Emulsion Mixed Media

Dennis Hopper, (American, 1936-2010) Mixed media sculpture "Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage, Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d. There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made. Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010 From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd." Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years. Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis. In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place. Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz...

Discover the striking beauty of “Metamorphosis,” an original abstract painting by celebrated mid-century artist Pawel Kontny (also known as Paul Kontny). Created in the late 1960s to...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Countess Peter Jean-Baptiste de Manio (left) and Mary-Beth Turner playing backgammon by a ...

This archival pigment print on linen with cotton embroidery features hues of yellow, blue and purple. Tokie Rome-Taylor is inspired by the works of Harmonia Rosales...

"Hong Kong Flora #7", 2024 Camille Levert's work is imbued with her life in Hong Kong. Having spent many years roaming the streets with her camera, the city and its iconic neon ligh...

Skis leaning against the wall of a hut marked 'Ski Instructors Only' in New Hampshire, 1955. New England Skiing Black and White Photography Slim Aarons Estate Edition Numbered and s...

"Askew/ Ask You/ Achoo" is an original piece by Shawn Theodore made from hand-crafted paper collage and acrylic and archival ink on Epson Hot Press Natural paper on wood panel. Theod...

This piece titled "Self-Reflection: In the Bedroom" is an original piece by Han Cao and is made from embroidery on a vintage photograph. This piece measures 9" x 11" framed and is sh...

Skis leaning against the wall of a hut marked 'Ski Instructors Only' in New Hampshire, 1955. New England Skiing Black and White Photography Slim Aa...

Colors (Abstract Photography) Photography/painting, mixed media - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival standards. Wood supports are sealed...

Colors (Abstract Photography) Photography/painting, mixed media - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival standards. Wood supports are sealed...

This is a cyanotype on unprocessed paper. Singular piece. Signed en verso. Framing upon request - art exclusively at gallery. Inquire to view series, collection. Inquire to commission projects. Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine. As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology. The layering of works, creating depth, process and nature are important elements of her work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time. Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing...