7,902 results for "american "

Original vintage air travel poster - Montreal the Paris of North America Fly TCA Trans-Canada Air Lines - featuring a great illustration depicting a city view showing people at a covered terrace restaurant with a carriage and a policeman on a horse by the trees and buildings and a hill in the distance, all lit up by a decorative street light...

Surrealist Oil on Canvas signed 'Bob Cowan, 1968." Visually appealing with attractive colors incorporated. Framed dimensions: H: 48.25" x L: 29.25" x D: 1.5"

This miniature oil painting, titled Delft Pitcher is signed by the artist Alva Holcombe. The scene includes the blue and white Delft pitcher, books and fruit all sitting on a white d...

Frank Lloyd Wright American Architect of the Twentieth century 1993. by Robin Langley Sommer. 1st Edition, hardcover book. Frank Lloyd Wright: American Architect for the Twentieth Century Hardcover book. Frank Lloyd Wright is recognized as a dominant figure in the history of modern architecture. His life and revolutionary work is described in this volume filled with more than 180 photographs illustrating 60 of his most-beloved buildings. An impressive, beautifully illustrated volume examines the creations of America's beloved architect, including interior furnishings, stunning private homes, and unique public buildings, with an introduction providing insight into his private life as well as his enduring work. Publisher ? : ? Smithmark Pub Language ? : ? English Item Weight ? : ? 3.6 pounds Dimensions ? : ? 11 x 0.75 x 14.75 inches. Recognized as a dominant figure in the history of modern architecture and the greatest design influenced in the United States during the first half of the twentieth century, Frank Lloyd Wright created, during his long and prolific career, a unique body of work that endures to this day. Beginning in 1889 with the design for his own house in Oak Park, Illinois, and continuing with hundreds of designs for residential, commercial, ecclesiastical, educational and civic structures, Wright's varied architecture is unified only by the underlying organized principles of change and innovation. Revolutionizing residential architecture with the disparate expressions of his simple creed, "out of the ground and into the light! Wright's houses feature a sense of unity and privacy, an a free flow of interior space. Wright sought synthesis in his projects by designing whenever possible, everything from furniture, art glass and lighting fixtures to table lines, carpets and carports. In his Prairies Houses, textile-block structures and Usonian houses, culminating in his masterpiece, Fallingwater, Wright experimented with forms, materials and technology in ever-evolving designs. Wright designed such ambitious commercial masterworks as the Imperial Hotel in Tokyo, the Arizona Biltmore Hotel, the S.C. Johnson and Son Administration Building and Research Tower, and the Solomon R. Guggenheim Museum-the alter for which he is perhaps best known. This volume pays tribute to the life and works of frank Lloyd Wright with more than 180 photographs illustrating 60 selected buildings, complemented by a descriptive and incisive text. Front cover: Fallinger, the Edgar J. Kaufmann, Sr. House (1935) in Mill Run, Pennsylvania. Photographer for The Western Pennsylvania Conservancy. Back Cover: The Solomon R. Guggenheim Museum (1943-1956) in New York City Photo by Ezra Stroller...

American Victorian oil on canvas landscape of a marshy field with a grey sky (possibly Long Island, NY) in a gold carved frame (sign...

Our beloved floral HOLLYHOCKS has been reimagined in fresh tones of green, purple and cream in 'Meadow'. Reminiscent of the lush colour and luminous cheerfulness found in Gustav Klim...

Diego Rivera: Murals for The Museum of Modern Art by Leah Dickerman and Anna Indych-Lopez. The Museum of Modern Art, New York, 2011. 1st Ed hardcover with no dust jacket as published. From the personal library of Herbert Kasper. Herbert Kasper was an American fashion designer known as "Kasper." He studied English and advertising at New York University and fashion at The Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After WW II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was an avid art collector with a famous art collection, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer. In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set new attendance records in its five-week run. The Museum brought Rivera to New York six weeks before the show's opening and gave him on-site studio space. There he produced five “portable murals” --large blocks of frescoed plaster...

American School Portrait of a Distinguished Gentleman (“Mr. Wilson”), c. 1835–1845, Apparently Unsigned Dimensions Canvas: 14" × 18" Frame: 18.5" × 22.5" × 2" A finely painted Ame...

Hiremio Garcia Santaolaya abstract painting, Cuban-American Artist, 2017 Offered for sale is a figurative acrylic on paper by the Cuban-American artist Hiremio Garcia Santaolaya t...

This original 1970s painting by Lee Reynolds captures a serene landscape with boats, buildings, and trees. The combination of vibrant colors and masterful brushstrokes creates a capt...

Highly atmospheric and full of mystery, this 1930 painting by muralist Carl Brandien depicts a procession of Balinese figures walking down the heart of a valley that is framed by pal...

Original vintage travel advertising poster - Washington American Airlines - featuring fantastic artwork by one of the most renowned poster artists of the 20th century Edward McKnight...

Reminiscent of the lush colour and luminous cheerfulness found in Gustav Klimt's paintings of flower gardens, HOLLYHOCKS was created especially for House of Hackney by American artis...

A handsome and sophisticated mixed media on canvas by American artist John Rigsby. Found in a original state of preservation. His works are few and far between. The following biography was submitted by John David Rigsby, Jr., son of the artist. The author is Lisa Rigsby Peterson, daughter of the artist, and owner of the copyright of the biography. John David Rigsby was born on October 10, 1934, the seventh child of an Alabama Depression-era sharecropper's son. He and his family moved frequently, from one one-room structure to another, often with no running water, no plumbing, no heat but the stove. His father was killed in a car accident when Rigsby was just 9 years old. Life for the remaining eight family members proved tumultuous and difficult -- food wasn't plentiful, nor money. The family moved from place to place, following work -- Rigsby attended 30 different schools before graduating from high school. Despite living in poverty, Rigsby demonstrated academic and artistic aptitude at a young age. Two oil paintings on covers ripped off of old books that he painted when he was eight years old show the promise of an imaginative and gifted eye. Rigsby was drafted by the U.S. Army in 1953. As he later wrote, "When basic training at Fort Jackson, South Carolina, was over, I was told to go out and find a job. Jasper Johns was painting visual aids for the 28th Regimental Headquarters. He suggested the Band Training Unit." Rigsby played the clarinet in that unit, and after 2 years of service, he enrolled at the University of Alabama on the G.I. Bill to study art. After just two years, he left school and followed his mentor (and one of the greatest and longest-lasting influences on his art), Japanese artist and U of A art instructor Tatsu Heima, to New York City. Heima introduced him to Isamu Noguchi and suggested that Rigsby work as Noguchi's assistant. Instead, Rigsby chose a job as a guard at the Metropolitan Museum of Art, since "the notion of seeing all of that art appealed more to me than the boring task of studio assistant." The opportunity was a rich one for Rigsby. He had a chance to study the masters, and cited Rembrandt with his simplicity and elegance as another of the most important influences on his work. In the years between 1957 and 1963, when Rigsby eventually earned his BFA in sculpture, the artist traveled back and forth between New York and Tuscaloosa, alternating study with forays into the fertile New York art scene. Rigsby exhibited some of his early sculpture work in 1958 at a small New York gallery, which was also exhibiting the work of Willem and Elaine de Kooning and Theodore Stamos. Shortly thereafter, searching for an educational venue closer to New York City, Rigsby visited New Haven, Connecticut, and spent an afternoon speaking with Josef Albers at Yale. Albers agreed to accept Rigsby into the Yale program on the condition that he take freshman drawing all over again. A brilliant opportunity, but, in Rigsby's words, "When it was time to register, I was hitchhiking back to Alabama, looking for food and shelter." Rigsby had his first one-man show at the University of Alabama in 1959. A visiting critic from New York, J.F. Goosen, reviewed the show and wrote "here is a talent which produces art because that is the thing for a gifted person to do. In his effortless ease of conception and execution, he has already achieved a goal that eludes many artists for a lifetime." Finally, in 1963, Rigsby received his degree in sculpture, dissolved a short-lived marriage, visited his family, packed up his car and headed permanently for New York. That year, his work was included in a group show at the Delgado Museum in New Orleans - which led to a one-man exhibit at the Delgado in 1964. During 1964, Rigsby took drawing classes at Columbia University, and worked at the General Post Office at night. He met his future wife, Linda Palmieri, and married. In 1965, his daughter Lisa was born, followed in 1966 by the birth of his son, John David Jr. In 1966, Rigsby had a successful one-man show at the Pietrantonio Gallery in New York. Shortly thereafter, he and the family moved to Tunis, Tunisia at the suggestion of a colleague, who urged him to "come paint by the light of Klee." Rigsby worked for the United States Information Agency as a teacher, and he spent the next year and a half painting over ninety paintings inspired by the smells, light, and Phoenician and Roman art surrounding him. He also executed a number of character and landscape drawings, capturing the Tunisian way of life. During his time in Tunisia, Rigsby's work was shown there in two major exhibits. Upon the family's return to the U.S. in 1968, Rigsby once again exhibited at the Pietrantonio Gallery. Later that year, Rigsby enrolled in Southern Connecticut State College's Urban Studies program, earning a master's degree in 1970. During his time at SCSU, Rigsby worked as the city of Bridgeport's Curator of Exhibits, driving a mobile art gallery from schools to neighborhood fairs and housing projects. After completing his degree, Rigsby had an exhibit at the Telfair Museum in Savannah, Georgia. This exhibit caught the attention of a member of the search committee looking to hire an artist for a newly-developed program in neighboring South Carolina. In 1970, Rigsby was selected as the first Artist-in-Residence in the state of South Carolina for the National Endowment for the Arts Artists in Schools program. His work with the newly-integrated students at Beaufort (SC) High School over the term of his residency precluded substantial work on his own art. He did, however, set up a studio in downtown Beaufort, and was able to create a modest number of paintings, which were included in exhibits at the Columbia Museum in South Carolina in 1971 and Yale University in 1973. At the end of his residency in 1974, Rigsby was named the National Visual Arts Coordinator of the Artists in Schools program for the NEA, a post he held for two years. In this position, Rigsby traveled the country, reviewing grant applications, meeting with state leaders in government, education and the arts to promote program concepts and explore local opportunities. The message he repeated over and over again echoed that of one of the other major influences on Rigsby as an artist - Ruth Asawa Lanier, whose words taught him that all of the work that the artist does is the artist's work, not simply the paintings he creates. In his capacity as National Coordinator, as well as many times in the future, Rigsby stressed that artists function in the same way as any other person in society, and deserved the same respect and place for their work as did all other professions. After two years traveling the country, Rigsby was ready for a change, saying "for the first time in my adult life, there was not a body of paintings to show for the years put into my work." In 1976, a summer retreat to the mountain community of Central City, Colorado, led to a permanent relocation. Eventually settling in the small town of Evergreen, Rigsby followed his own advice about artists becoming actively involved in their communities, and he established the Evergreen Visual Arts Center. The Center provided working space for artists, classes for adults and children, and, most importantly, a place for Rigsby to create his own work. Buoyed by the opportunity to concentrate once again on his art, and inspired by his new surroundings, Rigsby entered an extremely prolific period in his career. In 1977, he organized a traveling exhibition of his paintings, which showed at the Kimball Arts Center in Utah, the Kennedy Center in Washington, D.C., and the Arvada Center in Colorado. 1978 brought more exhibits, notably in Aspen and Denver, as Rigsby's work continued. He took an extended trip to visit his mentor, Tatsu Heima, in Japan, where he climbed Mt. Fuji, followed by travels to Tehran, Delhi, and several European countries. He chronicled his impressions from his travels in a small collection of paintings upon his return to the U.S. - the beginning of a practice which would continue through the rest of his life. In 1979, Rigsby's marriage failed, and at the same time he lost the lease to his Evergreen studio to redevelopment plans. In response to the personal chaos around him, Rigsby began a series of what he called "hard-nosed process paintings," the watercolor paintings of dots which marked his work from this period. The paintings gained him an NEA Individual Artist grant in 1980, as well as a Yaddo fellowship in 1981. The polka dot paintings were followed by a series of cupcake-like images, again examining space and color. During the early 1980s, Rigsby lived in a suite of old dentists' offices in a rundown part of Denver, with a studio in an area that reminded him of the Bowery in New York. In 1984, Rigsby founded the Progreso Gallery in the building where he lived, using the space both to show his own work and also to mount shows of the work of many Colorado artists. The gallery also served as a focal point for Denver's local arts community, hosting weekly discussion groups and classes. In 1984, Rigsby traveled to the Baja Peninsula and then in 1985 to Yugoslavia. After each sojourn, Rigsby returned to create vibrant and explosive paintings based on his experiences, showing them at his Progreso gallery and another alternative gallery in Denver, the Edge Gallery. The economic recession of the mid-eighties hit the art market and Rigsby hard, however, and although he continued to create new works of art, major exhibitions were difficult to come by. In 1987, Rigsby decided to leave Denver and spent six months in Barcelona, Spain. It was an electrifying trip for him. Rigsby wrote of that time: "The streets alone are a visual feast, and the additions of museums from Saarinen, Picasso and Miro to 12th century icons produced artistic indigestion. My paintings are always about the way things look and feel. Barcelona was a time machine extending those sensory and emotional concerns back to the Middle Ages. I felt the need to reduce my work to essential elements of color, scale, drawing and format. The [resulting] color studies speak eloquently for themselves, and in doing so, redefine all of the work I've done in the past 35 years of painting." Rigsby completed over a hundred paintings while in Barcelona - color studies, street portraits of the characters he encountered on a daily basis, and a number of dark landscape paintings. He found time to run with the bulls in Pamplona, and began writing stories about his adventures that were later published. Upon his return to Denver in 1988, Rigsby continued to explore the alter egos of the color studies - he concentrated on a series of dark paintings, all prominently featuring back. He commented about these black paintings that he " decided it was time to explore the perception of the eye and physical space as defined by low -light conditions…I find these paintings elegant, joyous and light-filled, with no feeling of heaviness at all." In mid-1988, Rigsby moved permanently to Houston, Texas, where he would spend the last five years of his life. Once in Houston, Rigsby made a discovery that would serve as the inspiration and material for some of the last works of his career. In 1989, he discovered a salvage yard filled with scrap rubber, and he began working on black rubber sculptures, as well as paintings with rubber elements incorporated. He made strong connections in the Houston alternative arts scene, and became a regular contributor and art critic for a local weekly newspaper, The Public News. From 1989 through 1992, he exhibited his sculptures and paintings at Houston's Brent Gallery, Fountainhead Gallery, and Blaffer Gallery. He also produced an installation of his rubber sculptures on the roof of the Diverse Works Gallery in Houston. 1992 also marked Rigsby's return to Denver when he exhibited his sculptures at the Payton-Rule Gallery in Denver, leading to an Absolut Rigsby commission by Carillon Importers. The 1990s were a tremendous struggle for Rigsby, with financial crises compounded by physical trauma (he accidentally sawed off the top joint of the index finger of his left hand while working in his studio). Although his work was being shown, it wasn't selling, and the tremendous financial pressure he felt weighed heavily upon him. He spent an increasing proportion of his time going to flea markets and garage sales, rehabilitating and repairing the things he bought there, and then re-selling them simply to raise enough money to keep a roof over his head. He had little time to paint or sculpt, the things in life that had always, no matter what the circumstances, brought him joy. Rigsby's final works were a series of intricate paintings and drawings on used books that he purchased at the flea market. Most of these drawings, which he referred to as sculptural form drawings, were executed on page after page of science texts, music books, and a Korean bible and fill hundreds of pages. Additionally, Rigsby created an exquisite book he titled 28 de los Angeles, in which his twenty-eight simple and elegant drawings of angels resonated with the influence of Rembrandt he had so admired in his early days. In a sense, Rigsby's final works, art created on used books which were the only materials he could afford, brought his work and life full circle from his childhood days. Rigsby's life, though begun and ended in adversity, was nonetheless illuminated and enriched by the irresistible impulse he had to create art and beauty. John David Rigsby was killed in a one-car accident in Colorado in August, 1993. Biography from the Archives of askART Following is a review by Michael Paglia of the artist's July 2004 retrospective at the Denver Museum of Contemporary Art. It was submitted by John Rigsby, Jr., son of the artist. There's a magnificent retrospective at Denver's Museum of Contemporary Art devoted to the work of the late John David Rigsby, who was a major powerhouse in Colorado's art scene. "Dots, Blobs and Angels" surveys more than forty years' worth of the remarkable artist's paintings and sculptures. The year 1993 was strange, and by that I mean terrible. Many of the city's galleries closed because of bad economic times, and then the artists started dying. In a matter of a few months, Denver lost three significant artists: Rigsby, experimental photographer Wes Kennedy...

Framed Set of Preserved Ethically Raised, Non-Endangered Butterflies. North America, circa 2000.

19th century American Victorian gilt framed oil painting portrait of man with beard and black tie.  

Pair of gilt framed oil painting portraits of a 19th Century man and lady.

Stunning little american folkhart water color of a young gentleman. Sitting with his arm over the back of what appears to be a tiger maple chair of the period. In the lower right corner we can see what is a tiger maple table...

Print Digital print 24.00 x 20.00 in 61.0 x 50.8 cm Edition of 100This work comes with a signed label. For She Wears Constellations in Her Hair, Delita Martin...

American Modern Abstract Silver & Copper Raindrop Wall Sculpture, Curtis Jeré

George Valentine Dureau (1930–2014), “Doing the Pollaiuolo at the New Firenze,” Monumental Oil on Canvas, American, 1997 Monumental oil on canvas by American artist George Valentine...

John O'Hara's famous The xxxxxxx Best painting is now a 3-Color Serigraph on recycled Archival Hemp Paper. Hand signed by the artist. This work is unframed. 27.5 x 27.5 inches Forsyth (Saint Louis) is proud to be the exclusive gallery of John O'Hara (American, b. 1963). O'Hara is a self-taught artist from St. Louis and is known for his large-scale abstract decorative pieces. His medium of choice is encaustic—a mixture of pigments and beeswax and he allows the material to dictate color, line and texture. His works often feature natural and organic forms and incorporate both figural and abstract elements. O'Hara began his art career in 2018 and collectors and designers quickly took notice. His work is included in both public and private collections around the world. Michael Kors selected O'Hara's Tar series paintings for his Milan, Paris, and New York showrooms and his flagship store in London. O'Hara's Brands on Yellow is hanging in the lounge of New Orleans luxury boutique hotel, Maison de la Luz...

Printed in a lovely shade of ruddy brown, this mysterious print depicts a young Black male figure in the foreground, with an older African American man behind him and holding him by ...

Artist: Jean Picart Le Doux Era: 20th century Style: Modern art Condition: Perfect condition Material: Wool Width: 129 cm Height: 156 cm Depth: 0.5 cm In keeping with tradition, thi...

Our beloved floral HOLLYHOCKS has been reimagined in the sun-drenched tones of 'Prairie'. Reminiscent of the lush colour and luminous cheerfulness found in Gustav Klimt's paintings o...

Large signed Kerry Hallam abstract harbor scene of sail boats in the distance, on the water, as the afternoon sun sets from view. A very calming painting made of oil on canvas in mut...

Portrait painting of Walter Levin, oil on canvas, unframed. Signed Haughton College Bickerton in upper right corner, and having the original gallery label on the back. California Bay...

An Exceptional and Important french Tapestry from Royal Aubusson Manufactury the Tapestry in France , 18th Century – After Jean-Baptiste Oudry No. 1570 Period: 18th century Conditio...

Large-scale Folk Art Carnival game board, American, circa 1940s. This painted carnival game board came from Texas and combines wonderfully patinate...

a fine example of post-war abstract expressionism with its emotional and spontaneous thick impasto paint strokes conveying a deep feeling rather than realistic images; signed lower r...

19th century American portrait of a gentleman in a wood frame.

James Earle Fraser (1876- 1953 ) bronze wall plaque of Theodore Roosevelt. Signed and dated "Fraser 1920" in the mold upper left.

Beautifully presented oil on canvas by American painter, Tom Wilson, of an idyllic Arcadian river scene with classical ruins and castle and solitary figure ...

Carved wooden eagle painted with a bright silver finish. Eagle is very detailed and clutching the Great Seal in the likeness of the US Coat of Arms. Rear hanging wire. Overall dim...

1980s Original rare gorgeous Patrick Nagel "The Book" art poster. Signature printed. Copyright 1985 Mirage Publishing Inc. Santa Monica. This poster is in excellent condition and so ...

Impressionist landscape by George Renouard. Beautiful blues and mauves. Oil on academy board. Unsigned. Dated on back Oct 18 '16. George Renouard, was born in Rochester, New York a...

Beautifully painted river landscape scene with mountains and a waterfall, in original carved and gilt pie crust frame. Oil on artist board, unsigned. ...

Western Wild Birds, each monogrammed ES lower left. Watercolor on Paper.  

American Victorian gilt framed oil painting of 5 deer crossing stream.

Original antique travel poster advertising cruise holidays to Algeria in north Africa from Marseilles France and to Dakar Bresil / Brazil and La Plata South America with the General ...

Original Vintage Poster-Mathieu G.-Air France-Spain-Bullfighting, 1967 This poster promotes Air France travel to Spain. A bull is represented to represent bullfighting. Georges Mat...

Maine landscape. Seagulls on the Rocks on Monhegan island - Oil on canvas, signed lower left.  

Hiremio Garcia Santaolaya abstract painting, Cuban-American Artist Offered for sale is an abstract, figurative, monochromatic acrylic on canvas by the Cuban-American artist Hirem...

WILLIAM SARTAIN American, 1843-1924 "In the Valley of the Oise" 21" H x 1 5/8" D x 27" W (frame) 18" H x 24" W (canvas) Oil on canvas, signed lower right W. SARTAIN reverse title...

Exquisitely rendered, original oil on board, signed estate painting by French artist, Girard, depicts an American Bulldog reclining on grass, with spa...

Late 1800s Antique American Victorian Painted Portrait of a child in its Original Rosewood Frame. With a distinct hand, the painter has affectionately captured this child's delicate ...

Andy Warhol and his Corsets at the Fourth Factory, New York, 1986 "Andy had to wear corsets ever after he was shot in the abdomen. The ever-devoted Brigid "Polk" Berlin dyed them f...

Condition: Original Vintage Condition Designer: Delmary Manufacturer: Delmary Materials: Oil Painting, Wood Frame Style: Contemporary Landscape This striking 1970s oil painting by...

American Feltwork Picture of Fruit in a Bowl, Probably New York State, Circa 1890-1910 The large framed American feltwork picture is extremely striking with strong original colors. The feltwork depicts a group of different fruit in an openwork metal footed bowl...

A fantastic, wonderfully designed, striking original color offset lithograph on thick wove paper exhibition poster from Keith Haring's 1983 Tony Shafrazi New York City Gallery show I...

American contemporary abstract expressionism painting of mostly red with black and white wavy lines

The simplicity of "Three Shells is deceptive. Upon closer look, the viewer sees the faint shadows cast onto the reflective surface of the table along with the delicate surface of the...

Large format wall-hanging artisan sculpture, handmade of 100% raw cotton thread that comes from agave plant. It has natural dyed thread details. Its a reinterpretation of traditional...

Vintage American Impressionist Oil On Canvas Landscape Painting Signed By L. R. DeFiore C1972 Measures - 15 3/8" x 19 3/8" x 1 3/8" An American Impressionist oil on canvas landscap...

Unique Brutalist wall sculpture made of a concrete substrate and Murano glass shards mounted on a metal base with lighting mechanism behind. Sconce illuminates beautifully and offers...

Dynamic and brilliant American Primitive modern expressionist oil painting on canvas in period wood frame by Zoute (Leon Salter, 1903-1976) North Rose, NY - signed lower right Zoute ...

Vintage Dog Portrait Lithograph “Setters” by Paul Wood – New York, 1930s This charming vintage lithograph by Paul Wood depicts two elegant setter dogs in exquisite detail — a Gordon...

Original vintage South America travel poster - Surinam An Explorer's Paradise Scenic Beauty Colourful Culture Fascinating Variety of Races ...

Gorgeous color lithograph after Max Ernst. Printed in 1971 to announce a Max Ernst exhibition at L'orangerie des Tuilieres in Paris, France. This Max Ernst Lithograph...

A true masterpiece of genre painting, with its depiction of idyllic World War II-era suburban life filled with children playing and adults attending to their homes and chores, this piece was created by Allan Jones in 1944. It is a stunningly beautiful spring day, and the view is looking through an open window with a blackbird sitting on the sill, into the backyards of a half dozen tidy brick and wood houses. The homeowners are attending to their Victory Gardens...