Horizontal Mixed Media

Go!, 2014 ink, paper, graphite, thread 18 x 13 inches unframed 20 x 16 inches framed Stockholm based artist Joanne Grüne-Yanoff has been exhibiting extensively in the US and ab...

This artwork presents a bold interplay of color and texture, dominated by a central abstract form resembling a layered structure. Atop a dark, slender pedestal, stacked layers of vib...

Lambda c-print on acrylic glass; ready to hang. This is a combination of wet- and digital painting and drawing. I do have a name for my new works: Abstract Symbolic and mystical Art...

This artwork is a striking abstract composition defined by its vibrant blue background, which serves as a dynamic canvas for contrasting colors and textures. The piece is dominated b...

This abstract artwork captivates with its dynamic fusion of colors and textures. Dominated by vibrant blue and green hues, it evokes a sense of depth and movement, reminiscent of a t...

This artwork presents a striking fusion of color and texture, characterized by a bold vertical gold stripe contrasting against dynamic blue and turquoise brushstrokes. The horizontal...

This artwork presents a compelling blend of abstract expression and serene imagery. A swath of rich blue and teal hues sweeps across the canvas, suggestive of a tranquil seascape. Bo...

This artwork is a captivating abstract landscape that skillfully blends soft earth tones with striking vertical elements. A harmonious horizon of muted ochres and browns stretches ac...

This abstract artwork features a striking horizontal composition, predominantly showcasing an expressive swirl of color. At the center, a vivid blend of blues, purples, and golds is ...

This artwork presents a striking blend of deep blues and shimmering golds, creating an evocative marine landscape. The fluid interplay of watercolor techniques infuses the piece with...

This abstract artwork captivates with its bold and dynamic interplay of color and form. Dominated by a central mass of textured blues, purples, and greens, the composition evokes a s...

This artwork boldly captures fluid motion through an abstract composition of sweeping brushstrokes and subtle color transitions. Dominated by cool tones of blue and green, the piece ...

With stunning textures and lustrous high-gloss resin finish, this abstract painting features metallic gold, copper, blue, platinum silver, and black and white. Original Abstract ...

The artwork presents an enigmatic and ethereal composition, characterized by a ghostly, blue-toned visage emerging from a foggy backdrop. Central to the piece is a shadowy silhouette...

Analog Collage VoIce of Treason 12 x 12inches Collage on Paper Exhibition History: THE COLLAGE SHOW Morgan Jesse Lappin is a collage artist and curator based in Brooklyn. He seeks to explore the boundaries of collage, identify artists pushing the medium forward, and inspire others along the way. In 2013, he founded the Brooklyn Collage Collective, which consists of four core members: Morgan Jesse Lappin, Jessie Laura, Joseph Karwacki, and Michele Luger. The Brooklyn Collage Collective has worked and exhibited with other collage artists all over the world, including New York, London, Australia, and Italy. Lappin's art is a combination of comedy and chaos, with elements of music, vintage horror and sci-fi. His work ranges from seven-foot-long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with video animations. He also uses nostalgic material from his childhood in the ‘90s, such as VHS Tape...

Artist: Verbicky, James Title: Citta Samtana Diptych (The Stars Above) Date: 2021 Medium: Mixed media, resin on wood panel Unframed Dimensions: 60" x 80" Signature: Signed by A...

Artist: Frank Rowland, American (1927 - ) Title: Untitled II Year: circa 1980 Medium: Acrylic and Collage on Paper, signed Size: 31.5 x 47.5 in. (80.01 x 120.65 cm)

Wendy Helliwell is a visual artist from Edinburgh. She grew up in the 80’s and her work is influenced by fashion, pop culture and advertising from glossy fashion magazines. Primarily...

Linda Stein, 1224 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

"Divine Touch (The Touch of God)" 49" X 146" in Photography Ed. 1/1 by Ben Cope 2021 Photo on deconstructed paper 49.5” x 145.5” inch Comes in white frame and plexiglass Ben Cope...

Miquel Barceló Hombori, 2009 Mixed media on canvas 23 1/2 x 28 1/2 inches Signed and dated verso

Terry Durham (British, 1936 – 2013) Golden Rocket Morning Acrylic and Mixed media Signed and dated ‘DURHAM.72.’ (lower left) 18 x 23.3/4 in. (45.8 x 60.3 cm.) The orange composition shows a rocket but there are heavy resemblances to a fish. Other foliate motifs, squares, circles and references to the moon and clouds...

Kapil Anant - Rajsthani Rural Sister's - 17.2 x 21.5 inches (unframed size) Acrylic & Ink on Paper, 2020 Inclusive of shipment in rolled form. Kapil Anant was born in 1998. Compl...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Title Unreadable " _______ _______ No. 102" Mixed media Signed and dated lower right Manuscript notes on black paper backing Condition: Excellent Image size: 6 1/2 x 12 3/4 inches Bo...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Size includes matt. Size of actual Peice is 2.8" X 3.5" Béla Kádár (1877–1956) was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructi...

This one is laminated in plastic. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

Color Aid paper, Paint, Contemporary collage Hand cut color-aid paper Worked with Robert Indiana Philomena Marano has spent decades “penetrat[ing] th...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 11.75x 16 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg an...

Michael Nisperos is a dynamic artist known for his captivating blend of abstract and figural expressionism. With a keen eye for exploring the depths o...

Mixed media, acrylic paint and photography on canvas. One of a kind. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his t...

Summer Leaves is Mixed Media on Yupo Paper 20″ x 26″ Image Framed it is 28 1/2″ x 34 1/2″.Art is floated in a white or neutral 1” depth gallery frame with plexi glazing. Look for free shipping at checkout. Grateful that Summer Leaves 1 painting was juried into the Salon des Refuses’ Exhibition. This is a national juried art competition that is on exhibit from September 2, 2023 – January 2, 2024. This contemporary art exhibit will be on display in the Ancient Sculpture Museum. The Earth’s diverse surface is fascinating. The vegetative environments invite viewers to visit a place. Local light and atmosphere affect the plant life that thrives, the colors we see and experience of mood and energy. These botanical paintings explore memory and landscape with complex spatial environments that hover between painterly realism and abstract passages. Throughout the long tradition of landscape painting, there exists a connection between the artist and the natural world. A painter can evoke this relationship through the use of color, value and line whether the painting is representational or abstracted. These elements combine and intertwine to create rhythms of perspective and dimension, illuminating this personal vision on canvas. Yupo paper is waterproof, and stands up to the rigors of the elements and demanding environments. Ultra-smooth and bright white, it's a paper alternative that stands out. Bio Julie...

Artist: William Taggart, American (1936 - 2007) Title: Red Year: 1980 Medium: Mixed Media: Acrylic on Canvas and Stypol Polymer, Signed Verso Overall Size: 33 x 36 in. (83.82 x 91....

Born in Czechoslovakia on May 5, 1914. Laisner studied at the University of Chicago and AIC. Most of his career was spent in Pullman, WA as a professor at the state college. He died ...

Perched is by Anne Embree who is known for her whimsical animal paintings . Perched focuses on the Bird and the surrounding objects Perched is 16 x 20 unf...

Hand signed verso, mixed media on two sections of joined canvas Work is titled "Ego Wall with Mess," circa 1983. Provenance: Brooke Alexander Gallery, New York, New York. bearing their label verso. 24 x 30 x 3-3/4 inches (61.0 x 76.2 x 9.5 cm) Hand signed on the reverse: Judy Rifka Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery...

An original mixed media work on paper and wooden sculpture by American artist Andrew Topolski. This piece is signed and dated "82" upper left. This unique combination was created f...

Samantha Gare Les Arcs, France Pen, Marker and Pastel on Mountboard Unframed 51cm x 76cm Landscape, skiing, black and white, mountain, snow, France Please note that insitu images are...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 10.5 x 17 Frame Size: 20.5 x 16.5 Medium: Mixed Media on poster board Dated 1987 "Thanksgiving" Biography Johnny Banks (1912-1...

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Title: Tel Aviv Dragon Slayer Dimensions: 22.5 x 30 inches Signature: signed and dated Schwebel 75 lower Right Corner Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkovski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. His “Tel Aviv” series, in contast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. He had major shows over the years – at the Israel Museum and Tefen, and last year at the Ramat Gan Museum; his work had been exhibited at the Tel Aviv Museum and is represented in their collection. Retrospective 1966-1980 Gordon Gallery, Tel Aviv. Artists: Yehiel Shemi, Zvi Mairovich, Yosef Zaritsky, Ivan Schwebel, Benni Efrat, Leopold Krakauer, Moshe Kupferman, Avigdor Arikha, Dani Karavan, Avigdor Stematsky,Michael Druks, Raffi Lavie, Aviva Uri...

Nissan Engel mixed-media abstract composition with portraits Mixed media with watercolor and white wash. Dimensions 29" x 22". The frame measures 33.5" x 26". Pencil signed in the...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Composition by Georges Mathieu (1921-2012) G...

Inscription by the artist in permanent marker on verso: "MI CORAZON QUE LATE, KOZO + AMATE/MIXTA, PAPELHECHO A MANO., 68 X 70 CM., T OLABUENAGA, -1990-"

Collage, 1988 Handsigned by the artist in pencil Mixed media and collage on cardboard Dated October 23, 1988 Frame dimensions: 48 x 54 cm 36.00 cm. x 42.00 cm. 14.17 in. x 16.54 in...

Steven H. Rehfeld (American, born 1954) "Coastal" 2003 Oil Paint, Canvas, Stretcher Bars The artist signed the back of each painting. Steven H. Rehfeld's 24" x 48" diptych, "Coastal...

"Vietnam, Mighty Garden City" mixed media artwork by artist Raphael Mazzucco. Signed in front lower right corner.

TECHNIQUE PHOTO-PAINTING- DIGITAL PROCESSING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was my invention in 1994. In fact...

This is a one of a kind original abstract mixed media still life on paper by San Diego artist, Viktoria Romanova. It is not framed but rather mounted on board. Its dimensions are 40"...

This is a one of a kind original mixed media landscape on canvas by San Diego Artist, Victoria Marquez. Its dimensions are 36" x 24". It is unframed. A certificate of authenticity wi...

Maggie LaPorte Banks Caen Hill Locks Acrylic and Mixed Medium on Canvas. Size: H 30cm x W 70cm x D 2cm Sold Unframed Insitu images are purely an indication of how a piece may look. ...

Framed in a shadow box. size includes frame. Paul Sarkisian (1928-) is an American artist who made significant contributions during the growth of contemporary art in Los Angeles, th...

Artist: Yannick Ballif, French (b. 1927) Title: Red Planet Year: circa 1975 Medium: Acrylic Monoprint with India Ink on Rag Paper Size: 30 x 44 inches

Hematriptan mRNA(Black) by Agent X [2021] limited edition Mixed Media Edition of 70 Image size: H:85 cm x W:96 cm Complete Size of Unframed Work: H:85 cm x W:96 cm x D:1cm Sold Unfr...

Artist Commentary: Limited edition lenticular LED wall art held in a rectangular frame. Created with constantly fluctuating patterns and colour palettes. ...

Bijan Choudhury - Untitled - 30 x 36 inches (unframed size) Mixed Media on Canvas ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientation did not allow Bijan Chowdh...

The Last Light. Adele Riley Artist [2021] Original Seascapes Acrylic and acrylic inks on boxed canvas Canvas Size: H:20 cm x W:50 cm x D:4cm Sold Unframed...

TECHNIQUE PHOTO-PAINTING- DIGITAL PROCESSING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was my invention in 1994. In fact...