Building Landscape Drawings and Watercolors

Belgium. A Morning in Bruges by Leonard Machin Rowe (1880-1968) signed front lower right corner, inscribed, dated and signed to the back watercolour painting ...

An interesting late 19th century watercolours study showing an early morning street scene. The artwork has been complete with impressive attention to all architectural details, as we...

Work on paper

An original watercolour painting by Cotswold artist, Elizabeth Chalmers, featuring a typical Cotswold cottage built in that region’s honey coloured ...

Paris: A Collection of Three Paintings of Paris Scenes by Henri Miloch (1898-1979) the Eiffel Tower painting is signed front lower right and also inscribed to the back, the Versailles painting...

Belgium. A Bruges Hotel by Leonard Machin Rowe (1880-1968) signed, dated '50 and inscribed front lower left corner, inscribed, dated and signed to the back watercolour painting on ar...

Belgium: Ghent. St Nicholas Church ( Sint Niklaaskerk) by Leonard Machin Rowe (1880-1968) signed lower left watercolour painting on artist's paper, unframed Image: 9.75 x 13.75 inches, sheet 11 x 15 inches Super bustling painting by Leon. Rowe in the centre of Ghent, depicting a busy square full of people on a bright sunny day. A man pushes a wooden cart, whilst others are strolling around the shop-lined streets in front of St Nicholas Church. A bright striped shop window awning...

Idyllic scene of a church in the countryside by an unknown artist (20th Century). A modest church is surrounded by trees, casting delicate shadows on the building. Some of the trees ...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

Work on paper Brown wooden frame with glass pane 51.7 x 41 x 1.5 cm

Victor Gabriel Gilbert. French ( b.1847 - d.1933 ). L’ Eglise De La Sainte-Trinite, Place De La Trinite, Paris. Gouache & Watercolor On Paper. Signed Lower Right. Image size 15 inch...

Christopher Ganz The Coliseum of Rome, 2014 Colored pens & chalk 13h x 9.50w in 33.02h x 24.13w cm Frame: 14.25h x 17.25w in CG0006 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck, Professor of Art, University of Dallas A Mammalian Future? - Invitational Portfolio Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9 Paper in Particular - National Juried works on paper exhibition Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and Design, Indianapolis, IN 19th Parkside National SmallPrint Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16 Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington 2005 18th Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln 2004 Exchange! A Survey of International and National Exchange Print Portfolios Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15 Juror: Kathryn Reeves, P rofessor of Art, Purdue University 2003 23rd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003 Border to Border – National Juried Drawing Exhibition Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30 Juror: Jim Cantrell, independent studio artist, Bardstown, KY On/Of Paper – National Juried Exhibition Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11 Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY Emerging Artists 2003 – National Juried Exhibition Limner Gallery, New York, NY, Feb.12 – March 1 Jurors: Tim Slowinski...

The figured bridge in Tsaritsyno Park is one of the first on the path of a visitor to the park in the Gothic style, which has been preserved since its construction in 1776, having go...

"MD-LAQUINTANE" French school of the twentieth century Oil on canvas 32 x 41 cm (50 x 58 cm with the frame) Signed lower left "MD-LAQUINATNE" Beautiful frame The subject is probably...

Sorber Halle Watercolor Size: 7.0 × 9.9 on 7.6 × 10.3 inches COA provided Ref.: 924802-786

A classic Richard Haas (born 1936) New York City view. Signed in pencil lower right. The fact that it is signed within the image, the drawn-upon area, leads me to think the artist wa...

This artwork titled "Earl Scwaiger's Barn" c.1980 is a watercolor on paper by American artist W. Ralph Murray, 1932-2009. It is signed at the lower righ...

Seaside Street View - Original Vintage Watercolor Painting in the Style of Henry Martin Gasser (1964) A charming seaside street leads to the sand with brilliant 1-point perspective,...

'Fast Eddies, 1996' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 10 x 15 inches a...

French landscape by Bernard Labbe (French mid 20th century) Original watercolour/ gouache painting on artist paper, unframed Size: 12.5 x 19.75 inches Condition: very good and ready ...

Salisbury with Woman in Arch by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22.25 inches titled and dated 'Oct 1987' *FREE SHI...

Harnham Mill by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 14.25 x 19 inches dated 'Oct 95', titled 'Harnham Mill' *FREE SHIPPING ...

Blythburgh, Suffolk. by Ronald Birch, British circa 1970's. Watercolour on art paper, unframed. Overall paper measures: 15 x 22.25 inches. titled and dated 'Sept 72'. *Free shipping...

Title: View Of Rooftops And Tower Block With Tree London 1979 Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 13.25 inches (height) x 10.25 inches...

Title: Coastal Village with Church Tower and Moored Boats Hope Borth 1988 Signed By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 11.25 inches (height) x 15.25...

Title: French Street Scene with Bar La Coquille Normandy Style Townhouse Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 11.25 inches (height) x 1...

Title: Almshouses and Stone Gateway Chipping Norton Oxfordshire Architectural Scene by John Steane (b.1931) Size: 19.75 inches (height) x 23.25 inches (width), including mounting wat...

Title: Worthing Seafront View with Pier Groynes and Promenade Architecture 1973 by John Steane (b.1931) Signed: Bottom right Size: 15.75 inches (height) x 20 inches (width) watercolo...

'Moose Lodge No. 2171,' is a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 16 x 24 inche...

William Richardson (British fl.1842-1877). Original watercolour depicting a full coach and guards outside Fountains Hall - Ripon, North Yorkshire. Signed and dated (1832) to the lowe...

André MANTELET MARTEL (1876-1953) View Of The Pantheon, Descartes street, Paris Ve area, 1926 Charcoal on paper Signed, dated and located lower left 60 x 44 cm Provenance; former Jac...

This artwork "Peggy's Cove, Nova Scotia Scenery" c.1950 is an ink and watercolor on paper by Finns/Canadian artist William Edward De Garthe, 1907-1983. It is...

This artwork "Landscape with Boat and House, California" is a watercolor by California artist Catherine Rubino Eaton Baca, 1907-1978. It is hand signed and dated at the lower right corner by the artist. The image size is 17 x 23 inches, framed size is 25 x 31 inches. Framed in original dark wood and gold frame. It is in very good condition. About the artist: Born in Oakland, CA on Jan. 18, 1907. Catherine Rubino studied at the CCAC and with Phil Paradise...

I made this sketch from nature while I was in one of the old and beautiful streets of Oxford. It was a gray day, sometimes it started to rain a little, and there were not many people...

West Window - Georges Windsor Castle is a modern artwork realized by Paul Fischer in 19th Century Hand signed on the lower margin. Tempera artwork. Incl...

Country Barn Original Watercolor by Meyer (Watercolor Society of America) C.1970s Gorgeous original watercolor. This could be any rural country community in America, but it reminds us if West Marin...

View of the Pantheon is an original drawing in china ink and watercolor, realized by an unknwon artist in 1995. The status of preservation Good. The art...

The Artist managed the restoration of the Boathouse studio of writer Dylan Thomas in Laugharne in Wales and curated the collection of the great writers m...

Backyard Bench - an iconic American watercolor painting by James Torlakson who is known for his photorealist oil paintings, watercolors and aquatint in...

English Mansion by the Cemetery - Late 1800s Watercolor on Paper Dramatic and detailed landscape by Lucy Cooper (British, 1853-1929). A large home is shown on the left, with a red r...

Eve Nethercott, American (1925 - 2015) - Artist's Easel in Beachside Town (P2.54), Year: 1947, Medium: Watercolor on Paper, Image Size: 8 x 11 inches, Size: 9 x 12 in. (22.86 ...

A fine and attractive watercolour painting by the British artist James George Gunnell. The scene depicts a tree in winter with a house in the background. Signed and dated to the lowe...

"Backyards" Early 20th Century Watercolor Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identic...

Modern original oil pastel on archival paper of a rooftop view of buildings and New York harbor by the Swedish born American artist, Carl Sprinchorn. ...

A fine watercolour study by the British artist Walter Fryer Stocks, depicting the Culham Bridge over the River Thames. Culham Bridge was built of stone between 1416 and 1422 to repla...

We acquired a series of paintings from Claude Muncaster's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Claude Muncaster (1903-1974) Cardiff Castle Wales Dated May 1962 Signed lower right Watercolour 14x26cm Muncaster's watercolours capture the British countryside feel with great competence and passion. Here the ancient scheduled monument of Cardiff castle is made to feel both grand and imposing, yet reflecting the softness of the countryside. A few elegant motorcars are parked before it. Claude Grahame Muncaster, RWS, ROI, RBA, SMA was the son of Oliver Hall RA. At the age of fifteen his career as a landscape painter began, and he soon took to the seas, spending the 1920s and 30s travelling the world with his sketchbook in a series of vessels. With the outbreak of war and he joined the RNVR training as a navigator. Having left school at fifteen his mathematics was very weak and it was a relief for all when his artistic talents meant he was recruited as a camofleur. A master of capturing seascapes he was therefore able to hide huge ships ‘in plain sight’ with clever disguises. After the war he painted for the Royal Family and was a frequent guest at Sandringham. Claude Muncaster was a watercolourist known for his landscapes and maritime scenes. He was born Grahame Hall, the son of the Royal Academician Oliver Hall who taught his son to paint from an early age; Grahame first exhibited his work aged 15 and a few years later was showing at the RA. However, he adopted the name Claude Muncaster in 1922 to dissociate his career from that of his father. Muncaster’s primary choice of subject matter came from a genuine love of the sea. He made several long-distance sea voyages, including one around the Horn...

A sunny continental street scene, possibly Dutch, showing a grand, domed clock tower on a busy cobbled street with grand gable fronted buildings. The artist (act.1899-1920) has sign...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

WŁODZIMIERZ KARCZMARZYK (born in 1930) Painter and an architect. He studied at KUL in Lublin, Academy of Fine Arts and University of Technology in Warsaw. Long-term professor of draw...

To see our other Oxford and Cambridge pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

A very fine watercolour street scene by the British artist ;John Barrie Haste, depicting Nevsky Avenue in ;Saint Petersburg, Russia. Well presented in a washline mount and simple woo...

Sidney Cardew RSMA (1931-2017) High Holborn Watercolour 30 x 18 cm Sidney Cardew (1931–2017) was a British artist celebrated for his evocative watercolour paintings, particularly...

Title: Set of Three Miniature Watercolors of Historic Inns and Almshouses in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurem...

Title: Set of Four Miniature Watercolors of Bristol Civic and Historic Landmarks by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements...

Title: Set of Four Miniature Watercolors of Historic Bristol Churches and Almshouses by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurem...

Old Town Auburn, Vintage California Large-scale Landscape Watercolor by Les Anderson Large-scale early 1970's landscape watercolor of quaint and historical Old Town Auburn, California by Les (Leslie Luverne) Anderson (American, 1928-2009). This 1971 watercolor depicts the iconic landmarks of Auburn, known for it's California gold rush history. Signed "Les Anderson" lower left. Titled "At Auburn, California", signed and dated "Les Anderson '71" on verso. Gallery tag on verso from Wharf Gallery in Monterey, California. Displayed in a vintage wood frame with linen liner. Image size: 18.25"H x 27.25"W. Framed size: 24.75"H x 33.75"W x 1.5"D. Les (Leslie Luverne) Anderson (American, 1928-2009) owned and operated Wharf Gallery, Monterey and the Bear Flag Gallery in San Juan Bautista, California for many years and was known for his plein air watercolor paintings and abstracts in oil...

Chiesa di S. Giovanni A. Maderno is an Artwork realized by the Italian Artist Aurelio Mistruzzi in 1905. Pencil Drawing on paper. Good conditions. Aurelio Mistruzzi (1880-1960) st...

Eve Nethercott, American (1925 - 2015) - Maine Backyard View (P2.63), Year: 1958, Medium: Watercolor on Paper, Image Size: 10.5 x 14 inches, Size: 11 x 15 in. (27.94 x 38.1 c...

Eve Nethercott, American (1925 - 2015) - City Street and City Buildings Study (41), Year: 1953, Medium: Two-Sided Watercolor and Pencil Drawing, Size: 12.5 in. x 13.5 in. (31.75...

Eve Nethercott, American (1925 - 2015) - Hut (P4.2), Year: circa 1960, Medium: Watercolor on Paper, Size: 11 x 15 in. (27.94 x 38.1 cm), Description: Surrounded by trees and ...