Art by Medium: Carbon Pigment

Abstract Still Life with Fruit in Watercolor on Paper Colorful still life with fruit by Les (Leslie Luverne) Anderson (American, 1928-2009). Several pieces of fruit appear to be sitting on a table with a purple cloth. The scene is highly abstracted, straddling the line between impressionism and non-representational. The background is brightly colored, adding vibrancy to the scene. Signed on verso and acquired from the estate of Les Anderson in Monterey, California. Unframed. Paper size: 14"H x 20"W Les (Leslie Luverne) Anderson(American, 1928-2009) owned and operated the Bear Flag Gallery in San Juan...

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

Arnulf Rainer (Austrian, born 1929) Büste im Nebel, 1977 Medium: Drypoint etching on BFK Rives wove paper Dimensions: 29.8 × 20.8 cm (11 7/10 × 8 1/5 in) Edition of 50: Hand-signed a...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Marble Blue Silk Pattern + Year: 2022 + Edition Size: 50 + Medium: Cyanotype on Watercolor Paper + Sta...

In a world dominated by digital precision and instant gratification, Pia Clodi stands as a beacon of nostalgia and unpredictability, finding beauty in the fleeting moments captured t...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

In my art practice I love to use bright colors which boldly contrast with complementary colors so I could get unusual original compositions and structures. The objective of this ar...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

“Bryant Park” New York, Giclee Print, Limited Edition Creator: Hatice Besun Creation year: 2021 Dimension: 42 x 28 External Dimension( with white border) : Height: 43.6 inch Weigh...

Artist: Raoul Dupoux (1906-1988) Title: Untitled Year: circa 1965 Medium: Watercolor and pastel on wove paper Size: 26 x 27 inches Condition: Good Inscrip...

A moody, evocative black and white abstract etching by pioneer Bruce Nauman. Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media inc...

Trees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...