Square Figurative Drawings and Watercolors

Published for the serialized Penrod and Sam stories in Cosmopolitan Magazine between 1910 and 1918 Signed Upper Left by the Artist

Jim’s of Lambertville is proud to offer this artwork by: Joseph Meierhans (1890 - 1980) Joseph Meierhans is one of the most important modernist painters associated with Bucks Count...

Tinta china, acuarela, tinta acrílica sobre papel artístico Canson

Tinta china, acuarela, tinta acrílica sobre papel artístico Canson

Tinta china, acuarela, tinta acrílica sobre papel artístico Canson

Tinta china, acuarela, tinta acrílica sobre papel artístico Canson

Tinta china, acuarela, tinta acrílica sobre papel artístico Canson

15"x15" ink and watercolor on paper This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The st...

15"x15" ink and watercolor on paper ink and watercolor on paper, 42"x 42" available framed This painting is from as series of ink and watercolor paintings that...

ink and watercolor on paper 42"x42" available framed This vibrant painting utilizes washes of color to abstract the figuration within the composition. Rich strokes of blue...

SOLD UNFRAMED Le Petit Cheval by Georges Manzana Pissarro Charcoal and gold on paper 31 x 31 cm (12 ¼ x 12 ¼ inches) Signed lower right, Manzana Pissarro Executed circa 1920 Proven...

Joanne Tod (b.1953) is a renowned Canadian artist acclaimed for her masterful figurative paintings. Tod has depicted a wide-range of subjects throughout her illustrious career. The human figure, pattern and interiors have been reoccurring and essential elements of Tod's oeuvre. However over the last ten years, portraiture has become an increasingly significant part of her output, both high-profile commissions as well as more idiosyncratic self-initiated portraits, such as her recent installation of "head-shots" paintings of the entire Toronto Raptors...

Gordon Noel Scott A.R.C.A 1914 - 2016 Worse for Wear Ink on Paper Image size: 8 x 8 inches White gold frame GORDON SCOTT EXHIBITION AT DARNLEY FINE ART 11th - 18th November 2017 Gordon Scott was trained at the RCA (1934-38) under Gilbert Spencer...

Charles Paine 1895 - 1967 Ladders Gouache Signed lower left with monogram Image size: 4.5 × 4.5 inches Acid free mount and black frame Perhaps best known for his iconic London Under...

Charles Paine 1895 - 1967 Sunset Gouache, signed lower right with monogram Image size: 2 ¾ × 2 ¾ inches Acid free mount and black frame £350

Medium: Pen and Ink on Illustration Board, blue pencil for halftone, glued on overlay of head on central figure. Signature: Signed Lower Right This illustration is on 15.00" x 10.00...

Medium: Pen and Ink on Illustration Board Signature: Signed in Various Positions Dimensions: Various different sizes, contact for exact dimensions of each illustration. (17) PEN & ...

Medium: Watercolor, Pen and Ink on Board Signature: Unsigned Contact for exact dimensions. Vintage Paramount Picture Movie Poster Illustration.

Medium: Charcoal on Illustration Board Signature: Initialed Middle Left Contact for exact dimensions. Cosmopolitan Magazine #349 July 17/25

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Apache Woman on Horseback, by Allan Houser, Haozous, painting, paper, horse Painting on paper from 1946 by master artist Allan Houser. Ft. Sill Chi...

This graphite and acrylic painting on canvas is from a series called "Lovers and Assassins." Here you can see Bhatt playing with the idea of seduction, self-sacrifice, persecution, b...

In this figurative abstract acrylic painting on canvas, Bhatt explores notions of life and death, the after-life, and reincarnation through the use of ancient Hindu symbolism. Amita Bhatt...

Gisella Loeffler "The Necklace and the Pot" c. 1919 Gouache on Paper Initialed Lower Left Framed Size: approx 15 x 15 inches In a village filled with colorful characters, few Taos artists were as colorful as Gisella Loeffler [1900-1977]. From her handmade Austrian clothing and hand-painted furniture to whimsical paintings and letters written in multicolored crayon, joyful color defined the artist, who early on chose to use simply Gisella as her professional name and was known as such to everyone in Taos. 

In spite of her fame there—the Taos News once labeled her a Taos legend—Gisella is rarely included in scholarly discussions of the Taos Art Colony. This oversight is likely due to the naive quality of her work, in which children or childlike adults inhabit a simple, brightly colored world filled with happiness. The macabre, the sad, the tortured, the offensive—all have no place in Gisella’s paintings. Her naive style of work looks very different from that of the better-known early Taos artists. Yet both Gisella’s artwork and her interesting life command attention. Born in Austria, Gisella came to the United States with her family in 1908, settling in St. Louis, MO. After studying art at Washington University in St. Louis, she became a prominent member of the local art community, joining the St. Louis Art Guild as well as the Boston Society of Arts and Crafts. In addition to creating posters for the St. Louis Post Dispatch, Gisella won prizes from the Artists Guild of the Author’s League of America in 1919 and 1920 and from the Kansas City Art Institute in 1923. She also began working in textiles, including batik, to which she would return later in her career.  In the early 1920s Gisella married writer and music critic Edgar Lacher. A difficult character, Lacher may have chafed under Gisella’s success, for the couple divorced in the 1930s. Having seen a local exhibition of paintings by Taos artists Oscar Berninghaus (who was from St. Louis) and Ernest Blumenschein, Gisella felt drawn to Taos, which reminded her of the villages of her native Austria. In 1933 the single mother with two daughters, Undine and Aithra, moved to Taos, where she lived off and on for the rest of her life. She traveled frequently, spending extended periods in Mexico, South America, and California, but always returned to New Mexico. Gisella initially applied an Austro-Hungarian folk-art style to the Indian and Hispanic subjects that she found in New Mexico. In her early work she covered her surfaces with decorative floral and faunal motifs, and her images were flat with no attempt at rendering traditional one-point perspective. Eventually, though, Gisella developed her own style, often using children or childlike figures as subjects. Still, the influence of her native country’s folk art remained evident in her New Mexican, Mexican, and South American images. In 1938 Gisella moved briefly to Los Griegos, north of Albuquerque, to be closer to medical facilities for her eldest daughter, who was suffering from rheumatic fever. Two years later, she moved to California to participate in the war effort, painting camouflage and decals on airplanes for Lockheed. In California, Gisella broadened her range of artistic pursuits. She taught art privately, created illustrations for Scripts Magazine, and did interior design for private homes. She also designed greeting cards, a practice she continued after her return to New Mexico, where she created a series of Christmas cards.  Gisella began illustrating children’s books in 1941 when she collaborated on Franzi and Gizi with author Margery Bianco. Eventually she wrote and illustrated her own book, El Ekeko, in 1964. She also designed ceramics—her Happy Time Dinnerware, marketed by Poppy Trail...

Presenting an original scratch board drawing by American artist Darren LeGallo. "Recherché de l'amour", is executed on scratch board, which is a whit...

We are proud to present a just arrived series of original pen and ink and ink wash drawings by Austrian/American artist Gustav Rehberger. These works were acquired directly from the ...

Sax Berlin is unique in using this natural material in this way - beautiful Italian slate. Created in the tranquil Japanese gardens and tea house which serve as his summer studio. This image could almost be a form of meditation in itself; gaze at the face and be drawn into the tranquility and depth of the Lotus Buddha...