Art by Medium: Illustration Board

"Your New Home" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower right. It features abstract, surreal, and biomorphic obj...

"Freelance" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. It depicts an artist walking through an abstracted wo...

Cartoon art is the original Conceptual Art. Renowned British Illustrator Smilby (Francis Wilford Smith) conceptualizes a Playboy cartoon so good that no caption is needed. The exist...

"I Met a Virtuous Woman" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece upper left. This piece features an expansive, surreal...

"Relentless - Face Off" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece center right. It features an abstract, surreal landsca...

"Points Further Absent Vegetation" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower left. This piece features an abstract...

"Passionate People, 'They Work Like Dogs To Get It'" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. This piece f...

Farmhouse in Autumn, Early 20th Century Landscape by Florence Helena McGillivray A vibrant and colorful late 1920's landscape by Florence Helena McGillivray (Canadian, 1864-1938). This beautiful 1929 landscape depicts a quaint farmhouse in autumn, surrounded by a landscape full of fall foliage in goldenrod yellow, bright orange, and deep red, with soft purple hills receding into the distance. Signed "F. McGillivray" lower left. Displayed in a new Arts & Crafts style giltwood frame. Board size: 16"H x 20"W. Framed size: 19.25"H x 23.25"W x 1"D. McGillivray (1864–1938) garnered admiration for her modern landscape paintings, as well as for her mentorship of young artists, including Tom Thomson. She has been credited in some instances as an influence for what would later be known as the Group of Seven. A prolific sketcher and painter, Florence McGillivray...

Nude study by Andy Smith (American, 20th Century). A woman is seated, slightly leaning to the left of the composition. The background fades from a rusty red to a dark blue, changing ...

Today's newly minted fine art stars are from the mid-century surrealism school and include Gertrude Abercrombie, Remedios Varo, and Leonora Carrington, who were mostly unknown five y...

Children's Coloring Book Cover Art - Merrill Company - Female Illustrator Board 20 x 14.75, Publisher's Stamp lr recto, publication instruction recto verso Betty Anne Gartrell inscr...

This poster-like mid-century illustration of Little Miss Sunbeam in her Brownie uniform depicts her in a patriotic three-finger salute against an American Flag. It's by the celebrat...

Signed lower right, 'Josef M Arentz' (German-American, 1903-1969) and painted circa 1955. Displayed in a period, carved gilt-wood and painted frame. Fra...

Italian Illustrator Gianni Benvenuti depicts a Pushkin's Fairy Tales Princess in a winter landscape of stylized trees with exaggerated curves and twisting branches. The princess is d...

Portrait of a Woman in the Style of Modigliani in Acrylic (Red Background) Portrait of a woman in the style of Amedeo Modigliani by an unknown artist (20th century). The woman has d...

"Inundation" after Carl Fredrik Kiörrboe - Dogs During a Flood Oil on linen painting of a family of dogs in a flood by an unknown artist, unsigned, after an engraving of the painting...

Viktor Schreckengost paints an ocean scene and moon with precise attention. The painting is part document and part flat abstraction. The uniqueness in this work is how Schreckengos...

Medium: Acrylic on Illustration Board Signature: Unsigned

Signed lower left, 'R. Gallon' for Robert Gallon (English, 1845-1925) and painted circa 1880. This well-listed landscape and seascape painter maintained a studio in St John's Wood, ...

Vanderbilt Sleigh, Original holiday greeting card Christmas illustration featuring a couple carrying holiday gifts in a horse-drawn sleigh Medium: Egg Tempera on Illustration Board Signature: Unsigned Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

"Clatterer" (2023) by Allen Williams is an original oil painting on a sealed illustration board that depicts an eerie and disturbing portrait of a demon...

Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Titled, verso, 'Childhood', signed with artist's Paris address and dated 1926. This early twentieth-century...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1947 Broadway drama, `The Whole World Over`, starring Uta Hag...

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower right, 'Made for Ruth M.' and painted circa 1945. Titled verso 'Birds in Flight', additionally...

Original holiday greeting card illustration of a Christmas Tree in a Weathered Niche against a backdrop of a starry night sky Medium: Egg Tempera on Illustration Board Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Trailblazing Gay Female illustrator of the Golden Age Ida Waugh paints and powerful narrative of a woman cowering in a tree while a hungry pack of wolves wait beneath her for dinner feast. Signed lower left. Framed under glass, Ida Waugh (October 24, 1846 – January 25, 1919) was an American illustrator of children's literature who often collaborated with her lifelong companion, Amy Ella Blanchard. Personal life Ida Waugh was born in Philadelphia, Pennsylvania on October 24, 1846, the daughter of painter Samuel B. Waugh and his first wife, Sarah Mendenhall, therefore she was half-sister of painter Frederick Judd Waugh. Her step-mother was Mary Eliza Young Waugh, a miniaturist. She attended Académie Julian and Académie Delécluse in Paris, studying with Georges Callot, Paul-Louis Delance, and Jean-Joseph Benjamin-Constant.In 1868 she attended the first "Ladies Life Class" at Pennsylvania Academy of the Fine Arts; in the same class there were Emily Sartain and Catherine Ann Drinker. Career Ida Waugh collaborated with her partner Amy Ella Blanchard in publishing children's books, Waugh as illustrator and Blanchard as writer. Waugh also published books on her own Other than a children's book illustrator, Waugh was an award-winning painter. In 1869 she exhibited at the Pennsylvania Academy of the Fine Arts two works, "The Bargain" and a portrait bust of Carl Gaertner. Her self-portrait and another painting, "Little Cosette" (1870), are in the permanent collection of the Woodmere Art Museum, Philadelphia, both donated by Mrs. John S. Haug in 1961.They were part of the exhibition "Women and Biography" in 2014, including: Elizabeth Shippen Green, Violet Oakley, Edith Emerson, Anne Minich, Catherine Mulligan, Mitzi Melnicoff, Alice Kent Stoddard, Aubrey Levinthal, Martha Armstrong...

View of the Towers of Chartres Cathedral in Acrylic on Artist's Board Colorful, idealistic representation of Chartres Cathedral and the surrounding area by Ben Venezky (American, 18...

Arabian Nights, Sea Monster - The Thousand and One Nights Gustaf Tenggren - Attributed - unsigned, unframed. Good condition with very sl...

Mid Century Abstract Expressionist Kelp Forest by Honora Berg This mid century modernist landscape painting by Honora Berg (American, 1897-1985) depicts Monterey Bay's iconic kelp f...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City. Emmanuil Snitkovsky is an internationally known artist, sculpture and poet. Emmanuil Snitkovsky was born into a family of artists and scholars from the Odessa Art College in Russia. Immersed in the traditions of Russia art, he approaches form, line, space and color with relentless vision and impeccable technique. Two highly successful artists, the husband and wife team of Emmanuil and Janet Snitkovsky have exhibited a selection of eight large Judaic paintings at the Chabad Chassidic Art Institute (Chai Gallery) in Crown Heights. Three of those paintings are truly singular visions of Jewish Art that cause us to stop and reassess our preconceptions about the meaning and importance of their subjects. Emmanuil and Janet Snitkovsky were both born in the Ukraine in the 1930′s. Emmanuil was trained in Odessa in public monument art, and Janet majored in fashion at the Lvov Decorative Art Institute. After both narrowly survived the devastation of the Second World War in Stalin’s Russia, they began to collaborate on state sponsored art works in 1962. For ten years, they worked on grandiose public sculptural projects to commemorate the fallen Russian heroes of the Second World War in Moscow, Kiev, Tula and Kazan. They were exemplary Soviet Realists working for the Soviet regime. Eventually, this career became untenable for them, both as artists and as Jews, when they clashed with Soviet officialdom over a commission to commemorate the Babi-Yar massacre. The Soviets refused to acknowledge this massacre of 100,000 Jews and eventually suppressed the memorial. In 1978, Emmanuil and Janet arrived in New York and began to recreate their artistic lives. In the ensuing 25 years, they have been quite successful, exhibiting widely in the United States and Europe. They have nurtured a hybrid style of painting and sculpture called “Renaissance Revival” combining contemporary and classical subjects in a stylized realism that evokes both the American regionalist Thomas Hart Benton and the Italian Renaissance master Sandro Botticelli. The works are highly proficient, polished, and commercial productions in a quirky decorative style. They have continued to accept sculptural projects that have not shied away from kitschy realistic sculptures of Charlie Chaplin as “The Kid,” The Little Tramp” and Buster Keaton as “Cameramen.” In some ways, they have appropriated American culture just as they once accepted Soviet culture. Janet, a graduate of the Lvov College, was invited- by virtue of the high honors she achieved there- to matriculate at the Lvov University of Art. Such an opportunity is extremely rare for anyone, particularly for someone of Jewish descent. Their works of art are included in collections of the Japanese Imperial Family...

Vibrant Gouache and watercolor painting by israeli master JOSSI STERN. on paper mounted to board. Hungary, b. 1923, d. 1992 Jossi (Yossi) Stern, son of David and Katerina, was born...

Mid-century figurative seascape with boats by Henryk Dzienczarski, (Poland, b-1917). Signed "H. Dzienczarski" lower right. Displayed in a wood fra...

Ferd Sondern (b.1923) Legend of Leprechaun, 1980. Ink and watercolor on illustration board. Complete panel measures 10.5 x 18 inches. Signed in rock at right side of stream. Cred...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right On 20.00"x 15.00" illustration board with the image measuring to 11.50" x 9.00." The round portraits are paste...

High-impact Art Deco Illustration of a WWII Sea Plane, viewed with today's eyes, is sleek, stunning, and campy Kitsch. The work is in surprisingly good to excellent condition for its...

America's greatest female illustrator draws a heartwarming picture of a mother putting to bed her child. Motherly love towards their children is the artist's most iconic theme. This ...

Medium: Oil on Illustration Board Signature: Unsigned This piece was produced as the cover art for the box containing a die-cut color lithograph manger set...

Original hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 15"h x 9"w. This piece ships in the pictured black frame. Charles Clary was...

Serene landscape of the Putah Creek Bridge (now submerged, also known as Monticello Bridge) by Frank Willson Judd (American, 1864-1940). The Putah Creeks flows beneath an old Closed-spandrel red stone arch bridge 1896-1957 submerged intact beneath Lake Berryessa in 1957. When built this bridge was reputed to be the longest stone arch bridge in California and quite possibly the largest West of the Rockies. Signed and dated "Frank Willson Judd 1937" in the lower left corner. Presented in an antique, distressed frame...

This highly innovated Bob Peak Race Track painting is a perfect synthesis of art and commerce. Designed with a radical composition where two-thirds of the picture plane is an alm...

Trailblazing Gay Female illustrator of the Golden Age, Ida Waugh, paints a powerful narrative of a young woman coming to the aid of another who, due to an accident, is lying prostrate in an unpaved road. The reason why the work is in black and white is because this was assignment art for a book or magazine and color printing was not yet available for mass publications Signed lower left. Framed under glass, Ida Waugh (October 24, 1846 – January 25, 1919) was an American illustrator of children's literature who often collaborated with her lifelong companion, Amy Ella Blanchard. Personal life Ida Waugh was born in Philadelphia, Pennsylvania on October 24, 1846, the daughter of painter Samuel B. Waugh and his first wife, Sarah Mendenhall, therefore she was half-sister of painter Frederick Judd Waugh. Her step-mother was Mary Eliza Young Waugh, a miniaturist. She attended Académie Julian and Académie Delécluse in Paris, studying with Georges Callot, Paul-Louis Delance, and Jean-Joseph Benjamin-Constant.In 1868 she attended the first "Ladies Life Class" at Pennsylvania Academy of the Fine Arts; in the same class there were Emily Sartain and Catherine Ann Drinker. Career Ida Waugh collaborated with her partner Amy Ella Blanchard in publishing children's books, Waugh as illustrator and Blanchard as writer. Waugh also published books on her own Other than a children's book illustrator, Waugh was an award-winning painter. In 1869 she exhibited at the Pennsylvania Academy of the Fine Arts two works, "The Bargain" and a portrait bust of Carl Gaertner. Her self-portrait and another painting, "Little Cosette" (1870), are in the permanent collection of the Woodmere Art Museum, Philadelphia, both donated by Mrs. John S. Haug in 1961.They were part of the exhibition "Women and Biography" in 2014, including: Elizabeth Shippen Green, Violet Oakley, Edith Emerson, Anne Minich, Catherine Mulligan, Mitzi Melnicoff, Alice Kent Stoddard, Aubrey Levinthal, Martha Armstrong...

Lorraine Fox was a pioneering female Illustrator/artist who championed a unique style immediately identified as hers. This work, in two parts, was most likely for a newsstand woman's...

Medium: Gouache on Illustration Board Signature: Signed Middle Right Sight Size 20.50" x 27.00;" Framed 30.25" x 35.00" Framed and matted under glass in antique gold painted art deco...

Approximate Date: 1902 Medium: Charcoal, Watercolor and Oil on Illustration Board Signature: Signed Lower Right Sight Size 23.50" x 15.50", Framed 31.50" x 23.00" Bed-Time, published...

Inscribed, verso, with artist's name, Axel Helsted (Danish, 1847-1907) and painted circa 1895. Additionally titled, verso, 'Madonna'. Unsigned. Accompanied by a Certificate of Authe...

Signed lower right, 'Marie Pascal' (French-American, 20th century) and painted circa 1990. Exhibited: Gallery Concord, December 1991. Marie Pascal studied at the École Nationale Sup...

Ferd Sondern (b.1923) Puppy chasing Kitten chasing Mouse, 1977. Pencil, gouache and watercolor on illustration board. Complete panel measures 7 x 15 inches. Signed lower left. Cr...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Very interesting illustration painting of People's Photo Service Store, location unknown, Gouache on illustration board, measuring 9 x 12.5 inches, 12 x 16 inches in original mattin...

Devin Michael Robert's "Last Light" is an original, handmade oil painting that depicts a rendering of a landscape.

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

Robert Childers (1924-1984) Teddy Bear Picnic, 1977. Gouache, watercolor and pencil on illustration board measuring 9.5 x 16 inches. Signed lower left. Credited on verso. Printer's notations in margins. Protective cellophane sheet which can easily be removed. Childers attended Medford schools, graduating in 1941 from Medford High School. While a student he had small parts in early Oregon Shakespearean Festival productions in Ashland. Following graduation he served in the U.S. Navy for six years. He attended the Philadelphia Museum School of Art, and Pennsylvania Academy of Fine Arts, from which he received his master’s degree. He received a gold medal upon graduating from the Museum School of Art and attended the Academy of Fine Arts on a Cresson scholarship. He also attended evening classes at Fleisher Memorial and performed for two years with the Philadelphia Dance Theater. His paintings – oil on canvas and wood – are exhibited in Philadelphia galleries, including three permanent exhibits in Wagner, Pa., and Minsky History of Theater. He was sponsored for three one-man shows in Philadelphia. While in Florida he worked for Ron Rico Rum. Following his studies, he worked in fabrics, film production, toys and illustrations for publishers with du Pont in New York City. At the same time he maintained a studio and old twine factory over the Cherry Lane Theater. He lived in Greenwich Village for 19 years before accepting a position developing new products for American Greetings Inc. While there he designed the Holly...

Medium: Gouache on Illustration Board Signature: Signed Lower Left Sight Size 22.00" x 30.00" Framed 33" x 41 1/2" Excellent condition Original use: Bookplate for Tennyson's A Dream of Fair Women A macabre and dark highly inventive large format gouache illustration painting by Harrison Fisher used as a full color book plate in the 1907 edition of "A Dream of Fair Women" by Lord Alfred Tennyson...

Mario Armond Zamparelli was Howard Hughes corporate designer/artist. The present portrait conveys are sense of high style, cultured elegance and sophistication. Although she was pain...

Bay Area Figurative Movement Portrait of a Woman in Oil on Artist's Board 1950s Portrait of a woman man by Honora Berg (American, 1897-1985). The woman is looking directly at the viewer, with a neutral expression. She has dark hair and a slender nose, and is wearing a blue dress. A distinctive bay area figurative movement portrait by well known San Francisco artist Honora Berg. Signed "H. Berg" in on verso. Stamp from Miller Fine Art on verso Acquired with a collection of the artist's work. Initialed and numbered "HB 122 " on verso Unframed. Board size: 24.75"H x 19"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Rudy Nappi (February 12, 1923 – March 13, 2015) Cooling Pie Illustration, 1976. Watercolor and pencil on illustration board measuring 6.5 x 8.5 inches. Printer notes in margins. P...

Large-scale, Mid-Century Illustration that imagines the Car Dealerships of the Future, possibly for the New York World's Fair, 1964-1965 fair, with the theme "Peace Through Underst...

1996: Angelo Peruzzi - Juventus Goalkeeper in the Net, Champion of the UEFA Champions League Technique: Charcoal on paper, signed and dated '96 Author: Marco Silombria (Savona, 19...

A satirical, surreal depiction of a pig at a lunch counter by an unknown artist (20th Century). This scene, full of symbols and satire, portrays the anth...