauce ladles Pair of fruit serving spoons Pair of butter knives Pair of salt spoons Pair of mustard spoons Pair of jam spoons Sugar tongs Pickle fork Bread knife Large carving knife Large carving fork Small carving knife Small carving fork Sharpening steel This impressive service benefits from an extensive range of serving pieces, incorporating an exceptional matching silver fish and dessert service. The fundamental pieces of the basic service were crafted by the Sheffield silversmith Emile Viner of Viner's Ltd between 1934-1939; these pieces will have been crafted in fewer years but due to the hallmarking system the components bear the date letters 'r', 's', 't', 'u', 'v' and 'w'. This service will have been retailed as a complete set and between the dates stated. The stainless steel blades of the original composite handled table and dessert knives bear the mark 'By Appointment to the Late King George V, Viners Ltd, Sheffield' accented with 'Stainless Deluxe'. This impressive canteen of cutlery is fitted to the original, fine and impressive oak three draw canteen table; this is an impressive piece of furniture in its own right. The table is fitted with a pair of Art Deco style gilt metal handles to each drawer, in addition to plain escutcheons. This exceptional cutlery table is supported by four plain legs with tapering knopped feet. PLEASE NOTE: Due to the size and weight of this canteen, we are only able to offer free shipping within the UK. Please contact Andrew Campbell to enquire about worldwide transit costs. Condition The Sandringham pattern cutlery service within this antique cutlery canteen table is an exceptional gauge of silver, exceptional quality and in exceptional condition. The service has been professionally polished and is in presentation condition. The table box has been professionally polished by a cabinet maker. The velvet interior of each draw has some wear in keeping with age, but can be considered to be in presentation condition. Full hallmarks struck to the reverse surface of each piece are all very clear; the hallmarks are struck deeply due to the exceptional gauge of silver. Reflections in photographs may detract from the true representation of this fine and impressive Viners cutlery...

The worlds of luxury and craftsmanship often intersect in fascinating ways, exemplifying the pursuit of perfection through design and skill. Two iconic brands that embody this union of artistry and elegance are Puiforcat, the French silversmith, and Hermès, the esteemed fashion house. Despite their distinct histories and expertise, both brands share a common thread of dedication to craftsmanship, quality, and timeless design. The House of Puiforcat (now owned by Hermes) was founded in 1820 by Emile Puiforcat, a visionary silversmith who sought to redefine traditional craftsmanship with a modern perspective. The brand quickly gained recognition for its commitment to exceptional quality and its avant-garde designs that pushed the boundaries of silversmithing. In its early years, Puiforcat became a favored choice for French aristocracy and European nobility, solidifying its reputation as a leading silverware manufacturer. Hermès, a name synonymous with luxury, began its journey in 1837 as a harness workshop in Paris. Founded by Thierry Hermès, the brand initially focused on crafting high-quality leather goods, primarily for horse riders. Over the years, Hermès expanded its offerings and ventured into the world of luxury fashion, establishing itself as one of the most prestigious names in the industry. What sets Hermès apart is its unwavering commitment to craftsmanship and its dedication to the creation of enduring, exquisite pieces. The relationship between Puiforcat (Hermès) and its artisans is a testament to the brand's commitment to excellence. While Puiforcat and Hermès operate in distinct domains—silversmithing and fashion—both brands share a deep-rooted commitment to traditional craftsmanship and quality. This commitment extends not only to the materials used but also to the expertise of the artisans who transform these materials into exceptional creations. The stories of Puiforcat and Hermès, though distinct in their origins and crafts, converge in their shared commitment to craftsmanship, tradition, and timeless design. The legacies of these two iconic brands are not just tales of luxury but narratives of artistry, dedication, and a pursuit of perfection. Puiforcat's innovative silversmithing and Hermès's enduring leather craftsmanship stand as beacons of excellence in their respective fields. Together, they remind us that true luxury is not just about wealth or opulence but is a manifestation of the enduring connection between art and craftsmanship. Puiforcat and Hermès have...

Direct from a private mansion in Paris, a magnificent 299 pc. antique French sterling silver flatware set by France’s premier s...

Shaped rectangular table box in 925/1000 sterling silver gold plated with fine hand-etched fire-enameled engraving painted like lapis lazuli stone and...

That's an antique dinner bell with abalone , mother -of-pearl bell on a white marble base. I found this object in France during a vacation, and the...

Founded in 1880 by Edmond Tétard (1860-1901) following the purchase of the house of Mr. Hugo. In 1889, he participated in the World Expo and received a Gold Medal. The house speciali...

Rare Japanese by Whiting, circa 1874, sterling silver Flatware set - 45 pieces plus 8 Mother of Pearl handle knives- 53 pieces total, in beautiful vintage chest. This Japonesque Aest...

Superb service of sixteen champagne glasses "Smile of the Angel" also titled "Angel of Reims" designed by Marc Lalique for the Lalique Maison. In very good condition. One glass with a small chip on the lip. Dimensions in cm (H x D): 20.4 x 7 Secure shipping. The Lalique Maison was created by René Lalique who was one of the greatest artists of his time, whether as a jeweler or master glassmaker. He marked the Art Nouveau and Art Deco periods with his unique style. Lalique is recognized as one of the most important jewelry designers and glass maker of the French Art Nouveau period, creating innovative pieces for Samuel Bing's new store in Paris, Maison de l'Art Nouveau. He began exhibiting his work under his own name as early as 1894, notably at the Salon des artistes français, 1897 and 1898. The great glassmaker Émile Gallé discovered him at the first one and praised him highly. His stand at the 1900 Universal Exhibition in Paris was a great success. While keeping sources of inspiration from the Art Nouveau woman, fauna and flora - including the peacock, various insects and sometimes a fantastic bestiary - he innovated by using materials barely used for jewelry at the time: glass, enamel, leather, horn, mother of pearl, often preferring semi-precious stones to precious stones. The introduction of volume in jewelry is facilitated by his knowledge in modeling. He designed his models, having them made by a team of chisellers, sculptors and enamellers that he carefully recruited. Many women from the nobility, the bourgeoisie and the entertainment world began to wear his extraordinary jewelry, such as the Marquise Arconati-Visconti, the Countess of Béarn, Madame Waldeck-Rousseau, and Sarah Bernhardt, for whom he created a stage costume in 1902 for the revival of the play Théodora at the Sarah-Bernhardt Theater. Lalique was the only modern artist whose client and friend Calouste Gulbenkian became. Gulbenkian acquired the famous Pectoral à la libellule (circa 1897-1898), a masterpiece much admired at the 1900 World's Fair, which he lent to the tragedienne Sarah Bernhardt. After the end of the First World War, Lalique's colorful and fantastic jewelry were no longer in fashion. The creator sensed this and decided to convert to the Art Deco style through glassware in 1920. Thus, the neo-classical and geometric Art Deco replaces Art Nouveau. According to Olivier Mauny, former CEO of Lalique, his creations paved the way for an industrialization of art objects, because one of the best ways to include luxury and aesthetics in everyday life is to make everyday objects. He will create many objects such as vases, cups, candlesticks, perfume bottles, radiator caps for the Citroën 5CV (1925), decorations for the restaurant cars of the Côte d'Azur Pullman Express (1929), decorations for the dining room of the first class of the Normandie liner...