259 results for "mother of pearl"

Set of 4 Edwardian gilt sterling silver botanical place card holders. Made by John Collard Vickery in London in 1905. Each: Vertical disc with glazed and enameled 4-leaf clover on mo...

Offering a beautiful restored 1950s Los Castillo style ice bucket and tongs in brass with iridescent mother of pearl abalone shell in a shimmering mosaic patterns that covers its ent...

A charming example of a sterling silver baby rattle complete with working whistle and an iridescent Mother of Pearl teething ring. The rattle has four bells and everything in great condition, these make the most wonderful heirloom gifts for the new little one in the family. This one is hallmarked for Birmingham 1887, making this a true Victorian example. The back of the whistle is where the makers initials can be found, GU, for the highly collectible silversmith, George Unite. 4" in length including Nacre...

Rare Japanese by Whiting, circa 1874, sterling silver Flatware set - 45 pieces plus 8 Mother of Pearl handle knives- 53 pieces total, in beautiful vintage chest. This Japonesque Aest...

Rectangular desk cigarette case with rounded corners in sterling silver 925/1000 gold plated with fine hand-painted fire-enameled miniature depicting a romantic couple in Art Nouveau...

Rare pair of Japanese Nagasaki Export lacquered wood knife boxes with mother-of-pearl inlay of flowers and birds, now converted to letter boxes...

Rectangular table box with rounded corners in sterling silver 925/1000 gold plated with a beautiful hand-engraved and fire-enamelled frame and in the center a beautiful hand painted miniature by the painter Beatrice Mellana reproducing the painting by Jean Auguste Dominique Ingres "Odalisque with slave". Dimensions cm. 9.5 x 12.3 x 3.3. Weight gr. 671. Designed by Giorgio Salimbeni in 1979 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature...

Four with engraved mother of pearl handles, three with added nut picks, two with five hallmarks, several with names or monograms. Folding fruit knives fir...

Square box in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè also on the sides. In the center, a beautiful hand painted tempera miniature on a vegetable ivory plate depicting the portrait of a 19th century lady, signed by the painter Anna Maria Manfriani. Dimensions cm. 12 x 12 x 2.5. Weight gr. 618. Designed by Franco Salimbeni in 1976 and manufactured in Florence in some specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

René Lalique (1860-1945), Mint Opalescent Glass « Boite Ronde Grande Muguet » 1921 Mint green tinted molded-pressed opalescent glass box decorated with Lily of the Valley Extremel...

A Wedgwood ruby lustre bowl decorated with gilded butterflies, designed by Daisy Makeig-Jones circa 1915. Delicately gilded butterflies decorate this bowl's exterior atop a deep ru...

Cobalt blue cut Bohemian crystal plate on foot decorated with birds A large footed plate (bowl) with bird decor of a swan, a heron and a flying goose. A round plate, raised on an oc...

Jean Elysée Puiforcat was a French silversmith, sculptor and designer. Puiforcat is considered the "most important French Art Deco silversmith." These handcrafted utensils show off t...

Exquisite large sterling silver souce or bowl ladle, sterling handle. Excellent condition, stamped with the Minerva Hallmark and the Makers initials LP. Solid and heavy piece ( 97 ...

Henry Pope 1890; Birmingham, England Silver (925/1000) and mother-of-pearl Approximate size: 7.5 (l) x 1 (w) x .15 (d) inches Active in Birmingham, England, Henry Pope was a prolif...

Superb René Lalique Art Deco carafe created for Cusener. Handle in bronze scale iron oxidised decorations of foliage and berries. Signed "René Lalique pour Cusenier". Excellent co...

table box in sterling silver 925/1000 gold plated with edges with fire - enamelled stripes and upper frame with insertion of paillons in pure gold and beautRectangular iful fire-enam...

Rectangular box with inward corners in sterling silver 925/1000 gold plated with beautiful miniature fire enameled and hand painted by the painter Beatrice Mellana depicting the painting "The Turkish slave" by Francesco Mazzola known as "il Parmigianino" (National Gallery of Parma). Dimensions cm. 8.5 x 11.5 x 3. Weight gr. 345. Designed by Franco Salimbeni in 1965 and manufactured in Florence in numerous specimens with various different subjects, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enameled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

A Wedgwood Fairyland lustre bowl designed by Daisy Makeig-Jones ca. 1925 and decorated with the 'Blue Willow' pattern. The ‘Blue Willow’ pattern is timeless, inspired by 18th-century Chinese blue and white porcelains and appearing on English transferwares since the early 19th century. Thomas Minton is credited with creating the standard pattern as we know it today circa 1780; from there, all the major English potteries, and some American ones, began producing ‘Blue Willow’ transferwares...

The Ariol Cocktail Pick captures the essence of refined entertaining, balancing a charismatic presence with a touch of intimate elegance. Designed to enhance both grand celebrations ...

French sterling silver flatware set by Francois Nicoud in Fitted box, circa 1870, 51 pieces. This set includes: 12 mother-of-pearl handle dinner knives, 10" (some wear to blades, a...

This group of 80 silver and gilt table wares is a delightful selection of Chinese and Japanese export wares, comprised of 56 spoons, 2 sugar tongs, 6 butter spreaders, 7 lemon forks and 9 napkin rings. Nearly every piece is unique, decorated in an array of motifs and metalworking techniques, including repoussé, chasing, mold casting and engraving. Amidst the cutlery are two stand-out spoons: a small spade carved from mother-of-pearl and a petite silver spoon inset with a green jadeite charm...

Hand Made Mother of Pearl shell and resin oversized tray depicting traditional Turkish/Moorish design pattern polished to perfection. Fantastic workmans...

A Napoleon III Inlaid Cave à Liqueur A decorative and convivial object of the 19th century, the casket finely veneered with walnut, bois noirci, the bevelled glass sides and top wit...

Beautiful Lalique Fontainebleau set of six red wine glasses. Other wine glasses from the same collection are available in the shop. In very good...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. A classic tray revisited; this Kifu Paris Chital II tray inlaid...

This exceptional and rare French nécessaire de voyage is almost certainly the work of the highly respected Parisian manufacturer Pierre-Dominique ...

English Arts & Crafts sterling silver porringer, 1925. Curved and round bowl with split-mounted elongated loop handle; top mount has irregular mother of pearl. Visible hand hammering...

We are delighted to offer for sale this very rare 1867 sterling silver hallmarked Asprey 166 Bond Street London Coromandel wood vanity dressing table box A very rare and high quality collectable piece, the box is solid Coromandel wood with brass edges, it’s a lovely dark timber with a similar grain to Rosewood. The suite inside is all sterling silver, fully hallmarked T.W for Thomas Whitehouse, the Queens head for Queen Victoria, the sideways facing Lion for Sterling silver, the Panther head for London and the date letter M for 1867 The box has Braham locks which were of such high quality Gillows of Lancaster an London used them on their finest furniture, at the back of the base section you have a hand engraved plaque which reads Asprey Maker 166 Bond Street London, in the middle of this plaque is a depression switch, if you press it a hidden drawer pops out of the bottom. The listing includes the original key The mirror pulls forward to reveal a hidden document folio...

Mother-of-pearl and rosewood 19th century tea caddy lacquer box in very good condition.

Direct from a Private Mansion in St. Tropez, a Stunning 19th Century 950 Sterling Silver and Vermeil Table Service by Premier French Silversmith "Boin Taburet", Consisting of a 322pc Flatware Set Plus a 15pc. Serving Platter Set...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

René Lalique (1861-1945) “Abduhla » Rare Opalescent Glass Cigarettes Box With an Art Deco design of stylised spiderweb on the top and a tricompart...

Large white earthenware dish made in one piece by artist G.Mengoni. The plate was made by the pressure technique and then hand-embossed by the artist. The 'abborchiato' technique is ...

A small Wedgwood brown lustre bowl decorated with gilded butterflies, designed by Daisy Makeig-Jones circa 1915. Delicately gilded butterflies decorat...

A very fine sample of traditional Mexican silversmith work, an exceptional hammered brass and silver plate pitcher with mother-of-pearl inlays fro...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

A very nice French papier-mâché tray with mother of pearl decoration and is also hand-painted in gold in the center with a family pulling a wagon. Circa late 19th century. A slight r...

Rare multi-motif Berry Gold by Whiting, circa 1880, sterling silver Flatware set - 36 pieces (plus 12 Mother of Pearl Knives). The pieces are vermeil, completely gold-washed over ste...

Camille Le Tallec Gilded Porcelain Tureen Empire-Style Set Spectacular set of ornately gilt service plates hand-painted by Le Tallec of France Important and magnificent Empire-styl...

Finest Bohemian Art Nouveau glass vase in the form of a blown, baluster-shaped body with a flared rim. Silver mounting in the form of chased flowers, enclosing the body of the vase l...

Superb "Femmes Antiques" (Antique Women) whisky service by the Lalique France manufacture. Decorations of women dressed in togas folded into the crystal surface. Composed of six glas...

A pretty and rare Maitland Smith caviar stand. Stand with a patina brass shell motif base and a mother of pearl top.

A rare and highly collectable boxed novelty cake knife, clearly made for a golf devotee. The knife is made from silver plate with the makers mark marked on the blade E C K & Co, I ha...

This exquisite Italian hand-painted ceramic charger plate is part of the 'Petalouda' Collection by deBlona. Featuring a mesmerizing butterfly motif, the design showcases shimmering b...

Penguin by Alcino Silversmith 1902 is a handcrafted piece in 925 sterling silver with ostrich egg application and black onix eyes. This penguin i...

A highly sought-after silver plated jug designed by the famous French designers (see below) Louis Süe and André Mare for the Orfèvrerie Gallia / Maison Christofle c.1925. Just back from our silversmith's workshop, it has been professionally cleaned and polished, restoring it to it's former glory; any shading are reflections; minor wear to the interior commensurate with age and use. A magnificent piece of history and as relevant for today's interiors as it was nearly 100 years ago. Excellent condition spanning 7 1/2" handle to spout x 4" x 7" tall. Any black marks seen on the body of the jug / pitcher are shadows not marks. Item: 44016 FREE Worldwide Registered Airmail Directly From the UK Sue et Mare The spirit of collaboration was alive in the age of Art Deco. No duo quite exemplified this ideal more than the one known as Süe et Mare. Taking their knowledge of fine art and their shared experiences in the war with them, Louis Süe and André Mare were able to shape trends in the shift from Art Nouveau to Art Deco and beyond. Their designs, inspired by Cubism, excited the Paris Salon of the time and remain relevant even today. Louis Süe was born in Bordeaux in 1875 to a wine merchant and his wife. Drawn to the arts, Süe abandoned a path which would have led him into the École Polytechnique to attend the École des Beaux-Arts in 1893. There he studied painting as well as architecture design, and in 1902 was able to exhibit with a number of his contemporaries in the Salon des Indépendants and the Salon d’Automne. After working in various Parisian artists’ workshops and spending time in Vienna (where he was introduced to Cubism), Süe joined L’Atelier Français, an interior design firm made up of a number of his contemporaries, and where he first met André Mare. André Mare was born in the Norman town of Argentan in 1885. Feeling stifled by his conventional upbringing, he left in 1904 to enroll in the École des Arts Decoratifs. In 1906, Mare also exhibited at the Salon des Indépendants and the Salon d’Automne, showing his furniture design and setting himself apart as a leader among his cohort. In 1912, along with Marcel Duchamp and others (and concurrent to his involvement with L’Atelier Français) Mare created La Maison Cubiste, a section at that year’s Salon d’Automne dedicated to radical interior design. The outbreak of the First World War briefly interrupted the two men’s collaboration. Süe was drafted into the French Army and served in the Greek campaign. Mare, meanwhile, developed new camouflage techniques for the French, British, and Italian armies using his knowledge of Cubism. But this function did not keep him from the front. In 1916, he was wounded by shrapnel in Picardy while helping establish a lookout post, and in the same year was awarded the Military Cross by George V of England. In 1919, Süe and Mare resumed their professional relationship by cooperating with Gustave Jaulmes on designing the victory celebrations in Paris for the war’s end. The next year the pair founded the Compagnie des arts français, focusing on creating designs for furnishings and interior accessories. While adhering to the Art Deco style, their designs were more conventional, harking back to the Louis XIV and earlier periods, and less focused on geometric intricacy. Highly decorative, their pieces featured flair such as sculpted floral and fruit motifs, scalloped edges, and inlays of ivory and mother of pearl. Working primarily as decorators and furniture designers, Süe and Mare did find time to continue participating in exhibitions, particularly the 1925 Exposition internationale des arts décoratifs et industriels modernes, where they constructed an actual museum of contemporary art. Other projects included the booth for the Ambassade de France and the interiors of the steamship SS Île de France.

Delight your loved ones this holiday season with the perfect gift set, featuring the Ariol Cocktail Pick (2 Pieces) and the Perla Napkin Ring (Set of 4). Designed to bring elegance a...

Direct from Paris, a Magnificent 170pc. 950 Sterling Silver Art Nouveau Flatware Set with 8 Serving Pieces by the World's Premier French Silversmith "Puiforcat...

A sterling silver appetizer spreader or small server, Art Nouveau design period, circa early-20th century. Piece has sterling silver handle with Art Nouveau design, spreader/spatula ...

This partial set of Tiffany Windham sterling silver flatware consists of 6 dinner knives, 6 dinner forks, 6 teaspoons, 4 sala...

We are delighted to offer for sale this once in a lifetime opportunity to own this custom made suite of Hermes Paris “Farming” picnic equipment, B...

Honeysuckle by Whiting, circa 1870, sterling silver Flatware set - 40 pieces (including Mother of Pearl Knives). This set includes: 12 Knives, Mother of pearl handle, 7 1/2" (not B...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Pair of ebonized wooden panels decorated in mother-of-pearl and impasto with characters and pagodas. China, early 20th Century. Some minor losses, especially in the external frame.

Beautiful St-Hubert decanter by the Lalique Maison. Stopper with decorations of oak tree leaf. Signed Lalique France. In very good condition. Secure shipping. The Lalique Maison was created by René Lalique who was one of the greatest artists of his time, whether as a jeweler or master glassmaker. He marked the Art Nouveau and Art Deco periods with his unique style. Lalique is recognized as one of the most important jewelry designers and glass maker of the French Art Nouveau period, creating innovative pieces for Samuel Bing's new store in Paris, Maison de l'Art Nouveau. He began exhibiting his work under his own name as early as 1894, notably at the Salon des artistes français, 1897 and 1898. The great glassmaker Émile Gallé discovered him at the first one and praised him highly. His Stand at the 1900 Universal Exhibition in Paris was a great success. While keeping sources of inspiration from the Art Nouveau woman, fauna and flora - including the peacock, various insects and sometimes a fantastic bestiary - he innovated by using materials barely used for jewelry at the time: glass, enamel, leather, Horn, mother of pearl, often preferring semi-precious stones to precious stones. The introduction of volume in jewelry is facilitated by his knowledge in modeling. He designed his models, having them made by a team of chisellers, sculptors and enamellers that he carefully recruited. Many women from the nobility, the bourgeoisie and the entertainment world began to wear his extraordinary jewelry, such as the Marquise Arconati-Visconti, the Countess of Béarn, Madame Waldeck-Rousseau, and Sarah Bernhardt, for whom he created a stage costume in 1902 for the revival of the play Théodora at the Sarah-Bernhardt Theater. Lalique was the only modern artist whose client and friend Calouste Gulbenkian became. Gulbenkian acquired the famous Pectoral à la libellule (circa 1897-1898), a masterpiece much admired at the 1900 World's Fair, which he lent to the tragedienne Sarah Bernhardt. After the end of the First World War, Lalique's colorful and fantastic jewelry were no longer in fashion. The creator sensed this and decided to convert to the Art Deco style through glassware in 1920. Thus, the neo-classical and geometric Art Deco replaces Art Nouveau. According to Olivier Mauny, former CEO of Lalique, his creations paved the way for an industrialization of art objects, because one of the best ways to include luxury and aesthetics in everyday life is to make everyday objects. He will create many objects such as vases, cups, candlesticks, perfume bottles, radiator caps for the Citroën 5CV (1925), decorations for the restaurant cars of the Côte d'Azur Pullman Express (1929), decorations for the dining room of the first class of the Normandie liner...

Rare multi-motif Berry by Whiting, circa 1880, sterling silver Flatware set - 59 pieces (including Mother of Pearl Knives). This pattern features a variet...

Rectangular table cigarette case with rounded corners in sterling silver 925/1000 gold plated with beautiful miniature fire enamelled and hand painted by the painter Beatrice Mellana reproducing a "still life" by the Flemish painter Willem Claes Heda. Dimensions cm. 5.7 x 9 x 1.7. Weight gr. 174. Designed by Franco Salimbeni in 1969 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...