Academic Drawings and Watercolor Paintings

A very attractive view of a rural lane in Pirbright by this highly collectable artist who was a contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the Turnpike Signed with initials on reverse and inscribed as title and additionally " Thunder about/ 1 pm" watercolour and pencil 4 x 6½ inches without frame 11 x 13 inches with frame William Crotch (5 July 1775 – 29 December 1847) was an English composer and organist. According to the British musicologist Nicholas Temperley, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Crotch was a professional musician, becoming the first Principal of the Royal Academy of Music...

La obra va firmada por el artista en la parte inferior En la parte trasera, va nuevamente firmado y fechado del año 2005 Se presenta enmarcada la obra (el marco presenta algún leve...

This particular drawing is a study of the sculpture at the Medici Chapel in Florence, Italy. The artist creates a true to life representation of the sculpture in question by incorporating techniques of classical academic drawing such as cross hatching and gesture based mark making in order to create volumes and give the study an overall three-dimensionality. Christopher Ganz Dusk from the Tomb of Lorenzo di Piero de'Medici, by Michaelangelo, in Florence Ballpoint pen 24h x 13w in 61h x 33.29w cm CG0064 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck...

Edward Stott, ARA (British, 1859 - 1918) Reclining nude Pastel and black crayon 8.1/2 x 12.1/4 in. (21.7 x 31.2 cm.) Provenance: Abbott and Holder, London A few years after its foundation in 1886, a critic referred to the New English Art Club as that Steery, Starry, Stotty. Stotty referred to William Stott of Oldham and Edward William Stott. The four men had in common the love French plein air painting...

Jules LAURENS Carpentras (Vaucluse), 1825 - Saint-Didier (Vaucluse), 1895 Pencil 29 x 23 cm (36 x 30 cm with frame) Signed and dated lower left "JL / 52" Modern frame Excellent condi...

Title: Original French Anatomical Study of a Horse's Leg Artist: Robert Ladou (French, 1929-2014) Medium: Pen and Pencil on paper Size: 20 (Height) x 13.25 (Width) Signed: No Conditi...

Title: Original French Anatomical Study of Horse's Head Artist: Robert Ladou (French, 1929-2014) Medium: Pen Size: 19.75 (Height) x 12.75 (Width) Signed: No Condition: Good, minor di...

Title: Original French Anatomical Study of a Horse's Shoulder Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on paper Size: 20 (Height) x 13.5 ...

Claude Muncaster (British, 1903-1974) Cowdray ruins, West Sussex Pencil and watercolour 12.1/2 x 9 in. (31.7 x 22.8 cm.) Provenance: Garton & Cooke, New Bond Street, London Exhibitio...

Stanley Spencer (British, 1891-1959) Study for The Apotheosis of Hilda Pencil 19.3/4 x 30 in. (50 x 76 cm.) Provenance: Christie’s South Kensington, Stanley Spencer studio sale, 1998...

Francesco Ballesio (Italian, 1860-1923). A fine orientalist pencil and watercolor heightened with gum Arabic on paper figure of "A Middle-Eastern Beauty at Rest" depicting a young ma...

Born in the canton of Friborg, Gilbert Pauli (1944 - 2020) lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed since childhood. His favorite t...

Samantha Haring Crystal Clear, 2024 Chalk pastel on paper 15 x 15 in. (hari026)

An exquisite and tranquil portrayal of haystacks amidst the idyllic 19th Century Sussex countryside in the southeastern region of England. This enchanting watercolour captures the es...

Sir Stanley Spencer, CBE RA (British, 1891 – 1959) A Portrait of Hilda, the artist’s wife Pencil on paper Signed and dated ‘Stanley spencer 1924’ (lower right) 8 x 9.3/4 in. (20.3 x ...

This is a beautiful drawing, brimming with the unique personalities of Alice Liddell and her beloved sisters, Lorina and Edith. Dating back to the late 19th Century, this captivatin...

Edmund Dulac (French, 1882 – 1953) A welcome refreshment Black crayon with a touch of white chalk Signed ‘E Dulac’ (upper right) 8.7/8 x 11 in. (22.5 x 28...

The small but exquisite drawing, made in a mixed technique of pencil and gray watercolor, depicts a mythological scene in which a group of naked putti are seen dancing and holding ha...

Signed by artist "M. O'KEEFE 2013" at lower left. Media is graphite on clay-coated panel. Overall dimensions including the frame are 18 x 15 inches.

Frank Adams (British,1871-1944) “Pray, Mistress Mouse, / will you give us some beer?”/Heigho! Says Rowley, / “For Froggy and I are/fond of good cheer”. / With a rowley powley/Heigho!...

Gilbert Spencer RA, RWS, NEAC (British, 1892-1959) Portrait of William Dockar Drysdale pencil Signed and dated `Gilbert Spencer/ 1949’ (lower right) 15...

French school early 20th century  View of the Grosbois castle and a portrait study. Black ink, black ink wash and watercolor on paper Signed lower right (indistinct, see photo) 27 x ...

Work on paper

Work on paper

Work on paper

Work on paper Monogram L.T.C.

Work on paper

Work on paper Stamp of the O. Vautier workshop Dimension of the passe partout frame 52.5 x 38 cm Otto Vautier is a renowned Swiss painter, born in 1863 i...

Work on paper Stamp of the workshop of O. Vautier Dimension of the passe-partout framing 52.5 x 38 cm Otto Vautier is a renowned Swiss painter, born in 1...

Work on paper

Artist: Marshall Goodman, American XXth Title: Fagin Teaching Boys to Steal (Oliver) I Year: circa 1960 Medium: Watercolor on Paper, signed in ink Size: 17 x 23 inches Frame: 21.5 x ...

Aquarelle sur papier, signée et datée 1937. Dimensions avec le cadre: 51x68 cm. Odilon Roche est né le 3 octobre 1868 à Châteauneuf-sur-Loire. Mort le 27 août 1947 à Six-Fours (Var...

Edouard Detaille (1848-1912) The Young Paperboy 16.5 x 20.5 cm Watercolor and brown ink on paper Signed lower right In good condition, the paper is slightly yellowed by time, some o...

French School 19th Century, Studies of horses, two drawings in the same frame 7 x 11 cm (oval) and 7 x 9.8 cm pencil on paper Condition : The oval one on the left with foxings (see...

signed "Emile Noirot 1893" at lower right overall dimensions, including frame, are 19 3/4 x 23 5/8 inches

Ernst Albert Fischer-Cörlin (1853 Körlin - 1932 Persante). Feeding the Kittens, 1893. Pencil on painting cardboard, 38 x 29 cm. Signed and dated by the artist at lower left "E[rnst] A[lbert] Fischer=Cörlin 1893". - Lightly stained, somewhat dusty and minimally foxed. - Little cat mother - About the artwork Daughter, mother and grandmother gather in the sunlight to feed a litter of kittens. The mother and grandmother hold the lively, playful animals in their arms, while the young girl feeds two of the four kittens with cookies. There is also a small bucket of milk and a bowl of milk. The women and the girl watch as the cute, still blind animals eat. It is a scene taken from everyday life, but it also has an allegorical dimension, bringing maternal care into the representation. Three generations are represented, with the grandmother and the mother already mothers. They not only offer the kittens to the youngest, but also proudly observe the maternal care that the youngest gives to the kittens. Like the kittens, she will grow up and become a mother herself, so the image is also an allegory of life's ever-new beginnings. In keeping with this, the morning sun shines into the picture from the right. Fischer-Cörlin has masterfully worked out the quality of the light, with its light and dark areas, with the pencil used...

Animalier and female illustrator of the Golden Age, Gladys Emerson Cook, draws a tension-filled picture of two Scottish Terriers fighting over a stick. With a few lines, the artist ...

Edouard Detaille (1848-1912) A carnival scene 21 x 16.5 cm Watercolor and brown ink on paper Signed lower right Period frame : 35 x 30 cm (lacks in...

A colorful self-portrait from Ben Fenske, staring at the viewer straight-on. Hues of red dominate. Unframed. Ben Fenske (b. 1978) although a native of Minnesota, and has been worki...

New Orleans/Washington State artist Lue Isaac shows off her remarkable draftsmanship with this classical nude figure drawing. Note that this is from her ske...

Original watercolor on archival paper of a mother and her children by the Japanese artist, Takashi Nakayama. Signed in watercolor lower left...

New Orleans/Washington State artist Lue Isaac shows off her remarkable draftsmanship with this classical nude figure drawing. Note that this is from her ske...

Beautiful floral watercolor and gouache on paper with musical instruments by the German artist, Friedrich (Frederick) Jungling. Signed lower right and dated 1908. Excellent condition...

Rapidography & ink on paper Pascal Plazanet is a French artist born in 1963 who lives and works in Paris, France. For more 30 years, he constantly uses rapidograph pens in his artworks on paper or onto canvas. The rapidograph is a special pen with a capillary tubular tip in which flows a black pigment, an ancient drawing...

"View of Chequers Court" is an original pencil, pen, and ink drawing by Fiennes Trotman. This drawing was part of the Rothschild collection, and it fea...

A portrait of a male head, in profile by BenFenske. The artist uses a variety of colors to convey a naturalist impression. Artist Bio Ben Fenske (b. 1978) although a native of Minn...

"Portrait of Baron Mayer de Rothschild, Rothschild Collection" by Oscar Gustave Rejlander is done in ink wash on paper. It is framed and matted. The portrait is a bust of Baron Mayer de Rothschild of the Rothschild banking dynasty, who lived 1813-1874. Art size: 11 3/4" x 8 3/4" Frame size: 20" x 17" "Rejlander, Oscar Gustav (1813-75), Swedish-born photographer, active in England and often known as ‘the father of art photography’, having pioneered practices such as combination printing and promoted photography's capacity to tackle subjects conventionally associated with painting. After studying lithography and painting in Rome, Rejlander arrived in England in the early 1840s and settled in Wolverhampton. A day's instruction with Nicolaas Henneman was apparently his only training before he turned to photography in 1853. Throughout his professional career, Rejlander combined studio portrait work and other commissions with particular artistic projects, importing ideas and inspiration from such sources as Flemish and late Renaissance art, 18th-century English narrative works, or contemporary cartoons from papers like Punch. His famous moral allegory The Two Ways of Life (1857) combines sophisticated combination printing with elaborately staged photographs. Although widely condemned as indecent—in Scotland only the ‘virtuous’ side of the picture could be shown—it was bought by Queen Victoria for Prince Albert. Rejlander vigorously defended photography's narrative capability, emphasizing artifice as a way to truth and creative expression, and works like Hard Times and The Dream (both 1860) convey unconscious states hauntingly and in a precociously modern way. In 1862 he left Wolverhampton for a London studio, where judiciously placed windows enabled him to create subtle lighting effects for portraiture. Charles Dodgson (Lewis Carroll) and Alfred...

Rapidography & oil onto canvas Pascal Plazanet is a French artist born in 1963 who lives and works in Paris, France. For more 30 years, he constantly uses rapidograph pens in his artworks on paper or onto canvas. The rapidograph is a special pen with a capillary tubular tip in which flows a black pigment, an ancient drawing tool...

Signed upper left

Mona Alizon Edmonds (British, 1911 – 1983) Unfinished monkey business, 1944 Pen and watercolour 11.3/8 x 11.3/8 in. (28.7 x 28.7 cm.)

John Charles Lamont ARSA (Scottish, 1894-1948) “The sitting girl” Pencil, watercolour, body colour and pastel Signed ‘LAMONT’ (lower-right) 23. 3/4. X 14. 3/4 in (60.5 x 37.5 cm)

Academic study in profile of a high bow sitter on gray paper with white highlights. Signed lower right and dated faintly 1916 Edith Emerson (July 27, 1888 – November 21, 1981) was a...

An early work on paper, by American Impressionist painter, Ben Fenske. It's rare to see a drawing like this from Fenske, especially of a self portrait. Fenske uses classical draftin...

Herbert James Draper (British, 1863-1920) Puck Pastel Inscribed ”PUCK” (middle left) and further inscribed and signed `Study for Puck/ Herbert Dra...

A colorful sketch of a female bust, in the style of contemporary academic realism. Artist Bio Ben Fenske (b. 1978) although a native of Minnesota, a...

Discover this magnificent charcoal drawing by Heinrich Axenfeld , a 19th-century artist (1824-1895) renowned for his talent in both realistic and poetic portraiture. This delicate...

John Ruthven is recognized as the “20th-century Audubon. In this very detailed and meticulously rendered work the artist depicts a Koala in an iconic and proud pose and a Photoreali...

Cartoonist Richard Taylor was trained in academic art. He frequently comments on abstract art which was the new and radical thing at the time. "Curtis sees so much more in these thi...

Street Costumes by Ruth Kreps. Signed lower right. Most likely for a book published in the 1930's about turn of the century women's fashion. "Costume Design of the Gay Nineties" T...

The drawing, India ink on paper, falls within the studies of antiquity popular in the Academies from the 18th century onward, and refers to the frieze of an ancient sarcophagus. Al c...