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Medium: Chalk
Pair of antique portraits women period clothes framed drawing red hats 19th
Located in Buffalo, NY
A pair of original red conte crayon drawings in their original frames featuring two young women in period clothing.
Category
1910s Art Deco Chalk Figurative Drawings and Watercolors
Materials
Paper, Conté
$551 Sale Price
20% Off
Ship and Arcade - Mixed Media on Paper by A. Koopman - Late 19th Century
Located in Roma, IT
Image dimensions: 22.3 x 31.4 cm.
Ship and Arcade is a charcoal and chalk drawing on brown paper, realized by Augustus Koopman in the late 19th Century.
The artwork represents a ...
Category
Late 19th Century Chalk Figurative Drawings and Watercolors
Materials
Chalk, Charcoal
The Figure - Drawing - 1950s
Located in Roma, IT
The Figure is a drawing in chalk on brown paper realized by an Anonymous artist in the 1950s.
Good conditions.
Category
1950s Modern Chalk Figurative Drawings and Watercolors
Materials
Chalk
Octave Denis Victor Guillonnet (1872 - 1967) A woman seated, drawing signed
Located in Paris, FR
Octave Denis Victor Guillonnet (1872 - 1967)
A young woman seated
signed lower leftt
Charcoal, red and white chalks on thin paper transfered on cardboard
49 x 39 cm
Framed : 55.5 x ...
Category
1930s Art Deco Chalk Figurative Drawings and Watercolors
Materials
Chalk, Charcoal
Young man in a toga elegant man Latin American hyperrealist Hockney style
Located in Norwich, GB
Superb original drawing in coloured conté pencils, heightened with white on oatmeal coloured vergé paper by Claudio Bravo. The work was created during the artist's Moroccan period, a...
Category
1970s Modern Chalk Figurative Drawings and Watercolors
Materials
Conté, Laid Paper, Color Pencil
France 18th Century, Pastorale (Arcadian Landscape), original drawing
Located in Paris, FR
France 18th Century,
Pastorale (Arcadian Landscape)
Black chalk and heightenings of white gouache on blue-grey paper
19 x 31 cm
Framed : 34.5 x 46.5 cm
The atmosphere and the subje...
Category
1760s Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
Half-length portrait of a Pharisee - In the shadow of betrayal -
Located in Berlin, DE
Hermann Prell (1854 Leipzig - 1922 Dresden-Loschwitz). Half-length portrait of a Pharisee, 1885. Sketch for the right-hand figure in the painting Judas Iscariot, 1886. Pencil drawing heightened with opaque white and black chalk on beige-grey wove paper (papier vélin), 34 x 27.8 cm (visible size), 52 x 45 cm (mount), signed, dated and inscribed "H. PRELL 1885 zu 'Judas'".
Minor browning, collection stamp on the reverse.
- In the shadow of betrayal -
About the artwork
This painting is the sketch for the head of the Pharisee offering the coins to Judas in one of Herrmann Prell's major works, the painting Betrayal of Judas, completed in 1886. The painting belongs to the Staatliche Kunstsammlungen Dresden and is illustrated in Adolf Rosenberg: Prell, Bielefeld and Leipzig 1901, p. 21 (Fig. 19). It is especially highlighted in Thieme-Becker (vol. 27, p. 376).
Hermann Prell, Betrayal of Judas, 1886
The monumental head, which fills the picture and is distinguished by its ornamented robe, is almost a lost profile, which in the executed painting is justified by the Pharisee's turning towards Judas. Despite the fact that the sitter withdraws from the viewer by turning away, it was necessary to artistically elaborate the motivation for the purchase of one of Christ's disciples, which is why the drawing focuses on the expression of the face, while the 'accessories' are treated in a more summary manner.
In characterising the face, Hermann Prell performs a balancing act: since the Pharisee, despite his destructive actions, is an actor in the history of salvation, the head must show a dignity appropriate to the event, but at the same time the physiognomy must also bear witness to the scheming attitude that led to the betrayal. To solve this dilemma, Prell draws on the traditional depictions of the heads of the apostles, shading the face to indicate the obdurate darkness of the spirit and moving the base of the nose slightly upwards while the mouth falls away, thus giving a physiognomic expression to the motivation of the action. The fatal drama of the betrayal is expressed in the monumentalisation of the head and in the thunderous white highlights that contrast with the darkness of the chalk.
As a study, considered by the artist to be a work in itself, this drawing reveals the pictorial problems and brainstorming of monumental painting.
About the artist
In 1872 Prell, who was one of the most important exponents of monumental painting of his time, began studying painting with Theodor Grosse at the Dresden Academy of Art and continued with Carl Gussow at the Berlin Academy in 1876. Hans von Marées taught him in Rome in 1878. More influential on his work, however, were Arnold Böcklin and Max Klinger, with whom Prell had been friends since his student days and with whom he worked together on several occasions.
Prell's first major work, which established his reputation as a monumental painter, were the frescoes in the banqueting hall of the Architektenhaus in Berlin in 1881/82, commissioned by the state and depicting the different periods of architecture. Prell then went to Italy for two years to study fresco painting. Other major commissions followed. These included monumental frescoes in the town halls of Worms (1884), Hildesheim (1882-92), Gdansk (1895) and Dresden, the staircase of the Silesian Museum of Fine Arts in Breslau (1893/94), the throne room of the German Embassy in Rome (1896-99) and the staircase of the Albertinum in Dresden (1900-1904).
From 1886 Prell taught at the academy of arts in Berlin and in 1892 he was appointed professor at the academy of arts in Dresden. His students included Osmar Schindler and Hans Unger...
Category
1880s Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk
France circa 1820, Portrait of a gentleman, black chalk and pastel drawing
Located in Paris, FR
France circa 1820
Portrait of a gentleman
Black chalk and pastel on paper
12 x 10 cm
In its original mount, modern oak frame : 25 x 22.5 cm
Category
1820s Romantic Chalk Figurative Drawings and Watercolors
Materials
Chalk, Pastel
Young Man Reclining (Boris Snezhkovsky)
Located in London, GB
Konstantin Andreevich Somov (Russian 1869-1939), Young Man Reclining (Boris Snezhkovsky), 1931, Sanguine and pastel on paper, signed and dated (twice) (lower right), 32cm x 48cm, (46...
Category
1930s Art Deco Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Pastel
Italian School 18th Century Drawing - Red Chalk on Paper
Located in Stockholm, SE
An Italian red chalk drawing depiction on paper, probably 17th or 18th century, illustrating the dramatic scene of Polyphemus hurling a boulder at Acis and Galatea. Attributed to an...
Category
17th Century Italian School Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
Sketch of a head - Carved in stone -
Located in Berlin, DE
Emil Faesch (1865 Basel - 1915 Basel). Sketch of a head. Charcoal on painting cardboard, 60 x 47.5 cm (folio size), signed and dated at lower right "E. Faesch. 1888.".
Minor browning.
- Carved in stone -
About the artwork
The life-size head has an immensely present presence. This effect is due to the fact that Faesch took his cue from academic classical...
Category
1880s Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk
Study for a Hunting Scene, a red chalk sketch attributed to Karel du Jardin
Located in PARIS, FR
We would like to thank Carolina Trupiano Kowalczyk for suggesting this attribution to Karel du Jardin after direct examination of the artwork. Her study of the drawing (in Italian), ...
Category
1650s Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk, Ink, Laid Paper
Male Torso
By John Koch
Located in London, GB
Pencil, coloured pencil and chalk on paper, titled (lower left), signed (lower right), 31cm x 46cm, (51cm x 68cm framed).
John Koch was an American painter and teacher, and an impo...
Category
1950s American Modern Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Pencil, Color Pencil
$2,254
Plunder at the Jewish Ghetto, Chalk and Charcoal
Progrom
Drawing
By Victor E. Penney
Located in Surfside, FL
Chalk and charcoal drawing, depicting old world progrom, "Plunder at the Jewish Ghetto, Jews of Frankfurt are attacked in the 16th century."
Category
20th Century Modern Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Charcoal
Three drawings by François Boucher in a mounting by Jean-Baptiste Glomy
Located in PARIS, FR
We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages.
This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York.
1. François Boucher, the master of French rocaille
The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre.
As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him.
On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...
Category
1750s Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk, Ink
Sleeping Youth, 1895 – Early Academic Study by Paul Ehrenberg, Age 19
Located in Stockholm, SE
Paul Ehrenberg (1876–1949)
Sleeping Boy, 1895
Red chalk on paper
sheet 38 × 52 cm (14.96 × 20.47 inches)
framed 61 × 74 cm (24.02 × 29.13 inches)
signed and dated twice
Essay:
Thi...
Category
1890s Impressionist Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
Figure Drawing by Mark Beard (Muscular Male Nude Charcoal Life Drawing)
By Mark Beard
Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard
graphite, Conte crayon and charcoal on Arches paper
30 x 19.5 inches unframed
Signed, lower left
Strong f...
Category
2010s Contemporary Chalk Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
French School, early 19th century - Battle Scene between Greeks and Ottomans
Located in Paris, Île-de-France
French School, early 19th century
Battle Scene between Greeks and Ottomans, circa 1820–1830
Pencil and brown wash on paper,
30 × 46 cm
Unsigned
Provenance:
Former collection of P...
Category
Early 19th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk, Crayon
Spring - Chalk design drawing for a Minton plaque by Herbert Wilson Foster
Located in London, GB
HERBERT WILSON FOSTER
(1846-1929)
Spring
Inscribed with title beneath the mount
Chalk, circular
Framed
Diameter 42 cm., 16 ½ in.
(frame size 61 by 58 cm., 24 by 22 ¾ in.)
Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum.
In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...
Category
1870s Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk, Pencil
Beautiful May, Boston, 1936: intimate art deco modernistportrait of young woman
Located in Norwich, GB
A rare and captivating original portrait drawing by Mariette Lydis, executed during her important 1936 journey to America.
This work showcases Lydis’s mastery of line, colour, and p...
Category
1930s Art Deco Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Watercolor, Graphite
Interior of the Nieuwe Kerk, Amsterdam
Located in Paris, Île-de-France
Jan Goeree (Middelburg 1670 – Amsterdam 1731)
Interior of the Nieuwe Kerk, Amsterdam (c. 1724)
Red chalk for the architecture, pen and black ink, grey wash on paper
Composition reversed in preparation for engraving
25 × 17.5 cm
Watermark: Hunting horn, Churchill 318 (dated 1724)
Unsigned
Provenance
Private collection, France
Context & Attribution
Trained in the studio of Gérard de Lairesse, Jan Goeree was among the finest Dutch engravers of the early eighteenth century, celebrated for his architectural views of Amsterdam. This drawing is a preparatory study for an engraving of the same subject now preserved in a major public collection. The final print—slightly larger—closely follows the reversed composition of this sheet.
Subject
In the center of the Gothic nave, five bearers carry a catafalque toward a freshly dug grave—a tribute to the naval heroes often buried in the Nieuwe Kerk. This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life.
Technical Analysis
Goeree’s use of red chalk for the architecture and ink for the figures reveals his working method: the chalk lines could be used to produce a counterproof restoring the correct orientation of the architecture, while the inked figures remained adjustable before the design was transferred to the copper plate.
Place within the Oeuvre
Drawings of church...
Category
Early 18th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk, Ink
Reverie - Early 20th Century British chalk drawing of a girl by H J Harvey
By Herbert Johnson Harvey
Located in London, GB
HERBERT JOHNSON HARVEY
(British 1883-1956)
Reverie
Signed with monogram and dated l.l.: HJ 09
Red chalks on paper
Framed
29.5 by 22 cm., 11 ¾ by 8 ¾...
Category
Early 20th Century Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk, Paper
Portrait of a Young Woman
Located in Wilton Manors, FL
PORTRAIT of a young woman, 1967
Giuseppe Cavaliere (b.1932)
Conte crayon on paper, sheet measuring 11 x 14 inches.
Signed and dated lower left.
Unframed.
Category
1960s Realist Chalk Figurative Drawings and Watercolors
Materials
Conté
“Floating Market”
Located in Southampton, NY
Here for your consideration is an original drawing done with conte crayon with hints of watercolor of a floating market place by the French artist, Rob...
Category
1950s Post-Impressionist Chalk Figurative Drawings and Watercolors
Materials
Conté, Oil Crayon, Archival Paper
$960 Sale Price
20% Off
Old Tree and September Wind Clouds
Located in New York, NY
Old Tree and September Wind Clouds, 1961, by Charles Burchfield (1893-1967)
Conte crayon on paper
13 ½ x 19 ½ inches unframed (34.29 x 49.53 cm)
19 ¾ x 25 ½ inches framed (50.165 x 6...
Category
1960s American Modern Chalk Figurative Drawings and Watercolors
Materials
Paper, Conté
Summer - Chalk Drawing Design for Minton charger by Herbert Wilson Foster
Located in London, GB
HERBERT WILSON FOSTER
(1846-1929)
Summer
Inscribed with title beneath the mount
Chalk, circular
Framed
Diameter 42 cm., 16 ½ in.
(frame size 61 by 58 cm., 24 by 22 ¾ in.)
Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum.
In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...
Category
1870s Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk, Pencil
Going to Mass, Spain - 20th Century British drawing by Robert Sargent Austin
By Robert Sargent Austin, R.A., P.R.E., P.R.W.S.
Located in London, GB
ROBERT SARGENT AUSTIN, RA, PRWS, RE
(1895-1973)
Going to Mass, Spain
Black, brown and white chalks on grey paper
Framed
49 by 38 cm., 19 ¼ by 15 in.
(frame size 73 by 60.5 cm., 2...
Category
Mid-20th Century Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk
Le Faucheur, French Post Impressionist Drawing of a Farm Worker in the Fields
Located in Cotignac, FR
Late Mid Century French pastel drawing on paper of a farmer harvesting wheat by Jean Arène. Signed and dated bottom right, in modern black metal frame with black card mount.
A charm...
Category
Mid-20th Century Post-Impressionist Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Pastel
Return of the Fishermen - Fishermen German Expressionism
Located in London, GB
This chalk drawing is signed and dated in pencil by the artist "HMP 1931" in the lower right image.
Note: The drawing was created in the region of Pomerania, Northern Poland, near t...
Category
1930s Expressionist Chalk Figurative Drawings and Watercolors
Materials
Chalk
French Contemporary Art by Francine Ledieu - Paris Rue Rameau
Located in Paris, IDF
Oil on cardboard
Francine Ledieu is French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. I...
Category
1960s Abstract Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
Small Woman with a Large Handbag. Dark colors shadow female figure pocketbook
Located in Brooklyn, NY
Drawing in chalk and pastel on dark grey Strathmore paper signed bottom left.
Category
2010s Modern Chalk Figurative Drawings and Watercolors
Materials
Chalk, Charcoal
British Chalk Pencil Sketch of Two Dapper Gentleman Fishing On The Riverbank
Located in Cirencester, Gloucestershire
John Rabone Harvey ( 1966 - 1922)
graphic and chalk deep green artist paper , unframed
artist paper : 7 x 5.5 inches
Provenance: private collection
Condition: very good condition
Ha...
Category
Mid-19th Century Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk, Graphite
Large Drawing, Study Of Dancers
Located in PARIS, FR
Henri ROYER
Nancy 1869 - 1938 Paris
Study of dancers
Sanguine pastel and charcoal on cream white paper
Circa 1900-1910
Unsigned
47 x 62.5 cm sheet
67 x 83 cm cm frame
Provenance: Es...
Category
Early 20th Century French School Chalk Figurative Drawings and Watercolors
Materials
Chalk, Charcoal, Pastel, Mixed Media
The Artist
s Model, Seated Female Nude, Mysterious Young Woman Seen From Behind
Located in Norwich, GB
One of my favourite pieces at the moment - the subject, a mysterious young woman seated on a stool with her back towards us has such a strong presence that it feels as if she were ri...
Category
1890s Art Nouveau Chalk Figurative Drawings and Watercolors
Materials
Chalk, Charcoal, Laid Paper
A Study for the Angel of Saint-Severin church in Paris, by Paul Flandrin
Located in PARIS, FR
After the restoration of the Saint-John chapel’s frescoes at the Saint-Severin church in Paris in 2022, the drawing presented here is a moving testimony to their creative process. It...
Category
1840s Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
18th-century French school Study of a man seen from behind, drawing
Located in Paris, FR
18th-century French school
Study of a man seen from behind,
Charcoal and white chalk on brown paper
46 x 29 cm
Framed under glass : 60 x 43 cm
This beautiful study of a naked man...
Category
1760s Old Masters Chalk Figurative Drawings and Watercolors
Materials
Charcoal, Chalk
A Study of Two Models by Sir William Russell Flint
Located in New Orleans, LA
Sir William Russell Flint, R.A., P.R.W.S.1880-1969 Scottish
A Study of Two Models
Signed "WRussell Flint" (bottom right)
Ethereal and sen...
Category
20th Century Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
The Virgin and Child, Saint Anne and St John the Baptist after Leonardo da Vinci
By Leonardo da Vinci
Located in Cotignac, FR
A pencil, chalk and crayon drawing of the Virgin and Child with St Anne inspired by the 'cartoon' of Leonard da Vinci currently held in the National Gallery London.
An elegant and c...
Category
Late 20th Century Outsider Art Chalk Figurative Drawings and Watercolors
Materials
Chalk, Crayon, Pencil, Paper
The Flight into Egypt
Located in New York, NY
Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto
Provenance:
Private Collection, UK, since 1999
This expressive and boldly executed drawing is the work of Luca...
Category
16th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk, Ink, Pen, Paper
Mid Century Watercolour of the Wild West, Here Come The Cavalry
Located in Cotignac, FR
Mid Century pencil, chalk, watercolour and gouache painting of an American cavalry officer riding his horse across the dessert.
This artwork captures the dynamic energy of a lone c...
Category
Mid-20th Century Outsider Art Chalk Figurative Drawings and Watercolors
Materials
Chalk, Crayon, Watercolor, Cardboard, Pencil
Life study of a male nude in repose - European School, late 18th Century
Located in Middletown, NY
European School, late 18th century. Red chalk with primo pensiero in graphite on cream laid paper, 8 1/2 x 11 1/2 inches (215 x 293 mm). Scattered light handling wear and multiple s...
Category
Late 18th Century Naturalistic Chalk Figurative Drawings and Watercolors
Materials
Chalk, Laid Paper, Pencil, Graphite
Portrait on a Decorative Background
Located in Columbia, MO
Jerry Berneche (American, 1932 - 2016) was a painter and draftsman whose work featured extraordinarily precise mark-making and vibrant color. Born in Greentown, Indiana, he studied a...
Category
21st Century and Contemporary Contemporary Chalk Figurative Drawings and Watercolors
Materials
Pastel, Chalk
Studious Girl Reading a Book - Women
s Education - Female Illustrator
Located in Miami, FL
The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right
literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22
Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine.
Education
Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith.
New Woman
As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...
Category
1910s Academic Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Charcoal
L’Heure du goûter! by Jules-Émile Saintin
Located in New Orleans, LA
Jules-Émile Saintin
1829-1894 French
L’Heure du goûter!
(Snack Time!)
Signed "Jules-Émile Saintin" (lower right)
Charcoal and white chalk on paper
A tender moment unfolds as a young girl leans over her bowl of soup, savoring her midday snack with focus and delight. Her spoon rests beside a slice of bread on the polished tabletop, while a cup, perhaps filled with tea or chocolate, and a second piece of bread complete the simple yet cozy scene. Nearby, her stuffed toy lies temporarily forgotten atop a shawl, hinting at the world of play just briefly paused.
The setting is intricately detailed. The dining room showcases a marble fireplace adorned with a clock, fine porcelain and delicate cups. Saintin’s composition captures the quiet grace of the moment as well as the interplay of light and texture, skillfully rendered using only charcoal and white chalk. His ability to infuse luminosity into a monochrome drawing speaks to his refined technique and observational sensitivity. This work resonates with Saintin’s charming studies of children during his American period, such as A Little Girl Dozing Over Her Drawing (possibly a portrait of Jennie Walters), now in the Walters Art Museum in Baltimore.
Born in 1829 in Lemé, Saintin began painting at age 11 and was admitted to the Académie des Beaux-Arts in Paris by 16. Trained under Martin Drölling and Édouard Picot, he became an accomplished portraitist and debuted at the Salon des Artistes Français in 1848, earning several medals.
In 1853, he moved to New York to work in a photography studio, soon dedicating himself fully to painting. He exhibited regularly at the National Academy of Design—becoming a member in 1858—and gained a strong reputation for his portraits of American elites, as well as for his depictions of landscapes and Native American clothing...
Category
19th Century Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Charcoal
Serenade, 1932 Sevilla, Spain Sepia Drawing Ecole D
Paris, WPA, Bezalel Artist
Located in Surfside, FL
Sanguine red chalk drawing of a 1930's guitar serenade in Sevilla, Spain.
Jacques Zucker was a prolific artist whose works are exhibited in Museums and galleries around the world. B...
Category
20th Century Modern Chalk Figurative Drawings and Watercolors
Materials
Chalk
Figure Study
By Paul Cadmus
Located in London, GB
Black and white chalk on paper
Signed (upper right)
29cm × 24cm (45cm × 40cm framed)
Cadmus was an American artist known for his satirical paintings, drawings, and prints of America...
Category
Mid-20th Century Post-War Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
Drawing of a captive woman
By Henry Fuseli
Located in London, GB
Collections:
Sir Thomas Lawrence, who acquired the contents of Fuseli’s studio;
Susan, Countess of Guilford, née Coutts (1771-1837), acquired from the Lawrence estate;
Susan, Baroness North (1797-1884), daughter of the above;
Mrs A. M. Jaffé, acquired in France, c. 1950 to 2016.
Black chalks, on buff-coloured paper
Stamped verso: ‘Baroness Norths Collection / of Drawings by H Fuseli Esq.’
Framed dimensions: 26.38 x 20.63 inches
This boldly drawn sheet depicting a seated figure was made by Fuseli at an important and highly productive moment in his career. The monumental drawing is closely related to another sheet by Fuseli in the British Museum which Schiff published as subject unknown. Both drawings were made when Fuseli was designing his most important sequence of historical works, including scenes from Shakespeare and Milton, The Nightmare and The Death of Dido which was exhibited at the Royal Academy to great critical acclaim in 1781. The present drawing does not relate directly to any of Fuseli’s finished historical paintings of the period, but evidently the image of a slightly menacing, seated and covered old woman was precisely the sort of motif he was playing with. It is notable that the same figure reappears later in Fuseli’s work as the witch from Ben Jonson’s Witch’s Song which Fuseli produced as both a painting and engraving in 1812.
Fuseli returned to London in 1779 from a highly creative and productive period in Rome and established himself as one of the leading history painters of the period. Fuseli re-established contact with his old mentor Sir Joshua Reynolds, becoming a regular guest at his dinner table and visitor to his studio. The earliest and most striking manifestation of this strategy was Fuseli's Death of Dido, exhibited in 1781 at the Royal Academy. Executed on the same scale as Reynolds's version (Royal Collection), Fuseli's vertically oriented picture was hung directly opposite Reynolds's with its horizontal orientation, inevitably inviting comparison between the two works and garnering Fuseli much publicity and favourable reviews in the newspapers.
The present, previously unpublished sheet, relates closely to a drawing now in the British Museum. That sheet shows the same seated old woman, drawn on a smaller scale and more schematic in design, seated next to an anatomical drawing of a man. The pose of this figure is related to the pose of Dido in his Death of Dido; the foreshortened torso, arrangement of head, oblique view of Dido’s features and arms all suggest that the study can be viewed as an initial thought for the composition. Fuseli may have initially thought of including the figure of the hunched and covered old woman. Drawn on identical paper to the British Museum sheet, our study is an enlarged depiction of the same figure, more elaborately delineated and developed. The presence of a chain to the right of the figure, suggests that the iconography was related in some way to a scene of imprisonment.
Fuseli had first explored the motif of the hooded old woman in an early Roman drawing, 'The Venus Seller'. The idea of a grotesque old woman, hooded and with angular nose and projecting chin seen in profile was most spectacularly used by Fuseli in his sequence of paintings depicting The Three Witches from Macbeth. Fuseli seems to have kept the present sheet and may have returned to it when preparing a painting of The Witch and the Mandrake from Ben Jonson’s Witch’s Song from his Masque of Queens in 1812. Here the same seated figure looks out from under her hood and picks a mandrake by moonlight. Jonson’s drama had been performed at the court of James I in 1609, inspired the subject. To throw the nobility of the queens into relief, the poet added a coven of witches, one of whom declares: ‘I last night lay all alone, On the ground, to hear the mandrake groan; And plucked him up, though he grew full low, And, as I had done, the cock did crow.’ The figure was reversed in the associated etching which was published in 1812. It seems likely that the present drawing remained as part of Fuseli’s working archive of figure studies.
The present drawing was presumably purchased with the bulk of Fuseli’s drawings after the artist’s death by Sir Thomas Lawrence. Lawrence’s large group of Fuseli drawings were then acquired by Susan, Countess of Guildford (1771-1837). Lady Guildford was the eldest daughter of the banker Thomas Coutts (1735-1822), who himself had supported Fuseli’s journey to Rome in the 1770s and had remained one of the artist’s key...
Category
18th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
Portrait of a Baby
Located in Wilton Manors, FL
Violet Oakley (1896-1961).
Portrait of a Baby, ca. 1930.
Conte crayon and pencil on laid paper, sheet measuring 11 x 14 inches.
Framed measurement: 13.5 x 16.5 inches.
Signed low...
Category
1930s Realist Chalk Figurative Drawings and Watercolors
Materials
Conté, Laid Paper
British Chalk Pencil Sketch of Farmers Harvesting the Fields
Located in Cirencester, Gloucestershire
John Rabone Harvey ( 1966 - 1922)
graphic and chalk deep green artist paper , unframed
artist paper : 5.5 x 7 inches
Provenance: private collection
Condition: very good condition
Ha...
Category
Mid-19th Century Realist Chalk Figurative Drawings and Watercolors
Materials
Chalk, Graphite
"Wer Liefert" Oskar Kokoschka, Satirical Expressionist Caricature, Red on White
Located in New York, NY
Oskar Kokoschka
Wer Liefert, circa 1917
Sanguine on paper
8 1/2 x 10 1/4 inches
Throughout his career, Kokoschka demonstrated a thirst for independence and refrained from associati...
Category
1910s Expressionist Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk
A dazzling Venetian Regatta Boat Study attributed to Alessandra Mauro
Located in PARIS, FR
This stunning Baroque study depicts a regatta boat, a type of vessel developed in eighteenth-century Venice for the regattas organized by the Serenissima during visits by royalty and princes. We propose to link this drawing to the work of Alessandro Mauro, an artist who specialized in this type of composition, as illustrated by a drawing from him at the Metropolitan Museum.
1. Description of the boat
The greatest decorative fantasy reigns in this preparatory study, which blends mythological and exotic elements with references to ancient Egypt. Our drawing is probably an initial thought, destined to be refined and clarified later in pen and ink (as evidenced by the ink stain in the lower right). A quadriga of seahorses guided by Neptune stands at the stern of the boat, shown well above the waterline (perhaps to outline its empty volume). One of the seahorses is ridden by a newt, while Amphitrite lies at the feet of the sea god.
The center of the boat is occupied by a vast baldachin resting on four atlantes and surmounted by a figure riding an animal (a dragon?). Three figures sit beneath the canopy, one of them on a griffin-shaped seat. This allusion to Egyptian antiquity echoes the winged sun (sometimes a symbol of the god Horus, as in the temple of Edfu in Egypt) that adorns the sides of the promontory on which this baldachin rests.
Another flag-bearer figure crouches at the stern of the boat on a raised seat, on the reverse of which is a crowned mermaid whose arm, extended backwards, rests on a mascaron decorated with a radiant face (Helios?) and whose torso surmounts an elephant's head. The heads of the rowers and their oars are sketched all along the boat, whose sides are embellished with elongated naiads.
2. The Venetian regatta boats
An exhibition held in 2013 at the Ca' Rezzonico (the Venetian eighteenth-century museum) paid tribute to these regatta boats through studies and prints depicting them. The regattas organized by the Serenissima in honor of visiting princes and sovereigns were among the most spectacular ceremonies in Venice. Some important artists of the 18th century contributed to the creation of these extravagant boats which were given exotic names such as bissona, malgarota or peota.
The specialists in this field were Andrea Urbani and the brothers Alessandro and Romualdo Mauro. They were born into a family of theater decorators in Piedmont, but little is known about their detailed biography. Alessandro was the architect of the Dresden opera house and of the St. Samuel Theater in Venice (in collaboration with his brother Romualdo), but also worked as stagehand and set designer in Vienna, Rome and Turin. A drawing produced around 1737 from the Metropolitan Museum (7th photo in the gallery) bears witness to his activity as a regatta boat designer.
This drawing is a much more elaborate version than the one presented here, having been entirely reworked in brown ink. However, a figure at the bow of the boat, executed solely in black chalk, still bears witness to a technique similar to that of our drawing.
It is difficult to know whether the boat depicted in our drawing was a project for an actual boat or whether it remained in the planning stage, but the front of our boat (Neptune and the quadriga of seahorses ridden by a newt) bears several similarities to that of a parade boat depicted in the print published by Michele Marieschi entitled Regatta on the Grand Canal, between the Foscari and Balbi Palaces (last photo in the gallery). This print is dated 1741, which could confirm that our work dates from around 1740.
The area between Neptune and the quadriga that precedes him on this strange paddle-boat appears to be partially submerged, confirming that the waterline of our boat was probably intended to be much lower than the one shown in our drawing.
The Correr Museum’s collection holds one of the most important collection of engravings and drawings devoted to these specifically Venetian Baroque productions. These boats were intended to last the duration of a festival. Today, they are only documented by preparatory drawings or prints that testify to the sumptuousness of their decoration. This taste for regatta boats lasted throughout the Venetian eighteenth century, and the conception of regatta boats also attracted great masters such as Giambattista Tiepolo, Francesco Guardi or Giambattista Piranesi...
Category
Mid-18th Century Old Masters Chalk Figurative Drawings and Watercolors
Materials
Chalk
Dancer in Seated Gesture 2,
by James Cobb, Chalk and Conté on Paper, 2021
Located in Oklahoma City, OK
This 11.25 x 15.25 work on paper features a lone, seated, female dancer viewed from the back. The figure is twisting toward the viewer as she begins to look over her right shoulder. Her legs are pulled toward her body with the left leg crossed over the right. The isolation of the seated figure within the ground of the page lends a vulnerable quality to the work.
The 16 x 20 dark brown mat has a window size of 11.25 x 15.25.
Bio:
Jim Cobb, until recently was hanging his work on Canyon Rd in Santa Fe, New Mexico. One-man shows have been hosted in Taos, New Mexico, Norman, Oklahoma and Oklahoma City, Oklahoma. When the Oklahoma Art...
Category
2010s Academic Chalk Figurative Drawings and Watercolors
Materials
Chalk, Conté, Paper
Portrait of woman in profile
Located in PARIS, FR
Georges Leroux (1877 - 1957)
Portrait of a woman in profile
Signed, situated, dated and dedicated lower right : "A Monsieur et Madame Bernard, le Paradou 1931, Georges Leroux"
Draw...
Category
1910s Chalk Figurative Drawings and Watercolors
Materials
Chalk
Allegory of Chastity, a drawing attributed to G. Porta with great provenance
Located in PARIS, FR
This magnificent drawing from the Venetian Renaissance intrigues us in many ways. It depicts an allegorical composition whose meaning partly escapes us: a veiled figure seated on a stone bench (which we have identified as Chastity), seems to be turning away from a woman's bust beside her, below which are two rabbits, a traditional allegory of fertility, but also sometimes of lust.
This drawing, executed on blue paper, undoubtedly belongs to the Venetian Renaissance. The inscriptions on the back of the old mounting board indicate the various attributions considered by its last owner, the British painter and art historian Sir Lawrence Gowing. We have retained the attribution to Giuseppe Porta proposed by art historian John Arthur Gere as the most relevant.
We were incredibly fortunate to find a hexagonal frame of a very similar format for this drawing, the upper corners of which were formerly cut (irregularly). This 17th-century Dutch frame comes from an aristocratic collection in Lombardy, and creates a kind of fascinating chase around this Venetian drawing...
Category
16th Century Chalk Figurative Drawings and Watercolors
Materials
Chalk
French Watercolour and Gouache, The Harlequins
Located in Cotignac, FR
Pencil, chalk and watercolour on card depiction of a group of harlequins by French artist Jean Ducel. The work is signed and dated bottom right.
This vivid artwork showcases an ener...
Category
Late 20th Century Outsider Art Chalk Figurative Drawings and Watercolors
Materials
Chalk, Crayon, Watercolor, Pencil
Cat - Drawing by Novella Parigini - 1970s
Located in Roma, IT
Cat is an artwork realized by Novella Parigini (Chiusi 1921 - Rome 1993)
Polychrome chalk on black paper.
83x63 cm frame included.
Hand signed in t...
Category
1970s Contemporary Chalk Figurative Drawings and Watercolors
Materials
Chalk
Mid Century Ink Wash Bizare Female Figure Original NYC Artist
Located in Arp, TX
Peter Passuntino
BDSM
1960s
Ink, ink wash & chalk on paper
12.25"x10" unframed
unsigned
Peter Passuntino
b. 1936
Peter Passuntino, was born in Chicago, Illinois. At the age of 18, Passuntino was selected to be in a group show at the Carnegie Institute, and at 19 he was selected for a one-man show at the Artist Guild in Chicago. From 1954 to 1958 he attended the School of the Art Institute of Chicago. Then, upon receiving a Fulbright Fellowship in Painting, Passuntino spent time in Paris, from 1963 to 1965. While in Paris he studied art at the Istitut de Arts et Archeologie and exhibited in a solo exhibition entitled “Bad Manners, A Happening at the American Arts Center” (1963). During his time at the School of the Art Institute of Chicago, Passuntino was an organizer of the Exhibition Momentum Group, and he served as the group’s chairman in 1958. The Exhibition Momentum Group was successful in expanding the Chicago-Midwest art community and in bringing emerging and established artists from the East Coast to Chicago as panelists and jurors of the exhibitions.
In 1969, The Rhino Horn Group was founded in New York City by a group of artists bound together by their dedication to figurative art and a collective notion that artistic practice should have both a critical and a social function. They critiqued the art-as-business ideology that absorbed fine arts into consumer culture in the United States during the 1960s.
The seven founding members were Peter Passuntino (b. 1936), Benny Andrews (1930-2006), Jay Milder (b. 1934), Peter Dean (1934-1993), Ken Bowman (1937-2014), Michael Fauerbach (1942-2011), and Nicholas Sperakis (b. 1943). Between 1969 and 1978, active members also included Bill Barrell (b. 1932), Leonel Góngora (1932-1999), Isser Aronovici (1932-1994), June Leaf...
Category
1960s Abstract Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Ink
Henri Harpignies (1819-1916) A Barrier on the hedge, study, signed drawing
Located in Paris, FR
Henri Harpignies (1819-1916)
A Barrier on the hedge, study
Signed lower left, annotation "branches séchées sur la barrière" (dried branches on the fence) on the upper right
Charcoal...
Category
1860s Barbizon School Chalk Figurative Drawings and Watercolors
Materials
Chalk, Charcoal
MB 815 (Contemporary Seated Male Nude Figurative Drawing, Charcoal on Paper)
By Mark Beard
Located in Hudson, NY
graphite, conte crayon and charcoal on Arches paper
30 x 19.5 inches unframed
Signed 'Beard 1999' lower left corner
Atelier stamp in lower right corner
Unique figurative life study drawing of a seated male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...
Category
1990s Modern Chalk Figurative Drawings and Watercolors
Materials
Conté, Charcoal
Persephone, 19th Century Classical French Academy Drawing, Chalk and Pencil.
Located in Cotignac, FR
19th Century French Academy drawing of a classical maiden, signed Xavier Rendeley bottom right, numbered and dated 2nd April 1883. Presented in ...
Category
1880s Chalk Figurative Drawings and Watercolors
Materials
Paper, Chalk, Pencil
Chalk figurative drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Chalk figurative drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mark Beard, Louise Laplante, Howard Tangye, and Paul Cadmus. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Chalk figurative drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for figurative drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,595,000, while the average work can sell for $701.
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