2,118 results for "renaissance"

74417 18th Century Antique Indian Medieval Wall Tapestry after the Battle of Karnal in 1739. This beautiful antique Indian painted tapestry is done on a canvas. It features a hunting battle scene with kings, kingsmen and royalty with multiple types of animals ranging from horses, elephants, lions, birds, peacocks and leopards. This tapestry is possibly in relation to The Battle of Karnal in 1739. The Muhammed Shah fought with Nader Shah...

A fascinating early 20th century French white marble relief plaque of ecclesiastical theme, dated 1912 and indistinctly signed ‘Guidig’ to the bottom right hand corner. The carved ...

A Monumental contemporary school painting of "Sappho and Phaon" After Jacques-Louis David. The oil is on canvas and framed in gold with French relief. Phaon was said to be so beaut...

19th century framed painting of family crests was hand-painted in the late 19th century and framed in the 20th century. The artist used ink and wat...

Title: "Scholar of the Arts: The Medieval Academic" Description: This print illustrates a learned individual, likely a doctor of the arts or a scholar, from the medieval period. The...

A late entry in America's string of public murals painted in the 1930s, 40s and 50s telling the story of various towns and regions, this 1962 Art Deco study b...

Sensuous and vividly-hued, this pastel drawing of a standing male nude with his head resting against the wall was made by Allyn Cox, son of the famous muralist Kenyon Cox...

Antique oil painting on canvas with carved gilded frame signed - Canadian artist

In a superb example of Art Deco decorative painting influenced by Medieval motifs, this frieze painting by famous muralist Dunbar Beck is saturated wit...

This classic example of American Scene painting, depicting a group of four laborers loading the harvest onto a wagon amidst the fields, has the energy and dynamic of Thomas Hart Bent...

This superb depiction of two nude male boxers at the height of their fight, one knocking out the other, was painted by François-Louis Schmied, one of ...

Magnificent reverse painting on glass and mixed-media collage on very large old church window. Homage to the iconic Renaissance woman, artist, design...

This rare and striking Art Deco fabric panel, featuring a running deer in a forest expressed in rich red and maize, was designed by Rockwell Kent for Bloomcraft Inc. in 1950. The de...

This classic and important drawing by Jacques Azéma depicts two Moroccan male youth in the hammam or bath house, relaxing in the nude and imbibing in tea...

This virtuosic pen-and-ink drawing shows several gods cavorting with wild-maned horses in an Art Deco galaxy. All the figures are perfectly stylized as if parading across a classical...

Extremely large, hand molded, painted, and majolica-glazed, relief sculpture "Tondo" (meaning "art in the round") after famed Renaissance artist, Andrea della Robbia...

Nicolas de Larmessin Etching – Habit de Tabletier. 20th century print. Nicolas de Larmessin (1640-1725) was an enormously creative and productive artist. Nicolas was part of a long ...

This one-of-a-kind antique Italian Empire Period folding screen is a masterpiece of early 19th-century craftsmanship, dating most likely from 1801 during the Republic of Lucca. Pain...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Subdued in palette but gorgeous in subtle detail, this painting of a seated male nude from behind captures the sensuality and beauty of the human figure. The painter, Roberto Lupetti...

Antiques of London A decorative vintage Renaissance-style print titled “Cherubs Sculpting an Angel”, inspired by classical European art and presented in a rich gold frame that enh...

'Una Gitana' A Large Berlin (KPM) Porcelain Plaque After Angelo Asti (1847-1903), depicting a portrait of a beautiful young woman in profile wearing a red cap. In an oval giltwood f...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Playful and whimsical, Capron’s art panels are the most sought after, as editions were small, and in some cases not more than a few, or by special commission. Some are rough and mat...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Boldly sculpted and beautifully finished with a deep mossy green glaze, this bas relief sculpture depicts a nude Hercules, possibly carrying the Cretan bull, followed by a robed fema...

Beautiful and meaningful religious art. If only the best quality and condition is good enough for you then this stunning and practical size corpus of Christ could be gracing your wall soon. Both the perfect anatomy and the amazing details in this antique corpus...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

After Raphael's Grand Duke's Madonna Grand Duke's Madonna after Raphael, a stunning 19th-century oil painting from the renowned Berkley Collection. This remarkable artwork, inspire...

French Renaissance Revival hand-carved walnut wall bracket/shelf, from the early 20th century. This beautiful and impressive antique wall console in dark brown features ornate flower...

Michele Antonio Rapos (Turin 1733-1819), Still life of flowers and fruits, Oil on canvas frame: cm H 133 x W 124 x D 8 (canvas: cm 108.5 x 108.5) The painting depicts a triumph of ...

Extremely rare and important, this painting by Eugene Savage served as the preparatory study for one of six monumental Art Deco murals commissioned by the Matson Shipping company in ...

A fine and historical Palatial oil on Canvas by August Wolf. Entitled Venetian Festival . This large oil on canvas was commissioned by Count Adolf Friedrich Graf von Schack, a colle...

Clerical and Monastic Vestments 1400–1800, Antique Hand-Colored Print This elegant antique costume plate illustrates a wide range of clerical and monastic garments worn within the R...

Philadelphia artist Emlen Etting returned again and again to the theme of Icarus Falling, in part because it gave him an opportunity to depict the nude male in motion. This is the fi...

17th century Italian old master painting Madonna and Child with St. Anne and St. John the Baptist. Important Tuscan School Old Master painting in oil on a hand shaved wood panel. ...

Drenched with sun and full of optimism, this depiction of a shirtless farm worker, with scythe in hand, is a high-spirited paean to the American laborer, at a time when the Works Progress Administration and other institutions were commissioning murals that celebrated industry, agriculture and commerce. Here, the worker is lean and strong, and his face shows signs of sunburn from his hours in the open. The painter was Allyn Cox, son of the famous muralist Kenyon Cox...

Sophisticated and playful at the same time, this important painting by Eduard Buk Ulreich returns to one of his favorite themes: a group of frolicking horses in the landscape, overflowing with high spirits. Ulreich came to fame as one of the muralists who decorated the lounges and public rooms of Radio City Music Hall...

Attributed to Domenico di Paris, also called Domenico del Cavallo ( Monselice, documented in Ferrara between 1442 and 1501) Madonna and The Child Polychromed and gilded Stucco 47,5 ...

This six panel Italian screen is from the Baroque period, circa 1700. The four central panels have been affixed to a foldable frame, while the two outer panels are detached. When all...

A 19th Century portrait by Italian artist Fausto Giusto (1867 Naples-1941 Zurich) after a Renaissance painting by Titian entitled "La Bella". An exceptionally detailed portrait by a ...

Pair of 18th-Century English Carved Oak Panels with Mystic Dolphins A fine pair of early carved oak panels, English, 18th century, richly worked with a central motif of stylised dolp...

The Martyrdom of Santa Barbara Wool and silk tapestry Bruges, 1530-50 270 x 198 cm Expertise by Professor Guy Delmarcel This Flemish tapestry is a remarkable example of 16th-century craftsmanship, distinguished by its exceptionally well-preserved color palette. The medaillon-shaped center stands out against a background of dark blue roses and acanthus leaves. It depicts the martyrdom of Saint Barbara, identified by the tower where she was imprisoned. According to legend, her father, Dioscorus, is about to behead her with a scimitar, while an angel descends from the heavens to strike him with lightning. At the bottom, beneath Saint Barbara, two fantastical creatures. On the left is a griffon depicted with the body of a lion and the head and wings of an eagle. On the right is a creature with the body of a leopard, the head of an elephant adorned in a fancy blue cloak. Both animals face each other standing either side of a green hill top in the middle of the tapestry. The lavish scene of the tapestry is framed by a border which is embellished with foliage, flowers and fantastical elephant heads in blue and white on a red background. The corners and center of the edges display goldsmith-objects. The vibrant brick-red colour and striking bluish-green leaves create a stunning visual impact, showcasing the outstanding state of conservation. Professor Guy Delmarcel connects this tapestry to a series of textiles produced in Bruges after 1530, characterized by their fantastical nature scenes populated with imaginative creatures. Most feature similar roses and acanthus-leaves as well as other vegetation, with wild animals appearing ready to attack. Two almost identical pieces preserved at the Art Institute of Chicago (Bruges, 336 x 599 cm) and the Rijksmuseum in Amsterdam ("Tournai," 285 x 490 cm) serve as prime examples. The entire surface is filled with greenery, along with birds and fantastic animals. This tapestry exemplifies the rich decorative style of the time, merging naturalistic and poetic elements with exotic animals that spark the imagination. Other works of this type follow the theme of the "Closed Garden." In the lower register, fantastical creatures occasionally appear, as seen in the exquisite Bruges Tapestry displayed at the Museum of Decorative Arts in Paris, and in the example from the Burrell Collection in Glasgow. The Parisian tapestry from Bruges features a mythical animal in the lower register, dressed in blue fabric, which closely resembles the animal in our tapestry. If Enghien or other centers produced similar pieces, several elements suggest a stronger connection to Bruges for two formal reasons: The overall colour-palette of our tapestry fabric characterized by pronounced brick-red colours and bluish-green leaves, aligns more closely with Bruges than with Tournai or Enghien. The intricate border design with the warm brick-red background, adorned with floral motifs, goldsmith-inspired elements such as incense burners and small bells, can be traced back to Bruges around 1530. This style, often associated with heraldic imagery, underscores the tapestry's connection to the city's rich artistic heritage. A comparable example is the tapestry featuring the Arms of Paolo Giovio, now part of the Prince of Liechtenstein's collection in Vaduz. This piece, set against a brick-red background, depicts arms and armors, cornucopias, boys riding grotesque dolphins, as well as various flowers and leaves. All available literature dates this group of tapestries to the second quarter of the sixteenth century. A key formal element further supports this dating: the executioner, depicted preparing to behead Barbara, wields a Turkish scimitar, a reference to the frequent Ottoman incursions into Central Europe beginning with the 1529 siege of Vienna...

Gold Background, Coronation of the Virgin. 14th century. Venetian work, point of polyptych, tempera and gold on reinforced poplar panel,.Surroundings of Lorenzo Veneziano (1336_1379)...

A high quality and most decorative pair of French 19th century Renaissance st. Ormolu and patinated Bronze wall decor/plates. Each most elegant and octagonal shaped charger displays ...

These three circular copper panels were crafted in the 19th century in France. They are decorated with biblical and Christian themes taken from the lives of King Solomon (d. 931 BC) ...

Beautiful Mid Century Modern oil/masonite painting by reknown Haitian artist, Gabriel Lévéque, of a vase with a lovely flower arrengement. He has made use of the whole surface by co...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Neoclassical capriccio view of majestic Roman ruins with small figures engaged in daily activities in the background. Pencil, ink and wash on paper. Set in a Louis XVI style giltwood...

Painted in the 1940s when Americans were traveling more widely and becoming deeply interested in "exotic" lands and cultures, this portrait of a handsome young man -- probably Mexica...

Italian 17th Century Oil on Canvas of Saint Matthew of Agrigento This striking oil on canvas, executed in Italy in the 17th century, depicts San Matteo di Agrigento (St. Matthew of A...

This remarkable ensemble of paintings, studies and prints, collected together as a kind of scrapbook page by John Garth, celebrates the American ironworker. It includes no fewer than...

Wonderful copper-plate engraving after Jan Luyken Published by Marten Schagen, Amsterdam. 1724 Text on verso The measurement given is the paper size.

Great image after Guercino Fine steel engraving Published by Jones circa 1850 Unframed. Free shipping

One of the most fanciful and dramatic depictions of the St. George and the Dragon story we have ever seen, this painting by Manne Östlund shows a shirtless, modern St. George slaying...

Large and rare, this bronze bas relief plaque was created by the world's leading sculptor of young athletes for the University of Pennsylvania's Relay Carnival, now known as the Penn Relays, a prestigious track and field event for college athletes across America. It depicts four nude youths...

Extremely rare, perhaps unique, this 1920s print of Orpheus charming the animals with his lyre and song was made by David Osborne Hamilton, the esteemed ...

A rare and magnificent example of a mural influenced by both the Arts & Crafts and Art Nouveau movements, this painting of a plumed knight on horseback...

This is an absolutely incredible early 17th century oil on canvas painting representing Holy Family-Virgin Mary, St.Joseph, St. Elisabeth, John the Baptist and Baby Jesus. Sir Peter ...

Depicting a Salome who is both ravishing and terrifying, with her auburn tresses rising up as if on fire, this remarkable work was painted by Dunbar Beck, famed for his WPA and New Y...