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Medium: Found Objects
Surreal Contemporary Figurative Mixed-Media Collage Found-Object American
Located in Buffalo, NY
One of a kind mixed-media collage on paper by Philip Kuznicki from the Spirit exhibition. Comes in its original frame.
Born in Dunkirk NY, Kuznicki started his career working for art...
Category
2010s Surrealist Art by Medium: Found Objects
Materials
Found Objects, Paper, Mixed Media
"Oesterreich II" Contemporary Monotype with Chine Colle and Watercolor
Located in Soquel, CA
Contemporary abstract painting and collage composition with stamps, various types of paper, and watercolor by Michael Pauker (American, b. 1957). With found object scraps of vintage ...
Category
Early 2000s Contemporary Art by Medium: Found Objects
Materials
Paper, Watercolor, Found Objects
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Art by Medium: Found Objects
Materials
Metal
Richard Klein, American Glassware, 2010-2024, Found and altered objects
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Art by Medium: Found Objects
Materials
Metal
The Future Has Been A Terrific Disappointment (2022)
By RH Doaz
Located in Jersey City, NJ
Aerosol, oil and wood stain on reclaimed oak wood by street artist and muralist RH Doaz.
Earth tones, metallic, folk art style, inspired by Hungarian textiles...
Category
2010s Street Art Art by Medium: Found Objects
Materials
Wood, Found Objects, Oil, Spray Paint
3-part painting construction by Black African American artist, w/ found objects
Located in Bryn Mawr, PA
This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed.
PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022.
"Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson
Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...
Category
2010s Abstract Art by Medium: Found Objects
Materials
Found Objects, Mixed Media, Acrylic, Glass, Wood
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Found Objects
Materials
Thread, Dye, Found Objects
Assemblage with Cigar Box and the Letter P
Located in Soquel, CA
Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a yellow and black background, the artist has attached several objects, including plastic letters, cigar boxes, and glass slides.
Unsigned, but was acquired with a collection of his work.
Unframed.
Image size: 20"H x 24"W
Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco.
Exhibitions include:
2007 Contemporary Art Museum, San Jose, Costa Rica
2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA
2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA
2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA
2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA
2002 “40 by 40...
Category
21st Century and Contemporary Abstract Expressionist Art by Medium: Found Objects
Materials
Canvas, Glass, Plastic, Paper, Oil, Found Objects
$716 Sale Price
20% Off
Margaret Roleke, Barbie Lives In A Police State, 2015, children
s toys, wood
Located in Darien, CT
Roleke creates politically aware work. Her wall reliefs are composed of multitudes of plastic toys, oddly sexualized Disney characters and Happy Meal trinkets. Through investigation ...
Category
21st Century and Contemporary Pop Art Art by Medium: Found Objects
Materials
Found Objects, Spray Paint, Wood Panel
Margaret Roleke, War and Religion, 2016, children
s toys, enamel, wood, LEDs
Located in Darien, CT
In the body of work for “Child’s Play” Roleke has created diminutive worlds in which toys tell the story of consumption, consumerism, war, and the misuse of power and religion. The m...
Category
21st Century and Contemporary Pop Art Art by Medium: Found Objects
Materials
Enamel
Margaret Roleke, Toyland, 2016, children
s toys, spray enamel, wood
Located in Darien, CT
In the body of work for “Child’s Play” Roleke has created diminutive worlds in which toys tell the story of consumption, consumerism, war, and the misuse of power and religion. The m...
Category
21st Century and Contemporary Pop Art Art by Medium: Found Objects
Materials
Enamel
Margaret Roleke, Holy Wars, 2015, children
s toys, spray enamel, wood panel
Located in Darien, CT
Roleke creates politically aware work. Her wall reliefs are composed of multitudes of plastic toys, oddly sexualized Disney characters and Happy Meal trinkets. Through investigation ...
Category
21st Century and Contemporary Post-Modern Art by Medium: Found Objects
Materials
Plastic, Found Objects, Spray Paint, Wood Panel
Jo Yarrington, Mute-Ability_Composition 1, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Steel
Jo Yarrington, Mute-Ability_Composition 3, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Steel
Liz Sweibel, Untitled (Splinter 2 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category
2010s Minimalist Art by Medium: Found Objects
Materials
Wood, Paint, Found Objects
Mary Bauermeister, Studio Leftover Fetich, 3D mixed media sculpture Fluxus, S/N
Located in New York, NY
Mary Baumeister
Studio Leftover Fetich, 1953, 1967
Unique Mixed Media 3-D Assemblage
Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75.
Shadow box frame Incl...
Category
1960s Abstract Art by Medium: Found Objects
Materials
Mixed Media, Wood, Found Objects, Ink, Acrylic
"Comb / Window" Contemporary Pastel Abstract Expressionist Sculptural Painting
Located in Houston, TX
Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design.
In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Found Objects, Watercolor, Gouache, Cardboard
Margaret Roleke, Religious Toys, 2016, children
s toys, spray enamel, wood
Located in Darien, CT
In the body of work for “Child’s Play” Roleke has created diminutive worlds in which toys tell the story of consumption, consumerism, war, and the misuse of power and religion. The m...
Category
21st Century and Contemporary Pop Art Art by Medium: Found Objects
Materials
Enamel
Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Wood, Paint, Found Objects
Vestiges spectrales II (texture, organic, biophilic, sand, pastels, mix-media)
Located in Quebec, Quebec
Vestiges spectrales II is a large-scale mixed-media painting on canvas that transforms the surface into a textured terrain where the visible and invisible intermingle. Built from lay...
Category
2010s Abstract Art by Medium: Found Objects
Materials
Acrylic Polymer, Found Objects, Oil, Acrylic
"The Bigger Picture", abstract sculpture, found frame, wood, paint, geometry
Located in Toronto, Ontario
"The Bigger Picture" is an abstract artwork by Stan Olthuis composed of acrylic paint on pine wood and reclaimed picture frame. The Bigger Picture measures...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Found Objects
Materials
Acrylic, Wood, Found Objects
Assemblage #5 (Ornithology Illustrations
Glass Slide with Silver, Gold Paint)
Located in Soquel, CA
Abstract expressionist found object assemblage on wood with highly expressive silver and gold paint by Bay Area artist Michael Pauker (American, b. 1957). Against the raw woodgrain, the artist has attached several objects, including paper fragments of ornithological illustrations of birds...
Category
21st Century and Contemporary Abstract Expressionist Art by Medium: Found Objects
Materials
Glass, Plastic, Wood, Paper, Oil, Found Objects, Acrylic
Jo Yarrington, Ghost Girls, Camel Hair Brush Display, 2018, Found Objects, Metal
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Metal
Andra Samelson, Microcosm 2, 2016, Canvas, Wood, Found Objects, Acrylic Paint
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Art by Medium: Found Objects
Materials
Canvas, Wood, Found Objects, Acrylic
"Surf Board Guitar" Hybrid Instrument Wall Sculpture
Located in New York, NY
This sculpture created by Ken Butler is part guitar part surfboard. It is made in the spirit of absurdity many surrealists embraced using found objects in functional scenarios. signe...
Category
21st Century and Contemporary Assemblage Art by Medium: Found Objects
Materials
Found Objects, Mixed Media
Rift Valley, sonde III (texture abstract painting canvas bronze Earthy organic )
Located in Quebec, Quebec
“Rift Valley, Sonde III” is a richly textured mixed-media composition that captures the interplay between natural and abstract forms, evoking the raw beauty of nature while offering ...
Category
2010s Color-Field Art by Medium: Found Objects
Materials
Acrylic Polymer, Found Objects, Oil, Acrylic
Composition in Texture, 38x38", 2008
Located in Southampton, NY
A 2010 documentary on Harald focused on his impressive exhibition in the Chelsea art district of New York City.
In this heavily textured abstract painting, Harald M. Olson uses oil...
Category
Early 2000s Abstract Expressionist Art by Medium: Found Objects
Materials
Acrylic, Fabric, Found Objects, Paint, Varnish, Wood, Plaster
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Found Objects
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Cabinet of Wonders, Persistence and the Fugitive
By Greg Garvey
Located in Darien, CT
This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Wood, Video, Found Objects
At Sea Between Fossils and Satellites 13 (texture, organic, biophilic, sand)
Located in Quebec, Quebec
At Sea Between Fossils and Satellites 13 (horizontal) is a vivid mixed-media painting by Melisa Taylor Metzger from her long-term series At Sea Between Fossils and Satellites (2015–2...
Category
2010s Abstract Art by Medium: Found Objects
Materials
Acrylic Polymer, Found Objects, Oil, Acrylic
Jane Sangerman, Remnant 14, 2015, Found Objects, Spray Paint, Acrylic Paint
Located in Darien, CT
Jane Sangerman lives and works in New York City.
She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had on...
Category
2010s Abstract Geometric Art by Medium: Found Objects
Materials
Found Objects, Spray Paint, Acrylic, Panel
For Fox Sake - Contemporary Animal Sculpture Recycled (Red+Yellow+Purple)
By Yulia Shtern
Located in Gilroy, CA
"For Fox Sake" is a sculpture by the Italy-based Canadian Artist Yulia Shtern. Red Fox is the species of fox with the widest distribution. They inhabit most of the Northern Hemisphere. Their status is listed as "least concern" by the International Union for Conservation of Nature due to their ability to adapt to human expansion. However, having been introduced to Australia with disastrous results, the red fox is on the list of the world's 100 worst invasive species. This piece is made from completely up / recycled materials, lessening the artist's carbon footprint in the art world.
From the artist: "One of the biggest, ugliest truths of our time is that we have been knowingly destroying our planet and killing off its natural life in pursuit of the falsehoods promised by mass consumption. Displaying a trophy of a stuffed dead animal...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Adhesive, Found Objects, Mixed Media, Magazine Paper, Newsprint, Papier ...
$1,046 Sale Price
25% Off
Patricia Miranda, Lamentations for Ermenegilda; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Art by Medium: Found Objects
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Roots - An Iron vessel wall sculpture by Nir Adoni. 64x42"
Located in Tel Aviv, IL
Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world.
We are offering limited editions ...
Category
2010s Contemporary Art by Medium: Found Objects
Materials
Metal, Steel, Iron
Jo Yarrington, Mute-Ability_Composition 2, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Steel
At Sea Between Fossils and Satellites 11 (celestial blue, texture, organic, sea)
Located in Quebec, Quebec
At Sea Between Fossils and Satellites 11 (horizontal) is a richly textured, mixed-media painting from Melisa Taylor Metzger’s decade-long series At Sea Between Fossils and Satellites...
Category
2010s Abstract Art by Medium: Found Objects
Materials
Acrylic Polymer, Found Objects, Acrylic, Oil
Loren Eiferman, Nature Will Heal, 108 Pieces of Wood, 2016, Wood, Found Objects
Located in Darien, CT
Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material.
First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack.
Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life.
We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy.
Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains.
For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose.
Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes).
Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator.
The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils.
Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections.
In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...
Category
2010s Abstract Art by Medium: Found Objects
Materials
Wood, Found Objects
Sylvia Schwartz, Queen, 2018, canvas, fabric, paint, plastic
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Fabric, Plastic, Found Objects, Acrylic, Canvas
"His Name Was Writ in Acrylic Paint" - Abstract Assemblage
Located in Soquel, CA
Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel.
Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso.
There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown.
Unframed.
Image size: 20"H x 24"W
Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco.
Exhibitions include:
2007 Contemporary Art Museum, San Jose, Costa Rica
2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA
2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA
2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA
2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA
2002 “40 by 40...
Category
21st Century and Contemporary Abstract Expressionist Art by Medium: Found Objects
Materials
Glass, Plastic, Paper, Found Objects, Cotton, Wood Panel
$680 Sale Price
20% Off
Andra Samelson, Microcosm 3, 2016, Canvas, Found Objects, Acrylic Paint
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Art by Medium: Found Objects
Materials
Canvas, Found Objects, Acrylic
Kathleen Vance, Newtown Creek Waterway, 2017, Found Objects, Acrylic Paint, Wood
Located in Darien, CT
Kathleen Vance explores environmental issues such as water conservation and protection through positive stewardship of the land. She looks to convey an appreciation of nature and tra...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Wire
Sylvia Schwartz_1, 2018, wood, fabric, paint, 15" x 11" x 1"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Fabric, Plastic, Wood, Found Objects, Acrylic
Liz Sweibel, Untitled (Scrapings #1), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Wood, Paint, Found Objects
Surreal Contemporary Figurative Mixed-Media Oil Painting American
Located in Buffalo, NY
One of a kind mixed-media collage on canvas by Philip Kuznicki from the Spirit exhibition. Comes in its original frame.
Born in Dunkirk NY, Kuznicki started his career working for ar...
Category
2010s Surrealist Art by Medium: Found Objects
Materials
Found Objects, Oil
Sylvia Schwartz 9, 2018, wood, fabric, paint. 10
x 16" x 2"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Fabric, Plastic, Wood, Found Objects, Acrylic
"Delivered and Discarded (positives) #2" wall hanging ink and Tyvek assemblage
By Yoonmi Nam
Located in Philadelphia, PA
"Delivered and Discarded (positives) #2" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...
Category
21st Century and Contemporary Contemporary Art by Medium: Found Objects
Materials
Found Objects, Sumi Ink, Synthetic Paper
"Tomato and Anvil" hyperrealist, tender tomatoes atop stiff, cold, heavy metal
Located in Sag Harbor, NY
Trompe l'oeil still life of tomatoes resting atop an anvil, with a sledgehammer in the background, painted on an old cabinet door.
Anthony Ackrill was born in Alaska in 1958, but sp...
Category
21st Century and Contemporary American Realist Art by Medium: Found Objects
Materials
Found Objects, Oil
Sylvia Schwartz 7, 2018, wood, fabric, plastic, paint, 9" x 7.5" x 2"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Fabric, Wood, Found Objects, Acrylic, Plastic
Linda Cunningham,
Randall
s Island Connector
, Pastel, Found Objects, Canvas
Located in Darien, CT
canvas, collage, pastel, acrylic, photo transfers, 2016
Bifurcated sheets of canvas with torn edges suggest the beautiful open vistas now inaccessible to the residents of the Mott Haven and Port Morris areas of the South Bronx, abandoned and dominated by de-teriorating remains, rotting remnants of piers, New York State-owned power stations and City Waste transfer stations.
The unusual materials and torn canvas edges convey with tactile sensibility the contradiction documented with photo-transferred images, layered with acrylic and pastel. Materials and image fuse revealing a broken South Bronx history, an urban renewal tragedy, an area once the retreat of choice for fresh air, heath and greenery.
The shards of information and vistas evoke the former Port Morris harbor named after Governor Morris a signatory of the constitution. There barges once docked and youth once swam off a pier in the East River.
Cunningham’s work centers upon time, transience and contradictions shown through images of the shifting urban present. Compelling environmental concerns juxtaposed against industry, ur-ban blight and the loss of the natural environment as well as her concern for her Bronx home area faced with gentrification drive her work.
Linda Cunningham is a Bronx based artist with a long New York and international exhibition career. ODETTA, Bushwick, Brooklyn featured her work in a November two person exhibition and in the Harlem FLUX Art Fair, in 2015 and 2016. Her 2013 installation in No Longer Empty’s “This Side of Paradise,”at the Andrew Freedman House was installed at the Bronx Museum, 2014 in an exhibition sponsored by the Bronx Arts Alliance. The Bronx Museum displayed her sculptural installation ”Urban Regeneration” on its terrace, 2009/10.
Exhibitions in Germany began with a Fulbright Senior Research Fellowship in Berlin and her monumental public sculptural installations & alternative memorials are permanently sited in Cologne, Kassel, Bad Hersfeld and Cornberg, Germany, Grounds for Sculpture, Hamilton, New Jersey and City of Sculpture, Hamilton, Ohio.
Alternative memorials were sited at the CUNY Graduate Center across from Bryant Park, 1989-1995, in Tribeca and at UN Plaza, New York 1997-1998.
Recent temporary public sculpture installations were at Westchester Sq., Bronx. NY, 2014 and Marcus Garvey...
Category
2010s Post-Modern Art by Medium: Found Objects
Materials
Canvas, Pastel, Found Objects, Acrylic, Dye Transfer
Jo Yarrington, Ghost girls_Slide Carousel, 2018, Photographic Film, Found Object
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Photographic Film, Found Objects
Jo Yarrington, Conversation with Lovejoy, 2020, photo wax Xerox_combined 10 x 18
Located in Darien, CT
Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Found Objects, Wax, Photographic Paper
Sylvia Schwartz, Dressing-up_Detail, 2018, canvas, fabric, paint, plastic
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Art by Medium: Found Objects
Materials
Fabric, Plastic, Found Objects, Acrylic
Jo Yarrington, Ghost Girls, 2018, Organic Material, Photographic Film, Plastic
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Pins, Organic Material, Plastic, Photographic Film, Acrylic Polymer, Fou...
Jo Yarrington, Ghost Girls_Brushes, 2017, Organic Material, Found Objects, Pins
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Art by Medium: Found Objects
Materials
Organic Material, Found Objects, Pins
Jane Sangerman, Road 2, 2014, Found Objects, Wax, Oil Paint, Spray Paint, Modern
Located in Darien, CT
Jane Sangerman lives and works in New York City.
She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had on...
Category
2010s Abstract Geometric Art by Medium: Found Objects
Materials
Found Objects, Wax, Oil, Spray Paint, Acrylic
Kathleen Vance, Traveling Landscape, Luce, 2017, Resin, Found Objects, Lights
Located in Darien, CT
Kathleen Vance explores environmental issues such as water conservation and protection through positive stewardship of the land. She looks to convey an appreciation of nature and tra...
Category
2010s Post-Modern Art by Medium: Found Objects
Materials
Resin, Found Objects, Lights
Indonesia
Located in Santa Monica, CA
Original Alexander McVickar Mixed media, acrylic, and found object multi-panel painting.
Category
21st Century and Contemporary Outsider Art Art by Medium: Found Objects
Materials
Found Objects, Mixed Media, Acrylic
$1,404 Sale Price
35% Off
Lisa Levy, Didn
t Have to Buy It, Mirror, Plastic, Marble, Found Objects
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies
Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist.
Lisa's visual career started when she was 3 1/2 ...
Category
21st Century and Contemporary Assemblage Art by Medium: Found Objects
Materials
Marble
Lisa Levy, Shut Up You Look Great, 2014, Mirror, Plastic, Marble, Found Objects
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies
Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist.
Lisa's visual career started when she was 3 1/2 ...
Category
21st Century and Contemporary Assemblage Art by Medium: Found Objects
Materials
Marble
Ellen Hackl Fagan_Seeking the Sound of Cobalt Blue_Paver 2_2020_found object
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014.
Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home.
Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...
Category
2010s Arte Povera Art by Medium: Found Objects
Materials
Concrete
Found Objects art for sale on 1stDibs.
Find a wide variety of authentic Found Objects art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Reginald K. Gee, Katie VanVliet, Melisa Taylor Metzger, and Kat Flyn. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Found Objects art, so small editions measuring 0.01 inches across are also available