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Medium: Graphite
Fire Ice - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Wax, Oil, Graphite

Spirit, unique abstract painting by daughter of MOMA founder, Fischbach Gallery
Located in New York, NY
Victoria Barr Spirit, 1974 Crayon on Paper Signed and dated lower right front Frame included Provenance: Fischbach Gallery, New York, NY This bright, abstract 1970s artwork was created by Victoria Barr, daughter of the legendary developer of the Museum of Modern Art, Alfred H. Barr. There is a Fischbach Gallery label on the back of the frame. The Fischbach Gallery was, for many years, the gallery of record for the American artist Alex Katz. It is not easy finding Barr's work on the market at this time. Measurements: Framed: 23 inches x 29.5 inches x .5 inches Artwork: 23 inches x 29 inches Victoria Barr was born in New York, NY, in 1937 to the legendary MOMA curator and art historian Alfred H. Barr, Jr. and art historian Margaret Scolari Barr. Barr often traveled to Europe with her parents from the age of 14 onwards, meeting influential artists like Pablo Picasso, Henri Matisse, and Marc Chagall and collectors like Peggy Guggenheim. For high school, she went to Milton Academy...
Category

1970s Abstract Graphite Mixed Media

Materials

Oil Crayon, Graphite

Mixed Media Collage, Graphite, Oil Painting Abstract Expressionist Henry Mandell
Located in Surfside, FL
Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...
Category

1980s Abstract Expressionist Graphite Mixed Media

Materials

Oil, Graphite

Natural yellow paint on canvas, turmeric and graphite, infinite geometry
Located in Carballo, ES
This new series by Danish artist Peter Kramer (1959, Roskilde, DK) based in Spain shows us a new way of working with natural and exotic elements. In this case, he uses the turmeric r...
Category

21st Century and Contemporary Post-Modern Graphite Mixed Media

Materials

Cotton, Organic Material, Tissue Paper, Graphite

If She Knew What She Wants
Located in Santa Monica, CA
Acrylic and graphite on cradled wood panel
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Mixed Media, Acrylic, Wood Panel, Graphite

Käepigistus Delf 7, Handshake Series
Located in Santa Monica, CA
Watercolor & Graphite on Canvas
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Canvas, Watercolor, Graphite

Anonymous Self Portrait XXXVI
Located in New York, NY
Anonymous Self Portrait XXXVI 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Thi...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Ink, Graphite

Origin 8"-5, by Seiko Tachibana
Located in Palm Springs, CA
A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...
Category

Early 2000s Abstract Graphite Mixed Media

Materials

Charcoal, Mixed Media, Acrylic, Graphite, Monotype

Käepigistus Teal 1, Handshake Series
Located in Santa Monica, CA
Watercolor & Graphite on Canvas
Category

21st Century and Contemporary Abstract Graphite Mixed Media

Materials

Canvas, Watercolor, Graphite

The Milling Machine
Located in Santa Monica, CA
Graphite and charcoal on paper
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Paper, Charcoal, Graphite

FringeCharacter (pink, orange, abstract print)
Located in New York, NY
Monoprint with water based ink and graphite
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Graphite, Ink, Color

PL Bay
Located in New York, NY
Lovie Olivia “PL Bay” 2023 Signed Medical file folders, squid ink, graphite, glitter, acetate, vellum (Unique) 14 x 11 inches
Category

2010s Contemporary Graphite Mixed Media

Materials

Paper, Ink, Vellum, Graphite

Cle Series: Three Rows in the Yard.
Located in New York, NY
702 CLE Series: Three Rows in the Yard. Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, and the urban neigh...
Category

21st Century and Contemporary Photorealist Graphite Mixed Media

Materials

Acrylic, Color Pencil, Graphite

Anonymous Self Portrait Collage 4
Located in New York, NY
Anonymous Self Portrait Collage 4 2019 Signed and dated on label, verso Ink, graphite, acrylic, and Mylar on 300 lb. hot-pressed watercolor paper mo...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Ink, Acrylic, Graphite

Seated Woman, Mixed Media on Paper by Salvador Gonzales Escalona
Located in Long Island City, NY
Date: 2001 Gouache, Graphite and Pastel on Paper, signed and dated in pencil Image Size: 15.5 x 10.25 inches Size: 17.75 x 12 in. (45.09 x 30.48 cm)
Category

Early 2000s Surrealist Graphite Mixed Media

Materials

Pastel, Gouache, Graphite

Artifacts of Various Realities -Tray 2 Found objects on wood
Located in Santa Cruz, CA
Frog/goddess of transformation is flanked by a single bean believed to carry the souls of ancestors to connect with the past and ensure lineage. Our stories are reluctant to change...
Category

2010s Other Art Style Graphite Mixed Media

Materials

Stone

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

"Butterfly no. 83" Drawing with Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Anonymous Self Portrait XXXVII
Located in New York, NY
Anonymous Self Portrait XXXVII 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Th...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Ink, Graphite

"365 Vessels", Mixed technique on tissue white paper, Red and black, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category

21st Century and Contemporary Post-Modern Graphite Mixed Media

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category

21st Century and Contemporary Minimalist Graphite Mixed Media

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

833 CLE Series: Red Bridge w/Car.
Located in New York, NY
833 CLE Series: Red Bridge w/Car. Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, and the urban neighborhoo...
Category

21st Century and Contemporary Photorealist Graphite Mixed Media

Materials

Acrylic, Color Pencil, Graphite

"Butterfly no. 84" Drawing with Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

872 BRU Series: Steep/Stepped Parade. [Bruges, Belgium].
Located in New York, NY
872 BRU Series: Steep/Stepped Parade. [Bruges, Belgium]. Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, a...
Category

21st Century and Contemporary Photorealist Graphite Mixed Media

Materials

Acrylic, Color Pencil, Graphite

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category

21st Century and Contemporary Post-Modern Graphite Mixed Media

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category

21st Century and Contemporary Post-Modern Graphite Mixed Media

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category

21st Century and Contemporary Post-Modern Graphite Mixed Media

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category

21st Century and Contemporary Post-Modern Graphite Mixed Media

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

Ongoing
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite, Pigment

"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...
Category

21st Century and Contemporary Post-Minimalist Graphite Mixed Media

Materials

Organic Material, Adhesive, Ink, Mixed Media, Acrylic, Handmade Paper, T...

Mirrors of Apprehension Before the Fallen Sun, Abstract Drawing - Wesley Kimler
Located in Chicago, IL
Combining fractions of abstracted drawings into one, Kimler creates a whole new abstracted form. With expressive pours of black paint and brushwork in charcoal and graphite, Kimler's...
Category

2010s Abstract Expressionist Graphite Mixed Media

Materials

Charcoal, Acrylic, Archival Paper, Graphite

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

"Butterfly no. 85" Drawing with Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

"Butterfly no. 81" Drawing with Gold White Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

"Butterfly no. 78" Drawing with Gold White Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Artifacts of Various Realities -Tray 1 Found objects on wood
Located in Santa Cruz, CA
Present black crow and frog. Small child hovers suspended above a black bird taking flight. In balanced on one side another frog--- as brass hook. On the other side a ritual object s...
Category

2010s Other Art Style Graphite Mixed Media

Materials

Adhesive, Found Objects, Graphite

"Butterfly no. 79" Drawing with Gold White Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Anonymous Self Portrait Collage 4
Located in New York, NY
Signed and dated on label, verso Graphite and oil paint on double-sided frosted Mylar film This work is offered by ClampArt in New York City.
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Oil, Graphite

Rick Lewis, Mirror to the Sun III, Painting 2021
Located in Stamford, CT
Mirror to the Sun III Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primaril...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Spray Paint, Graphite, Pigment

Drawings from Mt Gretna XXIX
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell
Category

2010s Contemporary Graphite Mixed Media

Materials

Oil Crayon, Mixed Media, Handmade Paper, Graphite

Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Thalia
Located in Palm Beach, FL
Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Gold Leaf

Borrowed Landscapes Study No.167/ NY, NYC, - Park Skyline
Located in Denver, CO
Nina Tichava's paintings are about relationships; she is interested in the interactions between materials and methods as well as the color and spatial relationships that naturally de...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mixed Media, Acrylic, Postcard, Graphite, Tape

Abstract Physical Graffiti Painting by Joseph Conrad-Ferm, Mixed Media on Canvas
Located in New York, NY
Physical Graffiti by Joseph Conrad-Ferm, 2022 Acrylic, spray paint, oil crayon, graphite, color pencil, paint marker on Canvas W 60" x H 72" x D 1.5" Mixed media abstract painting ...
Category

2010s Abstract Graphite Mixed Media

Materials

Oil Crayon, Spray Paint, Acrylic, Permanent Marker, Color Pencil, Graphite

Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Borrowed Landscapes Study No. 203/Lake Washington Floating Bridge in Gold, Seatt
Located in Denver, CO
Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...
Category

2010s Abstract Graphite Mixed Media

Materials

Acrylic, Postcard, Pen, Graphite

Borrowed Landscapes Study No. 204/The World s Highest Bridge, Royal Gorge, CO
Located in Denver, CO
Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...
Category

2010s Abstract Graphite Mixed Media

Materials

Acrylic, Postcard, Pen, Graphite

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Borrowed Landscapes Study No. 206/The Bay Bridge at Sunset, Oakland/San Francisc
Located in Denver, CO
Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...
Category

2010s Abstract Graphite Mixed Media

Materials

Acrylic, Postcard, Pen, Graphite

Drawings from Mt Gretna, III
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...
Category

2010s Contemporary Graphite Mixed Media

Materials

Oil Crayon, Mixed Media, Handmade Paper, Graphite

Prodigal Son (VIII)
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...
Category

2010s Contemporary Graphite Mixed Media

Materials

Oil Crayon, Mixed Media, Handmade Paper, Graphite

"It’s Complicated"
Located in Philadelphia, PA
"It’s Complicated" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The pa...
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Oil Pastel, Archival Paper, Ballpoint Pen, Graphite

Here Lies John Liethenard…Framed Brass Rubbing
Located in Chesterfield, MI
Brass Rubbing by Donald R McNew. "Here Lies John Liethenard…" (please see secondary photo for full transcription). The piece measures 48 x 34.75 x 1 in...
Category

1970s Graphite Mixed Media

Materials

Mixed Media, Graphite

What Lies Beneath - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Acrylic, Graphite, Oil

Onward - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Acrylic, Graphite

Illumination
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spen...
Category

2010s Abstract Graphite Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite, Pigment

Rick Lewis, Untitled (Blue), Painting 2025
Located in Stamford, CT
Untitled (Blue) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Spray Paint, Graphite, Pigment

Untitled (Linear Composition in Black Purple and Orange)
Located in Brooklyn, NY
Joan Snyder's early 1970s period is known as the best of her career, now an iconic period of time for feminist abstract painting of the era. This fully finished work on paper reads l...
Category

1970s Abstract Graphite Mixed Media

Materials

Acrylic, Gouache, Archival Paper, Graphite

Mixed Media Modernist Painting Collage Nantucket Whirligig Americana Folk Art
Located in Surfside, FL
Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Still Life with Quilt and Nantucket Whirligig" depicting a mixed media still life collage ...
Category

1990s American Modern Graphite Mixed Media

Materials

Paper, Pastel, Graphite

Graphite mixed media for sale on 1stDibs.

Find a wide variety of authentic Graphite mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kory Twaddle, John Anderson, Kelsey Irvin, and Rose Umerlik. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite mixed media, so small editions measuring 1 inches across are also available Prices for mixed media made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $385,000, while the average work can sell for $2,229.

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