424 results for "franco albini"

Franco Albini Library “Poggi” wood metal iron, 1955, Italy.

Franco Albini TL3 Table For Cassina A design table with an innovative take-apart concept for which architect Franco Albini uses the strut component,...

Franco Albini TL3 Table For Cassina A design table with an innovative take-apart concept for which architect Franco Albini uses the strut component,...

Italian architect and designer FRANCO ALBINI's spherical ottomans made of wicker and bamboo are his signature products, and many of you have probably seen them before. His use of org...

Rare "CR20" trolley in rosewood designed by the famous Italian architect and designer Franco Albini for the Poggi company, Italy. it is an authentic icon of style, which perfectly ...

The 1954 Badano table, from a project by Franco Albini for private clients. The modular leg design allows the creation of a series of tables of different sizes.

1960s Gorgeous and elegant serving cart in bamboo by Franco Albini with four legs. The structure featuring two shelves, the lower one features four bottle holders. Made in Italy. T...

Prices vary dependent on the size and chosen material of the table. The base is available in solid ash wood or American walnut. The table is available in a rectangular or round version (the latter measures 130 cm in diameter and 75 cm in height) Table designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. Franco Albini designed this table using the strut element that he had already employed in the design of the Veliero and Infinito bookshelves. In this instance, the legs serve as the vertical elements, solid, turned along their entire surface except for the square section onto which the horizontal table...

Available in Canaletto Walnut, natural ash and black stained ash. Prices vary dependent on the chosen material/finish. Table designed by Franco Albini in 1950. Relaunched in 2008. ...

Franco Albini (1905-1977) lived in Milan where he stuied Architecture at the Politecnico. He started his career at Gio Ponti's studio, with whom he collaborated before getting in tou...

Model TL30 marble table designed by Franco Albini for Poggi, Pavia. Made in Italy circa 1950s. Reference: G. Gramigna, "Repertorio del design italiano 1950-2000", p. 53, Allemandi, ...

Stickers.Stunning Franco Albini '1928' desk for Knoll international, this example 1958. A pebbled glass top and stunning patina really take this piece...

Franco Albini Stadera Desk Table For Cassina The desk-table designed by Franco Albini makes a striking first impression, thanks to the two side-by-side trapezoidal tops supported by...

COD-2669 Franco Albini (1905-1977) Center desk with dark wood drawers, polished steel square tube leg and tempered glass top. Registered drawing from 1958. Knoll international ma...

Table designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. Franco Albini designed this table using the strut element that he had already employed in the design of the Veliero and Infinito bookshelves. In this instance, the legs serve as the vertical elements, solid, turned along their entire surface except for the square section onto which the horizontal table...

Table designed by Franco Albini in 1950. Relaunched in 2008. Manufactured by Cassina in Italy. This table, with its minimal lines and an extremely light look, underscores the extens...

Wonderful mid-century console table in curved bamboo, rattan and hand-woven wicker. This stunning organic piece was designed by the mastery of Franco Albini and produced in Italy dur...

Franco Albini for Knoll, model 80, glass, lacquered wood, lacquered steel, Italy, 1949 Franco Albini’s model 80 desk combines glass, steel and wood which resu...

Rare and important desk model Stadera designed by Franco Albini for the Poggi manufacture, in 1959. Model 840. Made of noble wood for its shelf, the desk is the perfect modernist ele...

This exquisite Cicognino side table, designed by Franco Albini and produced by Poggi Pavia in the 1970s, is a timeless piece of Italian design. Crafted from high-quality wood, this t...

Side table designed by Franco Albini in 1953. Relaunched in 2008. Manufactured by Cassina in Italy. Dubbed Cicognino, or “little stork”, this iconic design, is clean-cut and refined...

Side table designed by Franco Albini in 1953. Relaunched in 2008. Manufactured by Cassina in Italy. Dubbed Cicognino, or “little stork”, this iconic design, is clean-cut and refi...

Prices vary dependent on the model/finish of the table. Table designed by Franco Albini in 1954. Manufactured by Cassina in Italy. This table/writing desk, designed by Franco Albin...

Table designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. Franco Albini designed this table using the strut element that he had already employed in the design of the Veliero and Infinito bookshelves. In this instance, the legs serve as the vertical elements, solid, turned along their entire surface except for the square section onto which the horizontal table...

1960s Gorgeous and elegant serving bar cart in bamboo & rattan by Franco Albini. The structure featuring two shelves, the lower one features six bottle holders. Made in Italy. The ca...

Side table designed by Franco Albini in 1953. Relaunched in 2008. Manufactured by Cassina in Italy. Dubbed Cicognino, or “little stork”, this iconic design, is clean-cut and refined...

Franco Albini, side table Model TN6 "Cicognino", Italy, 1952 Measures" Overall height: 31.5" Height to the tabletop: 16".

TN6 Coffee Tables by Franco Albini for Poggi, 1953, Set of 2

Cavalletto or TL2 dining or working table designed in 1950 by italian architect Franco Albini, old Poggi edition. Wood construction with beveled edges tabletop and crossed legs with ...

Very early Albini Desk, designed by Franco Albini in 1928. Later versions of this design feature black plastic feet and black plastic glass top supports on the frame, like the versio...

Franco Albini Cavalletto Desk Table For Cassina The geometric lines of the Cavalletto desk elicit a pleasant feeling of lightness through its ‘by the ...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Franco Albini ash dining table Model TL2 'Cavalletto' for Poggi, Italy (Very First Edition), Italy 1950s This table is the very first edition (the one in ash) of Franco Albini's fam...

The 1954 Badano table, from a project by Franco Albini for private clients. The modular leg design allows the creation of a series of tables of different sizes.

Desk with shaped top from the "TL 22" series, wooden structure, italian manufacture from the 1950s, crafted by Poggi and designed by Franco Albini. This office desk stands out with ...

Table designed by Franco Albini in 1954. Manufactured by Cassina in Italy. This table/writing desk, designed by Franco Albini consists of two trapezoidal planes, one smaller than th...

Stunning mid-century console table fully made of bamboo, rattan, and hand-woven wicker. This delightful organic piece was designed by the mastery of Franco Albini and produced in Ita...

Mid-Century Modern Stadera Desk Model 840 by Franco Albini for Poggi, Italy, 1950s

Italian midcentury wood side table model TN6 Cicognino designed by Franco Albini and produced by Poggi Pavia in 1953, production Italy 1960s Bibliography: Domus 312 (November 1955),...

Vintage Wooden Drawer CM24 realized in 1950s by Franco Albini for Poggi. Wood and metal. Very good condition.

Prices vary dependent on the material of the table. Available in Canaletto Walnut, Natural Ash, Black Stained Ash or Amaranth stained ash. Side table designed by Franco Albini in 1...

Franco Albini "T22" Desk for Poggi, wood, Italy, 1958 Designed in 1958, the “T22” desk is one of Franco Albini’s rarest and most sophisticated works for Poggi. Characterized by its ...

Mid-Century Modern TL2 Cavalletto desk/dining table by Franco Albini for Poggi, 1950s.

A rare mahogany version of the Cavaletto or TL2 table designed by the great neo-rationalist designer, Franco Albini. Designed in 1950 for manufacturers Poggi...

Franco Albini "T22" Desks for Poggi, wood, Italy, 1958, set of 2 Designed in 1958, the “T22” desks are among the rarest and most refined creations by Franco Albini for Poggi. Define...

Table designed by Franco Albini in 1950. Relaunched in 2008. Manufactured by Cassina in Italy. This table, with its minimal lines and an extremely light look, underscores the ext...

Tavolo a cavalletto mod. TL2, design Franco ALBINI, in legno massello. ORIGINE Italia PERIODO Anni 50 DESIGNER Franco ALBINI MODELLO TL2 MATERIALI Legno massello DIMENSIONI Alt...

Table model TL2, known as "Cavalletto," designed by Franco Albini in 1950 for Poggi. Wooden frame with rectangular top resting on two trestle bases joined by a reinforcing bar. The p...

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

Side table designed by Franco Albini in 1953. Relaunched in 2008. Manufactured by Cassina in Italy. Dubbed Cicognino, or “little stork”, this iconic design, is clean-cut and refi...

The one we propose is the iconic TL22 table designed by Franco Albini in 1958 and produced by Poggi but which, having come to us in the 21st century, is reinterpreted and modernized ...

Side table designed by Franco Albini in 1953. Relaunched in 2008. Manufactured by Cassina in Italy. Dubbed Cicognino, or “little stork”, this iconic design, is clean-cut and refi...

Table designed by Franco Albini in 1950. Relaunched in 2008. Manufactured by Cassina in Italy. This table, with its minimal lines and an extremely light look, underscores the extens...

Table designed by Franco Albini in 1954. Manufactured by Cassina in Italy. This table/writing desk, designed by Franco Albini consists of two trapezoidal planes, one smaller than th...

Franco Albini for Knoll, desk model '1928', glass, wood, chromed steel, Italy, design 1949 Franco Albini’s '1928' desk combines glass, steel...

The writing table designed by Franco Albini for Knoll consists of a chromed steel frame, a black-stained oak drawer unit that has two drawers on one side and a compartment on the oth...

Franco Albini and Franca Helg for Poggi, pedestal table, model 'TL30', walnut, lacquered steel, Italy, 1961 The TL30 pedestal table, designed by Franco Albini and Franca Helg for Po...

Mid-Century Modern TL2 Cavalletto desk/dining table by Franco Albini for Poggi, 1950s

Cicognino coffee table entirely made in teak wood designed by Franco Albini in 1952 and firstly produced by the Italian company, Poggi Pavia from the 1950s. The Cicognino coffee t...

TL30 table with a round top in wood and a base in black lacquered metal, designed by Franco Albini and produced by Poggi in the 1950s. After spending his childhood and part of his youth in Robbiate in Brianza, where he was born in 1905, Franco Albini moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He starts his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborates for three years. He probably had his first international contacts here In those three years, the works carried out are admittedly of a twentieth-century imprint. It was the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the rapprochement with the group of editors of “Casabella”. The new phase that that meeting provoked starts with the opening of the first professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca neighborhood in San Siro in 1932 and then creating the Ifacp neighborhoods: Fabio Filzi (1936/38), Gabriele D’Annunzio and Ettore Ponti (1939). Also in those years Albini worked on his first villa Pestarini. But it is above all in the context of the exhibitions that the Milanese master experiments his compromise between that “rigor and poetic fantasy” coining the elements that will be a recurring theme in all the declinations of his work – architecture, interiors, design pieces . The opening in 1933 of the new headquarters of the Triennale in Milan, in the Palazzo dell’Arte, becomes an important opportunity to express the strong innovative character of rationalist thought, a gym in which to freely experiment with new materials and new solutions, but above all a “method”. Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano sets up the steel structure house, for which he also designs the ‘furniture. At the subsequent Triennale of 1936, marked by the untimely death of Persico, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini takes care of the preparation of the exhibition of the house, in which the furniture of three types of accommodation. The staging of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach that is part of Albini, as a man and as a designer: the theme addressed is that of the existenzminimum and the reference of the project is to the fascist myth of the athletic and sporty man, but it is also a way to reflect on low-cost housing, the reduction of surfaces to a minimum and respect for the way of living. In that same year Albini and Romano designed the Ancient Italian Goldsmith’s Exhibition: vertical uprights, simple linear rods, design the space. A theme, that of the “flagpole”, which seems to be the center of the evolution of his production and creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian planning: in the setting up of the Scipio Exhibition and of contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases are hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take on the V shape; in the Olivetti store in Paris (1956) the uprights in polished mahogany support the shelves for displaying typewriters and calculators. The reflection on this theme arises from the desire to interpret the architectural space, to read it through the use of a grid, to introduce the third dimension, the vertical one, while maintaining a sense of lightness and transparency. The flagpole is found, however, also in areas other than the exhibition ones. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing spaces. The Veliero bookcase...