Art by Medium: Marble

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Berlin's series of remarkable images of mythically, spiritual women is now augmented by this latest work. The Inner Heart to the Dove of Peace is an intense piece, a paean of hope. H...

Pair of yellow marble vase-holder sculptures - Poseidon and Amphitrite. Italy, 19th-20th century. 44 x 44 x h 90 cm each (not signed). Entirely in yellow marble carved in Baroque style. Depicting Poseidon and Amphitrite holding a horizontal vase...

Untitled Column (Timeless Remnants), 2025 Natural stone, 386 bricks This sculptural column remains unbound, nomadic, and ever-evolving. Its elements are arranged alternately along t...

Pair of early 17th-century medallion profiles in antique yellow marble and onyx Pair of medallions depicting Agrippina and Faustina, Rome, 17th century. Ra...

Very occasionally a painting invites deep study; nothing exists within it without reason, each form has purpose, every shade has nuance, every line has meaning. Berlin has presented...

"Turquoise" abstract acrylic paint on linen panel 95x62cm 2022 The color that makes me feel good, that seems welcoming to me is turquoise. Watching the transparency of the water whe...

Mid century carved marble figurative girl and kitten by Rodney Marshall Winfield (American, b. 1925). Presented in rustic wood frame. Bio on verso. Image, 14"H x 10"W. Rodney studied at Cooper Union School in New York and worked as a designer at the Emil Frei...

Marble free form sculpture by Chrissy Harris. Composition is cipollino green marble from Greece. Signed on base of marble sculpture. American School....

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Stunning monochrome work from the studio of Sax Berlin. A painting in which one can truly become lost. The colour is rich and indulgent, it allows the mind to follow the flow of the ...

White alabaster, Pedestal - Belgian Blue Marble David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradit...

Artist: Jack Graves III (American, 1988-) Title: "Alexander the Great Sculpture II" Series: Sculpture *Signed, titled, and dated by Grav...

Named "Prince d'Égypte", this sculpture was created by artist Lutfi Romhein using locally sourced stone from Aveyron, France. Dimensions & Weight : This artwork has a total height o...

Balsam, ground marble and hand ground pigments give this work great depth. This piece from Sax Berlin works on different levels; the beautiful, subtle palette & the contemplative dra...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptures. This sculpture depicts a dancer tying p...

Document from the Nashvile Art Association dated 1925. The marble was purchased in Florence, Italy at an exhibit of The Association of of Italian Artists.

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

Berlin has loved Manhattan & New York City for decades. This love is passionately brought to life in the dynamic & vibrant series of Guradian Angels that he's created to protect the areas that he loves so much with his own Guardian Angels in the Sharp Edge style.The first of these Angels has been created to protect SoHo, the now historic cast iron district in Lower Manhattan south of Houston Street north of Little Italy. During the dark hours when people are sleeping and the district has emptied this first, primary coloured Angel watches...

Acquired by the gallery directly from the artist Artist Statement “Charlotte is from a series I did, called ‘Blue-Eyed Girls.’ They take their names from heroines of Jane Austen, an...

“The desire for fantasy... We are weighed down, anxious by the news of what is happening in the world. I really need something fancy, something light, something that suggests imagina...

Belgian Blue Marble David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition with minimalist abstract...

Polished bronze on marble base. Incised with the artist's signature and numbered 6/8 on the verso.

ITALIAN MARBLE BUST OF MELPOMEN, MUSE OF TRAGEDY Late 18th Century inscribed to base Melpomen marble height 66 cm height 26 in

«The need to clear your mind, not to answer the phone, to take a day off without any obligation or constraint Listening to music, immersing yourself in a good book... It's vital to ...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Bronze of a Nude woman knelling on the pillow. Signed illegibly with initials, posible FL dated '64 edition 1/3. Bronze with dark brown patina on marble base.

Here for your consideration is a original sculpted marble elongated figure by the artist Joseph L. Rotella. Signed on the bottom back of the sculpture as well as the underside of the...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

A very heavy, massive bronze sculpture by an important Chicago sculptor. Signed and marked "Firenze" with "Fuse Marinelli". METROPOLIS. Seven abstract shapes on black marble base. 1...

"Warning" abstract acrylic paint on linen panel 95x62cm 2022 Looking at the peaceful sky of Brittany came to me the need to paint a possible threat that could fall on us. Something ...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

Provenance Acquired by the gallery directly from the artist Exhibitions Exhibited at the Los Angeles Art Show 2014, January 15-19, 2014

"Cherished freedom" abstract acrylic poudre de marbre 100x82cm 2022 the joy and lightness of yellow is for me the freedom to breathe and think, which is always threatened I wanted...

Peter D. Cole (Australian, b. 1947) Symbols of Landscape, 1987 Mixed metal, enamel and marble signed P.D. Cole and dated 21 x 6 1/2 x 6 in (53 x 16.5 x 15cm) Provenance: Macquarie Galleries, Sydney, Australia, 1987. Sculptor Peter D. Cole was born in Gawler, South Australia and trained at the South Australian School of Art between 1965 and 1968. Since the 1980’s Cole has been based in the Kyneton District of Victoria, where he has established himself as one of Australia’s senior and most renowned contemporary sculptors, drawing on the landscape as a source of inspiration and recent research trips to Japan and India have added to his rich source material. As a public artist, Cole has made a significant contribution to the urban landscape and public spaces of Australia receiving the Australian National Trust Heritage Award and the Australian Institute of Landscape Architecture Award of Merit for Foundation Park, a permanent work at The Rocks, Sydney. He is highly sought for commissions and his work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport and recently Windsor Railway Station precinct. He was awarded the H.P. Gill medal for top student and the Contemporary arts Society award for drawing in 1968 and has exhibited regularly since 1969 with exhibitions in Australia and America, with notably a solo exhibition in 1995 at The Carpenter Centre, Harvard University USA. Peter D. Cole ranks as one of Australia's senior and most renowned contemporary sculptors. Graphic, minimalist and refined, his uncompromising aesthetic vision encompasses both large-scale structures, aerial works, and more intimate, witty ruminations. An accomplished water-colourist and draughtsman, Cole's vision translates easily into works on paper, valued by collectors for the insight they provide into his practice. Cole's robust materials- brass, bronze, painted steel and aluminium- vibrant colours and precise shapes articulate spatial, intellectual, and philosophical concepts. He is also interested in the notion of 'diagrammatic' landscapes, ones that express the transition between the flat plains of the Australian bush, and a more city-centric urban cacophony. Cole's work observes and recognises the boundaries of modern life without limiting its scale, or its scope. Cole is the recipient of the Australian National Trust Heritage Award (1996), the Australian Institute of Landscape Architecture Award of Merit (1995), and is highly sought for commissions. His work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport. Hs work bears similarities to Peter Shire, Charlie Hewitt and Brad Howe. Cole lectured in sculpture between 1975 and 2001 and has worked continuously on his practice encompassing sculpture, painting, drawing, printmaking, design and architecture. His work is represented in many collections both private and public throughout Australia, America, Japan and Europe. SOLO EXHIBITIONS 2017 A Modern Narrative, Australian Galleries, Sydney 2016 PLACE AND SPACE, Australian Galleries, Melbourne 2013 Australian Galleries, Roylston Street, Sydney 2012 Lister Gallery, Perth 2011 New Sculptures, John Buckley Gallery, Melbourne 2006 New works, Australian Galleries Painting & Sculpture, Sydney 2004 Primary Structure, Calder Lister Gallery, Perth 1997 Steele Gallery, New York, USA 1995 Carpenter Centre for the Visual Arts, Harvard University, Massachusetts, USA 1990 William Mora Gallery, Melbourne SELECTED GROUP EXHIBITIONS 2021 This is Gippsland, with works by Sidney Nolan, John Wolseley, Anne Montgomery Trevor Vickers, Ann Greenwood, Tony Newsom, Peter Cole, Nick Mount, John Woollard, Cheryl Burgess, Kiyoshi Ino and more. 2019. Australian Galleries: The Purves Family Business. The First Four Decades, Book Launch and Group Exhibition, Australian Galleries, Melbourne 2019. papermade, Australian Galleries, Melbourne 2017. Painting, sculpture and works on paper – Group exhibition, Australian Galleries, Melbourne 2017. Sculpture: medium and small scale – Mixed Sculptors, Australian Galleries, Sydney 2016. Impressions, Australian Print Workshop, Melbourne 2014. one of each, Australian Galleries, Derby Street, Melbourne 2011. large exhibition of small works, Australian Galleries, Roylston Street, Sydney 2006. Stock Show, Australian Galleries Painting & Sculpture, Melbourne 2005. End of Year Group Exhibition, Australian Galleries Painting & Sculpture, Sydney 2003. This was the future: Australian Sculpture of the 1950s, 60s, 70s + Today, Heide Museum of Modern Art, 2002. Tokyo Designers Block Idee, Tokyo, Japan PUBLIC COMMISSIONS Arts Victoria; Shepparton lake sculpture, Shepparton VIC 19 October 2019 Bank of Melbourne; in consultation with Bates Smart McCutcheon; large freestanding sculptural screen, Melbourne Brisbane International Airport; in consultation with Bligh Voller architects and Jean Battersby Art Consultants; large suspended sculptures...

24 Hours at Sea Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the me...

Provenance Acquired by the gallery directly from the artist Description Resting upon a golden cushion, this two-faced subject has the look of a mask that one would be able to wear. ...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Rosa Portugal marble torso of a woman. Unsigned. Late 20th century. In excellent condition. American School. 18.5 inches high by 10 wise by 7 inche...

This figurative sculpture by Lutfi Romhein depicts a female nude bust in Belgian black marble mounted on a grey marble base. It has a very fine grain which provides a really soft tou...

An original carved marble sculpture by Constantin Antonovici from his Owl Series. Referenced in "Constantin Antonovici: Sculptor of Owls", pg 51. signature and date inscribed verso. ...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

"A confident smile" abstract acrylic , marble powder, collage, 73x60cm, linen canvas, send in wooden crate. I received a video of a little niece of a few months old who reacts to he...

This marble sculpture is hand carved with Carrara Statuario marble! The Ball is available either with or without the showcase. Also the bottom of the showcase can be made in any col...

The layout of this work was imposed upon the artist during one night, likely in resonance with what remains after the passage of fanaticism and barbarism. Through this composition, ...

"TRILOGY" by Caroline Ramersdorfer Marble and Stainless Steel Marble, Stone, Organic, Abstract, Contemporary, White, Negative Space, Grooved Texture, Sculpture, Outdoors, Large Ram...

Red travertine David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition with minimalist abstraction. ...

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Marble Base (Indoors Only) 24" x 10" x 8" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and r...

"A counter courant" abstract on linen canvas 100x100 cm 2022 Filled with all that we hear, all the information, I felt the need for an immersion in the protective blue, that of the i...

«The cinema outings of The Three Musketeers, the tale of Monte Christo, make me want to immerse myself in the cloak-and-dagger novels that enchanted my childhood. I just wanted to su...

Italian Portrait White Marble Bust in a Heroic Attitude. Carrara statuary Marble. Tuscan school. Circa 1850.  Bust depicting a young man with bare shoulders. This model draws inspira...

Mid Century carved marble flute player by Rodney Marshall Winfield (American, b. 1925). Presented in a rustic wooden frame. Unsigned. Image size: 14"H x 10"W. Framed: 20"H x 16"W. Wear to frame and age wear to marble. A painter in acrylic, designer in stain glass and silver, sculptor and long-time teacher, Rodney Winfield has had a diverse career. He was born in New York City. As a young man, he was artistically inclined and composed music, drew and painted, danced, wrote poetry and created sculpture. Choosing to focus on art, he enrolled in Cooper Union School in New York City. From 1953 to 1970, he was a stain-glass designer for Emil Frei...

abstract acrylic marble canvas 120x120cm send in wood crate at cost Emmanuelle Vroelant describes her painting as a winter without sadness, the clouds loaded and free to transform, i...

Divyendu Anand - Transmuted Leaves Edition of 8 Oxidised Bronze over Stone Composite Granite Base H 14 x W 21 x D 9 inches, 2019 Growing up with the thoughts of altruism, idealism a...

Spanish Windows IV Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Abstract Form is a mid-century modern sculpture by Dutch artist Leo De Beer, exemplifying his commitment to uncovering form from within. Rendered in a styl...

"Guarantee of freshness" abstract acrylic paint on linen panel 81x100cm 2022 In these days of pleasant but disturbing heat, I pay tribute to the foliage of trees on the banks of pe...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

"Need for lightness" abstract acrylic paper collage marble powder sand on canvas linen beige ochre send in wood crate at cost stay positive in a heavy social environment fight again...