Women Landscape Drawings and Watercolors

East meets West in this charming illustration where a female American Illustrator paints a scene of two jovial Japanese youths in a semi-Japanese style. Clara Miller Burd was a brilliant female illustrator trained in the academic tradition. This work shows her deep mastery of how to render form properly. The way she captures the expression the two children is spot on. Signed lower right. Burd was an American stained glass designer, and children's book, and magazine cover illustrator. She was a resident of Montclair, NJ and there is a gallery sticker on the back for a gallery in Montclair. Framed under glass 17 x 22 1/2". After returning from France, Burd worked as a stained glass designer at the Tiffany Glass and Decorating Company...

Watercolor and natural mineral pigments on handmade paper. Framed dimensions 11.25" x 11".

Arnold Finkel Gallery, Philadelphia, PA Heritage Some slight fading. Mounted to illustration board, Could be Unframed - Not sure if it is framed but the frame is old with wear. Reco...

Medium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Christies Stamp Verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst's Cosmopolitan Pictures film, shot in New York City and Tarrytown, NY. Directed by E. Mason Hopper, starring Marion Davies...

Death and the Maiden, Oil on Canvas by Carel Weight, 1947 Circa Additional information: Medium: Oil on Canvas 10 7/8 x 8 3/4 in 27.5 x 22.2 cm Si...

Old Dehli By Dong Kingman (American, 1911-2000) Unframed: 15" x 22" Framed: 23" x 30" Born in Oakland, CA on March 31, 1911. When Kingman was five, his family moved to Hong Kong where he grew up and attended Lingnan Grammar School. The headmaster of the school, Szetu Wei, had studied painting in Paris and recognized his budding artistic talent. For several years he trained young Kingman in both oriental and occidental approaches to painting. Returning to San Francisco in 1929, Kingman became active in the local art scene and began painting scenes of the city. His first solo show at the San Francisco Art Center in 1936 brought immediate recognition. During the 1930s he spent five years working on commissions for the Federal Public Works of Art Project. During WWII he created maps and charts for the O.S.S. After the war Kingman settled in NYC and taught at Columbia University. His paintings were used as backdrops for the movie "Flower Drum Song...

Zurich By Dong Kingman (American, 1911-2000) Unframed: 22" x 15" Framed: 31" x 24" Signed Lower Right Born in Oakland, CA on March 31, 1911. When Kingman was five, his family moved to Hong Kong where he grew up and attended Lingnan Grammar School. The headmaster of the school, Szetu Wei, had studied painting in Paris and recognized his budding artistic talent. For several years he trained young Kingman in both oriental and occidental approaches to painting. Returning to San Francisco in 1929, Kingman became active in the local art scene and began painting scenes of the city. His first solo show at the San Francisco Art Center in 1936 brought immediate recognition. During the 1930s he spent five years working on commissions for the Federal Public Works of Art Project. During WWII he created maps and charts for the O.S.S. After the war Kingman settled in NYC and taught at Columbia University. His paintings were used as backdrops for the movie "Flower Drum Song...

Dong Kingman "Chinese Theater, Los Angeles" 1965 Watercolor on Paper Sheet Size: 15 x 22 inches Framed Size: approx 19 x 26 inches Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer. Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975. In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor." His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum. Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet. When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success. From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945. In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East. During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn. He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy. In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine. One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists." Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...

Cassilly Adams (American 1843-1921) "Medicine Man" c. 1860s Watercolor on Paper Unsigned Provenance: Questroyal Gallery, NYC Site Size: approx. 14.5 x 8....

Cassilly Adams (1843-1921) "On the Lookout" c. 1860s Watercolor on Paper Signed Site Size: approx 8.5 x 14.5 inches Framed Size: approx. 16 x 22 inches A...

"Landscape" is an original drawing realized by Giorgio de Chirico in 1977. It is hand signed on the lower right margin: “G. de Chirico ’17”. Passepartout and original frame included:...

David Halbach "Winter's Blanket" 1992 Watercolor on Paper Signed and Dated Lower Left Image Size: 9 x 11 inches Framed Size: 14.5 x 16.5 inches A member of the Cowboy Artists of America since 1985, he has lived in Arizona beginning 1975 and later in the Sierras of California. In 1975, he also won the prestigious Silver Medal at the National Cowboy Hall of Fame show for his watercolor "Story Teller." In 1996 he completed a project for "National Geographic." He attended the Chouinard Art Institute in Los Angeles, and his teachers were the acclaimed Millard Sheets and Rex Brandt...

Dong Kingman (American 1911-2000) "Old Mission Station" c. 1950 watercolor on paper Signed *Fully illustrated in the book "Dong Kingman, Portraits of Cities" Sheet Size: 22 x 30 inches Framed Size: 32.5 x 40.5 inches The following obituary is from Dong Kingman Jr., son of the artist. DONG KINGMAN (1911-2000) Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer. Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975. In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor." His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum. Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet. When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success. From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945. In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East. During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn. He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy. In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine. One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists." Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...

Michael Ricardo Andreev Plasma Flares with Contrails at Dusk 2, 2013 Ink on paper 28 x 50 cm (diptych)

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the day before settling in Los Angeles in the 1930’s. The artist continued his art education and began exhibiting throughout galleries in Southern California. As with many artists, his earliest style was more academic realistic imagery, transitioning due to his intense fascination with the cubist avant garde movement, into cubist imagery which became the trademark style of painting for the remainder of his life. This is the first presentation of the paintings of Maurice Green since his death in 1993. “Long Way Home...