Photography Landscape Drawings and Watercolors

Painted from life, the Swiss Alps as viewed from Italy. Framed in a thick grey wooden frame. Dimensions framed: 12.5 x 19.25 inches Nelson H. White was born in New London, Connectic...

This is a one of a kind original impressionist cityscape watercolor painting by southern California artist, Duke Windsor. It is framed as pictured. Its framed dimensions are 8" x 8"....

Great early John William Guerin landscape drawing of a field and mountains in nice vintage condition from the 1960s. Signed by artist in bottom right corner. Dimensions Without Fram...

V JORDAN (19th Century) A Warwickshire Cottage, watercolour heightened with white, signed, inscribed mounts, size overall 23 x 19 inches approx. painting 9 1/2" x 13 1/2", The waterc...

A single bloom is captured inside a paper lantern atop a table in Christina Haglid's "Double Blind". This small, exquisite watercolor is awash in sunlight streaming in through parti...

Crossley, Greg (Canadian/American, born1952). ISLAND, SEA, AND SKY I, PANAREA. Colored pencils on black paper, 2011. Signed and dated in pencil. 5 1/8 x 3 3/4 inches (image) on a lar...

Jules COIGNET Paris 1798-1860 Torrent in the Alps Watercolor and brown ink wash Signed lower left 18 x 26.5 cm 29.5 x 37.5 cm framed Condition: Remarkably fresh Period frame and gl...

Albert Charles DEQUÈNE Lille 1897 - 1973 View of a steelworks in the north of France First third of the 20th century Charcoal and pastel on Signed lower left 32 x 47.5 cm 49 x 63 cm...

Born in Toronto (1942), Charles Pachter is one of the most collected and cherished Canadian artists. In both style and content, Pachter’s uplifting images share characteristics with ...

"Piedmont Italy - Wine Country" is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into th...

Art Sz: 4 3/4"H x 6 1/2"W Frame Sz: 10 5/8"H x 12 3/8"W Property from the Estate of Mary S.B. Braga Goat Fell (marked as Goatfell by the Ordnance Survey; Scottish Gaelic: Gaoda Bheinn) is the highest point on the Isle of Arran...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

Charles Pachter’s unique version of Pop Art has confirmed his position in the canon of 20th-century Canadian art. In the artist's most cherished work take archetypes of Canadiana --...

English School 20th Century By LMS to Buxton Gouache on board Image size: 6 1/4 x 9 inches (16 x 23 cm) Contemporary Frame Original artwork for a LMS poster. The London, Midland and Scottish Railway (LMS) was a British railway company that was formed in 1923 and operated until 1948. At the time it was the world's largest transport organisation, by 1938 it operated 6,870 miles of railway serving routes in England, Norther Ireland, Scotland and Wales. This painting depicts Solomon's Temple, a Victorian folly on the summit of Grin Low hill near the spa town of Buxton, in the Peak District...

Watercolour on paper Paper size: 6.25 x 8.25 inches Framed size: 13.5 x 14.75 inches Signed lower right

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

Brown, grey and pink washes on beige paper 4 x 3 3/4 inches (10 x 9.5 cm) Signed: In Nuremberg Provenance Commissioned from the artist by Daniel Wadsworth Coit (1787 – 1876), and th...

Paul Émile Pissarro’s pastels represent a remarkable facet of his artistic output, underscoring his distinctive voice within the broader nar...

Édouard Léon Cortès (1882–1969) is celebrated for his exquisite gouache and oil paintings that capture the romantic beauty of Paris during the Belle Époque. His depictions of landmar...

This coastal scene features a woman standing on a hill looking at the ocean and a beached, broken down row boat in the grass in the foreground. Seagulls fly above the scene. By Charl...

Cassilly Adams (American 1843-1921) "Medicine Man" c. 1860s Watercolor on Paper Unsigned Provenance: Questroyal Gallery, NYC Site Size: approx. 14.5 x 8....

"Les Usines En Banlieue" 1926 Gouache 31 x 40cm/approx. 12.5 x 16.75 inches Signed and Dated Lower Right Catalogue Raisonne: Petredies, Plate AG166, Page 190-191