Charcoal Still-life Drawings and Watercolors

Emily Farish’s work explores the connection between organic forms and human intervention through her charcoal drawings of flowers. She meticulously renders each flower’s nuanced impe...

"Behind the Studio" is a realist charcoal on paper drawing. It depicts the treed filled forrest behind the aritst's studio in Sag Harbor, NY. Frame Dimensions 26 x 34in Framed und...

"Still Life" Abstract Drawing 20" x 12" inch by Nazli Madkour Madkour was born on 25 February 1949 in Cairo, Egypt. She has held solo exhibitions since 1982 in many galleries in Eg...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Memory of Leaves” beautifully illustrates the branching form of a mature birch tree. Loosely drawn with informal, sketch-like linework, the tree is shown in the middle of winter, bare of leaves and white with frost. Surdo’s skillful placement of shadow illustrates the forking branches with incredible texture and effortless realism. The intricate play of light and dark is accentuated by the stark white background, a negative space that isolates the tree in space and time. Restricting the composition to only a portion of the tree trunk, Surdo accentuates the tree’s abstract form, lingering on areas of unusual shape or texture. Seeking to convey the strong emotional response elicited by his initial encounter with the tree, Surdo focuses on the tree’s sculptural form, contrasting the strong trunk...

Still Life with Lemon and Hat is beautiful original oil pastel and chalk drawing on ivory-colored paper, realized by an anonymous French artist of the end of XIX century. On a table...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of a milkweed pod, bursting forth with cotton. Examples like this show the ...

"Telephone in Landscape" is an original charcoal drawing on handmade amate paper by Miguel Castro Leñero. The artist initialed the piece lower rig...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Faith,” this small-scale charcoal drawing depicts a tree trunk carved with two deep cuts in the shape of a cross. The carving has healed over, assimilated into the bark as just another interesting detail. Up close, the work is loosely drawn with a heavy hand, but from afar, the natural scene still achieves a sense of realism. The tree trunk is conveyed through chaotic scribbling and aggressive strokes of light and dark charcoal, resulting in a pattern that simulates the rough texture of bark. Light falls softly on the tree, illuminating its form against the dark, atmospheric surroundings. The striking imagery of this work conveys the strong emotional response elicited by Surdo’s personal encounter with this tree. Restricting the composition to only the scarred portion of the tree trunk, Surdo focuses on symbolism of the cross carved into the tree’s side. The carving was inflicted upon the tree by an individual, whether as an act of graffiti or the object of adoration. Despite this wound, the tree persists and grows, adapting and changing until the mark is but another interesting detail. The tree’s spirit endures and speaks to the strength it takes to heal oneself, whether physically or mentally. Charcoal on paper...

Charcoal on paper 9 x 12 inches

Manfred Schwartz (American, b. Poland, 1909-1970), Still Life of Seashells, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 20" H x 25.5" W. Provenance:...

Manfred Schwartz (American, b. Poland, 1909-1970), Still Life of a Waste Bin, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 25.75" H x 20" W. Provenan...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

Still Life by Ludovic-Rodo Pissarro (1878-1952) Charcoal on paper 28.4 x 24.3 cm (11 ⅛ x 9 ⅝ inches) Signed lower right, L. Rodo Provenance Private Collection, London This work is ...

Broken Fist, 2016 Charcoal on paper 30 x 40 cm Signed and dated Kanarelis presents a journey towards the truth, a truth bound to a genuine subjective point of view of the familiar a...

Avant-Garde Argentine