227 results for "cubism"

A fine framed reproduction of an important early Georges Braque (1882-1963) by Henri Deschamps. Lithograph image size: 21 5/16" x 14 3/4". Signed in th...

Pair of modern cubist french paintings, signed: - A Robert Bluteau (1914–1985) painting, a modernist still life painter, signed "Bluteau" and dated "1955", the painting features fis...

Original Vintage Poster, Expressionist for an Art Exhibition at the Larensche Gallery in Amsterdam dated 1916 by Jan Sluijters. This is a very rare poster for an exhibition of Sluijters’ work at the The Larensche Kunsthandel in 1916. This exhibition poster is by Jan Sluiters. Jan (Johannes Carolus Bernardus) Sluijters (1881 – 1957) who was a Dutch painter and co-founder of the Moderne Kunstkring (see below 1). He was a leading pioneer of various post-impressionist movements in the Netherlands and experimented with several styles, including fauvism and cubism, finally settling on a colorful expressionism. His paintings feature nude studies, portraits, landscapes, and still lifes. The Larensche Kunsthandel was founded in 1905 by Nico van Harpen (1858-1931) and specialised in contemporary Dutch art and represented painters from Laren and the surrounding area, in the tradition of Dutch Impressionism...

A Bold, Colorful Cubist Abstract Painting in the Manner of Jacques Villon Signed and dated lower right: “M. Jardet” Presented in a striking m...

Of Spanish origin, born in Valencia in the early 1900s, she specialized in sculpture and animal painting. She worked mainly in Lyon, her painting influenced by post-Cubist geometry remains realist in style; straight lines dialogue with curves and plays of angles give rhythm to the composition, her taste for color harmoniously mixes light and dark tones. His works represent the broad creative scope referable to the “Animaliér” artists. Johan’s works can be found in major French and American collections and were presented at the Palazzo Strozzi antiques exhibition...

One of the most brilliantly-hued paintings by Albert Gleizes we have seen, this highly abstract Cubist work is a rotating knot of curving forms in periwinkle, carmen, olive green, sky blue, burnt sienna and grey flannel, as vivid now as when it was painted a hundred years ago. Early in his life he was influenced by Fernand Leger, Robert Delauney...

Opere di Johan sono presenti nelle maggiori collezioni francesi e americane e sono state presentate alla mostra di antiquariato di Palazzo Strozzi, Firenze 2005. Of Spanish origin, born in Valencia in the early 1900s, she specialized in sculpture and animal painting. She worked mainly in Lyon, her painting influenced by post-Cubist geometry remains realist in style; straight lines dialogue with curves and plays of angles give rhythm to the composition, her taste for color harmoniously mixes light and dark tones. His works represent the broad creative scope referable to the “Animaliér” artists. Johan’s works can be found in major French and American collections and were presented at the Palazzo Strozzi antiques exhibition...

Of Spanish origin, born in Valencia in the early 1900s, she specialized in sculpture and animal painting. She worked mainly in Lyon, her painting influenced by post-Cubist geometry remains realist in style; straight lines dialogue with curves and plays of angles give rhythm to the composition, her taste for color harmoniously mixes light and dark tones. His works represent the broad creative scope referable to the “Animaliér” artists. Johan’s works can be found in major French and American collections and were presented at the Palazzo Strozzi antiques exhibition...

Opere di Johan sono presenti nelle maggiori collezioni francesi e americane e sono state presentate alla mostra di antiquariato di Palazzo Strozzi, Firenze 2005. Of Spanish origin, born in Valencia in the early 1900s, she specialized in sculpture and animal painting. She worked mainly in Lyon, her painting influenced by post-Cubist geometry remains realist in style; straight lines dialogue with curves and plays of angles give rhythm to the composition, her taste for color harmoniously mixes light and dark tones. His works represent the broad creative scope referable to the “Animaliér” artists. Johan’s works can be found in major French and American collections and were presented at the Palazzo Strozzi antiques exhibition...

Portrait of a character dressed in red sitting on a chair with crossed arms. On the table to the right is a mask representing an animal’s head, a red headdress can be seen on the sub...

A striking and boldly colorful cubist abstract painting executed in the manner of Jacques Villon, signed and dated lower right "M. Jardet." T...

This is a hand woven mid-century modern abstract tapestry or rug. It depicts free form nudes in the manner of early cubism. It has great colors in rich wools. Both sides are usable. ...

Gorgeous "Les Mille et Une Nuits" (The Thousand and One Nights) lithograph by Henri Matisse, circa 1974. Excellent abstract interpretation of the famed collection of Middle Eastern f...

LARGE and Absolutely incredible Park Bei Lu, by Paul Klee, Large Scale Mosaic tile art piece. Mosaic is framed. Bold lines and colors, this piece combi...

History Of Modern Art By Arnason, H. H.; Mansfield, Elizabeth C. For undergraduate course in Modern Art, Origins of Modernism, Art since 1945, Contemporary Art and other courses fo...

An original mid century modern abstract color block painting, signed by artist, mid 20th century. Oil on canvas. Colorblocked cubism in tones of licorice, cerulean, ochre, cream, and...

Marc Chagall Color Cliché Editions du Chêne 1947 Framed Enter the enchanting world of Marc Chagall with this beautifully crafted color cliché, published by Editions du Chêne in ...

Francisco Bores – "La Ferme" (The Farm) A remarkable and highly collectible painting by the celebrated Spanish modernist Francisco Bores (1898-1972). "La Ferme" is a prime example of...

Marc Chagall Color Cliché Editions du Chêne 1947 Framed Enter the enchanting world of Marc Chagall with this beautifully crafted color cliché, published by Editions du Chêne in ...

Vibrant "Femmes et Singes" (Women and Monkeys), a lithograph by the renowned French artist Henri Matisse, circa 1970s. Excellent fresh impression originally created toward the end of...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

William Perehudoff (Canadian 1918-2013) Medium: Acrylic on canvas Dated: 1997 Size with frame 56.75" wide x 64.5" high Size without frame 54" wide x 61.5" high Biography: WILLIAM PEREHUDOFF was born in 1918 in Langham, Saskatchewan and is one of Canada’s foremost modernist painters. With a career that has spanned six decades he is known primarily as a colorist and part of the Colour Field movement. His representation of space has often been influenced by the expanse of Canada’s prairies...

I offer for sale a copper sculpture panel made in Italy around the middle of the 20th century through the artisanal technique of metal embossing. Purchased during the dismemberment o...

José Sámano Torres (Mexican, B. 1942). Jose Torress has created remarkable work that blends the creative styles of cubism with the colorful abstrac...

Gorgeous "Fern Cut Out" lithograph by Henri Matisse, circa 1970s. This piece is from Matisse's revered "Cut Out Series" created in 1953 and meticulously edited by Nouvelle Images in...

French vintage framed landscape painting on board of a mountain range with a river flowing through the steep valley and a bridge crossing to a small village. The contemporary palette...

Art Now: From Abstract Expressionism to Superrealism by Edward Smith. Published by William Morrow & Co, 1977. 1st Ed hardcover with dust jacket. "The author as noted in the introduct...

Poetic Oil Painting of Interior with Young Woman in Blue tones called: "Why do the shadows pass by?" made by Danish painter Kay Christensen in 1966. * Framed oil-painting on canvas...

Large French Cubist Abstract Painting, 2008 — Manner of Picasso, Framed Mixed-Media Work, French Cubist Abstract Painting, Picasso-Inspired Modernist Artwork, 2008, Contemporary Fren...

Whimsical, colorful painting depicts a musician and a dancer during a performance. Both figures are dressed in flowing, billowing clothes in shades of blue and green, that are juxtap...

-Papillons (Butterflies) by Jean Lurcat -circa 1955 -Aubusson tapestry woven by the Goubely workshop -Measures: 135 x 180 cm   About Jean Lurcat: A main representative of the Éco...

Beautiful Marc Chagall lithographic poster depicting "artist as a phoenix" or "l'artiste phenix". Printed by Mourlot for a Marc Chagall exhibition...

Piet Mondrian: 1872-1944, by Yve-Alain Bois, Angelica Zander Rudenstine, Joop Joosten and Hans Janssen. Published by Bulfinch Press/Little, Brown, Boston, New York, Toronto, London, ...

Oil on panel. Signed and dated. This early work by Rolf Wertheimer was executed in 1954, during his studies at the Royal Institute of Art in Stockholm under Ragnar Sandberg (1951–57...

A fine lithograph by Mihail Chemiakin, signed and numbered in pencil Professionally framed. Artist: Mihail Chemiakin, Russian (1943 - ) Title unknown Year: Circa 1980 Framed size:...

Full of atmosphere and fresh color, this watercolor painting depicts a group of eight nude male figures in a wooded setting, holding hands, talking, admiring the view, and stealing o...

Oil on canvas, signed and dated in the lower right. Measures 28" x 32" including the frame. A view of the village of Ceret in France. Pinchus Kremegne was a Latvian painter and ...

77101, a surrealist style tapestry after Joan Miro's 'Femme et Oiseaux' Woman and Birds, 1966. The painting was the last of a series the artist comple...

Acrylic on canvas original painting entitled "Country Bridge" by renowned Filipino artist Romeo Villalva Tabuena, cica 1970. The painting is very bright and colorful and measures an impressive 35.5" x 22.5" x 2". It is presented in its original wood frame; signed and dated in the upper right of the painting. The piece also includes a gallery sticker on the reverse from Guanajuato, Mexico. Gorgeous focal point piece of art with wonderful color and texture! #3062 Romeo Villalva Tabuena Filipino postwar Neo-realist painter and printmaker Romeo Tabuena...

78098 Vintage German Alice Koch-Gierlichs Tapestry with Abstract Biomorphic Style 03'00 x 04'10. Showcasing a bold expressive design, incredible detail and ...

Work by Boleslaw Danikowski. Beautiful wall decoration, lava stone and enameled ceramic. Depicting a stylized rooster relief. Shades of red and orange ceramic on an enameled lava st...

Highly collectible and rare linocut poster "Vallavris Exhibition 1954" by Pablo Picasso, circa 1954.. The print is in good vintage and measures 24" x 30". It is presented in a simple black wood frame and is signed in the print. Super cool and hard to find Picasso poster! #2912 Starting in the 1950s, Picasso worked with the linocut printer Hidalgo Arnéra to produce posters for ceramic exhibitions and bullfights. The printer described their working method as such: “Picasso worked at night; in the morning, Marcel the chauffeur brought what he had completed to the print shop with notes added by Jacqueline Roque. I pulled the proofs and returned them to [his home] La Californie at exactly 1:30. This regular rhythm of working continued for eight years, every day, except Saturday and Sunday.” This idiosyncratic procedure speaks to the collaborative effort of these printmaking ventures, which included his partner, his printer, and his chauffeur Title: Vallauris Exhibition 1954 Artist: Pablo Picasso Printer: Printed by Hidalgo Arnéra Publisher: Published by Hidalgo Arnéra Date: 1954 Medium: Linoleum cut ABOUT THE ARTIST Born in 1881, Pablo Ruiz y Picasso followed in his father’s footsteps as an academically trained painter and studied art at the Real Academia de Bellas Artes de San Fernando in his native Spain. Picasso traveled for the first time to Paris at age 19, establishing a studio there in 1904. He soon began a relationship with Fernande Olivier...

Here is a lively and whimsical collage on board by the San Francisco Bay Artist, Jean Varda. Varda is known for combining figurative, surrealist and abstract influences to make colla...

For your consideration a wall art in a rectangular shape. The art has an abstract cubism technique. It appears to be a wood block or lithograph. Dominant color is green and black to...

Color Lithograph of the ""La Danse" by Marc Chagall, 1951 "unframed and unsigned" "Marc Chagall’s dreamlike compositions depict aspects of the artist’s personal and family historie...

Antique original drawing by Raul Anguiano dedicated to Arturo Arnaiz y Freg for the new year 1946. José Raúl Anguiano Valadez (February 26, 1915 – January 13, 2006) was a notable Mexican painter of the 20th century, part of the “second generation” of Mexican muralists which continued the tradition of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros but experimented with it as well. Anguiano was born during the height of the Mexican Revolution...

Original vintage art exhibition poster - Picasso Galerie Lucie Weill Au Pont Des Arts 6 Rue Bonaparte VI - held from November to December 1966 featuring an abstract artwork by the no...

This unique and stunning artwork by Juan Quevedo is a masterpiece of contemporary art that embodies the essence of Cubism. The painting, titled "Adoracion...

A modernist figurative oil painting on canvas titled “Stillness in the Nude” by Harold Cohn. Signed and dated 1941 on the lower right as well as verso. This evocative painting by Har...

Created by the greatest master of enamel painting in America's Art Deco period -- Edward Winter -- this large and spectacular panel features two female nude figures, impossibly elong...

A striking Cubist French painting, dated 1968, that embodies the dynamic energy of postwar European abstraction. The composition is dominated by bold geometric forms, intersecting li...

One of Germany's great inter-war Expressionists, strongly influenced by Cubism, Josef Eberz painted a number of brilliantly-hued, high-energy paintings as well as a series of prints ...

Original vintage art advertising poster for an exhibition of Pablo Picasso Engraved Work / L'oeuvre Grave at the National Library / Bibliotheque Nationale Paris from June - September 1955 featuring Picasso's 1904 etching from his second attempt at printmaking entitled The Frugal Meal / Le Repas Frugal...

This brilliant example of Art Deco painting by Jan Matulka shows hints of the modern take on Cubism that the artist worked out with Stuart Davis. Matulka was born in Prague and came ...

77580, vintage Scandinavian Ege Art Line Area rug after Pablo Picasso Woman with Guitar. Displaying well-balanced asymmetry and a bold linear art form, this vintage Scandinavian Ege Art Line rug...

Brilliantly conceived and printed in rich tones of burnt sienna and charcoal, this print by Milivoy Uzelac, shows the strong influence of Cubism, Neo-Classicism and Art Deco stylizat...

Brilliantly painted in tones of blue, green and warm brown, this fractured view of a church and palm trees along the Mediterranean, the building's tower and apse depicted in a golden...

One of the rarest of Milivoy Uzelac's Olympics prints, this scene depicts the boxing arena from several vantage points -- from above, from the vantage p...

Francis De Erdely (Hungarian/American, 1904-1959) “Mexican Shark Fishermen” water color and Pencil on Paper within a pine frame and protective glass, circa 1930. Signed: ‘De Erdely’...

In our opinion, the finest work ever painted by Jules Schyl, one of Sweden's leading Modernists in the 1920s and 1930s, this spectacular piece depicts a female nude in the upper righ...