American Impressionist Drawings and Watercolor Paintings

Clyde Steadman's "Untitled 18" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model.

Serene mid-century seascape of a vivid cyan blue coastal tide pool by Joseph Yeager (American, 20th Century). Signed "Joe Yeager" in the lower right corner....

Hazel Z Weckbach's (US based) "Path" is an original, hand-made oil painting that depicts a rocky forest clearing in early winter. Artist Statement: "Subject matter to me is a vehicl...

Hazel Z Weckbach's (US based) "March" is an original, hand-made oil painting that depicts a snow-laden forest clearing in early winter. Artist Statement: "Subject matter to me is a ...

Clyde Steadman's "Untitled 15" is an original, handmade watercolor painting that depicts an impasto scene of artists with their easels.

Serene watercolor of coastal Florida by an unknown artist named Stow (American, 1955-2016). Signed "Stow" in the lower left corner. Presented in a blue...

This artwork "Landscape with Boat and House, California" is a watercolor by California artist Catherine Rubino Eaton Baca, 1907-1978. It is hand signed and dated at the lower right corner by the artist. The image size is 17 x 23 inches, framed size is 25 x 31 inches. Framed in original dark wood and gold frame. It is in very good condition. About the artist: Born in Oakland, CA on Jan. 18, 1907. Catherine Rubino studied at the CCAC and with Phil Paradise...

Clyde Steadman's "Untitled 20" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model in an interior setti...

This artwork titled "State Capitol at night, Sacramento, California" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he low...

Mid century watercolor figure study, a lively depiction of a reclining nude woman by Bay Area Figurative Movement artist Hubert Buel (American, 1915-1984)....

This artwork "Vue of Chiloa Bridge, Japan" c.1950 is an watercolor on paper by noted American artist Joseph Morgan Henninger, 1906-1996 It is signed at the lower left corner by the artist. The artwork size is 21 x 28.65 inches, framed is 28.5 x 35.85 inches. Framed in original wooden gold frame, with fabric liner. It is in very good condition. About the artist: Joseph Morgan Henninger (May 15, 1906 – March 7, 1999) was an American artist and illustrator. He was born in Elwood, Indiana and died In Pacific Palisades, California. Joseph Henninger...

This artwork "Cityscape" c.1965, Is a watercolor on paper by California impressionist artist Alfred A. Cunningham, b.1932. It is signed at the lower right corner by the artist. The s...

This artwork Titled "Noya River, Mendocino, California" c.1970, is a large watercolor on heavy Arches watercolor paper by Carmel impressionist artist...

Figurative landscape of four infantrymen in formation with their long arquebus guns by Adolphe Ancker (Dutch, 19th Century), after Marchetti. Signed and dated "Adolph Ancker 1888" lo...

Harvest Time The Hills of Mt Tamalpais near Lake Bon Tempe 1890s The Hills around San Rafael in the 19th century were a time of work and play as seen in this watercolor near Lake Bon...

Landscape with snow and pack

Coastal Trees Landscape in Watercolor on Paper A vibrant watercolor landscape of towering coniferous trees against a bright blue and cloudy sky, by California artist, Lucile Marie Johnston (1907-1994, American). Signature in bottom right corner. Presented in a new soft grey mat with foam core backing. Paper size: 16.5"H x 21.5"W Mat size: 20"H x 26"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...

Clyde Steadman's "Untitled 10" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face.

Clyde Steadman's "Untitled 6" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face with a blue background.

Clyde Steadman's "Untitled 17" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model.

Gorgeous landscape of the edge of a lake with mountains in the background by a California watercolor artist.. Signed in pencil in the lowe...

Clean and confident sketch of a nude model by an unknown San Francisco Bay Area artist (20th Century). A woman is lying down on her back, with her arms above her head and legs up on ...

Clyde Steadman's "Untitled 7" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face with a blue background.

Seated nude figure study by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work directly from the estate. This piece is on heavy bond paper with ragged edges and is unfinished. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

Vintage coastal landscape of Peniche, Portugal with boats and small figures by Buford Brooks Crossland (American, 1918-2013). Signed "Buford Crossland...

Vibrant watercolor painting of a house at the end of a hill by Doris Ann Warner (American, 1925-2010). Doris Ann Warner began as an Abstract Expressionist painter, but was primarily ...

“Harvard Graduates at Massachusetts Hall” by Aiden Lassell Ripley (American, 1896-1969) A wonderful depiction of Harvard graduates on campus by renowned watercolorist and former Har...

Clyde Steadman's "Untitled 9" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face.

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

This artwork Titled "Mission San Carlos Borromeo de Carmelo, Carmel, California" c.1970, is a large watercolor on heavy Arches watercolor paper by Carmel impressionist artist Edward ...

Ruth Cobb (American, 1914-2008) Untitled, c. 20th century Watercolor and mixed media on paper Sight: 19 3/4 x 28 1/2 in. Framed: 33 1/2 x 41 3/4 x 1 3/4 in. Signed lower right Born ...

Seated Nude in Charcoal on Paper Figurative piece with a nude model by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The model is seated, with one leg bent ...

Bearded Man Portrait (27) Raphael Soyer Russian/American (1899–1987) Date: circa 1970 Ink and Pastel on paper, signed Size: 11.5 x 8 in. (29.21 x 20.32 cm) Frame Size: 20.75 x 17 i...

Schooners on the Coast with Rocks Tide Pools and bird by Howard Garfield Gray Schooners in the mist by artist and illustrator Howard Garfield Gray (American, 19th-20th C). Watercolor...

Pink and White Petunias is a graceful and sprightly composition featuring soft pink and green tones. Hills was a master of capturing the essence of whatever flowers or vase she chos...

Clyde Steadman's "Untitled 8" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face.

Clyde Steadman's "Untitled 19" is an original, handmade watercolor painting that depicts an impasto painting of a nude female model in an interior setting.

untitled (polo player on horseback) Chalk on tan paper, c. 1920 Unsigned Provenance: Gift of the artist William McGill (Keller's student) Image size: 4 3/8 x 5 ...

Storm on the horizon

Reflections in the Pond 19th Century Pencil Drawing by Alfred Villiers Farnsworth 19th century drawing in pencil of reflections in a pond ...

This artwork titled "The abandoned Farm" c.1960 is a large watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signe...

untitled (Maine Autumn Landscape across the narrows from Mt. Desert) Watercolor, 1945-1955 Signed by the artist lower left in pencil (see photo) Provenance: Estate of the artist Cond...

Maritime watercolor landscape of boats on the marina in Redondo Beach by Gene Wynne (American, 20th Century). Signed "Gene Wynne" in the lower left corner. Title on verso reads "At the Princess Louise...

Modernist 20th Century Rocky Plein Air California Landscape A vibrant watercolor seascape by California artist Lucile Marie Johnston (1907-1994,...

Significant 1940s work titled "Toiler's House" by George Demont Otis (American, 1879-1962). Titled "Toiler's House on the bottom left and signed "George Demont Otis" on the bottom right. Presented in a black wood frame. Image size, 12"H x 18"W. Otis was born in Memphis, Tennessee where he was orphaned at age six and was raised by his grandmother in Chicago...

This artwork "On the Road" is a watercolor on paper by noted California artist Henry Waltermar Doane, 1905-2002. It is signed by the artist at the lower ri...

Artist: Arnold Grossman (American, 1923-2016) Title: The concrete Plant Year: c.1970 Medium: Watercolor Paper: Watercolor paper Image size: 11.25 x...

West Gouldsboro (Looking Across Mt. Desert Narrows) Watercolor on paper, c. 1945-1955 Unsigned Provenance: Estate of the Artist Condition: Excellent Image/Sheet size: 9 7/8 x 12 1/2 inches Regarding the Maine subject matter of her watercolors, we know that Allen taught art in West Gouldsboro, ME, located near Arcadia National Forest. This watercolor was most probably done in that vicinity. A local Maine newsletter mentions “the artist Greta Allen’s house” as artist residing in West Gouldsboro, Maine in a house formerly owned by James Hill. West Gouldsboro is located just east of the Mt. Desert Narrows, across Frenchman Bay from Mt. Desert Island and Arcadia National Park. Please see attached images for detailed information about the artist's life and time in Maine. Greta Allen, who is sometimes listed under her married name Dietz, was born in Boston in 1881. At the Massachusetts Normal Art School she took elementary lessons from Joseph R. DeCamp, then Frank Benson was her teacher at the School of the Museum of Fine Arts, Boston. Although her work seems to be only in private collections today, Allen exhibited at the Boston Art Club, at the Copley Society...

This artwork titled "Preparing the picnic" c.1950, is a watercolor on paper by noted American artist John Cuthbert Hare, 1908-1978. It is signed at the lower right corner by the arti...

This artwork titled "Saint Isaac's Cathedral, Leningrad" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he lower right cor...

Charming small-scale watercolor painting of figures sitting outside an old building in a small California gold town by R. E. Baker (American, 20th Century). The warm color palette of...

This artwork titled "St Emilion" c.1970, is a watercolor by American artist Wayne Ensrud, b.1934. It is signed at the lower right side by the artist. The artwork size is 19 x 24 inches, framed size is 22.75 x 27.5 inches. Custom framed in a wooden ornate gold frame. It is in excellent condition. About the artist:. Wayne Ensrud was born in Minnesota where he received his BFA from the Minneapolis Institute of Art. As a student he met Oskar Kokoschka, the artist-in-residence at the Institute, who profoundly influenced Ensrud's work and has remained his friend and mentor ever since. When Pablo Casals conducted his Master Class Series at Berkeley. Wayne Ensrud had the honor ot being invited to execute drawings of the great cellist during those sessions. and this year when the New York Chamber Society celebrated its 10th anniversary.Ensrud was asked to sit in on rehearsals and sketch the world famous violinists ltzhak Perlman and Pinchas Zukerman. Actress Jayne Mansfield, novelist Alex Waugh, wine connoisseur Alexis Lichine are among others who have been portrayed by Ensrud. Mr. Ensrud has been a free-lance art director and animator for ABC, CBS, and IRM IBM contracted him to he the series, "Computer and the Mind of Man", which has been translated into 18 languages and won several international awards. For ABC he created the film animations for the Gemini Space Programs. He taught film animation at Pratt Institute for tour years. Ensrud was Art Director at the University of California at Berkeley for the Department of Motion Pictures and Television and he was Executive Art Director of Channel 13-TV, New York City. Mr. Ensrud has art directed over 30 films and lust completed a film for television starring Richard Basehart. He has illustrated the writings of Odgen Nash, John O'Hara, and John Fowles...

This artwork "At the Dock" c.1980 is a watercolor on 500 Aquarelle paper by noted American artist Allen Daniel (Dan) Burt, 1930-2004. It is signed at the lower right corner by the artist. The artwork size is 21.5 x 29.5 inches, framed size is 29.5 x 37.5 inches. Custom framed in a white metal frame, with off-white matting. The artwork is in excellent condition, the frame has some minor scratches, the acrylic glass have some scratches and will be replaced by a new...

Sumi-e Brushes and Bowl - Still Life by Elizabeth Harrington Vibrant still life of Sumi-e Brushes in vase and rinsing bowl by Elizabeth Mae Harrington, "Betty" (American, 1919-1990). A small vase holds several sumi-e brushes, next to a small red bowl. A small piece of blotter cloth is in front of the bowl. Signed "Elizabeth Harrington" in the lower right corner. Presented in a wood frame with a double mat of pink and tan. Image size: 10.5"H x 9"W Frame size: 19.5"H x 16.5"W Elizabeth "Betty" Harrington (American, 1919-1990) was born in San Diego, California in 1919. She studied at the University of California and the California School of Arts and Crafts. She also studied privately with Richard Yip...

Red Rock Canyon River, Modernist Landscape in Watercolor on Paper A vibrant watercolor landscape with a river running through a red rock canyon, by California artist, Lucile Marie Johnston (1907-1994, American). Signature, "Lucile Johnston 1976" at the bottom left. Presented in a beige mat with foam core backing. Mat size: 22"H x 28"W Paper size: 15.25"H x 22.25"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...

Farmhouse in the Foothills - Rural California Landscape in Watercolor on Paper Idyllic country landscape by California artist Alice Duke (American, 1921-2012). Amador County California. A rustic farmhouse sits at the bottom of a sloping hill at dusk. The sky is a misty grey blue, as if the sun has just recently set. Just below the farmhouse, there are a few fields divided by a simple fence. Titled a signed on verso “Amador County Alice Duke” “AC23”. Presented in a vintage frame with a double mat. Frame size: 16.75"H x 20.75"W Image size: 10"H x 14"W Duke, Alice (American, 1921-2012) was an artist from Jackson, California. She was a student of Dorner Schueler. Memberships: Founding member, Gallery 10. Member, Northern California Arts. Member, Society of Western Artist Shows and Awards: 1999 - Gallery 10, Sutter Creek, CA 1986 - (1st Place, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1985 - (Hon. Mention, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1982 - Sunshine Art...

Open field with tree and building

Minimal winter landscape bordering on abstraction in earthy neutral tones of a pine tree in the snow, which the artist depicts using negative space, under a dark winter sky by Cheryl...

This artwork titled "Bali Beach" 2004 is a watercolor on paper by noted California artist Arnold A. Grossman, 1923-2016. It is signed at the lower right cor...

Boats Docked On The River - Original Watercolor on Paper Original watercolor on paper depicting boats parked along the water by Ken L. Stephens (American. ...