Drypoint Mixed Media

This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif Salzer and is in the permanent collection of the Museum of City of New York...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) signed in pencil by artist in lower right corner paper size: 38.5 x 28.5 cm framed size: 65 x 55 cm very good conditions Bibliography: Salvador Dalí Catalogue Raisoneé of etchings and mixed media prints Ref 369 pag 178 Fast and Tracked shipping with express currier DHL . We offer professional packaging and tracked shipping with DHL Express courier ( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Salvador Dali (1904-1989) - Kosonaga chojo (The princess and the herd boy) Drypoint etching with stencil from 1974. The edition of XVII/LXXV on Richard de Bas paper. Dimensions of...

Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gall...

“Breakfast” is a colored etching and drypoint by American artist, Wayne Thiebaud from 1995. The work is edition 22/50 and is signed lower right, "Thiebaud 1995” Wayne Thiebaud's Bre...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Salvador Dali (1904-1989) - Shitakiri (The tongue-cut sparrow) Drypoint etching with stencil from 1974. The edition of XVII/LXXV on Richard de Bas paper. Dimensions of work: 66 x ...

“Wake” by Linda Kamille Schmidt is an intimate textile collage composed of layered sheer and opaque fabrics, meticulously assembled using both machine and hand stitching. A third-gen...

This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...

"Havabanana / Sleep (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measur...