Anglo Indian Carved Bone Box

Mid-20th Century Anglo-Indian Inlaid Bone Jewelry or Trinket Box. Box features hand-cut bone tiles arranged in a paneled pattern, giving the piece a subtle textural appeal and natura...

Impressive Anglo Indian box crafted in mahogany and clad in tortoise shell decorated with bone straps, carved and painted floral panels, and paw feet. The inside has a mirror and bon...

Impressive antique Anglo Indian box crafted in mahogany, clad in tortoise shell, and ambitiously decorated with bone. The inside has a mirror and red felt lining.

Standout exotic Anglo Indian lidded box handcrafted in mahogany and clad in tortoise shell with applied lacy bone designs inscribed and painted with flowers. The interior has a mirro...

Anglo Indian rectangular porcupine quill, bone and parquetry box. The box with a hinged lid that opens to reveal embossed red velvet lining and a decorated wood panel...

Charming petite antique Anglo Indian lidded box handcrafted in indigenous hardwoods clad in tortoise shell and decorated with elaborate lacy bone designs, featuring an etched and pai...

Fabulous Anglo-Indian decorative box inlaid. Made in Vizagapatam, situated on the south east coast of India, near Madras. Great decorative inlaid pen box or jewelry box. Inside dimen...

An extraordinary Anglo-Indian box from Vizagapatam in fully carved solid ebony, late 19th century. Filigree ornate and sculpted floral decoration...

19th century Anglo Indian box with raised painted arches on front, fantastic with a lot of patina. Does not have a key has small button feet.

Fine antique Anglo-Indian hand carved wooden jewelry box inlaid. A Nice Mughal Anglo Indian Pen Box 19th Century The box with a Mughal I...

PRESENTING A LOVELY 19C Anglo Indian Vizagapatam Bone and Shell Domed Stationery Box – ‘Alice’s Box’. Made in Vizagapatam, India, circa 1860-80. We call this one: “Alice’s Box”! It has lived ‘a hard, well used and traveled life’, as is evident from the number of losses and repairs, as is obvious from the photos, especially to the faux ivory panels and bands to the top. The bonus to the loss of the frieze panels to the dome has a ‘bonus’, however, as their loss has revealed the most GORGEOUS faux blonde tortoiseshell underneath! The box is dome/casket shaped. The top has 3 bands, with the center one being the original. The 2 side bands are later ivorine. The faux ivory and hand-painted medallions on the domed lid, have been saved and they depict Hindu Gods, Vishnu and Shiva. The front and side panels are still in pretty good shape and are decorated with lac ink (indelible ink made from crushed beetles) depicting lovely floral designs. The domed lid open to reveal a series of open compartments for envelopes, writing paper etc. and one lidded panel for stamps. Inside the box are 2 paper labels: one probably being the original item ticket and the other with: ” Alice’s address is 272 Ashworth Ave, Toronto 4, Ontario”. Probably, the original owner? Hence, we call it ‘Alice’s Box’. What a journey/life this box has had! Made in India, made its way to Canada, back to Ireland and then to Texas! This is why, WE LOVE ANTIQUES...

Anglo Indian trinket box, nice size inlaid in brass made of rosewood. The interior is two and half inches deep. India, circa 1890s.

An Anglo-Indian brass-mounted padouk and ebony box, Ceylon, second half of the 18th century.

A very wonderful and most attractive Anglo-Indian 19th century black patinated, Bone and Oak box. This unique rectangular box made of veneered blocks of Bone is supported on four squ...

Nice and unusual Indian Mughal style large decorative box, filigree and carved horn. Anglo-Indian footed domed box with exceptional engraved details throughout with filigree and carved veneered bone plaques with arabesque carving. Vizagapatam, late 19th century. History of the Anglo-Indian Boxes Beginning in the early part of the 18th century, Indian artisans made what came to be known as Anglo-Indian boxes for the English residents living in India, who eventually brought or sent them back to England. At the beginning of the 19th century, India began exporting these boxes commercially, although not in any significant numbers until the 1850s. People valued them so highly that manufacturers of tins copied the designs on them in the late 19th and early 20th century. Anglo-Indian boxes fall into four groups: Rosewood or ebony boxes inlaid; sandalwood boxes veneered; sandalwood boxes covered with Sadeli mosaic; and carved boxes often combined with Sadeli mosaic/ The first two categories came from Vizagapatam in East India while the last two came from Bombay in West India. English traders discovered the rich woods and intricate workmanship of Indian artisans, so colonial government officials began to recognize the work of the Indian artists and craftsmen as a source for satisfying the need for furniture and boxes, which would both serve to enhance English households in India. This gave rise to the cabinetmaking workshops in Vizagapatam between Calcutta and Madras. Craftsmen made the first boxes to be decorated with Sadeli mosaic of rosewood or ebony, incised to give further definition to the decoration, directly inlaid into the wood. The shape of the early boxes was either sloping at the front with a flatter section at the back, reminiscent of English writing slopes, or rectangular. Artisans inlaid the borders with stylized floral scrolls and the centers with a single floral motif following a circular or oval symmetrical or asymmetrical pattern. The edging was ornamental and protective, both helped protect the end grain against the weather. Made in Vizagapatam, situated on the south east coast of India, near Madras These exotic boxes...

A wonderful and most charming Anglo-Indian 19th century black patinated, Bone and Oak box. This lovely rectangular box is supported on four squared feet in each corner. The front sid...

1950s Fine And Densely Carved Anglo-Indian Style Box Drawer at outside base of box South-Indian or Anglo-Indian style Lacking keys Decoration adorned on all sides depicting birds amo...

An anglo Indian workbox made of ebony. The tray lifts up from the box on the lid which is also inlaid in ivory and ebony and has a bone round disc that is signed New Bedford 1810. Th...

Folky silvered metal elephant handcrafted with a charming whimsical form hammered and etched designs that unexpectedly opens as a trinket box.

Whimsical silvered metal feline handcrafted with a folky charm that is hammered and etched in a decorated floral design that unexpectedly opens as a trinket box.

Set of 2 Anglo Indian boxes. Both early 20th century with bone and faux tortoise decorations. In overall good condition. The bone of the back from the larger box is absent and some s...

Nice and unusual Jewelry decorative box with filigree bone overlaid decoration. Large Anglo-Indian footed domed box with exceptional engraved bone de...

19th century Anglo-Indian hand carved tropical wood box.

PRESENTING A LOVELY 19th century Anglo-Indian Carved Teak Wood and Sadeli Mosaic Box, featuring a carving of a Hunt Scene. Made circa 1870 in Bombay, India during the Rule of the Br...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Presenting an absolutely gorgeous and very rare 19C Anglo Indian Vizigapatam stamp box. Made in Colonial India (the Time of the Raj) circa 1860. Prob...

Inspired vintage Anglo Indian hinged box crafted in mahogany and clad in a faux tortoise laminate.

Antique Anglo Indian Hindu treasure jewelry metal bronze box. 19th century Anglo Indian antique metal box handcrafted with hinged lid with a swing ...

Anglo-Indian inlaid box with elephant motif (circa 1920s). Dimensions: 14"H x 19.5"W x 13"D.

PRESENTING A VERY NICE 19C Anglo Indian Highly Carved Teak and Sandalwood Sarcophagus Sewing Box. Made in Bombay, India circa 1890-1900. The box case/body is made of sandalwood wit...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Mounted with Silver From our Sewing Box collection, we are pleased to offer this Solid Coromandel Anglo Indian and Silver Sewing Box. The Sewing Box of...

19th century Anglo-Indian Mughal wood box, inlaid and hand carved with the Taj Mahal and some flowers all around. Jewelry box, Anglo-Raj box from India in great condition. Nice Mughal Bombay Box...

Fine antique Anglo-Indian hand carved wooden jewelry box inlaid. Nice Indian Mughal pen box handcrafted in very fine Sadeli micro mosaic...

Exquisitely crafted early 20th century Anglo Indian micro mosaic Sadeli box with gorgeous antique Persian geometric pattern. The finely detailed box featu...

Vintage hand carved wood jewelry trinket storage box with brass inlaid. Hand-carved large wooden Anglo-Raj jewelry box. Found in Kashmir, India. Mi...

We are delighted to offer for sale this lovely 19th century Anglo-Indian Vizagapatam carved sandalwood and inlaid box Mid-19th century Anglo-Indian Vizagapatam carved sandalwood box...

Anglo Indian Moorish style micro mosaic inlaid jewelry box with lid. Intricate inlaid Anglo Indian box with floral and geometric Moorish Sadeli design in an octagonal shape form with micro mosaic marquetry, very fine artwork. Museum collector piece like the one in Doris Duke Islamic Art Museum. The repeating geometric patterns of Sadeli Mosaic...

Antique Anglo-Indian quill box handcrafted and decorated with porcupine quills and bone dots. Made in Ceylon which was the colonial name for Sri Lanka. Porcupine quillwork objects of...

Three mid 20th century Anglo Indian boxes with strap design. Made of bone and shell. Please note that the smallest box is missing some fretwork on top of the box. Largest measures...

This silver trinket or jewelry box dates to the late 19th century and is presumed have been made in India. The silver tests to between .850 and 900 and as such, is slightly below .92...

Japanese Art Deco Style Trinket Box or Hand-Carved Rosewood Jewelry Box A unique hand-crafted, Japanese wooden box designed in the Art Deco style and of the period. This rare antiqu...

Bitossi for Rosenthal Netter Box, Ceramic, Pietra, Carved, Cream, Brown, Signed. Small scale lidded box decorated with an abstract pattern of incised relief or carved ridges from Bit...

Saleron is the traditional Queyras salt shaker. This box, made of cembro pine, was crafted in Saint-Véran, Europe's highest village, perched at an altitude of 2042 meters in the Fren...

This cave a liqueur set is truly special because the box is exquisitely Carved and has the original beveled glass. The decanters and stem Ware are by St. Louis and the original la...

This Anglo-Indian silver casket is inscribed on a central panel to the front with the following: 'Presented to / Mr. A. L. Guildford, B.Sc. M.I.E....

Whaler made antique bone and ebonized wood round box, circa 1850. With pierced bone medallion and delicately carved bone spiral decorative supports on the...

A queen-sized Anglo-Indian poster bed stands as a monument to forgotten stories, its dark rosewood bearing the weight of a century. The headboard, adorned with a double-paned mirror,...

19th century Italian Confraternity Voting Urn of Tuscan origin realized with turned and carved poplar wood. The barrel-shaped central body, in which hands were inserted to insert the ballot ball into one of the two holes connected to the small drawer below, where on the front we find the inscription YES and NO related to voting, SI and NO, in order to distinguish for and against votes on paper, then collected in two separate small drawers, just below. Standing on four curly feet, it has a beautiful curved handle and carved parts at both ends, highlighted by ebonized details. In a fraternity, this ballot box was used to collegially adjudicate community choices. In good age related condition, with sogns of wear and use. This antique Italian ballot wooden box, carved and painted, coming from Tuscany, in Central Italy. This ballot urn is an excellent example of a 19th century wooden voting box...

An English small-sized wooden box, circa 1770-1800. This antique box from England has been lovingly hand-carved with four quartered-wheels at each inner corner of the central panel, ...

Finely carved amethyst boxes with covers, polish brass decoration. Created by Phoenix NYC. Custom size and finish upon request.    

Finely carved pink rock crystal boxes with covers, polish brass decoration. Created by Phoenix NYC. Custom size and finish upon request.  

Finely carved pink rock crystal box with cover, polish brass decoration. Created by Phoenix NYC. Custom size and finish upon request.    

Rare finely carved pair of Teak Anglo-Indian torcheres jardinieres resting on trip pod base with carved birds at at each ends with floral carved motifs

Anglo Indian Silver Plated Table Lamp in the form of elephants raised on a circular base - Early 20thC Grand Tour Souvenir- 12"diam x 20"h - all li...

Carved wood hand painted donation / offering ALM Box, Spain, 18th century. Polychromed carved wood church collection offering donation money box as wall decoration. This alms box is made of pine wood painted in shades of blue and gray with carved saint figures onamentations decorating the top. Wall hanging collection / donation money box. Originally used to collect donations at Christian churches/chapels. Interesting to be used as key box or key cabinet or as wall decoration Rare find. Provenance: Private collection. No key avaliable. Overall Measures: Saints Box: 33 cm H x 37 cm W x 14 cm D Poor...

Carved wood hand painted donation / offering ALM BOX, Spain, 18th century. Polychromed carved wood church collection offering donation money box as wall decoration. This alms box is made of pine wood painted in terracotta hues. A nun carved ornamentation decorates the top. Wall hanging collection / donation money box. Originally used to collect donations at Christian churches/chapels. Interesting to be used as key box or key cabinet or as wall decoration Rare find. Provenance: Private collection. No key avaliable. Overall Measures: 45 cm H x 26 cm W x 21 cm D Poor box...

Lovely mid 19th century Scottish wall mounted salt box of staved construction, the shaped back with hinged lid over mixed wood half round body, bound in brass...

A 19th century French Provençal fariniere, or decorative box made of walnut with fine hand-carved decoration. Waxed patina. This beautifully crafted household item was commonly given...

Beautiful jewelry box by the known American artist Ken Belgian. He worked in Taxco, Mexico in a modern/primitive style craft . This wooden box ...