Art by Medium: Ink

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

A drawing by Alexander Calder. "Tornado in Space" is a Post-War abstract drawing, ink on paper in black and white by artist Alexander Calder. The artwork is s...

Harry Bunce Restaurant au Renard Limited Edition Print Edition of 234 Mount Size: H 51cm x W 41cm Signed and Numbered Sold Unframed but Mounted Please note that all in situ images ar...

"An Ending a Beginning" Photography 24.5" x 17.5" in Ed. 1/24 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 25: 24.5 x 17.5" inch Editi...

Original ink on paper Hand signed lower right Unique piece

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

In these abstract landscapes which reached a peak in the early 1980s, Pinajian appears to strive for visual and spiritual conclusions regarding flatness and color that parallel the goals of the Abstract Expressionsts.- Peter Falk...

GIUSEPPE BOSSI (1777-1815) Studies of seated figures Pen and ink on paper 18 x 14 cm Provenance: Private collection, France Giuseppe Bossi was an Italian Neoclassical painter, dra...

Created by the artist in 2024, Yellow Mimosa with Red is a screenprint in colors with enamel inks and sand on museum board. Measuring 22 x 22 in. (56 x 56 cm), unframed, the artwork ...

A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 18×27 inches/46×69 cm Art-ID: CN0_005654 Aaron Knight is an American vis...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy Cobalt Canary sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC122 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

Artist: Stephanie Todhunter Title: Donna Year: 2019 Size: 8"x7"x4" Material: Plaster of paris, found objects, spraypaint, alcohol inks

Born in the Highlands of Scotland in 1971, Allan Forsyth is a photographic artist whose practice bridges the boundaries between nature, abstraction, and modernism. Deeply inspired by...

Universe IV (Blue) by Mark Francis, 2015 Additional information: Medium: archival inkjet 106 x 88 cm 41 3/4 x 34 5/8 in

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 20×30 inches/51×76 cm Art-ID: HS6_9580 Aaron Knight is an American visua...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Watercolour and Ink on paper Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constantly switching betw...

This pen and ink from 1920 depicts a Greek mythological scene with a Satyr companioning Pan, who plays the flute to an interested woodland deer. It is rendered in minute detail with...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) David Barclay Chapman Gouache, pen, and ink 52 x 44 cm...

This painting is me admitting that I’ve lived in the space between growth and sorrow. That I can bloom and break at the same time. That I’ve felt fragile, small, hidden, but still, I...

Warren St 18 (Abstract Drawing) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano is a Philippines-born French-American abstract artist wh...

Dorothy Dehner (1901–1994) was an influential American multidisciplinary artist who worked with drawing, painting, printmaking, and most notably sculpture. Despite her artistic cont...

Melissa Chalhoub, a 2014 graduate of Saint Joseph University in Beirut, seamlessly navigates the realms of cinema and visual art. With a background in directing and sound design for ...

Al Hirschfeld (1903-2003) "Beat the Band" 22 x 26 1/2 inches ink on board published in The New York Times, October 11, 1942 The unframed work comes directly from the Al Hirschfeld F...

Caio Fonseca 1959 active New York City Pietrasanta Painting (P.95.122) 1995 Goauche and ink on paper 12 x 16 inches (30.5 x 40.6 cm) Framed dimensions: 18 x 22 inches (45.7 x 56 c...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Biography: Clarence Ruth is a New York City-based artist, designer, and author who has made a name for himself in the fashion industry, both as a Creative Director and Fashion Design...

Warren St 18 (Abstract Painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano is a Philippines-born French-American abstract artist who divides his time b...

Shooting Stars (Abstract Painting) Metallic Ink on thin Kozo - Unframed Mertes-Frady creates layered, expressionistic, abstract compositions She is inspired by instinct and intuiti...

Gouache, Indian ink & collages on paper Philippe Pélissier is a French artist born in 1947 who lives and works in Paris, France. He was figure skating coach and former competitor. H...

Title: Mid Century French Geometric Abstract in Red and Violet Gouache on Paper by Serge Guerin (b. 1916), French signed and dated lower right “Serge Guerin 70” Ink and gouache on pa...

18th Century Roman School A Palazzo with antiques Brown ink and pen, brown ink wash on paper 12.5 x 20 cm Framed : 28,5 x 35.5 This nice drawing represents a genre scene, with a nobleman, priests, a mother and her children...

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “sp...

"Singularity" by Halsey Chait India Ink on 250 GSM Lenox 100 Cotton Rag Paper Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes...

In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. W...

Louis Tinayre (1861-1942) An encampment of journalists in Chambéry, signed and titled lower left "Campement de journalistes à Chambéry" Ink on paper In quite good condition, a a visible vertical fold in the centre, some stains and foxings 21 x 29 cm Framed : 33.7 x 45.5 cm Louis Tinayre's background and adventurous life obviously inform this humorous and detailed scene. He demonstrates a remarkable sense of observation, capturing this scene of extraordinary life like a journalistic illustrator. A contributor, to whom I'd like to express my sincere thanks, sheds important light on the nature of this scene. It appears that this drawing is the draft for an illustration published in “Le Monde illustré” of August 4, 1888 (page 77), to accompany the article “Épilogue du voyage présidentiel” (Epilogue to the presidential trip) - president Sadi Carnot- en Savoie et en Dauphiné (p. 74), which ends with: “As a picturesque note, we enclose an improvised journalists' dormitory in Chambéry, where our colleagues deeply regretted the comfort of the special train”. As a quasi-ethnographic observer, Tinayre's interest lies in the journalists' camp, which he turns into a tender, comical scene. We understand him better when we know that he may have been similarly fascinated by the territories of Madagascar, the North Pole or the Far West that he painted and drew. Louis Tinayre was born on 14 March 1861 in Neuilly-sur-Seine. His mother, Victoire Tinayre, was a teacher and a member of the International Workers' Association. Louis was the son of a Communard couple. His father, Jean Joseph, known as Jules Tinayre (Issoire 1821 - Paris 1871) was shot during the Bloody Week. His mother, Victoire Tinayre, fled with her children. Louis was the first to be sent to Hungary, and the rest of the family (including his brother Julien) joined him there later. He studied Fine Arts at the Hungarian University of Fine Arts in Budapest. Returning to Paris in 1880 (after the amnesty), Louis Tinayre assiduously frequented Le Chat noir, where he met the positivists and Adèle Jacomet (Buenos Aires 1867-1946), whom he married in 1888. He became an animal painter and press illustrator and was sent by Le Monde Illustré to cover the second expedition to Madagascar (then under French protectorate) in 1895. He stayed there, fascinated, for six months and produced numerous drawings and photographs. Back in France, he created eight 5 x 4 meters dioramas presented at the National and Colonial Exhibition in Rouen in 1896. He returned to Madagascar in 1898 to prepare the creation of a giant panorama representing the surrender of Antananarivo in 1895. The Malagasy pavilion at the 1900 Universal Exhibition in Paris allowed him to admire the dioramas (on the ground floor) and the panorama (on the first floor). On his second trip, Tinayre took a Lumière cinematograph with him to document the daily life of the Malagasy people, no doubt to facilitate the design of the vast panorama. These short films were donated to the Cinémathèque française in 2009 by his grandson, Alain Tinayre. One of the admirers of Tinayre's drawings, watercolours, paintings and photographs at the Universal Exhibition was Prince Albert I of Monaco: from 1901 onwards, Tinayre accompanied him on his hunts, painting scenes in North Africa, Russia, the Far West (Wyoming) and the North Pole. Tinayre, the official painter of the Prince's scientific expeditions, left his name to a glacier. Together with the painter Alexandre Jean-Baptiste Brun, he painted the four murals in the large amphitheatre of the Oceanographic Institute in Paris. Louis Tinayre painted the figures while Alexandre Brun...

Canto #22 (Abstract work on paper) Ink, oil on paper - unframed This artwork will be shipped rolled in a dent-resistant tube. Harald Kröner works thoroughly with paper, of which h...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Ink on canvas Katherine Filice is an award-winning American abstract artist born in 1963 who lives and works in Hollister, Northern California, USA. Her work is known for its exploration of environmental topics, with a focus on our human understanding of centuries-old forests, particularly concerned with articulating the energy, memories, and stories that vibrate through the ancient trees and woodland landscapes. Filice's artistic development has been shaped by a blend of traditional art education and invaluable guidance from artists, critics, and educators through various critique programs. She has also garnered over 100 design awards for her commercial work. In addition, Filice holds a BS degree from the University of San Francisco. Her extensive education and professional experience have greatly influenced her exploration of human relationships and their reflection within our environment. Katherine has exhibited her work in solo and group exhibitions throughout the United States, Europe, and Asia. Her paintings and drawings are held in private and corporate collections worldwide. Her most recent solo exhibitions include “Lost & Found” at 1202 Contemporary and "Lost in the Woods" at the Pacific Art...

Architectural Study for the Restoration of Saint-Pierre Church in Avon, France. This unique architectural study was created as part of a church renovation project in a suburb of Pari...

Canto #22 (Abstract work on paper) Ink, oil on paper - unframed This artwork will be shipped rolled in a dent-resistant tube. Harald Kröner works thoroughly with paper, of which h...

"Marilyn Crying Diamond (Marmont Pink)" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depic...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Theodore Blake Wirgman (1848-1925) Portrait of Sir Ernest Albert Waterlow RA, (1850-1919) pen and black ink on paper, inscribed with thename of the sitter on the verso of the sheet, now not visible under the framing 15 x 12 cm In a modern frame 34.5 x 30 cm Theodore Blake Wirgman (29 April 1848 – 16 January 1925) was an English painter and etcher who moved to London, studied at the Royal Academy schools, became a painter of history and genre subjects, and worked as a portrait artist for The Graphic. A number of these portraits are held at the National Portrait Gallery. Theodore Blake Wirgman was born in Belgium and died in London. He worked from a studio at 24 Dawson Place, Notting Hill, London, and joined The Arts Club in 1892. Wirgman was part of a group of avant-garde young artists who emulated Edward Burne-Jones and Simeon Solomon...

Two young Scottish women wear smart business jackets and fashionable tartan skirts. They are depicted as discerning Art Connoisseurs evaluating a small bronze dancer. The Artist Hele...

This is a pop art print of the original Yoda toy from Kenner "The Toys" by LA based Pop Artists DESTRO. Star Wars Empire Strikes Back Return of the Jedi They encapsulate an era...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

David Paul Kay "Aquamarine" 2025 28x34 inches ink on paper, framed. About the Artist David Paul Kay is an American contemporary artist based in New York City. With a focus on vibr...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 48 x 36 in. $ 1,600 40 x 30 in. $ 1,350 An artwork ins...

Color silkscreen with enamel inks and tar-like texture on Rising 2-ply museum board Portfolio of 8: $16,000

Rudolf Schlichter (1890-1955) Man Pencil on paper Signed "R. Schlichter" on the lower right Study of a man leaning forward on the back 59 x 44 cm Sma...

Charlie-Anne Hopkins (b. 1984) is a multidisciplinary artist whose practice engages with place, materiality, and ecological transformation. They hold an MFA in Sculpture from the Cra...

Sunil Das - Ganesha - 9 x 7 inches (unframed size) Pen Drawing Inclusive of shipment in ready to hang form. It is not easy to figure out the mask-like face with a long coiling snout not unlike that of an elephant's trunk. But Sunil has added details to make it look unlike the face of the well-known animal-headed Hindu god...

With Arctic 2 the Arctic series continues. It is another painting that I have recycled. I used coarse and fine-grained modeling pastes, a homemade past...

Nell Brinkley was a pioneering woman illustrator for major national publications. She was famous for her "Brinkley Girl" and in the present work she exhibits a classic example. The m...

Pierre Carrilero Fucked by the System, 2015 Screenprint on fabric in situ with steel bar construction 140 x 260 cm

Hailing from Liège and Brussels, with a background in the Académie des Beaux-Arts, Leon Collard (1916-2011) painted this abstract woman on handmade paper with ink and acrylic. Utiliz...