Bride Drawings and Watercolor Paintings

from the Padoli Monotypes III

At the Café is an original China Ink Drawing realized by Mino Maccari in mid-20th century. Good condition on a white little paper. Hand-signed by the artist with pencil. Mino Mac...

The Flight of David's Revolution is a watercolor realized by Anastasia Kurakina in 2018. The artwork is in good condition and with vivid colors. Hand signed by the artist on the lo...

"The temptation" 1890s is an original drawing in pencil on paper, realized by Gabriel Guèrin. The state of preservation of the artwork is very good. ...

Ink on paper Signed and dated, l.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now...

Laundress of Naples is an original watercolor drawing on paper realized by Michela De Vito, Naples, in the first half of 19th Century. Titled on the lower center. Included a Passep...

"Elegant Ladies" is an original watercolored ink drawing on ivory-colored paper, realized by Luigi Bompard (1879-1953) in 1920s. Hand-signed in pen o...

An interesting watercolour wash study by the artist Ricardo Marin. The artist has depicted unusual figures in a side alley with street performers in the background. Signed to the low...

Prends Vite is an original watercolored etching realized in the first quarter of the 19th century by the French artist Philibert-Louis Debucourt (1755 – 1832). The artwork is t...

Me Trompe-T-Il? is an Original Etching Hand Watercolored series "CMode et Manières" published in 1808 by the Journald des Dames et des Modes". Mode...

Figures is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions. Pierre-Georges Jean...

Il Kaiser is an original drawing in China ink and tempera on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This artwotk presents on the back som...

A turn-of-the-century portrait of a woman in stylised French 18th-century dress, a fleur-de-lis proudly emblazoned on her blue cloak. Presented in an arched gold card mount and an or...

Portrait is an original drawing in watercolor and pen realized by Sergio Barletta in 1960. Hand-signed on the lower right and dated. Included a Passepartout:45 x 38.5 cm In very g...

"Study for a Portrait" is an original drawing in tempera on paper, realized by an Anonymous French Artist of the XX Century . The state of preservation of the artwork is very good. ...

Portrait of A Young Woman is an original artwork realized by the French artist and illustrator René François Xavier Prinet between the end of the XIX and the beginning of the XX cent...

An atmospheric watercolour study depicting a plant growing from the cracks of a building. Part of a pair of watercolours by the same artist. Signed and dated to the lower right. Arti...

Figure is an original drawing in Pencil realized by an anonymous artist in the early 20th Century. Good condition. The artwork is depicted through strong strokes in a well-balanced...

Noble Woman is an original drawing on paper realized by Erhard Klepper (1906-1980) in 1948. Mixed media: drawing and watercolor. Hand-written notes on the higher right margin. The a...

Women of the Eastern Village. Andrée Karpelès (Paris, 1885 - Grasse, 1956). A charcoal drawing on paper, from the beginning of the 20th century, representing 3 peasant women dresse...

A charming watercolour study depicting a seated life model posing with a large red hat. Signed to the lower left. presented in a rustic gilt frame and doub...

Portrait of Arab is an interesting drawing realized by the French artist Jean Louis Plumet. It is in very good conditions, except for some tiny stains and a fold on the lower part of...

Figures is an original drawing in pencil on paper by Marcel Mangin. In good conditions: except for some foldings. Stamped on the lower right "Marcel Ma...

An exquisite charcoal half length portrait of a lady in a bonnet by prolific Swiss artist Joseph Mathias Negelen. The sitter's facial features have been carefully completed with incr...

Landscape is an original drawing in watercolor on paper, realized by Jean Delpech (1916-1988). The state of preservation of the artwork is good except for some rippings and small c...

Fériojé aux Fauves is an original and little drawing realized by a French artist of the end of 19th century. The collection of drawings is titled "Fériojé aux Fauves". On a brown p...

A fine watercolour study depicting a group of gentleman meeting in the park. The well dressed men sport smart top hats and varying colours of chequered slac...

Figures with Dragon is an original black and white drawing in pen on ivory-colored paper, realized by the french painter Bertrand Mogniat-Duclos. In very good conditions. This artwo...

Oriental Lamps is a beautiful original drawing on paper realized by Anonymous French artist of XIX century. Mixed media watercolor and china ink drawing. Good conditions except f...

Robin Cole's (US based) "When They Bloom" is an original, handmade ink and charcoal drawing that depicts two grey monochrome artichokes beginning to b...

Female Nude Liberty is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 1922. Original Lith...

A fine pastel portrait depicting Lady Hadew. Dated 1905. Presented in a sleek black frame with a crisp white mount. Indistinctly signed. On paper.

Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and accompanied by certificate of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los An...

The drawing perfectly conveys the individual originality of the character of the king's favorite with a lively mind and a kind heart, as evidenced by the royal mantle thrown over the naked body from above. The grace of the pose and the cold courtesy of the lady's smile indirectly reflected her playful temperament and refined coquetry. The drawing is built on the harmony of colors used by the artist. By an unidentified professional painter, vintage pastel drawing...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Watercolor figurative showing an abstracted view of a woman standing in an interior holding a p...

Beautiful and interesting watercolor painting on paper attributed to the great Neapolitan artist Domenico Morelli. It depicts one of his favorite subjects, namely an oriental woman c...

French school 18th Century, A mytholological scene with a couple, Pen and brown ink, brown ink wash on paper 11.5 x 11.5 cm, diameter of the main scene : 10,5 cm in a modern frame under glass : 33.5 x 33.5 cm This drawing by a particularly talented 18th-century artist - as yet unidentified - is notable for its mastery of pen and wash...

Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...

Romantic, tonalist style charcoal drawing of a tree in isolation by Sue Bryan "Arborescent", 2025 charcoal, acrylic, and pastel on paper dry mounted to canvas 30 x 22 inches 31.25 x ...

Andre Derain (French, 1880 – 1954) Personnage de Theatre Pencil on paper Signed with atelier stamp (lower right) 13.3/4 x 11.1/8 in. (35 x 28.3 cm.) André Derain (10 June 1880 – 8 S...

Medium: Oil on Canvas Signature: Signed Lower Right Saturday Evening Post Cover, April 19, 1930

Henry Roderick Newman 1843-1917 American Venus of Philae Signed, dated and inscribed lower left Watercolor on paper A masterwork of American Pre-Raphaelite painting, Venus of Phi...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

An inscription on the reverse reads 'Girl in festive costume. Nizhny Novgorod Province, second half of the 19th century.' The artwork is also neatly monogrammed, signed, and dated. W...

Inscription on the reverse reads 'Peasant woman in festive costume from Nizhny Novgorod, first half of the 19th century.' The artwork is also neatly monogrammed, signed, and dated. W...

Well presented in a white card mount. Signed. On watercolour paper.

Garth Bayley Thunder Original Art Pen and ink on paper Image size: H:24 cm x W:32 cm Complete Size of Unframed Work: H:24 cm x W:32 cm x D:0.1cm Sold Unf...

A finely executed genre scene from the 19th century, depicting a small gathering of merry men in a quiet tavern. A single figure has a glass raised in the centre of the scene as the tavern girl...

A pair of original red conte crayon drawings in their original frames featuring two young women in period clothing.

Jean-Henri Cless (1774-1812) Portrait of a young woman in a landscape signed "Cless fec" for fecit on the lower left Brown ink and brown ink wash on paper Size of the sheet : 31.5 x 22 cm Size of the motive : 24.5 x 17 cm very simply framed under glass without actual frame 32 x 22.5 cm This pre...

A very fine 19th Century watercolours showing an Italian family. The boy sits on he ground at his parents feet. All three are finely dressed in traditional, regional garb with unusua...

A striking early 19th Century portrait in charcoal, showing an elegant young woman. Her dress and the style of her hair date this portrait around 1830. Her soft, sloping shoulders an...

A fine mid 19th Century watercolour scene with wonderful narrative. The scene is set inside a run down barn in which an old man and woman appear to b...

A beautiful mid 19th Century watercolour,showing a pretty young flower seller with dark hair and a corseted dress with linen undershirt. She is carrying a basket of delicate pink ros...

A truly beautiful portrait of an older woman taking a quiet moment to read a book at her bureau. She is clearly a woman of high standing shown in her richly textured clothes: satin ribbons, lace shawl and a velvet bodice and skirts. Her tight ringletted hair was a style popular in the 1880s but as she is an older woman this is probably a style she carried through her life, dating the painting around 1880 instead. This painting captures the serene and intensely personal act of solitary reading with gentle aplomb using a watercolour brush...

"Guarded by Angels” 27.5x19.5in / 70x50cm Pencil and sepia ink on watercolor paper. Shipped rolled in a tube, directly from the artist's studio. Shipping anywhere in the world. Regi...

An archeological memory of Bettie Page – 13-11-18 The reference picture I used was slightly different from the one I used for ‘The revelation of Bettie Page (2018)’. I kept ...

Christopher Ganz The Burial of Saint Lucy by Caravaggio 2016 colored pencil, pens, chalk, crayon 8.50h x 10.50w in 21.59h x 26.67w cm CG0017 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck, Professor of Art, University of Dallas A Mammalian Future? - Invitational Portfolio Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9 Paper in Particular - National Juried works on paper exhibition Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and Design, Indianapolis, IN 19th Parkside National SmallPrint Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16 Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington 2005 18th Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln 2004 Exchange! A Survey of International and National Exchange Print Portfolios Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15 Juror: Kathryn Reeves, P rofessor of Art, Purdue University 2003 23rd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003 Border to Border – National Juried Drawing Exhibition Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30 Juror: Jim Cantrell, independent studio artist, Bardstown, KY On/Of Paper – National Juried Exhibition Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11 Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY Emerging Artists 2003 – National Juried Exhibition Limner Gallery, New York, NY, Feb.12 – March 1 Jurors: Tim Slowinski...

Carl Hofer (German, 1875 – 1955) Der Traum (The dream) pencil on paper Signed with monogram ‘CH’ (lower right) 13 x 13 in. (33 x 33 cm.) Provenance: These works come from the artist’s second wife Elizabeth and from then by descent. Carl Hofer was a German expressionist painter and the director of the Berlin Academy of Fine Arts. One of the most important painters of the Expressionist movement, his work was among those that was considered degenerate art by the Nazis. He studied in Karlsruhe under Hans Thoma. He first visited Paris in 1899 making acquaintance with Julius Meier-Graefe. In 1902 he studied in Stuttgardt and became friends with the sculptor Hermann Haller...

A stylish, vintage, 1940s fashion study featuring an elegant design for women's scarf & hat. Inscribed "First Night", which in the 1940s may refer to either New Year's Eve or an ope...