Ink Landscape Drawings and Watercolors

'On the Path', pastel and ink on art paper, by Suzanne Tourte (circa 1950s). Executed with a lively palette of colour, this is a surprisingly sophisticated modern work of art which belies its rather naive style. Flowered fields, green grassy patches, a curved path and blue skies all figure in this engaging landscape with two figures. Newly framed and glazed in anti-reflective glass, this work is in good overall condition. Signed: 'S X Tourte' in the lower right hand. Please enjoy the many photos accompanying the listing. Upon request, a video may be provided. About the Artist: Suzanne Tourte (1904-1979) was a French painter, engraver, medalist, fresco artist, lithographer and illustrator. She was also an excellent vocalist. She studied at the school of Beaux-Arts in Reims while continuing her musical studies at the Conservatoire de la Ville. She chose painting as a profession and returned to Paris to continue her studies. She was friends with artists Yves Brayer and Robert Humblot...

Title: Mid Century French Original Ink Drawing - Urban View through Olive Trees Artist: Josine Vignon (French 1922-2022) Medium: Ink on paper Size: 25.5 (height) x 19.75 (width) ...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

A rare ink and watercolor drawing by Carl Palme, dated 1921 and signed “CP 21,” captures the intimate character of Positano’s narrow alleys. Measuring ca. 20 x 24 cm without frame. Inscribed on the back that it´s a preparatory study for a larger oil painting. Early 20th century works by Palme are scarce. Carl Palme (1879–1960): Painter, Printmaker, and Cosmopolitan Artist. He was born in Stockholm in 1879, the son of bank director Henrik Palme and Anna Lavonius. He grew up on the family estate of Svalnäs, now a guest home and senior residence. From an early age, Palme showed a sensitivity to both literature and art, interests that would later merge in his career as painter, draftsman, printmaker, and author. His artistic education began in London at the Slade School of Fine Art (1900–1901), where he was introduced to modern European currents. From 1902 to 1904, he studied in Munich at Wassily Kandinsky’s art school, absorbing early expressions of color and form. In 1907, Palme moved to Paris, where he became the first Swedish student of Henri Matisse. Together with fellow Scandinavian artists, he was instrumental in founding the Académie Matisse, a collective of young painters who rented a large studio in Paris. Matisse himself visited weekly, critiquing their work and shaping what would later become a decisive wave of modernism in Swedish art. Among the group were such notable names as Isaac Grünewald, Sigrid Hjertén, and Einar Jolin...

Interior design paintings. The ladscape was done with alcohol ink in yellow,orange,red,blue,green,pink color on Yupo paper. The work is 22 by 28 inches in siz...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Illustration of a Village by the River - Amate Bark Drawing in Ink Illustration with people in a village by Cristino Florez Medina (Mexican, 1937-2007). This piece is divided horizo...

Gravesend. August 1928. Ink and watercolor on paper. 13 1/2 x 21. Signed and dated in ink, lower left; and titled in ink, verso. Housed in a 24 1/2 x 31-inch Whistler-style gold frame. Gravesend is a town in northwest Kent, England, on the south bank of the Thames, opposite Tilbury in Essex, about 15 miles southeast of London. Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...

VERY IMPORTANT DRAWING BY JACQUES DUMONT called « LE ROMAIN" (Paris 1701-1781) Preparations for the fireworks display held in Piazza Navona in Rome on November 30, 1729, for the bi...

Le Prince Alexandre Bibesco is an Original ink and watercolor drawing realized by an artist of French School of the early 20th century. Good condition on a...

Ink and wash in gray ink on buff wove paper, 13 1/4 x 15 inches (337 x 382 mm), the full sheet. Signed in pencil in the lower right margin. In good condition with a 2-inch horizontal...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

London Thames View is a modern artwork realized by Herbert John Finn (1860-1942). Mixed colored ink, pastel and watercolor on paper. Includes gileded frame Hand signed and dated o...

Lloyd Lozes Goff, American (1918 - 1982) - Westerly, Year: circa 1970, Medium: Watercolor and Ink, Size: 22 in. x 28 in. (55.88 cm x 71.12 cm)

Artist: Ian Hornak (1944-2002) Title: (Abstract Tropical Landscape) Untitled Year: 2001 Medium: Ink on archival paper Size: 9 x 12 inches Condition: Good Provenance: Estate of Ian Ho...

The original "The Gleaners" is an oil painting by Jean-François Millet completed in 1857. It depicts three peasant women gleaning a field of stray stalks of wheat after the harvest. ...

WOODED LANDSCAPE WITH HOUSES Signed original brush and ink on wove paper, circa 1950. WOODED LANDSCAPE WITH HOUSES is an original watercolor brush and ink on paper, hand signed in ink pen by African-American artist, teacher, and printmaker Ronald Joseph (1910--1992) Artwork depicts an abstract landscape, is in good condition, paper tape remaining on reverse side edges, mounted in an archival acid-free mat, unframed. Artwork paper size - 18 x 21.5 in. Year created - c. 1950 About the artist - Ronald Joseph (1910 -1992) was born on the island of St. Kitts, West Indies In 1910. When he was very young, his mother decided to move to the United States but she could not afford to take him with her. Mr. and Mrs. Theophilus Joseph, a childless couple who were friends of Joseph’s mother, adopted him. Afterwards, the Joseph family moved to the Island of Dominica, where they stayed for ten years. In 1921, his foster parents also decided to come to the United States. In New York, Joseph met his mother but remained living with his foster parents. In 1926 Ronald Joseph received a scholarship for the Ethical Culture School, were he spent two and half years of his high school period. At this time he obtained an art scholarship through Dr. Henry Fritz, with whom he became acquainted through his art teacher in public school. Joseph was taken into the Saturday art class, where he was the only black participant. An artistic prodigy, Ronald Joseph had his student works shown at the Metropolitan Museum of Art. Ronald Joseph graduated from Ethical Culture Fieldston School in 1929. He was honored as “the most promising” young artist in New York City’s schools. He began his study at Pratt Institute in 1931 and graduated in 1934. During the 1930s and 1940s, Joseph participated in many exhibitions of African-American art, the Works Progress Administration mural project, and the Harlem Artists Guild. Ronald Joseph enlisted in the U.S. Army Air Corps at the declaration of World War II and was posted as a member of the ground crew in Tuskegee, Alabama, and in Michigan. At the end of the war in 1945, he received his G. I. Bill of Rights scholarship. In 1948, he was presented with the Rosenwald Fellowship. The funds allowed him to live and work abroad – first in Peru for two years, then in Paris. Joseph used the G.I. bill to study in Paris at the Grande Chaumière. He described this period of his life as being “independent of economy”. His work from these travels is largely undocumented; according to Rosenwald scholar, Daniel Schulman, many pieces of art are undated or simply dated “1948-1952”. After this period he came back to New York without money and work and indicated this as period of hardship. Ronald Joseph left the U.S. in 1956, disappointed in the unreceptiveness of the art world to his work with mixed feelings about this. On the one hand, he felt guilty for having left the U.S. during a period when blacks were struggling for their civil rights; on the other, he felt “lucky” to have been able to live and work in place where he did not feel discrimination as intensely. He emigrated to Belgium and later settled permanently in Brussels. Ronald Joseph was married to Claire Joseph and they had a son, Robin Joseph. In 1989 Joseph returned to the United States after an absence of thirty-three years to attend the Lehman College exhibition and symposium and to renew his old friendships. Afterward, he returned to Brussels where he continued to work as a painter, living there for the remainder of his life. Ronald Joseph started his artistic career in Harlem, New York City at the Harlem Community Arts Center, where he was one of the youngest pupils. Joseph studied lithography and other printmaking techniques with Riva Helfond, who taught him many aspects of the process based on simple techniques, including how to operate the press, and how to prepare the stones. Helfond played a significant role as a teacher of lithography at the Harlem Art Center. Joseph produced his first lithographs under her supervision, and this was at a time when she was just beginning to learn the medium herself. At the Harlem Community Arts Center Joseph met Robert Blackburn, who was his classmate. In 1937 Ronald Joseph depicted Blackburn, in one of his most famous works, that is now located at The Metropolitan Museum collection. Experimenting with lithography and etching, as well as woodblock and silkscreen printing, Joseph explored the techniques of printmaking alongside his friend Robert Blackburn. Joseph described the Harlem Art Center as a “healthy and lively” place, where he had made wonderful friends. In the late thirties, he also served as a teacher at the Harlem Community Arts Center. There Joseph met younger artist Jacob Lawrence and Gwendolyn Knight. They formed a friendship, where they enjoyed conversations and visiting museums together. Both Joseph and Knight would hire Lawrence to pose for them. Jacob Lawrence considered Ronald Joseph to be a very intellectual artist. In the 1930s, Joseph became chairman of the Harlem Artists Guild and represented it in Washington with Stuart Davis and Hugo Gellert. Ronald Joseph was also a participant in the mural section of WPA and a representative of the Harlem Artists’ Guild to the New York World’s Fair (1939-1940). Joseph’s early oil paintings were influenced by Picasso, Braque and other European artists while most of his contemporaries focused on social realism. By 1943, he was hailed by art historian James Porter as New York’s “foremost Negro abstractionist painter”. His pastels and gouaches from the late forties and early fifties showed a highly structured abstraction combined with a studied spontaneity. Ronald Joseph’s finely tuned abstractions often incorporated representational elements along with apparently “purer” forms. He described this aspect of his work in these terms: “It’s not abstract and abstract at the same time. It’s pure creation.” His works from the 1950s employed both still life and landscape as pretexts for masterly exercises in nearly abstract pictorial construction related to cubism and fauvism. During World War II, Joseph was drafted. After the war he formed “a kind of a group” with Robert Blackburn, Charles White, Larry Potter, and Reginald Gammon...

Impressive watercolor landscape of a charming old world scene of a village in Provence, France by artist Augustin Faure, circa 1950. Original one-of-a-kind artwork on paper displa...

Artist: Peter Max (1937) Title: Lady Profile Year: 1997 Medium: Pen and ink on archival paper Size: 13 x 14 inches Inscription: Hand signed PETER MAX (1937- ) Peter Max has achieved...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures, sheet measures 11 x 17 inches. Signed lower right. No da...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 11 x 17 inches. Signed lower right. Good condition with no ...

This drawing by Frank Girard is created with pigments and ink, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French a...

Jeff Koons Original tulips in landscape drawing, 2011 Original drawing done in ink across the title pages of Gagosian Gallery monograph Signed, dated and warmly inscribed to Jennifer...

Artist: Peter Max (1937) Title: Seated Man Year: 1980 Medium: Pen and ink on archival paper Size: 9 x 11.5 inches Inscription: Hand signed PETER MAX (1937- ) Peter Max has achieved ...

Early 19th century ink drawing of Chartres Cathedral by English artist Samuel Prout. The work focuses on the large scale architectural elements of the cathedral with small figures st...

Ludolf Bakhuizen 1631 - 1708 Dutch Men oWar Setting Sale in a Fresh Breeze Provenance Christies 1998 Pen and Grey Ink and Grey Wash. Image 5 x 7.25". Fr...

Mark di Suvero Project for Sculpture in Chalon-sur-Saône, 1992 Marker, Watercolor and Ink Wash on Paper. Hand signed and dated by artist on lower right front Uique Frame included: el...

Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #4. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x ...

This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...

Calming Nature Scenery Maurice Genis Original watercolor, gouache, and ink painting Handsigned in ink On paper, 27,5 x 47,5 cm (c. 10,8 x 18,7 inch) Excellent condition

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

Mountain Trail John Wade Hampton, American (1918–1999) Date: 1969 Ink and Watercolor on board, signed lower left Size: 9 x 13.75 in. (22.86 x 34.93 cm)

This original architectural illustration by Laerta Premto is made with watercolor and ink on paper. It captures a building structure with warm orange and yellow hues, inspired by the artist's time in Nice, France. The painting itself is 10" x 8" and measures 15.25" x 12" x 1" framed. It is professionally matted and framed in a white frame, and is embossed with a stamp and signed by the artist in the lower right-hand corner of the painting. It is wired and ready to hang. Laerta Premto is a multidisciplinary artist who inspires others to push their boundaries by embarking on travel adventures and self development through her whimsical illustrations...

Swimmer is an artwork realized  by Isidore Pils in the Mid 20th Century. China ink drawing. In good conditions. Hand-Signed.

Trees is an Original China Ink and Pen Drawing realized by Gustave Pierre. Hand-signed by the artist on the lower right corner. Good condition included a white cardboard passpartout (48.5x32.5 cm). Gustave René Pierre...

Own a rare original vintage field study drawing by celebrated Colorado landscape artist Charles Partridge Adams (1858–1942). This expressive ink-on-paper composition vividly captures...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Unexpected materials, found and manufactured, perch precariously on torn edges and bifurcated sheets of large paper. Here, fluid calligraphic lines are posed against the veracity of ...

This drawing by Frank Girard is created with ink and pigments Colors, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French artist Frank Girard is...

China ink and watercolour on paper. Some foxing, otherwise very good condition. Titled and dated. Includes passepartout.

US buyers pay no import tariffs on this item. This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire....

William Thon, although born in New York, painted and lived most of his adult life in coastal Maine. Thon studied at the Arts Student League in New York, and exhibited in the 1930s an...

A Port is a black China ink drawing realized by Herta Hausmann on 1950 ca. Good conditions, except for same worn paper on the left margins. Atelier stamp on the back of the artwork.

China ink and watercolour on paper. Realized in 1740 ca. Very good conditions. Includes passepartout.

Fluid French ink wash seascape, 1980. Initialed and dated lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a st...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Image dimensions: 15.3 x 19.8 cm. The Huts is an original work realized by Gaston Pastre in the first half of the XX Century. Black ink and pencil. Hand-signed in ink on the lower right corner: G. Pastre. Very good conditions. Fresh and smart work representing a perspective of a small village with trees on the background. The glimpse is characterized by very simple and linear strokes and by an effective and impressionistic touch. This work has been realized by Gaston Pastre (1881 - 1947) a French painter, xilographer and illustrator. Among his other works, he illustrated "Le Livre de demain" (edition Fayard), "Les diaboliques...

"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 19 1/4 x 11 1/2 (sight), Signed David Fredenthal lower right. Framed by ...

'Evening Landscape' by Robert George Gilberg. Bay Area Abstraction, San Francisco Museum of Fine Arts, California Watercolor Society ----- Signed ...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller"; you can also search for other drawings by this artist. V A Hards...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 11 x 17 inches. Signed lower right. Good condition with a 1...

Landscape is a large, original black and white abstract drawing by Italian artist Marilina Marchica, created using mineral oxide on Canson Montval 300 gsm paper. The work embodies th...

Louis Lesueur (1746-1803) A Fantasy Landscape with ancient ruins, 1789, signed and dated "L Lesueur 1789" in the bottom centre Pen and ink and ink wash on paper 14.8 x 22 cm In goo...

Jogen Chowdhury - Flower Vase 7 x 5 Inches Mixed media on Paper 2023 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his indiv...

L'Ile des Oiseaux by Paulémile Pissarro (1884-1972) Watercolour and charcoal on paper 23 x 31 cm (9 x 12 ¹/₄ inches) Signed lower right, Paulémile Pissarro Provenance Private collec...

The Kelpie of Snooziepool - William Heath Robinson illustrated this whimsical fantasy work featuring a semi-nude beauty in a pool of water with children. Based on the Metropolitan ...

Artist Charles Perry Weimer employs thin black horizontal lines that intersect with thin black vertical lines. The result is a triumph of design w...

Italian School, 18th century, circle of Giovanni Battista Piranesi Capriccio con arco (verso: study of a man) Brown ink on paper, 39 x 24.5 cm Unsigned Provenance: Private collec...

Landscape with Figures in the English Countryside Pen, ink and graphite with gray and brown washes on laid watermarked paper, c. 1740 Signed by the artist lower left of image: "Chate...