74 results for "roy lichtenstein"

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. Measures: 8.2' x 7.9'. A simple brush stroke which highlights the extraordinary...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

MCM mixed media three-dimensional abstract by Angela Kosta Driessen, circa 1960s. Framed and mounted on plywood measuring 15.5" x 27.25" x 2". #2574 Angela Kosta Driessen, also known as Angela Kosta, was a contributor to the 1966 "Artists Tower of Protest" (also known as "The Peace Tower"). The Peace Tower was a 58 foot steel tetrahedron which was erected in 1966 on Sunset Boulevard in Los Angeles to protest the Vietnam War. The structure had 418 panels attached to it and it was designed by the sculptor Mark di Suvero. Artists from around the world contributed to the tower, including Elaine de Kooning, Roy Lichtenstein, and Robert Rauschenberg (who provided the bulk of the funding to complete the work). The Peace Tower was dedicated on February 26, 1966 with speeches by Susan Sontag, Irving Petlin...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Poster for the 15th Annual Community Holiday Festival (1985), William Conion This massive, signed poster by American abstract artist William Conlon is an exceptional example of late...

A contemporary color screenprint on paper titled “Lulu” by American artist Tom Wesselmann. Hand signed in pencil and dated 1982 with an annotation of 206/250 on the lower right. Pub...

ABOUT Price is per piece. Peter Phillips United Kingdom, b. 1939 The Hunter Signed, dated, Artist Proof and limited edition 60/75 in pencil. Unframed. Stamped Schoeller's Parole an...

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. Measures: 5.2' x 9.8'. A simple brush stroke which highlights the extraordinary...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...