Nature Drawings and Watercolor Paintings

Title: Tranquil Mountain Lake and Hillside Landscape Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card unframed Size (H x W): 14.75 x 7.75 inches Signed low...

Title: French Impressionist Watercolor of Coastal Landscape Scene By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5 x 6.25 inches (Height x Width) ...

Josine Vignon (French 1922-2022) ...

Tomas Sanchez Del Romerillo al Blanco, 1981 Tempera on paper 13 x 18 in Certificate of authenticity by Tomas Sanchez Unique piece

Eve Nethercott, American (1925 - 2015) - Maine (P6.41), Year: 1947, Medium: Watercolor on Paper, Size: 15 x 19 in. (38.1 x 48.26 cm), Description: Looking out over a group of...

Remains (Body in the Field 21 ), 2022 oil on paper 16 17/32 h x 11 13/16 w in. 42 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism...

William Samuel Horton (American, 1865–1936) Early Morning Moon Set, Gstaad Pastel on paper Signed lower right ‘W. S. Horton’, further signed and inscribed ‘Paysage / early morning mo...

Frank Duffield (British, 1908-1982) original gouache painting on board, unframed size: 11 x 18 inches condition: overall very good, minor wear to the edges as is normal for an unfram...

Remains (Body in the Field 7), 2022 oil on paper (signed on reverse) 16 17/32 H x 11 13/16 W in. 42 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body...

George Tzannes's Landscape with Olive Tree is a 21.5 x 28.5 inches black and white monotype representing a Greek landscape. Olive trees populate the landscape. Tzannes is an American painter of Greek origins. In his twenties he visited Kythira, the Greek island of his father's birth. Since that time, the island has become the major reference of his creativity. The choice of using black and white to represent this landscape gives the mighty hundred-years old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

Title: French Impressionist Watercolor of a Village Scene with Figures and Trees By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 8.25 x 11.75 inche...

1905 Pastel on paper mounted on canvas Signed lower left “L. Lhermitte”

Beautiful orientalist original gouache by the well known French artist, Paul B. Pascal. Circa 1885. Signed lower right. Condition is excellent. The scene is of a Bedouin encampment at sunset. Newly professionally matted and framed in antique style frame. Under glass. Overall measurements are 11 by 13 inches. Provenance: A Sarasota, Florida estate. Paul B. Pascal (1839–1905) was a French landscape painter. He did landscape paintings of the Middle East and the Mediterranean coast with gouache. After he emigrated to the United States in 1893, he did paintings of the American wilderness...

Detailed watercolor of Monument Valley by Albert DeRome (American, 1885-1959). The viewer is looking out over the valley from a high vantage point, with towering mesas in the distance. In the foreground, there are some shrubs and a small tree to the right side of the composition. DeRome has created a sense of vast distance by rendering the far background with a hazy quality while keeping the foreground in clear focus. Signed "Albert DeRome" in the lower right corner. Inscription on verso as a gift to the artist's mother. Purchased from the estate of the artist Patterson's Antiques, Los Gatos. Presented in a wood frame with a new white mat. Image size: 5.75"H x 8"W Frame size: 11"H x 14"W Born in Cayucos, California, Albert De Rome (American, 1885-1959) became a California landscape painter, especially of natural landscapes formations, seascapes and marine scenes near Carmel and Monterey. Usually his palette was bright in both oil and watercolor, but he did the occasional nocturne. Scholars have compared his painting style and subjects to those of Thomas Hill and Albert Bierstadt. However, Albert De Rome never affiliated with any formal group of painters, although he had many close friends including Percy Gray, Gunnar Widforss and Will Sparks. As a young man, Thomas De Rome worked at the Congress Spring Hotel in Saratoga, and in San Francisco at the Globe Foundry, owned by an uncle. He studied art under Arthur Mathews, John Stanton and Lorenzo Latimer...

Signed and dated to the lower right corner. On watercolour paper laid to card.

This layered paper and drawing collage titled "House Studies Series V" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a ...

"Requiem of Regret" (2024) by Brian Serway is an original handmade drawing made with water soluble graphite on board. This piece depicts a wolf standing on a rock peak looking out ov...

Original watercolor on archival paper of the mountains of Saint Maurice in Switzerland by the well known American artist, Dodge MacKnight. Signed lower left and titled and dated 189...

Oil on plywood realized by Armando Cermignani (1888-1957) in 1930s. Hand signed and dated. Excellent condition. Armando Cermignani was an Italian painter, engraver, ceramist and p...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 10 x 13.75 inches Very good condition. Provenance: from the arti...

Work on paper without frame

"A Kind of Paradise" (2024) by Mo Myra is a watercolor painting on paper that depicts a landscape in the foothills with the focus being on a river. Mo Myra, born in 1990, is a Conne...

This artwork "Tayside Sheep Farm, Scotland" c.1930, is a watercolor on paper by British artist Ken Cherrington, 1886-1969. It is signed at the lower left corner by the artist. The ar...

Eve Nethercott, American (1925 - 2015) - Rockport (P4.5), Year: 1948, Medium: Watercolor on Paper, Size: 12.5 x 15.5 in. (31.75 x 39.37 cm), Description: Lining the beaches o...

This artwork "Sonoma County Landscape" 1901, is a watercolor on paper by noted California artist Elizabeth Hoen, 1868-1955. It is signed and dated at the lower right corner by the artist. The artwork (image) size is 5.75 x 8.65 inches, framed size is 13 x 15.65 inches. Custom framed in a silver decorated frame, with beige matting. It is in good condition, the paper have 3 vertical soft creases that cross the image. About the artist: Born in Santa Rosa, California to a pioneering California family, Elizabeth Hoen was known for her watercolor paintings, many of them landscapes, in impressionist style. Her father, Berthold Hoen started a trading post in the Carillo adobe, the first building erected in the Sonoma Valley. He also helped survey and lay out the city of Santa Rosa. Elizabeth Hoen is not only the first painter to have their work cataloged into the Sonoma County Museum’s collection, but she was also a prolific artist in California in the late 19th and early 20th centuries and maintained a studio during a period when California art was largely dominated by men. She was from an important family in early Sonoma County history. Her father, Berthold Hoen, purchased land from the Carrillo family that would one day be...

Lovely mid-century French watercolor barn by artist Raymond Segond, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 10 x 14 inches Very good condition. Provenance: from the artists...

Limited Edition , 5 of 15, etching from this very collected Scottish artist. Signed. Excellent condition Image 9" x 7.5" Ian Laurie was born in 1933 and is a self taught artist who...

Mid-century landscape watercolor of figures on a beautiful beach in Indonesia, and early work by Sufi artist Amang Rahman Jubair (Indonesian, 1931-2001). Four tall palm trees tower o...

Jean La Forgue (French 1901-1975) watercolour on paper, unframed painting: 12 x 17 inches provenance: the artists estate, France condition: very good and so...

This landscape painting depicts a rustic Mediterranean countryside scene featuring a rural dwelling nestled among rolling hills and olive trees, with a distinctive tall cypress tree ...

Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject : Les Indestinés (series ...

Watercolor on paper, 1976 Painted in South Bristol, Maine Signed by the artist lower left Condition: Excellent

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 10 x 14 inches Very good condition. Provenance: from the artists...

Original watercolor on archival paper by the well known Tennessee artist, Jim Gray. Circa 1995. Signed middle bottom. The painting depicts a typical Tennesse...

Jean La Forgue (French 1901-1975) signed watercolour on paper, mounted in a card frame card frame: 12 x 14.5 inches painting: 8 x 10 inches provenance: the artists estate, France con...

This original watercolor painting by Alfred Wands (1904-1998) captures the breathtaking beauty of the Sangre de Cristo Mountain range in Sou...

Cloudburst pastel on paper 6 x 6inches 12 x 12 inches framed 2023

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 9.5 x 12.5 inches Very good condition. Provenance: from the arti...

Elizabeth Chalmers. Watercolour painting of cottages and gardens in the Cotswold village of Sherbourne. Size: H:29.00 cm x W:44.50 cm. Artist Bio: Elizabeth Chalmers was born in N...

Work on paper without frame Good condition

Original pastel on heavy card stock (made in Paris) by the well known Hudson River artist, George Douglas Brewerton. A view of Mount Shasta in Northern California. Signed lower left. Circa 1880. Condition is excellent. The artwork is housed in its original scroll decorated frame. Overall framed measurements are 33.25 by 19 inches. Provenance: A East Coast Florida estate. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...

Title: University Parks Oxford Pavilion Red Roof Trees and Sculpture Group 2016 by John Steane (b.1931) Size: 9 inches (height) x 12.25 inches (width) watercolor painting on paper, u...

Estate stamp lower right

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

Glorious electric green Land's end watercolor from William Stanisich, whose provocative Land’s End series was painted over a 40-year span with a force and directness that reflects the artist’s search for the essence of light through the medium of watercolor and oil. In this watercolor that was recently framed for a retrospective exhibition where it is being shown for hte first time, there is green and yellow and blue. Stunning, fresh and unique nature scene. Perfect on its own or paited with another watercolor from the series. The watercolor is 28 x 20 inches. Professionally framed in a museum quality ebonized black walnut...

This 20th-century watercolor painting, “New Mexico,” by Polish-American artist Pawel Kontny, captures the enduring architecture and serene spirit of the American Southwest. The work ...

This artwork "The Old Red Barn" c.1965 is a watercolor on paper by noted American artist Frederick Cole. It is signed at the lower right corner by the a...

Tomas Sanchez La nube, 2018 Conte on paper 12 x 16 in Provenance: Studio of the artist Marlborough Gallery, NYC Certificate by the artist included

Eve Nethercott, American (1925 - 2015) - Rockport (P5.34), Year: 1961, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Moored along the water n...

George Bissill (1896-1973) Rural Landscape Scene Watercolour 39 x 48 cm Born in 1896, George Bissill was a British miner, painter and furniture designer. Raised in the mining vill...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

An original mid-19th century watercolour by the listed British artist Edward William Cooke RA (1811-1880). Well presented in a gilt frame. Signed in the lower left and dated 1865. On...

Wonderful original watercolor of a bucolic scene with a farm with geese and a man on his horse driven wagon as the sun sets in the English countryside. Signed lower left by the British artist, Henry Charles Fox...

Mid-century Bay Area urban landscape watercolor of an industrial neighborhood in Oakland by California artist Polly Hughett Wagener (American, 1908–1992). This industrial scene of a ...

A charming landscape scene of rural Mid-Wales depicting the rolling hills against a cloudy sky. Signed to the lower right. On wove laid to card .

De Smorenhoek - 17-12-20 A Beautiful Meadow Some time ago I visited De Smorenhoek, a small but long meadow surrounded by wood embarkements. From Beek-Ubbergen it runs upwards to ...

Leon Dolice Chrysler Building Signed lower right Watercolor on paper 19 x 12 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the yo...

Alpine Landscape is an original artwork realized in the second half of the 19th Century by Marie Hector Yvert. Original pencil and white chalk on brown paper. Stamp of Atelier M.H....