1,853 results for "belgian "

Two kinds of people minimalistic round by Corine Vanvoorbergen Dimensions: diameter 180 cm Materials: Brass, wood, natural pigments, epoxy and acrylics There are two kinds of people. Those that see the night coming and those that see the day arriving. Corine van Voorbergen...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

Material: Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button th...

DIMENSIONS: Height: 16.25 inches Width: 13.5 inches Depth: 2.25 inches Frame width: 2.5 inches ABOUT MODEL Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945) was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. Her success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of ‘27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sanchez Mejias. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940.[7] She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the UK, the Netherlands, Belgium and the USA, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943, she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honors she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honor her merits in the field of culture. ABOUT ARTIST Emmanuel Fougerat (French, 1869 – 1958) was a renowned French painter, museum curator and art historian. A former student of the Regional School of Fine Arts in Rennes, Fougerat studied in the studio of Albert Maignan and that of Jean-Paul Laurens in Paris. He was appointed director of the Nantes School of Fine Arts and was also the founder and curator of the Museum of Fine Arts in the same city. Emmanuel Fougerat was named Chevalier of the Legion of Honor in 1912. In 1923, he was placed on temporary leave from the French State in order to carry out a mandate as director of fine arts education in the Province of Quebec, Canada; where he served as an art teacher and director of the École des beaux-arts de Montréal from 1923 to 1925. Emmanuel Fougerat’s paintings are in the following public collections: • Nantes Museum of Fine Arts, France. • Museum of Modern Art in Paris, France. • Rennes Town Hall: permanent decorations. • Museum of Fine Arts of Saint-Nazaire (destroyed in 1944), France • National Museum of Fine Arts of Quebec, Canada. Emmanuel Fougerat is also the author of works on several French painters, including Albert Besnard, Paul Baudry...

Material: Ceramic We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button th...

Erik Pape (born 1942, Delft, The Netherlands) is known as a modern Delft master. His work can be seen at prestigious museums including the Museum Boijmans van Beuningen, Van Abbemuse...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

Stucco Material: stucco Country: France We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposa...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

Rostislas Loukine (1904–1988) The Melon Seller – Turkey Gouache and watercolor on paper We offer an original gouache and watercolor drawing by Rostislas Loukine, created during his ...

Rostislas Loukine (1904–1988) The Melon Seller – Turkey Gouache and watercolor on paper We offer an original gouache and watercolor drawing by Rostislas Loukine, created during his ...

Hard around the edges minimalistic round by Corine Vanvoorbergen Dimensions: diameter 150 cm Materials: Brass, wood, natural pigments, epoxy, acrylics You can still embrace me, ...

Ash minimalistic round by Corine Vanvoorbergen Dimensions: diameter 180 cm Materials: Brass, wood, ash, epoxy and acrylics ‘Ash’ symbolizes the outcome, almost like a relic of the intense passion that came before. This is never the end, as from ash comes new life. Corine van Voorbergen...

Oxy oyster minimalistic round by Corine Vanvoorbergen Unique Piece Dimensions: diameter 110 cm Materials: Brass, wood, natural pigments, metal and epoxy The power of change is Corin...

Two Kinds Of People Minimalistic Round by Corine Vanvoorbergen Dimensions: diameter 130 cm Materials: Brass, Wood, Natural pigments, Epoxy and Acrylics There are two kinds of people. Those that see the night coming and those that see the day arriving. Corine van Voorbergen...

Ink drawing by Antonio Segui titled "The Bad Light" Antonio Hugo Seguí (Villa Allende, January 11, 1934-Buenos Aires, February 26, 2022)1​2​ was an Argentine painter, sculptor and il...

Rare and beautiful etching on wove paper with a watermark, BFK Rives, signed, titled, and published by the Société Française des Amis des Arts around 1900. Title "BAPTEME DANS LA BASSE-ALSACE" engraved by Léopold Flameng (1831-1911), after the painting by his son François Flameng (1856-1923) The etching and plate are in perfect condition, with slight fading on the fringed edges. Dimensions: "Baptème dans la Basse-Alsace" etching: Sheet: 325 x 460 mm - Engraving: 200 x 254 mm - Engraving plate: 250 x 300 mm Engraved signature: Léop. Flameng under the engraving in the center Engraved signature François Flameng 1890-91 in the engraving lower right & Blank signature of the Société Française des Amis des Arts under the engraving lower left. Léopold Flameng, Belgian painter and engraver, was born to French parents. He was a student of Luigi Calamatta and Jean Gigoux. His skill as a burinist brought him to the attention of Charles Blanc, and his collaboration on publications such as L'Artiste and the Gazette des beaux-arts, with Léon Gaucherel, was one of the first engravers for this magazine, which would establish his reputation. Georges Duplessis, art historian, quotes him in a work published in 1869: "Léopold Flameng rose in his time to the rank of master." He received a medal at the 1878 World's Fair. Known for his etchings after Jan van Eyck, Leonardo da Vinci, Rembrandt, Ingres, and Eugène Delacroix, he illustrated several books on Paris as well as numerous literary works by classical and contemporary authors, including Boccaccio, Paul Scarron, Victor Hugo, and François Coppée. François Flameng was the son of the famous painter and engraver Léopold Flameng. He attended the Lycée Louis-le-Grand in Paris for his secondary education. Learning to paint from his father, he entered the École des Beaux-Arts in Paris in the studio of Alexandre Cabanel, then in those of Pierre Edmond Alexandre Hédouin and Jean-Paul Laurens. As early as 1870, he produced several reproductions of works by painters Alfred Sisley, Édouard Manet, and Claude Monet for the catalog of the Durand-Ruel Gallery. In 1875, he made his debut at the Salon des Artistes Français with his painting "Le Lectern." He received numerous commissions for portraits, historical scenes, and decorative paintings. His academic style, combining precise drawing and mastery of color, appealed to the bourgeoisie and aristocracy of the time. During his career, François Flameng was elevated to the rank of Officer of the Legion of Honor and elected a member of the Académie des Beaux-Arts. He left behind a considerable artistic legacy. His works, preserved in the world's greatest museums, bear witness to his exceptional talent and his significant contribution to French art of the late 19th and early 20th centuries. The Société Française des Amis des Arts was founded in 1885 at the Palais de l'Industrie for the development of the arts, supported by numerous distinguished subscribers: Messrs. Gaston Doumergue (President of the French Republic), Baron Edmond de Rothschild, Count Greffulhe, the brothers Alfred, Jules, and Léon Bernheim, Louis Boucheron, Edgar Brandt, Emile Buland, Paul Chabas, Viscount Guy de Dampierre, Colonel Francis E. Drake, André Fallières, Louis Lévy, Paul Louchet, Maurice Moisset, Louis Montagné...

Ash minimalistic round by Corine Vanvoorbergen Dimensions: diameter 130 cm Materials: Brass, Wood, Ash, Epoxy and Acrylics ‘Ash’ symbolizes the outcome, almost like a relic of the intense passion that came before. This is never the end, as from ash comes new life. Corine van Voorbergen...

Dive into the artistic world of Antonio Collado Gonzalez, a master of sensitive and intimate portraits, with this painting depicting a little boy. This work highlights the artist's...

Ernst Hase (1889 Münster-1968 Münster) “Flower Still Life with Vase” Watercolor and gouache on paper, signed lower left Framed with an antique molding, signed 1889 Ernst Hase w...

Paul Esting, Carmen Color lithography Number 21/36 Work with signature and individual number and title (pencil) Work dimensions 50/40 Framed work Poul Esting is a Danish artist born...

Gio Colucci, painter, sculptor, ceramist was born in Florence, Italy in 1892. In 1911, he moved to Paris to study architecture at the Fine Art School. Colucci settled in Cairo in 191...

This lithograph by Dave Fox from 1991 features the artist's signature, lithograph number (1/70), and title "Intermission". Dave Fox's intention in the artwork is evident. It employs a subtler form of satire. The composition depicts an ordinary society event, infused with a pervasive sense of tedium among its participants, where nothing extraordinary unfolds. In the backdrop, a bar and its bartender serve as the setting, while in the foreground, two women engage in conversation, accompanied by a man holding a glass. He appears either poised to interject by social conditioning or already teetering on the precipice of profound ennui, displaying visible disinterest in the superficiality of their dialogue. The artist's meticulous attention to detail is particularly evident in the precise rendering of clothing, but their true mastery lies in portraying the women's eyes and lips, establishing the prevailing mood of the composition: a boredom beyond reality. Adding to the artistic finesse, the lithograph employs a creative use of light, with a left window serving as the primary light source. This illumination skillfully highlights the three characters in the foreground, while the figures in the background subtly blend into a darker environment. The carefully chosen shades of soft pastel pink and gray lend an elegant touch to the ensemble, enhancing the overall impact of the artwork. The artwork sits in a simple black woodframe. Dave Fox was born in Vienna, Austria in 1920, where he lived until shortly after the annexation of Austria in late 1938. Dave escaped via the German-Belgium border, seeking refuge in Belgium. From there he came to the United States in December 1939 and settled in Los Angeles. Dave was inducted into and served with the U.S. Army in the Philippines and Japan. Returning to the US, Dave studied at some of the first art schools in Los Angeles. He studied with artists, such as Rico Lebrun, Frances de Erderly, and Emil Bistrim at the Bistrim School of Fine Art. At the Jepson Art Institute, Guy Maccoy, a noted pioneer in the art of serigraphy introduced Dave to printmaking. After completing his studies, Dave was employed by an electronics firm as an artist and graphic designer. Dave went on to earn his BFA, MA, and MFA in drawing and painting with a special emphasis in printmaking from California State University Fullerton. Dave’s work included printmaking, painting, drawing, ceramics, and computer graphics. Dave Fox was an observer of life and translated all that he saw, heard, or experienced into his artwork. Growing up in Austria, the countryside was his playground. From early on Dave belonged to hiking groups and honed his observation skills, which he transferred to his new life in Los Angeles. In Los Angeles, Dave found new playgrounds – the LA Farmers Market, Melrose Ave., and the streets of Los Angeles at a time of growth and change. It was through his association with Jewish Federation in Los Angeles that he met his wife, Senta. Shortly after their marriage, they moved to Orange County, where they raised their two children. Dave divided his artwork equally between landscapes and people. He perfected his skills at drawing the human form and giving it personality and life. Throughout his long career, he always returned to themes that reflected his Jewish upbringing. His sketchpad, always with him, became his vehicle for capturing the world he saw. His interest in Jewish subjects was reflected in the people walking on Melrose Avenue; in the people enjoying Farmer’s Market in LA; in the chestnut vendor and the fish seller; in the Shabbat series, and in the abstract series reflecting a return to Jerusalem. Finally, when Dave turned his attention to ceramics he created a series of Jewish ceremonial objects – seder plates, Kiddush cups, and Havdalah sets...

Christian Le Moult Oil on canvas "Au clair de la lune"- Signed lower right Wear consistent with age and use Belgian School - Born in 1941 Measures : 70cmx90cm - 72,5cmx72,5cm

Contemporary artist Jennifer Printz "More than Memory" series is collection of nine postcard like prints using photography, graphite, and Epson Ultrachrome inks on BFK Rives paper. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. The idea for this body of work comes from Jennifer's fascination with the public nature of mourning during the Victorian period. Back then, people used dress...

Contemporary artist Jennifer Printz "Walking on Water" and "Drowning" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare Plexiglass g...

Contemporary artist Jennifer Printz "Beset" and "Mourning" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare Plexiglass glazing. It'...

Contemporary artist Jennifer Printz "As In The Heavens and And On The Earth Below" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare...

Contemporary artist Jennifer Printz "Lifetimes Alone l and ll" is part of a series of two monoprints that blend photography, relief print with chine colle (epson ultrachrome inks on ...

Contemporary artist Jennifer Printz "Quietus II" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wo...

A stunning pair of Italian 19th century patinated Bronze, Brocatelle and Black Belgian marble plaques of Mars and Minerva. Each most decorative square plaque is frame within a thick ...

Contemporary artist Jennifer Printz "Tracing the Mysteries l, ll and lll" is part of a series of three monoprints that blend photography, relief print with chine colle (epson ultrach...

Contemporary artist Jennifer Printz "Without Ceasing l, ll and lll" is part of a series of three monoprints that blend photography, relief print with chine colle (epson ultrachrome i...

20th Century decorative hand painted armorials depicting regions of Belgium. Circa 1920. Three available, priced individually.

-Silence habité by Michel Seuphor -1901-1999 -68 x 80 in, 172 × 204 cm -Edition 1/6 -Signed, numbered "1/6" and the Ateliers mark embroidered on the underside; Titled "Silence habité...

Deer in a forest clearing by a mountain stream Oil on wooden panel Signed 'Carl Hasch' In a heavy, greenish natural wood frame Landscape painting: Idyllic depiction of a deer in a ...

Jan Portielje (1829-1908) "Bedtime" signed J Portielje (lower right) oil on canvas Framed height: 33 3/4 in. (85.72 cm.), width 39 3/4 in. (100.96) ...

Created in 1973, "Bola De Cristal" is an exquisite oil on canvas portrait painting by the esteemed Colombian artist Leandro Velasco. This captivating artwork bears the artist's signa...

Portrait of his Majesty Baudouin I - Pierre Piget Oil on isorel signed and dated lower right Numbered on the back : 46 Size : 50cm x 61cm 1954 250€ ...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

The loss of craft at its purist form due to economic circumstances of the last centuries. Going back to basics in a chaotic world where social media takes over. Where expectations an...

A hand-painted ‘mise-en-carte’ or point paper. This was the template used to create a woven textile. Pencil drawn grid lines represent the warp and weft. The margins contain hand wri...

Gio Colucci, painter, sculptor, ceramist was born in Florence, Italy in 1892. In 1911, he moved to Paris to study architecture at the Fine Art School. Colucci settled in Cairo in 191...

Gio Colucci, painter, sculptor, ceramist was born in Florence, Italy in 1892. In 1911, he moved to Paris to study architecture at the Fine Art School. Colucci settled in Cairo in 191...

Johannes Wohnseiffer (Ger °1967) "Some black diamonds" Acrylic on aluminum Dated and signed 2005 Procured in the Yvon Lambert gallery France Provenance: important belgian priva...

Sculpture by George Segal (USA 1924-2000): "Chicken" George Segal was an american painter and sculpturor. He was a member of the popart and happening movement . Sculpture in casted i...

This monumental European Chinoiserie tapestry dates from the early 20th century and represents a highly refined example of hand-painted decorative textile art. Produced in France or ...

This early and important work by Martin Kline is one of the first of this kind and the only of its stylistic type available. Titled "Youthful Protuberance" and created in 1998 with e...