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Style: Abstract
Medium: Oil Crayon
Las Mascaras XIV. From Las Mascaras (The masks) Series
Located in Miami Beach, FL
This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...
Category

2010s Abstract Geometric Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon, Pastel

Gates No.1
Located in Bournemouth, Dorset
George Dannatt (1915-2009) 'Gates' No 1 1976 Medium: Oil & crayon on oil wash Image: 21.0 x 33.0 cm Reference no: 0450 George Dannatt’s long career as a painter and sculptor ended ...
Category

1970s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon, Mixed Media, Oil

Untitled 4. From La materialidad del tiempo (The Materiality of Time) Series
Located in Miami Beach, FL
La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...
Category

2010s Abstract Geometric Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon

Untitled Drawing
Located in Bournemouth, Dorset
George Dannatt (1915-2009) Untitled Drawing 2005 Image: 27.5 x 18.0 cm Mount: 40.2 x 30.0 cm George Dannatt’s long career as a painter and sculptor ended with the artist’s death i...
Category

Early 2000s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Pencil, Graphite, Oil Crayon

Colorful painting on paper, Unique piece, Abstract Expressionist
Located in Carballo, ES
TUSET (1997, A Coruña, España) Mixed media painting on paper Ready to frame One-of-a-kind Signed on back Includes certificate of authenticity 2021 65 x 50 cm. It belongs to the ser...
Category

21st Century and Contemporary Abstract Geometric Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon, Ink, Mixed Media, Acrylic, Pencil

Series of Small Paintings in Graphite Pencil
Located in Bournemouth, Dorset
George Dannatt (1915-2009) Series of Small Paintings in Graphite & Pencil 2009 Medium: Graphite, pencil & white oil on paper Image: 13.0 x 9.2 cm Mount: 27.0 x 23.3 cm Reference...
Category

Early 2000s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Oil Crayon, Pencil, Graphite

Untitled 1. From La materialidad del tiempo (The Materiality of Time) Series
Located in Miami Beach, FL
La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...
Category

2010s Abstract Geometric Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon

Untitled 3. From La materialidad del tiempo (The Materiality of Time) Series
Located in Miami Beach, FL
La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...
Category

2010s Abstract Geometric Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon

Abstract composition - acrylic on paper in beige, gray, pink salmon color, 2023
Located in Fort Lee, NJ
Interior design paintings. The work was done with acrylic in beige, pink salmon and grey color on a paper. Each work is 24 by 18 inches in size, framed (gold). Mila Akopova is New Y...
Category

2010s Abstract Geometric Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon, Acrylic

Untitled 2. From La materialidad del tiempo (The Materiality of Time) Series
Located in Miami Beach, FL
La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...
Category

2010s Abstract Geometric Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon

Untitled
Located in Bournemouth, Dorset
George Dannatt (1915-2009) Untitled 1992 Medium: Mixed media on paper Image: 14.9 x 10.9 cm Mount: 29.8 x 24.8 cm George Dannatt’s long career as a painter and sculptor ended w...
Category

1990s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Oil Crayon, Pencil, Graphite

Deflection of Light - Venice No 1
Located in Bournemouth, Dorset
George Dannatt (1915-2009) Deflection of Light - Venice No 1 1995 Mixed crayons on paper Image: 26.4 x 19.6 cm Mount: 40.0 x 32.4 cm Reference no: 1233/1 George Dannatt’s lon...
Category

1990s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Oil Crayon

Las Mascaras. From Las Mascaras (The masks) Series
Located in Miami Beach, FL
This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...
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Paper, Oil Crayon, Pastel

Untitled
Located in Bournemouth, Dorset
George Dannatt (1915-2009) Untitled 1992 Medium: Mixed media on paper Image: 11.5 x 16.5 cm Mount: 26.0 x 30.5 cm George Dannatt’s long career as a painter and sculptor ended w...
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1990s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Oil Crayon, Pencil, Graphite

Earthslide 565
Located in Santa Monica, CA
Oil and oil crayon on paper.
Category

2010s Abstract Expressionist Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon, Oil

Earthslide 565
Earthslide 565
$8,800 Sale Price
20% Off
Chorus Line
Located in Fairlawn, OH
Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein...
Category

1960s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Oil Crayon

Preliminary drawing for the sculpture Catacombs
Located in Fairlawn, OH
Preliminary drawing for the sculpture Catacombs Black crayon on paper, 1971 Signed and dated lower right (see photos) Provenance: Estate of the artist Michael and Alan Lipton (sons) ...
Category

1970s Abstract Geometric Oil Crayon Drawings and Watercolor Paintings

Materials

Oil Crayon

Drawing 02-02-16
Located in Phoenix, AZ
sumi ink and oil stick on Korean paper (72 x 61.5 x 1.5 inches, framed) b. 1942, Nagoya, Japan Jun Kaneko’s most recognized sculptural form is the boldly glazed, monumental dango (...
Category

Early 2000s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Oil Crayon, Sumi Ink, Handmade Paper

Earthslide 528
Located in Santa Monica, CA
Oil and oil crayon on paper.
Category

2010s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon, Oil

Earthslide 528
Earthslide 528
$6,880 Sale Price
20% Off
Irma
Located in New Orleans, LA
[New Orleans, LA ::: b.1959 New Orleans, LA] BIO ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both...
Category

21st Century and Contemporary Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Gesso, Paper, Oil Crayon

Untitled
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category

21st Century and Contemporary Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Paper, Oil Crayon

Chorus Line
Located in Fairlawn, OH
Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...
Category

1960s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Oil Crayon

Untitled (greys)
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category

21st Century and Contemporary Abstract Oil Crayon Drawings and Watercolor Paintings

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Colorsphere 4 (Turquoise)
Located in Santa Monica, CA
Oil and oil crayon on canvas.
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2010s Abstract Oil Crayon Drawings and Watercolor Paintings

Materials

Canvas, Oil Crayon

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Oil Crayon drawings and watercolor paintings for sale on 1stDibs.

Find a wide variety of authentic Oil Crayon drawings and watercolor paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add drawings and watercolor paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, red, blue, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Howard Tangye, Anastasia Pelias, Angela Lyle, and Viktoriya Kadesnikova. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Oil Crayon drawings and watercolor paintings, so small editions measuring 0.1 inches across are also available Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1,595,000, while the average work can sell for $893.

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