Boy Figurative Drawings and Watercolors

The Magician is an original artwork realized between the XIX century and the XX century by Henry Somm. Original black and white pen drawings on paper. The artwork represents a man,...

Maternity is a beautiful original drawing, composed by 4 original China ink scenes, of which the last is watercolored, realized by the French artist Eugéne Morin (1833-1875). Each s...

John Collingham Moore (England, 1829-1880) four children, circa 1860s Rare pencil, watercolor and white wash by listed artist John Collingham Moore, 19th century. Here we have the children of Henry and Elizabeth Young...

Edouard Detaille (1848-1912) The Young Paperboy 16.5 x 20.5 cm Watercolor and brown ink on paper Signed lower right In good condition, the paper is slightly yellowed by time, some o...

Baggage Claim (Bag 1) Watercolor on Arches paper, 2020 Signed with the artist's initials Signed with the artist's "Yummy" blindstamp Exhibited: LA Art, 2020 Condition: Excellent Arc...

A fine watercolour study of two young children hand in hand. They appear to be brother and sister. The young boy holds a large fishing net as he wades through the shallow waters of t...

A very fine and delicate graphite portrait of a soldier giving a salute. He holds his injured arm close to this torso. Well presented in a grey card mount and gilt effect frame. Indi...

A watercolour scene depicting three children feeding a white rabbit perched in its hutch. Presented glazed in the original oak frame with a bevelled edge. Unsigned. On wove.

Attributed to Francesco Casanova (1727-1803), A Mamluk fighting on his horse, watercolor and ink on paper 35 x 26 cm Framed 54 x 44 cm (vintage frame, the mount and the back have b...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Hugh Casson (1910 - 1999) Oriel College, Oxford 27 x 39 cm Watercolour We are lucky to be able to offer here the original watercolour from which Casson’s print of the College was produced. We also (elsewhere on the site) offer the print from his ever-popular Oxford and Cambridge series. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation...

Agnes Gabriel-Regis "Caribbean Market Scene" Original Watercolor c.1990 Original watercolor on paper Dimensions 7.5" wide x 5.5" high The lightly d...

Frederick McNamara Evans (English, 1859-1929) Signed: F.M. Evans (Lower, Left) " A Game of Patience ", circa 1900 (Titled in pencil on verso and original label.) Watercolor on pape...

Glassblowers WPA American Scene Mid- 20th Century Modern Figurative Workers. Dated and signed "32 Harry Gottlieb" lower right. Sight: 13 1/8" H x 18 1/4" W. Harry Gottlieb, painter, screenprinter, educator, and lithographer, was born in Bucharest, Rumania. He emigrated to America in 1907, and his family settled in Minneapolis. From 1915 to 1917, Gottlieb attended the Minneapolis Institute of Arts. After a short stint as an illustrator for the U.S. Navy, Gottlieb moved to New York City; he became a scenic and costume designer for Eugene O"Neill's Provincetown Theater Group. He also studied at the Philadelphia Academy of Fine Arts and the National Academy of Design. He was one of America's first Social Realist painters, influenced by that Robert Henri-led movement in New York City where Gottlieb settled in 1918. He was also a pioneer in screen printing, which he learned while working for the WPA. He married Eugenie Gershoy, and the couple joined the artist colony at Woodstock, New York. He lectured widely on art education. In 1923, Gottlieb settled in Woodstock, New York and in 1931, spent a a year abroad studying under a Guggenheim Fellowship. In 1935, he joined the Federal Art Project...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Watercolor on Paper Page Size: 14 x 17 in. Frame Size: 22.5 x 26.5 in. Signed, bottom right: "K. Fearing '40" This watercolor painting from 1940 ...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper size: 10.5 x 8.5 inches condition: very good and ready to be enjoye...

Evergood, Philip (American 1901-1973). UNTITLED (ARTISTS AND MODEL). Drawing, pencil on paper, not dated. Signed, lower right. 15 1/4 x 13 inches, 381...

Roman Lapp (1961. 24. VII Moscow) – painter Artist learned drawing to M. Zuhovickis. He graduated Art Academy of Latvia, department of monumental painting (1988) with diploma work ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Bulgarian pro-natalist propaganda poster design (circa 1950s) Gouache on board 17 x 12 cm After a Communist takeover in 1945, Bulgaria was a Soviet ally during the Cold War, and maintained good relationships with Russia until the Revolutions of 1989. From 1945 to 1948, the country became entrenched within the Soviet sphere of influence under the control of the Bulgarian Communist Party (BCP) which oversaw a program of Stalinization in the late 1940s and 1950s. Both countries are Slavic nations, and are bound together by a common Orthodox Christian...

Gouache on paper. Stamped. Frame dimensions: 63x78 cm Last painter of the school of Nice. This is an important painter, the first school in nice to have exhibited in New York at t...

Henri Edmond Cross Woman with an umbrella, ca. 1910 Pencil on paper 5 1/10 × 3 9/10 in l 13 × 10 cm Frame included - 9 x 7 in l 23 x 18 cm Stamped 'HEC' lower left Condition: Excell...

A Day At The Lake - Original Watercolor on Paper Original watercolor on paper depicting a day at the lake by Ken L. Stephens (. The viewer looks on as two women can be seen painting...

A characterful watercolour with gouache depicting a doctor and his assistant, in the manner of Dutch Golden Age artist Gerrit Dou (1613-1675). Dou was known for his candle-lit genre ...

Searching the Waters ​by Lu Haskew Pastel 18x22" image size, 26x30" framed Figurative Portrait of young children on a dock looking into the water. ABOUT THE ARTIST: Lu Haskew 1921...

The Death of the Ministry is a modern artwork by Gabriele Galantara (1865-1937) in the early 20th century. The artwork was realized in ink on paper. Good conditions and aged with f...

This charming watercolour depicts a rustic rural scene, with figures gathered outside a cottage door in a warm, sunlit atmosphere. Signed to the lower right. Presented in a gilt fram...

Crayon on paper Francine Ledieu is French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. In...

The Vortex is a pencil and watercolor drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, ...

Couple is a charcoal and watercolor drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 19...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Pedro Pablo Oliva “Segismundo y Teresita” 1998 Mixed media on paper 39 x 27.5 in

Original c1950s watercolour by Peruvian born/ fashion illustrator, Reynaldo Luza (1893-1978) for Town & Country Magazine depicting a yellow bikini clad '...

Confess, paper/etching, 9.8x7.5 cm

Architectural Details Catalogue 3, paper/etching, 72/99,10x9 cm,1989

Crash Untitled, 1989 Signed and dated lower left Watercolor and ink on paper 30 x 20 1/2 inches A contemporary of Keith Haring and a modern-day master of this present day art form o...

The Locomotive is a watercolor Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, Ju...

The Discussion is a watercolor Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, Ju...

Barman is a watercolor Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower. Good conditions with slight folding on the right and foxing. Mino Macc...

The Baby is a Drawing in pencil, watercolor, and white lead realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a ...

Mightiest on Earth is a Watercolor Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower with another drawing on the rear. Good condition. Mino Macc...

Jolly is a Pen Drawing realized by Mino Maccari (1924-1989) in the 1930s. Hand-signed on the lower. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian ...

The Interview is a Pen Drawing realized by Mino Maccari (1924-1989) in the 1940s. Hand-signed on the lower. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an ...

"Plow Horses" is an original ink drawing on handmade amate paper by Miguel Castro Leñero. The artist initialed the piece lower right. This piece features tw...

Figures is an original drawing in ink and watercolor realize by Jules Chadel in the Early 20th Century. Good conditions. The artwork is represented through soft pencil strokes.

Lovely couple is an original painting realized in 1960 ca. by Mino Maccari (1898-1989). Mixed media on a zinc plate. In good conditions. The subject of this artwork is a portrait...

The Petrol is an original Watercolour realized by Mino Maccari in mid-20th century. Good condition, no signature. Some sketches on the back. Mino Maccari (1898-1989) was an Italia...

Mixed media watercolor on Paper - signed lower right. COA provided. Sheet Size 12"H x 12"W

During the War is an original drawing in watercolor realized in 1941 by Jean-Raymond Delpech (1916-1988). Hand-signed and dated on the lower right. The state of preservation of the...

Le plus bel oeuf de Pâques is an original satiric artwork realized by the illustrator Leka . Ink and watercolor. Hand-signed on the lower right by Leka.Titled on the lower center. ...

Calendar of the World is an original Charcoal, Tempera and white lead realized by Mino Maccari in 1930/1940s. Good condition on a blue cardboard. Hand-signed by the artist with pe...

Surreal Scene is an original drawing in Pencil, Pastel and Watercolor realized by an anonymous artist in the mid-20th Century. Good Conditions. The artwork is depicted through soft...

Consultation is a Watercolour realized by Mino Maccari in mid-20th century. Good condition on a yellowed paper. Hand-signed by the artist with pencil. Mino Maccari (1898-1989) was...

The Five Codes is an original drawing in Pen realized by an anonymous artist in the Mid-20th Century Good conditions except for some foxings. The artwork is depicted through strong...

Nude is an original artwork realized in 1972 by the italian Contemporary artist Leo Guida (1992 - 2017). Original pencil drawing on ivory-colored paper, glued on cardboard (50 x ...

Unsigned. Presented in a gilt frame and double card mount. On paper.

Fate la Guerra ( Let's do the war!" is an original drawing on paper, realized around the Seventies by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989). Blu...

Advertising is a watercolor realized by Mino Maccari in 1950s. Good conditions and mounted on a cream colored cardboard passpartout (62.5x45). Image Dimensions: 34x24 cm. Hand-si...

Nudity of Woman is an original china ink drawing realized by Toti Scialoja, born Antonio Scialoja (Roma, 1914 – 1998) in 1943. The conditions of th...

Religious is an original drawing in mixed media, ink and watercolor, by Hetta Hausmann in the mid-20th Century. The artwork is a colored per and watercolor drawing depicting three r...