Canvas Drawings and Watercolor Paintings

Strawberries is an original oil painting realized in 2007 by Zhang Wei Guang (Mirror). Includes frame Oil painting on canvas Hand-signed and dated on the back Good conditions. Z...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Joseph Piccillo’s meticulous charcoal and graphite drawings and paintings reveal an exquisite draftsmanship tempered by emotional sensitivity. Piccillo presents an action-based assem...

Details Artist: Marilina Marchica (b. 1984, Italy) Title: Frammento Year: 2025 Medium: Graphite on paper Artwork Size: 75 × 140 cm Framed Size: 156 × 88 cm Framing: Custom han...

“Musing" by Sarah Alexander is a 30 x 40 x 1.5 inch watercolor landscape on canvas viewed through graceful grasses along a body of water. The warm red and gold grasses are a stark co...

"Ebb and Flow" by Sarah Alexander, is a flowing abstract watercolor on canvas in cool calm blues and turquoises measuring 30 x 24 x 1.5 inches from Alexander's "Off the Studio Floor"...

Venice. Oil on canvas, 73x93 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadim was f...

Trees Richard C. Karwoski, American (1938–1993) Date: 1984 Watercolor on Canvas, signed Size: 50 x 67 in. (127 x 170.18 cm)

Oil on canvas, Juliane Hundertmark is a German artist born in 1971 who lives and works in Berlin, Germany. She is considered one of Berlin's most original and inventive emerging pai...

Signed lower left, 'Picot' for Jean-Claude Picot (French, born 1933), and painted circa 1985; additionally titled, verso, on old label, 'L'escalier du Jardin (Mandelie '. From 1947,...

Medium: Oil on Canvas Signature: Signed and dated 'Frederick/Blakeslee/43' bottom left; also signed, inscrib

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

Romantic, tonalist style charcoal drawing of a tree in isolation by Sue Bryan "Arborescent", 2025 charcoal, acrylic, and pastel on paper dry mounted to canvas 30 x 22 inches 31.25 x ...

At long last is a contemporary artwork realized by Ryan Mendoza in 2009. Oil painting on canvas. Hand signed and dated on the back. Provenance: Galleria Massimo Minini, Brescia Born in 1971 in New York, Mendoza's personal story is subsequently intertwined with the two extremes of Europe, Naples and Berlin, the two cities in which he has lived and worked up to now. In his works he represents complex theatricality, models anatomies, doses colours, calibrates lights, draws on a rich archive of memories, confusing ancient pictorial wisdom and contemporary risks. The artist's attention is particularly focused on portraits in which he carries out distortions and alterations: he exhibits perspective disproportions, reveals anatomical dissonances, manifests dystonias between the characters in the foreground and the backgrounds. His characters appear "possessed", it is no coincidence that the title of the 2010 solo show at the Muse d'Arte Contemporanea Donna Regina in Naples is "The possessed...

This small but elegant work is a black-and-white portrait of a dog. It is painted using the signature technique of oil on photographic paper (reverse side). Thick, plasticized photog...

Pierre Carrier-Belleuse 1851-1932 French Danseuse Signed “Pierre Carrier-Belleuse” (lower right) Pastel on canvas Strikingly elegant, this extraordinary pastel by French impressi...

Italian alpine Brenva e Mont Blanc landscape, 2019 Watercolour on paper, stretched on canvas, inch 44.8 x 63 About the artist, Silvia De Bastiani: she best embodies the values of h...

This piece is framed measuring 33 by 27 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism. Her work is often heavily...

Emotional Color Change 34 (Abstract painting) Acrylic on canvas — Unframed. Kyong Lee's series combines colour and language to visually represent the external environment. The proce...

Emma Godebska's artwork is inspired by the Parisian luxury world of fashion, textures and pure color. "Equinox Green 02" is a bright and colorful contemporary abstract painting. It i...

Flowers. 1997. Canvas, oil, 59x40 cm

Spruce in snow. 2010, cardboard, oil, 24x34 cm Valery Bayda (1958) Valery Bayda was born in 1958 in Russia. From 1983 to 1989 he studied at the All-Unio...

This gorgeous sizable artwork shows the delicate beauty of spring flowers in bloom Ingrida Irbe (1969) Born 15th of June 1969 in Riga Education: 19...

"The Blue Whale" is an original mixed media artwork on canvas by David Barnett. The artist used ink, aquacryl, and iridescent acrylic and signed/dated the piece lower right. It depic...

Monotype on paper, collage Federica Frati is an Italian artist born in 1977 who lives lives and works in Brecia, Italy. She is graduated from art school Foppa where she learned the ...

Julian Barrow (1939-2013) Art Size: 7 1/2"H x 9 1/2"H Frame Size: 10 1/2"H x 12 1/2"W Provenance: The Estate of Mary S.B. Braga Artist Bio: Julian Barrow was known for his landscapes and paintings of...

Oil on linen canvas - Framed 63.8 x 84 x 3.4 cm

This widely referenced pair of paintings is one of Francesco Conti’s most successful productions. Francesco Conti is one of the finest painters of 18th-century Florence. In the shimmering colors typical of his best work, he represents two opposite characters from the Bible: the virtuous Judith, whose courage saves her people by cutting off the head of the invader Holofernes, and the depraved Salome, who under the influence of her mother becomes responsible for the beheading of the prophet John the Baptist. The artist's talent lies in his ability to treat these two macabre subjects with a light touch, presenting us with two attractive women who seem to twirl with glee amidst the severed heads... 1. Francesco Conti, the “Florentine Tiepolo” Francesco Conti is a major painter of the Florentine school of the 18th century; he can even probably be considered, along with Giovanni Domenico Ferretti (1692-1768), as one of the two main painters of the second quarter of the Florentine 18th century. Born in Florence in 1682, Francesco Conti began his apprenticeship in the workshop of Simone Pignoni (1611 - 1698), a disciple of Francesco Furini; he was also influenced by the Venetian Sebastiano Ricci. A protégé of Marquis Riccardi, he accompanied him to Rome between 1699 and 1705, where he frequented Carlo Maratta's studio. He settled permanently in Florence in 1705. Painted exclusively on canvas, the majority of his work consists of religious subjects, altarpieces or private devotional works. It is likely that Conti himself was a devout churchgoer, as evidenced by his affiliation, in the third decade of the eighteenth century, to the Society of the Disciples of Saint-John-the-Baptist, and his entry, at the end of his life, into the fraternity of the Venerable Society of the Holy Trinity. In Florence, Conti worked for the Grand Duchy's major patrons, including the last Medici - in particular Giangastone and Annamaria Luisa, Electress Palatine - and confirmed his role as a reference painter under the Lorraine Regency, as master of the Public Drawing School, which was closely linked to the institute responsible for the manufacture of semi-precious stone mosaics, then located in the Uffizi complex. Matteo Marangoni, an art critic of the early 20th century, praised his "brushwork full of elegance and true spirit of the 18th century", pointing out that Conti was "probably one of the best colorists" of the Florentine school of his time. These two characteristics led the art historian Paolo dal Poggetto to nickname him the "Florentine Tiepolo". 2. Judith and Salome, two biblical characters opposing each other These two paintings form a pair presenting two biblical episodes, which have in common the depiction of a "heroine" carrying the severed head of a man. While the Salome episode might at first appear to be an echo of the Old Testament story of Judith, each character is the exact opposite of the other. Judith, whose story is told in the Book of Judith, is a beautiful young widow from Bethulia who, accompanied by her maid, went into the camp of the invading Assyrians and won the confidence of Holofernes, the general commanding the enemy army. Invited to a great feast on the fourth evening, she took advantage of Holofernes' drunkenness to cut off his head. “She went up to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said, “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. Next she rolled his body off the bed and pulled down the canopy from the posts. Soon afterward she went out and gave Holofernes’ head to her maid, who placed it in her food bag...

French School, Arabic Horseman, Chalk Pastel on Paper Laid to Canvas, 19th century, paper labels to reverse, wood frame. Image: 19.5" H x 15.25" W; frame: 23" H x 18.5" W. Provenance...

With deep realism, I painted a quiet moment of tension and mystery, capturing the vulnerability and guarded strength of the figure. Using oil, I created rich shadows that pull you in...

Florentine, Probably Seventeenth Century Titled L’ultime parti note nel Indie occidentali Dated on the edge of the cartouche: “M.D. LXIII. M.AG” [1564…the month of August] In the 1560s Cosimo I de’Medici, the powerful Duke of Florence, undertook a major renovation of the Palazzo Vecchio, the venerable palace that to this day dominates the city at the Piazza della Signoria. For the Sala della Guardaroba, literally the wardrobe room, but in fact the storeroom of the Duke’s most precious holdings, Cosimo conceived of a grand decorative project that was to reflect in one space the entire cosmos --both an indication of the Duke’s ambition and an allusion to his name. The plan, supervised by Giorgio Vasari, involved the construction of walnut cabinets to contain the Medici treasures, on the outside doors of which were to be placed large hand-painted maps specially commissioned to document and illustrate the current knowledge of the world. Portraits of famous men were to decorate the tops of the cabinets and two large globes –one representing the terrestrial world, the other celestial—were to descend from openings in the ceiling. The commission for the maps, inspired by Ptolemy’s Geographia, was given to the celebrated mathematician and cosmographer, Fra Egnazio Danti (Perugia 1536-1585 Alatri). Fifty-three maps were ultimately created. Thirty were conceived and executed by Danti between 1563 and 1575. The remaining twenty-three were completed by Stefano Bonsignori between 1576 and 1686. They remain in place in Florence in the room for which they were created. The present work is an exact-size painted, drawn and inscribed copy of Danti’s map of California...

Staedtler pencil & acrylic on canvas

Victor Cartagena Untitled, 2022 Charcoal and acrylic on canvas Unframed dimensions: 48 x 36 inches Framed dimensions: 54.25 x 42 inches

Art Size: 8 5/8"H x 7 5/8"W Frame Size: 10"H x 9"W In gilt bamboo frame

American Impressionist

Signed pastel on canvas circa 1865 by Eugene Boudin. The piece is a study of white and grey clouds in a blue sky. Signature: Signed lower right Dimensions: Framed: 17"x19.5" Unfram...

"Lady in Red" (2024) by Bunyod Suvonov is original handmade oil painting done on canvas. This piece depicts a portrait of a woman with long brown hair wearing a red dress and holding...

Signed lower right, 'Picot' for Jean-Claude Picot (French, born 1933), and painted circa 1985; additionally titled, verso, 'La Route Vers St Jean Cap Ferr'. Beginning in 1947, Picot...

Atarax is a unique drawing by contemporary artist Cécile Bisciglia. The drawing is made with ballpoint pen, acrylic and posca on canvas, dimensions are 130 × 195 cm (51.2 × 76.8 in)....

Léon Augustin Lhermitte 1844 - 1925 L’eglise de Mézy-Moulins Pastel on mounted canvas, signed and dated '1921' lower right Image size: 20 x 24 inches (51 x 61 cm) Original gilt frame...

This captivating artwork presents an abstract urban landscape, teeming with vibrant energy and movement. Rendered in a palette of muted blues, reds, and pinks, the swirling colors su...

Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...

In this contemporary artwork in graphite and acrylic on canvas with layered undulations in shades of gray on a white background, Margaret Neill investigates the properties of abstrac...

Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...

"The Lost Craft" is an original pastel drawing on canvas panel by Reginald K. Gee. The artist signed the piece on the back. This features a man seated on a stool in a yellow interior...

This large scale conceptual text based painting by New York artist, David Kramer, features, in bold type the phase: "... I AM STILL WAITING FOR MY...

This picture embodies the fragile beauty of nature, while reflecting its complexity and depth. Flower petals, made in rich shades of purple and pink, remind us of the changeability a...

Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...

"Fantasy with Blue Tulips" is a painting where the artist has poured their soul into the canvas, creating vibrant blue tulips that burst with energy and life. The artist skillfully b...

Oil on canvas, unsigned Image size: 30 1/4 x 22 inches (77 x 56 cm) Contemporary style hand made frame This is a colourful depiction of a Cornish coastal inlet on a warm and glowing...

Emma Lindström was born in 1989 in Gothenburg, Sweden. She has had great success internationally with her colourful, energetic work, and has exhibited i...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

This is a hand painted oil and mixed media artwork on canvas by internet sensation mad charcoal He is represented by Krause Gallery NYC Ships rolled in ...

The watercolor landscape painting "Two in the Mountains" is created in the most modern watercolor technique on "liquid paper" (on a special primer applied to a regular canvas). It wa...

Abstract Lilac Turquoise Red Pink & Green Canvas Art by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed in a hi...

Painting of Abstract Red, Blue & Yellow Wild Flowers on a White Background by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design ...

"Still Life with Flowers and Fruits" is a vibrant and dynamic painting that showcases a harmonious blend of flowers, fruits, and tableware. Created with a rich, expressive palette, ...

This is a Chicago street graffiti artist - hand painted on canvas 1/1 in a new and 3-D style . He lives and works out of Chicago

In this oil painting, I sought to capture the quiet confidence and gentle elegance of youth. Through realism, I brought to life the subtle expressions and soft light that surround he...

The project aims to highlight the potential of the line, which, when repeated, is capable of creating complex images. The patience, focus, and perseverance dedicated to constructing ...