Skip to main content

American Modern Drawings and Watercolor Paintings

to
80
399
328
142
64
16
Overall Width
to
Overall Height
to
1
2
884
61
4
13
46
238
121
107
39
25
40
10
7,441
7,233
5,059
3,111
926
641
540
414
413
316
250
211
60
46
531
400
16
544
340
249
212
179
121
74
64
59
56
52
24
23
22
20
19
18
18
15
14
572
441
428
186
170
183
38
20
19
13
317
50
916
24
Style: American Modern
Clinton Hill, Paris, Oct., 1951 (France), mid-century abstract gouache drawing
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images. He lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, ...
Category

Mid-20th Century American Modern Drawings and Watercolor Paintings

Materials

Gouache

A Fine, 1950s Mid-Century Modern Academic Anatomical Figure Study (Hand Feet)
Located in Chicago, IL
A Fine, 1950s Mid-Century Modern Academic Anatomical Figure Study of a Model's Hand Feet by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed composite fi...
Category

Mid-20th Century American Modern Drawings and Watercolor Paintings

Materials

Paper, Ink

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
Located in New York, NY
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches. LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated. EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12. PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York. NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Gouache, Pencil

Pawel Kontny “New Mexico” 20th-Century Southwestern Modernist Watercolor
Located in Denver, CO
This 20th-century watercolor painting, “New Mexico,” by Polish-American artist Pawel Kontny, captures the enduring architecture and serene spirit of the American Southwest. The work ...
Category

Mid-20th Century American Modern Drawings and Watercolor Paintings

Materials

Watercolor

Edward Laning, Joe Jones Asleep
By Edward Laning
Located in New York, NY
This is a World War II drawing of the Missouri artist Joe Jones (1909-1963) by the New York artist Edward Laning (1906-1981). A typed note reads “Drawn in th...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Ink

Lull in Summer Rain
Located in Bryn Mawr, PA
Provenance Kennedy Galleries, New York; DC Moore Gallery, New York; Private collection, Ireland, until 2012 Exhibitions New York, DC Moore Gallery, Charles Burchfield Paintings, 19...
Category

1910s American Modern Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Early Abstraction II
Located in London, GB
This soft and inviting work is the second in a series of abstractions by Walkowitz. Containing a central sequence of wavey lines and a singular circle, it evokes a feelings of joy in...
Category

Early 20th Century American Modern Drawings and Watercolor Paintings

Materials

Pencil

American modernist drawing of a nude woman by a San Francisco Bay Area artist
Located in Colfax, CA
A figurative modernist drawing by American artist, writer, and educator, Erle Loran. Erle Loran, (1905-1999), was an American painter and educator who painted for the entirety of hi...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Ink

Audience
Located in San Francisco, CA
This artwork titled "Audience" 1983 is a watercolor on hand made paper by noted artist Ruth Weisberg, born 1942. It is hand signed at the lower right corner by the artist. The artwor...
Category

Late 20th Century American Modern Drawings and Watercolor Paintings

Materials

Watercolor

Untitled #3
Located in San Francisco, CA
This artwork "Untitled #3" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 21.75 x 16.75 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category

Late 20th Century American Modern Drawings and Watercolor Paintings

Materials

Pastel

Flower
Located in Dallas, TX
Robert Peterson, "Flower," pastel on paper, 19 x 26 1/4 inches paper size, 27 1/4 x 35 inches including white mat and frame. The artwork is floated in the mat and only hinged at the...
Category

20th Century American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

Untitled
Located in Bournemouth, Dorset
Sally Barclay (1911-2000) was a New Jersey Artist known for her painting and activities as an art teacher. Signed front and back.
Category

1950s American Modern Drawings and Watercolor Paintings

Materials

Crayon

Untitled
Untitled
$491 Sale Price
20% Off
Respite
Located in London, GB
Pencil on paper Signed and dated (lower right) 29cm × 21cm (48cm × 39cm framed) A truly original artist, Lear spent most of his 70 year career exploring beautifully proportioned mal...
Category

1980s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pencil

Black Panther Trials - Civil Rights Movement Police Violence African American
Located in Miami, FL
The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...
Category

1970s American Modern Drawings and Watercolor Paintings

Materials

Watercolor, Pen, Pencil, Paper

"Chrysler Building" Leon Dolice, New York City Street Scene, Mid-Century
Located in New York, NY
Leon Dolice Chrysler Building Signed lower right Watercolor on paper 19 x 12 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the yo...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

Abstract #2
Located in London, GB
“If it brings to me a harmonious sensation…” Walkowitz once said, “…I then try to find the concrete elements that are likely to record the sensation in visual forms.” This philosoph...
Category

Mid-20th Century American Modern Drawings and Watercolor Paintings

Materials

Pencil

Untitled
Located in Fairlawn, OH
Untitled Pastel on paper, 1922 Initialed lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Condition: Excell...
Category

20th Century American Modern Drawings and Watercolor Paintings

Materials

Pastel

A Finely Drawn 1930s Modern Figure Study, Standing Male Nude Model, Back
Located in Chicago, IL
A Finely Drawn 1930s Modern Figure Study of a Standing Male Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Haydon showing ...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Charcoal

A Cheerful 1950s Textile Design by Artist Andre Delfau
Located in Chicago, IL
A colorful textile design in orange, blue, red and yellow tones depicting an abstract polychrome Wedge Star pattern by set and costume designer Andre ...
Category

1950s American Modern Drawings and Watercolor Paintings

Materials

Ink, Gouache, Graphite, Paper

"New York Harbor (Brooklyn Bridge)" Leon Dolice, Mid-Century New York Nocturne
Located in New York, NY
Leon Dolice New York Harbor (Brooklyn Bridge), circa 1939-1940 Signed lower left Pastel on paper 12 x 19 inches Exhibited Roslyn Harbor, New York, Nassau County Museum of Art, Deco ...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

Bohemian Woman - Rare and Signed Graphite Portrait Drawing on Textured Paper
Located in Soquel, CA
Bohemian Woman - Signed Graphite Portrait Drawing on Textured Paper Portrait of a woman in a Boehme Bandana with exaggerated eyes and a parted smile. A Carbon Pencil and eraser original drawing by Eugene Hawkins (American, b. 1933). Signed and dated upside-down along the bottom edge: "Eugene May 13th 1976" Presented in a new black mat. Mat size: 20"H x 16"W Paper size: 15"H x 11"W Eugene Hawkins (American, b. 1933) is a BIPOC artist known for his detailed portraiture and printmaking. He is listed in Who Was Who in American Art, 1564-1975, and his work was exhibited in the Whitney Museum of American Art. He spent the majority of his life working and exhibiting in Southern California. His work frequently touches upon socio-political subjects, making strong statements about the world. The California African American Museum features Eugene Hawkins's work in the Permanent Collection.Exhibition: 2017 Paperworks: Selections from the Permanent Collection focuses on works on paper produced from 1800?2000 and includes figurative, impressionistic, and abstract styles. The exhibition showcases the radically diverse range of works on paper created by African American and other artists over the last two centuries, and includes drawings, prints, paintings, and collages by Edward Mitchell Bannister...
Category

1970s American Modern Drawings and Watercolor Paintings

Materials

Paper, Carbon Pencil

Fort Tryon Park
Located in Middletown, NY
Ink and wash in gray ink on buff wove paper, 13 1/4 x 15 inches (337 x 382 mm), the full sheet. Signed in pencil in the lower right margin. In good condition with a 2-inch horizontal...
Category

Mid-20th Century American Modern Drawings and Watercolor Paintings

Materials

Handmade Paper, Ink

Japan Issue Fortune Magazine Cover Proposal Japanese Mid-Century Illustration
Located in New York, NY
Japan Issue Fortune Magazine Cover Proposal Japanese Mid-Century Illustration Antonio Petruccelli (1907 - 1994) JAPAN ISSUE Fortune cover proposal, c. 1936 14 1/4 x 12 inches (sight) Framed 19 3/4 X 17 3/4 Inches Gouache on board Signed lower left BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Gouache, Board

Edgar Britton 1946 Watercolor, Colorado Mountain Landscape, American Modernist
Located in Denver, CO
This exquisite original watercolor by American artist Edgar Britton (1901–1982) captures the serene beauty of a Colorado mountain landscape. Painted in 1946, the composition features...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Watercolor

Modernist Judaica Jewish Ink Drawing Painting "New Immigrant" Off the Boat WPA
Located in Surfside, FL
An ink drawing Judaic painting by modern artist Ben-Zion Weinman. It depicts a portrait of an old Jewish man. Coming over from Europe on a ship crossing. The work is signed "Ben-Zion". Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. In 1920 he settled in America, where he found little interest in his writing. He began teaching Hebrew to support himself and then in the early 1930s returned to painting. He used his art to comment on the rise of fascism in Europe, events he felt could not be adequately explored with words. Largely self-taught, Ben-Zion visited the museums of New York City to learn his new trade. His first painting on a large scale, Friday Evening (1933, Jewish Museum, New York), depicts a Sabbath dinner table as recalled from his family home. Ben-Zion supported himself by working odd jobs until the establishment of the Works Progress Administration's Federal Art Project. Under the auspices of the wpa, Ben-Zion thrived and galleries began to show his work. In 1936, after his first one-man show at the Artists' Gallery in New York Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Watercolor, Gouache

"Radio City Rockette"
Located in Southampton, NY
Watercolor on paper of a Radio City Music Hall Rockette done in the late 1940's or early 1950's. Ruth Adele Mysel grew up in Boston and attended the New Eng...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Watercolor

Erie Station, Elmira, New York Railroad Hub, Early 20th Century Cleveland School
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000) Erie Station, Elmira,1931 Watercolor on paper Signed and dated lower right 19.25 x 14.25 inches 26.75 x 21.75 inches, framed Clarence ...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Watercolor

Sand Flow
Located in San Francisco, CA
This artwork titled "San Flow" 1986 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 30.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition. About the artist. Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe. Solo Exhibitions: 2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia 2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico 2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico 996- "Why Don't You Just Leave?" paintings and video installation 1998 tour to 11 British Columbia regional galleries, originating at the Art Gallery of Greater Victoria Victoria, British Columbia 1993 Fran Willis Gallery, Victoria, British Columbia 1991 Fran Willis North Park Gallery, Victoria, British Columbia 1990 Fran Willis North Park Gallery, Victoria, British Columbia 1986 Robert Vanderleelie Gallery, Victoria, British Columbia Thomas Gallery, Winnipeg, Manitoba 1984 Grace Gallery, Vancouver, British Columbia Winchester Galleries, Victoria, British Columbia 1982 Kyle's Gallery, Victoria, British Columbia 1981 Kyle's Gallery, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia Selected Group Exhibitions: 2014 Insight Art Gallery, Galiano, B.C 2012 The Field Gallery, San Jose del Cabo, Mexico 2002 “European Media Arts Festival”, Osnabruck, Germany 1997 “Open House”, Canadian Cultural Centre, Paris, France 1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia 1994-1996 Government House, Victoria, B.C. 1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia 1990 "Bumbershoot Festival 1990", Seattle, Washington 1986 "Images B.C." The British Columbia Pavilion, Expo 86 Vancouver, British Columbia 1985 "Hot Water Colour", Harbourfront, Toronto, Ontario "B.C. Women Artists" Art Gallery of Greater Victoria, Victoria, British Columbia 1983 "National Watercolour Exhibition" Contemporary Art Gallery, Vancouver, British Columbia 1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C. Public Collections British Columbia Art Collection, Victoria, British Columbia Art Gallery of Greater Victoria, Victoria, British Columbia Maltwood Art Museum, Victoria, British Columbia City of Vancouver, Vancouver, British Columbia Esso Resources Canada, Ltd., Calgary, Alberta Canada Council Art Bank, Ottawa, Ontario Grants and Awards 1995 British Columbia Cultural Services Branch grant 1973 City of Vancouver Purchase Grant Exhibition Reviews, Catalogues and Articles "A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus. “Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus. Cover, Preview Magazine, Vancouver, B.C., (May/June 1990) Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus. “B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus. Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8 Hartog, Diana, “Body Landscapes...
Category

Late 20th Century American Modern Drawings and Watercolor Paintings

Materials

Watercolor

"Showgirl"
Located in Southampton, NY
Very well executed watercolor on paper by Ruth Adele Mysel of a beautiful showgirl. Signed lower right. Circa 1940 to 1950. Ruth Adele Mysel was raised in Boston and attended the Ne...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Watercolor

Still Life
Located in Bryn Mawr, PA
Best known as an impassioned supporter and avid collector of modern art, Earl Horter was also an artist himself. Largely self-taught, Horter was a highly skilled draftsman and engrav...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

Broadway Costume Illustration by Designer Mabel E. Johnston
Located in New York, NY
Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 18 x 12 1/2 in. Framed: 39 x 21 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidbit I fou...
Category

1920s American Modern Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Pencil

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape
Located in New York, NY
"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Gouache

American flag collage with a 19th century engraving of an eagle
Located in Woodbury, CT
Claude Howard Stuart is an artist working in Europe and America. Watercolor, ink ,acrylic and and even cold wax and oil are the many different mediums that Claude uses on his varied and exciting works. His influences come from all the different places and experiences he has had throughout his life, as well as the varied different art styles he’s studied. Having lived in many different places around the world the styles of art, architecture, traditions and religions have all played into the art he makes.. He studies a period of art and then works with antique, vintage and original pieces to build his collage pictures making each one a unique study of a period, city or style. Claude works on his pieces to bring together a feeling of the period and art movement that is inspiring him. Sometimes Matisse and Picasso and other times old master drawings and abstracts. These set of collage...
Category

2010s American Modern Drawings and Watercolor Paintings

Materials

Mixed Media

"New York City Skyline View from the East River, " Lionel Reiss, Jewish Artist
By Lionel Reiss
Located in New York, NY
Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Untitled #4
Located in San Francisco, CA
This artwork "Untitled #1" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 26.5 x 20.5 inches, sheet size is 28.5 x 22.5 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1. About the artist: Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945. Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance. Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category

Late 20th Century American Modern Drawings and Watercolor Paintings

Materials

Pastel

"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

1950s "Mask" Mid Century Nude Ink Figure Drawing NYC Artist
Located in Arp, TX
Donald Stacy "Mask" c.1950s Ink on paper Black dark wood frame 10.25"x17.25" Unsigned Came from artist estate Introducing an original piece by the American artist Donald Stacy title...
Category

Mid-20th Century American Modern Drawings and Watercolor Paintings

Materials

Paper, Ink

Jazz Age Dancer Illustration by Broadway Designer Mabel E. Johnston
Located in New York, NY
Mabel E. Johnston Untitled, c. 1930s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...
Category

1920s American Modern Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Pencil

"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

"Chorus Girl"
Located in Southampton, NY
Watercolor on paper of a chorus or show girl by Ruth Adele Mysel. Mysel grew up in Boston and attended the New England School of Art. She was both a artist and sculptor as well as ...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Watercolor

Reclining Female Nude
Located in Fairlawn, OH
Reclining Female Nude Charcoal and colored chalks with white highlights on tan laid paper, c. 1948 Signed and monogrammed by the artist lower right (see photo) A masterpiece dr...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Chalk

Head of a Young Woman with Blond Hair
Located in Fairlawn, OH
Head of a Young Woman with Blond Hair Watercolor on paper mounted on rag paper support, c. 1930 Signed with the Estate Stamp B Provenance: Estate of the Artist ...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Watercolor

A Finely Drawn 1930s Modern Art Deco Figure Study, Standing Female Nude Model
Located in Chicago, IL
A Very Finely Drawn, 1930s Modern Figure Study of a Standing Female Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Haydon showing...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Charcoal

Watercolor Still life Painting Vegetables Claus Hoien Greengrocer Kitchen Series
Located in Surfside, FL
Delicate watercolor of vegetables. Japanese eggplant and radishes and a squash gourd. Framed 18 X 20 image is 11 X 13.5 Claus Hoie was a Norwegian-American...
Category

20th Century American Modern Drawings and Watercolor Paintings

Materials

Watercolor

Flowers Still Life
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Watercolor

"Tokyo Diptych" Yvonne Jacquette, Japanese Urban Cityscape Nocturnal Aerial
Located in New York, NY
Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...
Category

1980s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

Running Horse
Located in Missouri, MO
Running Horse William Henry Dethlef Koerner (German, American, 1878-1938) Pencil on Paper Signed Lower Right 5 x 8 inches 12 x 15 inches with frame William Henry Dethlef Koerner is ...
Category

Early 20th Century American Modern Drawings and Watercolor Paintings

Materials

Paper, Pencil, Color Pencil

NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA
Located in New York, NY
NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA. David Fredenthal (1914-1958) "View of New York from New Jersey,"7 x 10 inches. Watercolor on Paper, c. 1948. Signed lower right. David Fredenthal (1914 - 1958) was one ot America's most respected watercolor artists. He was famous for his bold, intensely vigorous and complex paintings and drawings that expressed his deep feeling for excitement with life and living. He was a draftsman with seemingly a special gift for catching anything, physically and emotionally on the spot, and he never went anywhere without three or four loaded pens and a sketchbook in his pocket. As part of the WPA project he executed a number of murals including the Sports Pavilion on the Heinz Building of the New York World's Fair 1939. Some of his fresco and mural techniques were inspired by his friendship with Diego Rivera who had admired and encouraged him in the early 1930's. After he won a traveling scholarship to Europe from The Museum of Modern Art at age 19, he was the recipient of two Guggenheim grants in Painting. He had his first solo exhibition at the Downtown Gallery in New York in 1937 at age 23, and many others after that including the Whitney Museum of American Art in 1947. Because of Fredenthal's prodigious drawing gifts, he was chosen by Erskine Caldwell to illustrate his novel "Tobacco Road...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Paper, Watercolor

"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

Untitled (Hot Air Baloon Ascent and Spectators)
Located in Fairlawn, OH
Untitled (Hot Air Balloon Ascent and Spectators) Sepia wash on wove paper, 1985 Signed and dated in ink lower right corner From the artist's 1985 sketchbook Probably a view of Cape C...
Category

1980s American Modern Drawings and Watercolor Paintings

Materials

Ink

Early Abstraction
Located in London, GB
This soft and inviting work is the first in a series of abstractions. Walkowitz utilises innovative drawing techniques, the side of the pencil becomes a valuable tool in creating a b...
Category

Early 20th Century American Modern Drawings and Watercolor Paintings

Materials

Paper, Photographic Film

Samuel Wood Gaylor American Modernist Watercolor
Located in New York, NY
Samuel Wood Gaylor (American, 1883 - 1957) Untitled (Woman in Mirror), 1930 Watercolor on paper Sight size: 14 1/4 x 10 1/4 in. Framed: 20 3/4 x 16 1/4 in...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Swim Team
Located in Saint Louis, MO
Jay Alan Babcock is a St. Louis-based graphic designer and painter. His work exhibits his interest in the visual language of Americana, including old ...
Category

2010s American Modern Drawings and Watercolor Paintings

Materials

Carbon Pencil

Provincetown (Sunbathing)
Located in Fairlawn, OH
Provincetown (Sunbathing) Sepia ink on tan paper, 1966 Signed in ink lower center (see photo) Exhibited: Art from Lexington Homes, Lincoln Massachusetts, May 14-22, 1966 (see label) ...
Category

1960s American Modern Drawings and Watercolor Paintings

Materials

Ink

"New York Harbor Nocturne" Leon Dolice, New York Harbor Scene Mid-Century
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

Preliminary Study for a Sculpture Project
Located in Fairlawn, OH
Preliminary Study for a Sculpture Project Graphite, charcoal and wash on tracing paper, c. 1930-1940 Signed upper left and lower left (see both photos) Created while the artist was l...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Charcoal

Italy Goes to War
Located in Bryn Mawr, PA
Italy Goes to War, 1941 Watercolor 3 1/8 x 7 3/8 inches (7.9 x 18.7 cm) Signed lower center: Dove Provenance An American Place, New York; World House Galleries, New York, 1953; Private collection, New York; Betty Krulik Fine Art, 2007; Avery Galleries until present Exhibitions An American Place, New York, Exhibition of New Arthur G. Dove Paintings...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Burning Bush Forrest landscape solo female figure biblical narrative
Located in Brooklyn, NY
ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imaginat...
Category

2010s American Modern Drawings and Watercolor Paintings

Materials

Pastel, Archival Paper

A Stylish, Vintage 1940s Woman s Fashion Design Study, Marshall Field Co.
Located in Chicago, IL
A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's coat, hat and muff, inscribed "Marshall Field & Co". Likely a an advertisement illustration study f...
Category

1940s American Modern Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Pencil

Tiger, Lion, Panther, Wolf, Bear, Cat Predator Silhouette Illustration
Located in Miami, FL
Pioneering Woman Illustrator Margery Stocking Hart draws a pen-and-ink story depicting a round table of predators encircling a vulnerable bunny rabbit. ...
Category

1920s American Modern Drawings and Watercolor Paintings

Materials

Ink, Pen, Paper

American Modern drawings and watercolor paintings for sale on 1stDibs.

Find a wide variety of authentic American Modern drawings and watercolor paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add drawings and watercolor paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Donald Stacy, Frank Wilcox, Alfred Bendiner, and Irene Pattinson. Frequently made by artists working with Paint, and Watercolor and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern drawings and watercolor paintings, so small editions measuring 0.25 inches across are also available. Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $85 and tops out at $950,000, while the average work sells for $1,640.