Condiments Still-life Drawings and Watercolors

Eve Nethercott, American (1925 - 2015) - Vase of Flowers (P3.20), Year: 1960, Medium: Watercolor on Paper, Size: 19.5 x 13 in. (49.53 x 33.02 cm), Description: Illuminated by...

Still Life with Objects is a drawing in watercolor and tempera on paper realized by Enotrio Pugliese in the 1960s. Hand-signed by the artist o...

Still Life with Lemon and Hat is beautiful original oil pastel and chalk drawing on ivory-colored paper, realized by an anonymous French artist of the end of XIX century. On a table...

Untitled Still Life, 2014 Graphite on paper 17.4 x 20.85 / 44 x 53 cm Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween 1999 and 2004 he s...

Christoper Ryland (born 1951) Still life of freesia Watercolour 16 x 23 inches Christopher Ryland's flower paintings are in collections all over th...

A delicate study of freesias and white blossoms in a glass vase. The artist has used oil paints with an impasto technique on top of a watercolour base to create textured petals. Sign...

A delicate and finely executed floral still life of red and white chrysanthemums in a blue and white china urn in front of a deep blue curta...

"My watercolor paintings depict narrative dilemmas, light-hearted vignettes, or staged existential dramas on a microcosmic scale, as they might be seen through a shallow focus lens. ...

Christina Haglid Brick Light watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm FRAMED DIMENSIONS 17.25h x 14.25w x 0.75d in 43.81h x 36.20w x 1.91d cm CMH060 Artist's S...

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right

Artist Commentary: This is a watercolor floral still life painting. Keywords: Abstract, Bold, Pop & Graphic, Expressive & Gestural, symmetric, blue, yellow, orange Artist Biography...

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.

Rosehip. Oil on cardboard, 23x27,5 cm

A small purple vase floats on a dreamy background of pale blues fading into a warm beige. The artist achieves a remarkable delicate quality by multip...

Tree roots emerge from a vase to create a forest of trees in Christina Haglid's "Canopy". The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Canopy watercolor and gouache on paper 11h x 8w in 21.75h x 18w in framed CMH033 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

"North Sea", by Christina Haglid, is a meticulously detailed watercolor. The single bloom suspended above the vase has translucent water droplets covering its soft peach colored pet...

"My watercolor paintings depict narrative dilemmas, light-hearted vignettes, or staged existential dramas on a microcosmic scale, as they might be seen through a shallow focus lens. ...

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.

R.F. Alvarez The Plant I Keep Forgetting to Water Signed, l.r. Colored pencil on paper 8.25 x 5.5 inches