Early 20th Century Figurative Drawings and Watercolors

Georges CONRAD (1874-1936) Two divine women Original pencil and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good condition, ...

Frank Nelson Wilcox (American, 1887–1964) Plowman, Brecksville, Ohio, c. 1922 Watercolor on paper Signed lower right 22.5 x 27.75 inches 27.75 x 34.5 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

The punishment is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, ink and pencil on paper. Hand signed on the left margin. Good conditions and aged...

Anne Ramsdell Congdon Chrysanthemums, 1900 Signed and dated lower right Watercolor on paper 26 x 19 inch Provenance Matthew O'Connell, Gloucester, Massachusetts Anne Ramsdell Congdon studied art at a young age in Worcester. Originally a watercolorist, she attended the Académie de Lécluse in Paris in 1891, and later with Rhoda Holmes Nichols (1854–1938), an assistant to William Merritt Chase (1849-1916), at a summer extension to Chase’s Shinnecock School of Art in Oguinquit, Maine. She also studied with Boston and Oguinquit marine painter and etcher Charles H. Woodbury (1864–1940), who taught his students to “paint in verbs, not nouns,” thus advocating the quick stroke of a brush. She was active in Nashua as a watercolorist until she married a New Hampshire surgeon and Nantucket native, Dr. Charles E. Congdon, in 1902. She reportedly suspended her art career to maintain an antiques shop in Nashua, her birthplace, while raising two sons. By the mid-1920s, she was attending the summer classes in oil painting with Frank Swift Chase (1886-1958) on Nantucket, and she rapidly became a plein air painter in the bold style of her new mentor. The Boston Herald observed, “Her work is direct, facile, and without mannerisms.” She painted a series of waterfront paintings...

'Portrait of a Young Girl Writing', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - man...

Landscape is an artwork realized by Henry Lerolle in the Mid-20th Century. Watercolor. Good condition. hand-signed.

Work on paper Golden wooden frame with glass pane 36 x 37.5 x 2 cm

The Pope and the globe is a modern artwork realized by Gabriele Galantara (1865-1937) in 1909. Watercolor, tempera, ink and pencil on paper. Hand signed on the right margin. Good c...

Giolitti the Crop Robber is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink and pencil on paper. Hand signed  on the right mar...

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

'Mother Nursing Her Baby', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil pai...

Portrait of Woman is an original drawing in Pencil by an anonymous artist in the early 20th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balance...

This gouache is a museal and historical piece. Gouache and charcoal on paper stuck on panel by Henri Rapin, France, 1924-1928. "Fructidor". With frame: 80x114x3 cm - 31.5x44.9x1.2, w...

Portrait is an original artwork in pencil realized by the French artist and illustrator René François Xavier Prinet, between the end of the XIX and the beginning of the XX centuries....

Naked woman is a pencil drawing by the artist André Meaux Saint-Marc (1885-1941). Good conditions.

Frank Nelson Wilcox (American, 1887-1964) Circus Lot at Toledo, c. 1920 Watercolor on Whatman board Signed lower right 22 x 30 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Pencil on cream wove paper, 9 1/4 x 7 7/8 inches (235 x 200 mm). Overall toning with multiple spots of white discoloration throughout, and a spray of foxing across the image area on ...

Frank Nelson Wilcox (American, 1887-1964) Fog over North Beach, Percé Rock, Gaspé, Canada, c. 1929 Watercolor on paper Signed lower left 13.75 x 20 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer...

Pencil on cream laid paper, 5 1/2 x 4 5/8 inches (140 x 118 mm). In fair condition with a dog-eared left-top corner, age tone, and some staining in purple ink on the verso (does not...

Pull the rope is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink. and pencil on paper. Hand signed on the right margin. Good ...

East blue sky (Pius X) is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink. and pencil on paper. Hand signed on the left margin...

Free Thinking is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink and pencil on paper. Hand signed  on the left margin. Good c...

Thief of geese is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink and pencil on paper. Hand signed  on the left margin. Good ...

'Mother with Child Under a Tree', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger ...

Nature through the Mirror Nude and with a Whirlwind Style of Childe Hassam Exquisite watercolor on card stock in the style of Childe Hassam by American Impressionist Wilhelmina (Minn...

Quarreling Politicians is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink. and pencil on paper. Monogrammed on the right margi...

'Portrait of Two Sisters', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil pai...

Ink, tempera, watercolor and white lead realized by Gabriele Galantara in 1904. Hand signed in the top right corner. Published on "L'Asino" in 6/3/1904. Very good condition.

Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right. In art history, Orientalism is the imitation or depiction ...

Frank Nelson Wilcox (American, 1887-1964) Cows by Woodland Pond, Toledo, Ohio, c. 1920 Watercolor and graphite on board Signed lower right 22 x 30 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

The Mirror is a drawing realized by Nicolai Sarguir in the Early-20th Century. Charcoal ivory-colored paper. Good conditions with slight foxing. The artwork is realized through de...

Frank Nelson Wilcox (American, 1887-1964) Cliffs near Paramé, France, c. 1926-7 Watercolor on paper Signed lower right 11 x 14.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters". In 1906 Wilcox enrolled from the Cleveland School of Art...

Christ Crucifixion is an original drawing on paper in pencil mounted on greyish cardboard Passepartout: 28.9 x 19 cm, realized by an anonymous Italian artist of the Early 20th Centu...

'Mother and Child' by Carel Eugene Mulertt, circa 1900. Académie Julien, Paris Salon, Amsterdam, Maternity, Infant ------- Signed lower left, 'Carel Mulertt' for Carel Eugene Mulert...

A bottle in the sea is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink and pencil on paper. Hand signed on the right margin. ...

Signed lower right, 'George H Harrington' (American, 1833-1911) and painted circa 1900. A substantial and animated coaching scene enlivened by the artist's acute and humorous observ...

Old Man is a pencil and charcoal Drawing realized by Ricardo Flores in 1900. Good condition on a cream colored cardboard. Hand-signed by the artist on the lower right corner. Rica...

The Drivers is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink and pencil on paper. Hand signed  on the right margin. Good co...

The "Camorra" Angel is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink. and pencil on paper. Hand signed on the right margin. ...

Socialists, Republicans, Radicals is a modern artwork realized by Gabriele Galantara (1865-1937) in the early 20th century. Watercolor, ink and pencil on paper. Hand signed on the r...

Signed bottom left by H. Reisner. Charcoal with white heightening on grayish brown wove paper, 22 3/8 x 15 1/2 inches, the full sheet. Signed in black crayon in the lower left margin...

Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right. In art history, Orientalism is the imitation or depiction ...

"To Market To Market", a whimsical early 20th century modern figurative village landscape by Frank Simon Herrmann (American, 1866-1942). In this charming scene of a downtown village ...

Figure of a woman is a pencil drawing realized by Jean Bernard on 1910 ca. In good condition, worn paper on the marginal line, and traces of old scotch on the back. Atelier's stamp...

The Girl is an original drawing in pencil and pastels on paper realized by Jules Charles Boquet (1840-1932)‎. In good conditions except for some stains and consumed margins and diff...

Frank Nelson Wilcox (American, 1887-1964) Women's Corner, Along the Cuyahoga River, c. 1916 Watercolor and graphite on paper 21 x 29 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Portrait is a Drawing in pencil realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a creamy-colored Passepartout. The artw...

Work on paper Wooden frame with glass pane 35 x 36 x 2 cm

Gipsies with Horses & Covered Wagons in the Wild Moorland Landscape of England. An Original Watercolour Painting by 19th Century British Artist, James Walter Gozzard...

The Posing Woman is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Charcoal. Hand-signed on the lower. Good conditions with some ...

An accomplished life study depicting a gentleman wearing a dapper waistcoat by the artist Edward Ridley (1883-1946). Signed verso. 'ESK' blindstamped. On paper.

Darling gouache and pencil sketch of a feminine stage costume complete with matching bonnet for a Paris theater by Willie & Co., circa 1930. Original artwork on paper displayed on a...

Genre: German Expressionist Subject: Woman, Cuban Scene Medium: watercolor paint, ink or pencil Surface: Paper This is hand signed lower right. There is an inscription at bottom e...

Marcel Georges Prud’homme (Paris, 1877 – ?, 1955) Panorama of Paris with the Institut de France and the Pont des Arts Ink and wash on paper Signed and dated lower right 18 x 26 cm ...

Man seated and woman with hat standing is an original artwork realized by Elie Anatole Pavil (1873-1948). Original china ink drawing on paper. Image Dimensions: 13.5 x 21 cm The st...

Futurist City is an artwork realized in the early XX century by Carmelo Borg Pisani Original black and white pencil drawing on paper. Hand signed on the ...

"Nymph in the Forest" watercolor on paper signed Gaston La Touche. Gaston de La Touche (1854-1913), also known as Gaston La Touche, was a French painter, engraver, illustrator and s...

Still Lives include two original drawings in watercolor on paper realized by Simon Goldberg (1913-1985), Hand-signed on the lower right on the first art...

Figure is an original drawing in pencil on paper realized by an anonymous artist of the 20th Century. Aged with cutaways on the margins. The artwork represents the study of a figu...

Maquette for L'Asino is an original mixed media drawing in pencil and pen realized by Gabriele Galantara, the state of preservation of the artwork is good. The artworks represent a ...