Child Landscape Drawings and Watercolors

Richard Basil Mock (American, 1944 – 2006) Lower Manhattan and The Brooklyn Bridge, February 1984 Watercolor on paper 18 1/4 x 24 in. Framed: 21 3/4 x 27 1/4 x 1 in. Signed, dated, ...

A charming rural scene with a heartwarming moment between mother and child. The early 19th Century watercolor shows a picturesque landscape with rolling hills, a harvested wheat field in the distance with stooks standing in a group. Birds wheel in the blue sky overhead as a mother and her young daughter cross a wide river using stepping stones...

A fine late 19th/early 20th century watercolour attributed to the British painter and illustrator Edith Hume (1843-1906). With body colour details, depictin...

An attractive watercolour painting by Nick Austin, depicting four figures hiking Scafell Pike. Signed and dated to the lower right-hand corner. There is an artist's label on the reve...

Title: French Street Market with Stalls and Figures Town Square Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Signed lower left “P. N...

Belgium. The Bell Tower in Bruges by Leonard Machin Rowe (1880-1968) signed and dated front lower right corner, inscribed, dated and signed again to the back ...

Unsigned Watercolour in a gilt frame under glass. Keywords: Family, picnic, watercolor, kids, food, park, animal, dog, trees, eating, feast, basket, blanket, green.

Kartick Chandra Pyne - Untitled - 18.5 x 14 inches (unframed size) Watercolor on Rice paper. Signed in Bengali. Inclusive of shipment in roll ...

Tuileries garden. 2010. Watercolor on paper, 38x50 cm Rest at the café with a view on panoramic wheel Ingrida Irbe (1969) Born 15th of June 1969 in Riga Education: 1980. – 19...

Flower Market - Original Watercolor on Paper Original watercolor of a flower seller by Ken L. Stephens (American. 20th Century). A flower vendor is wearing a blue apron, standing un...

A Day At The Lake - Original Watercolor on Paper Original watercolor on paper depicting a day at the lake by Ken L. Stephens (. The viewer looks on as two women can be seen painting...

Illustration for book by Barbara Stenka 'Stenka's songs' JOANNA RUSINEK Printmaker, illustrator of children's books, author of press illustratio...

Watercolour on paper Paper size: 9.5 x 13 inches Framed size: 15.5 x 19.5 inches Signed lower right

Orange Poppies in a Vase, Modernist Still Life in Watercolor on Paper A vibrant watercolor still life with a vase filled with orange poppies on a carnation pink background with abstract leaves of teal blue and purple, by California artist, Lucile Marie Johnston (1907-1994, American). Signature, "L. Johnston '74" at the bottom left and "Lucile Johnston" on the back. Presented in a new cream mat with foam core backing. Mat size: 24"H x 20"W Paper size: 16"H x 12"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...

Wonderful watercolor that harkens to summer camp memories by Aptos, California artist Virginia J. Hughins (American, 1923-2004), circa 1970 Signed "Hughins...

Eve Nethercott, American (1925 - 2015) - Children Playing at the Beach (P3.16), Year: 1959, Medium: Watercolor on Paper, Size: 9 x 20 in. (22.86 x 50.8 cm), Description: Sitt...

During the War is an original drawing in watercolor realized in 1941 by Jean-Raymond Delpech (1916-1988). Hand-signed and dated on the lower right. The state of preservation of the...

Dry pastel on paper Marta Uszakow is a Polish artist born in 1995 who lives and works in Sosnowiec, Poland. She was enrolled at the Academy of Fine Arts in Katowice in 2017. Five ye...

Ink on paper Liu Ziyu is a Chinese artist born in 1978 who lives and works in Beijing, China. He was graduated in 2020 from from the Stroganov Moscow State Academy of Arts and Indus...

This captivating Modernist watercolor painting of a serene forest scene by Richard Sorby (1911-2001) beautifully captures the essence of nature through a minimalist and expressive lens. Painted in the 1940s, the piece features stylized trees in bold, dark hues of green, blue, and black, complemented by earthy tones of brown, orange, and white. The watercolor on paper is signed by the artist in the lower right corner and beautifully framed with archival materials. The outer dimensions of the piece measure 26 ½ x 18 ½ x 1 inches, with the image size itself being 22 ¾ x 14 ¾ inches. About the Artist: Richard Sorby, a Colorado-based artist, was renowned for his distinctive modernist style, blending abstraction with representational themes. Sorby earned his Bachelor of Fine Arts degree from Colorado State College of Education (now the University of Northern Colorado) in 1937 and went on to study under influential mentors, including Vance Kirkland and William Joseph Eastman...

Unknown (European, probably Eighteenth Century) Shepherds and Peasants in a Landscape Ink, watercolor, and gouache on vellum; 12 5/8 x 19 3/8 inches Framed: 20 x 28 inches (approx.)

A truly charming watercolour finished with graphic black hatching, showing children gathering yellow Wintercress flowers in a bare branched wood. This pret...

Gustave David (British, 1824-1891) Tasting the Soup Oil on paper, mounted; 9 1/2 x 7 inches Signed at lower left: "G. David" Inscribed on verso: "GUSTAVE DAVID 1824-1891"

The watercolor shows a cliff alive with workers. At first glance it feels almost abstract, a tangle of ochres, grays, and rusty browns. Then the figures begin to emerge. Men in light...

Gouache and color pencil on paper Unique work Hand-signed by the artist The red necklace of the naked Queens “My artistic research has expanded over the years, crossing paths alre...

Four Balinese, 1910 Signed and dated bottom left Pencil and ink on paper, 15.6 x 23 cm In ebonized frame with white mount. Literature: W.O.J. Nieuwenkamp, Zwerftochten op Bali, Amsterdam, 1910, p. 36 WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...

To see our other architectural drawings and Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Prof. Sir Albert Richardson...

Watercolour, signed lower right Image size: 12 1/4 x 12 1/4 inches (31 x 31 cm) Hand made frame and mount James Bateman was an English painter and engraver specialising in agricultural topics, rural subjects and pastoral landscapes. Bateman was born in Kendal, the son of a blacksmith. During World War One he served with the Northumberland Fusiliers, the Machine Gun Corps...

"Early Morning on the Old Town Bridge" is an original oil pastel drawing by Reginald K. Gee. The artist signed the piece on the back. It depicts three figures--a couple walking towar...

Ink and collage on paper Unique work Hand-signed by the artist

Signature: Signed Lower Right "The Last of the School Builders," by Alvin F. Harrow and illustrated by Peter Helck for the Saturday Evening Post, July 12, 1941.

Medium: Watercolor on Paper Dimensions: 10.00" x 7.75" Signature: Signed Lower Right "[19]15 Life cover color" in the artist's hand on verso, suggesting th...

Arnold Finkel Gallery, Philadelphia, PA Heritage Some slight fading. Mounted to illustration board, Could be Unframed - Not sure if it is framed but the frame is old with wear. Reco...

Medium: Watercolor and Gouache Signature: Signed and Dated Lower Left "John Lavalle 1930"

Signature: Signed Lower Center

Medium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Marked "Cosmo #51" Lower Left Contact for exact dimensions. Christies stamp verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst...

Golfers, 1928 Fred Conway (American, 1900-1973) Signed and Dated Lower Right 18.5 x 24.5 inches 30.5 x 37 inches with frame A member of the faculty of the Washington University Art ...

Asian City By Dong Kingman (American, 1911-2000) Unframed: 22" x 15" Framed: 31" x 24" Signed Lower Left Born in Oakland, CA on March 31, 1911. When Kingman was five, his family moved to Hong Kong where he grew up and attended Lingnan Grammar School. The headmaster of the school, Szetu Wei, had studied painting in Paris and recognized his budding artistic talent. For several years he trained young Kingman in both oriental and occidental approaches to painting. Returning to San Francisco in 1929, Kingman became active in the local art scene and began painting scenes of the city. His first solo show at the San Francisco Art Center in 1936 brought immediate recognition. During the 1930s he spent five years working on commissions for the Federal Public Works of Art Project. During WWII he created maps and charts for the O.S.S. After the war Kingman settled in NYC and taught at Columbia University. His paintings were used as backdrops for the movie "Flower Drum Song...

San Miguel, Mexico By Dong Kingman (American, 1911-2000) Unframed: 22" x 15" Framed: 31" x 24" Signed Lower Left Born in Oakland, CA on March 31, 1911. When Kingman was five, his family moved to Hong Kong where he grew up and attended Lingnan Grammar School. The headmaster of the school, Szetu Wei, had studied painting in Paris and recognized his budding artistic talent. For several years he trained young Kingman in both oriental and occidental approaches to painting. Returning to San Francisco in 1929, Kingman became active in the local art scene and began painting scenes of the city. His first solo show at the San Francisco Art Center in 1936 brought immediate recognition. During the 1930s he spent five years working on commissions for the Federal Public Works of Art Project. During WWII he created maps and charts for the O.S.S. After the war Kingman settled in NYC and taught at Columbia University. His paintings were used as backdrops for the movie "Flower Drum Song...

Dong Kingman (American 1911-2000) "Old Mission Station" c. 1950 watercolor on paper Signed *Fully illustrated in the book "Dong Kingman, Portraits of Cities" Sheet Size: 22 x 30 inches Framed Size: 32.5 x 40.5 inches The following obituary is from Dong Kingman Jr., son of the artist. DONG KINGMAN (1911-2000) Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer. Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975. In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor." His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum. Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet. When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success. From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945. In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East. During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn. He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy. In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine. One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists." Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...