845 results for "turquoise"

A fine set of 12 place card holders. With gilt bronze filigree faces that are each set with round glass cabochons and that are each supported by a semi-circular foot. The glass cabochons span the color spectrum from opaque pink and turquoise to clear, red, green, and blue. Simply a wonderful set of place card holders that would be a wonderful complement to Moser glassware...

A rare large French Orchies majolica turquoise / teal / aqua blue green oyster plate platter with handle, circa 1900. Maker's mark on reverse. This stunning oyster platter is a nice ...

Large tureen and matching platter with rich floral decoration on a turquoise blue background in the style of Sèvres. Limoges porcelain, first half of the 20th century. Superb quali...

A very fine antique Vienna style porcelain cabinet plate. Entitled "Eingeheimer Auftrag", which translates in English as "A Secret Assignment". Depicted in the central cartouche is an image of a young woman being attended to by a cherub/putti. The woman is seated at the edge of a garden and appears to be making a request of the cherub who is leisurely perched on the rail fence with a pensive look. Signed to the lower right 'H. Zutzka'. The rim of the bowl is richly decorated with two-toned raised gold decoration and gold jeweling on a light blue to turquoise ground. Simply a top shelf antique cabinet plate...

A fine set of 8 antique English luncheon plates. By Mintons. Designed by Albion Birks. With a light turquoise band around the rim interspersed with 3 ...

This exquisite plate is made entirely in porcelain and is part of a limited series of 100 pieces inspired by the luxury and culture of the Ottoman empire and its capital, Constantino...

This lovely vintage mid century modern ceramic turquoise green stoneware bowl has applied designs of sterling silver flowers and leafs and was designed by Wilhelm Kage for Gustavsbe...

A hand painted majolica asparagus plate made by Salins in the late 19th century, in the Salins-les-Bains region of France. The plate has four white asparagus with purple tips, laying...

Gorgeous set of 12 antique English Coalport porcelain turquoise and gold encrusted dinner plates. Circa 1920. A timeless and classic touch for a fine interior. 10.5 inch diameter.

Stunning polychrome enameled ceramic vase designed and signed by Claudio Pulli, one of the greatest Sardinian ceramicists of the 20th century. Made in Italy during the 1970s. In fab...

Blue glazed (Rimini Blu) ceramic large ashtray designed by Aldo Londi and manufactured by Bitossi. Italy, 1950-1960s. It was handcrafted in Italy with hand carved geometric design ...

Antique Imperial Russian silver-gilt cloisonne tea caddy spoon Moscow, circa 1900. A finely decorated shovel shaped Russian caddy spoon, the rear of the spoon and handle having a gol...

This vintage chic Swedish Mid-Century Modern hallmarked Stig Lindberg glazed ceramic tray, dish or desk accessory is hallmarked in 2 places with numbers; Gustavsberg Sweden with a sy...

Oversize 19th Century Majolica turquoise aqua oyster platter signed Sarreguemines. The platter have 12 shells between rope pattern and seaweeds.  

Fulvio Bianconi "Fazzoletto" vase for Venini. Iridescent turquoise and sang-de-boeuf glass.

Decorated with a Classical Scene Measurements Saucer 2.7cm High x 13.4cm Diameter (1.1 x 5.3 Inches) Cup 6.5cm High x 8.5cm Long x 6.5cm Wide (2.56 x 3.35 x 2.56 Inches) From our C...

This exquisite pair of antique Royal Vienna porcelain plates, measuring 9.5 inches in diameter, beautifully illustrates the "Labors of Cupid" theme. Each plate features finely hand-p...

Large pair of Moroccan glazed polychrome ceramic water jug with handle. Hand painted ceramic handcrafted by skilled Moroccan artisans in Fez Morocco...

Michael Graves Postmodern tea kettle by Alessi Italy production years 1985 the first matte platinum grey enamel body, black knob, orange whistle bird a...

French Napoleon III Majolica Slip Aperitif or Dessert Set by Jérôme Massier, Vallauris, France, Late 19th Century. This exquisite Napoleon III majolica slip aperitif or dessert set,...

A fine antique Russian Imperial silver gilt & cloisonne enamel tea caddy spoon, Moscow, circa 1880. The shovel shaped spoon having a gilded ground, the handle and rear of the spoon is finely decorated with multicolored floral cloisonne, with jewel tone colors of blue, turquoise, ivory and red. The spoon stem having turned and gilded decoration, the spoon is stamped to the rear of the stem with the maker's marks, silver mark of 84 and the mark for Moscow. Condition is excellent, silver weight is 30 grams, a very beautiful Imperial Russian antique...

Wonderful ceramic vase manufactured in Sweden at Bo Fajans and designed by Ewald Dahlskog 1937. The shape and lines of the vase goes perfect with the wonderful glaze. Swirls with da...

Regency Rarity: Spode Porcelain Dessert Service, Pattern 2314 This extensive and highly theatrical Spode Porcelain Dessert Service, dating to the peak of the Regency era around Circ...

Hand blown Murano glass Sommerso triangle geode bowl in dark blue and turquoise blue glass. Italy, 1960s. A darker blue in the central part contrasting with the edge in turquoise bl...

Antique English Aesthetic movement Majolica pitcher or jug featuring a bamboo and basketweave design with hummingbirds, butterfly and flowers, turquoise interior. British Registrati...

From the studio of the prolific and wildly popular midcentury designer and artist, Vera Neumann, a placemat and napkins set, circa mid to 1960s-early 1970s. Four bright turquoise ...

Amazing blue glazed (Rimini Blu) ceramic ashtray design by Aldo Londi and manufactured by Bitossi. Handcrafted in Italy with hand carved geometric design and in a glazed vibrant turq...

From the French faïencerie Creil et Montereau, a majolica glazed asparagus plate, circa 1880-1889. Turquoise rimless plates show an oversized raised green cabbage leaf with purple t...

Gorgeous large heavy hand blown Murano art glass piece. A beautiful brutalist and organic ashtray, Venice, Murano, Italy, 1970s. Colors are Turquoise, blue and green, with air bubble...

Vintage set of six glasses, each with two bowls, a martini on one side attached to a wine on the other by a clear glass ring. Three pairs made of jewel-toned glass with cut vertical ...

A good English Majolica plate, dated 1885 and marked Minton, with turquoise and cobalt blue oyster plate with a central well surrounded by small ochre flowers. Six small and one larg...

Meissen Porcelain Monkey Musician Figurine. The Meissen porcelain figurine represents a violinist monkey from the celebrated “Monkey Band” ser...

Organically shaped Murano bowl in polychrome mouth blown art glass. Turquoise background. Italian design, 1960s. Measures: 22.5 x 6.5 cm. In excellenty condition.

This gorgeous Chelsea Porcelain botanical dish was hand painted in England circa 1752-1756. The polychrome enamels depict fruits: apples, pears, plums, melons, and, in the center, a ...

Outstanding 1960s Aldo Londi for Bitossi ceramic catchall or cigar ashtray. Imported and distributed in the United States by Raymor of New York. Featuring a large-scale low centerpiece bowl...

An extraordinary and historically important Murano glass vase by Aureliano Toso, dating to 1939, showcasing one of the most technically demanding and visually striking glassmaking te...

A comprehensive collection of 24 vintage post‑modern crystal drinking glasses and champagne flutes from the 1980s, manufactured by Luigi Bormioli, an Italian brand well known for its...

George Jones Majolica Strawberry Server, ca. 1870, the trefoil dish naturalistically moldelled with blossoming strawberry plants and ferns on a turquoise and rustic ground, surmounte...

This is a water ewer used in Tibetan ritual offerings to the "hungry ghosts". They have been reborn so, as a result of greed and avarice and are condemned to wander as spirits with b...

Snake Argenta vase, 1930’s Marked with No. 1045 at the bottom Stoneware and Silver H22 x D22 cm The Argenta collection, now emblematic with its green glaze and silver decorations, i...

Beautiful tall embossed vase in vibrant 'Rhimini' blue and turquoise by Aldo Londi for Bitossi, circa 1968. A great. piece of vintage, mid-century handmade Italian pottery. Shape number 727/21. We have more rare Bitossi...

Very good quality 19th century Chinese Famille Rose fish bowl. Having a wonderful selection of raised, hand-painted vases, lanterns, furniture, ...

Maiolica pitcher Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 8.66 x 8.66 x 4.33 in (22 x 22 x 11 ...

Assortment of 4 dishes with braided rim Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: 14 x 10 in (35.5 x 25.5 cm); 12.2 x 8.39 in (31 x 21.3 cm); 10.4 x 9.65 in (26.5 x 24.5 cm); 10.8 x 9.61 in (27.5 x 24.4 cm). Weight: 4.4 lb (1.998 kg) State of conservation: some chips due to use on the edges and on the parts in relief. The four different dishes have a foot with a low lip from which extends a wide, flat, slanted rim resembling a basket weave. The small handles are painted green: they resemble wickerwork in the two oval dishes and take the form of a sinuous branch in the round ones. The third fire decoration is inspired by the naturalistic floral botanical patterns on the ceramics produced by the Hannong family in Strasbourg. Here the pattern is defined by the rapidity and subtlety of the brushstrokes and the result is particularly tasteful, characterized by compositional intelligence and pictorial expertise. A main corolla, either a wild or garden rose, is set slightly off center in each well. From this extends a thin stem holding a small secondary bud and there are small field florets dotting the composition to lend volume to the delicate bunch of flowers. On the brim, small polychrome flowers add color to the weave, accompanied by lanceolate leaves of a very intense green. There exist few and very rare examples for comparison with this morphology: a round plate - entirely consistent with those in question - has been dated to around 1775 (S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, tav. 200). Two other dishes with a basket rim, but with parallel striped brim decoration, were exhibited in the 1995 exhibition on Lodi ceramics; the attribution to the Lombard town near Milan is therefore almost exclusively derived from the decoration called "alla rosa contornata" or "alla vecchia Lodi" and constitutes one of the most popular decorations during the eighteenth century. (M. L. Gelmini, in Maioliche lodigiane del '700 (cat. mostra Lodi), Milano 1995, pp. 31 p. 162-163 nn. 181-182). This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their Maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the Maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

A gorgeous 19th-Century Japanese Meiji Period Imari octoganal porcelain charger. This fine large plate has hand painted floral decorations and birds in the traditional Imari colors w...

Aquatic Drama: Longchamp's Grande Majolica Grotto Platter Object: Large French Majolica C Dish, "The Grand Riverbank" Maker: Longchamp Pottery, France Date: Circa 1880 Medium: Eart...

Midcentury modern era Asian style ice bucket in the manner of James Mont. This highly detailed metal piece features a faux bronze verdigrises’ finish and intricate geometric engraving and embossing. The interior is lined with a removable turquoise plastic liner and is foam insulated. This handled three-footed urn could also be used as beautiful orchid planter compote. Inspired by Chinese Chou Dynasty 5th Century B.C. bronze Ding...

A very good quality pair of 19th century lidded 'Sevres' porcelain lidded vases. Each having wonderful gilded ormolu mounts. Classical hand-painted scenes set on a Turquoise back gro...

This lovely pair of handpainted 19th-century opaline vases feature gorgeous flowers, each with a bouquet of peonies, tulips, and other flowers on a light blue ground. The glass is s...

A beautiful, decorative midcentury Rimini blue glazed ashtray. Very large, has a diameter of 9 1/2 inches, Designed by Aldo Londi, manufactured by Bitossi Ceramiche / Italy in the 19...

A Majolica glazed Seaweed and Shell, Coral footed bowl, by Victoria Pottery Co. England, Circa 1880s. The Victoria Pottery Company began in 1882 at the Victoria Works on Lonsdale St...

This First Period Worcester Porcelain cup and saucer are hand-painted in the beautiful Queen’s Pattern, which was inspired by Japanese Imari porcelain of the 17th century. The design...

The extraordinary pair of covered vases is in baluster form, each resting on a circular gilt bronze base adorned with a band of raised foliate motifs. The bases support porcelain soc...

A stylish and scarce early Art Deco Poole art pottery bowl with integral stand made by Carter Stabler Adams and dating from around 1920, The earth...

An important, extremely rare, and rather large 18th century Meissen Porcelain Group of a Thalia with a Harlequin Child, By Johann Joachim (J.J.) Kändler, Circa: 1744. This is an incredible and extremely rare 18th century Meissen Porcelain piece modeled by the greatest Meissen modeler ever in the Company, Johann Joachim (J.J.) Kändler. Thalia can be seen seated on a gorgeous hand-carved and hand-painted flowered and vined porcelain pedestal. Her right arm is raised holding a Phantom of the Opera Black and White Mask, while in her other arm is a young Harlequin dancing and singing holding a hat. Thalia is wearing a gilt-edged dark blue bodice with white floral decorations over a black corset draped in a red-over-yellow robe...

Decorative midcentury ceramic vase / pitcher by Accolay (circa 1960s). A classically shaped piece from antiquity is reinterpreted in Accolay's unmistakable style. The pitcher has sof...

A heavy vintage Mid-Century Modern Italian Murano glass bowl or ashtray by Antonio da Ros for Cenedese circa 1965-1975. Utilizing the Sommerso technique this large, heavy piece of gl...

This wonderful collection of Bohemian glass objects was created in the late 19th Century for the Persian market. The set—which includes three vases, one huqqa base...

Minton Majolica seafood plate with fish and shells, English, dated 1873, the scalloped center glazed in turquoise, bordered with naturalistically glazed and relief molded fish and sc...

A George Jones Majolica 10-inch Oval Pen Tray, with green-glazed relief-molded lily pads with white blossoms and naturalistically glazed bullrushes on turquoise-glazed water forming the ground, with a yellow ocher rim, the reverse glazed in brown and green tortoiseshell...